Polyspring is a handcrafted serif display font, with a cool flowery flair. It was hand-drawn based on Italia Condensed typeface from Keystone Foundry from circa 1906. Loaded with stylish ornaments and flourishing alternates for all its letters and numbers, this font is a terrific toolbox for display purposes. Yet, it has the superpower of changing the first and last letters in words to its germinated alternates at the click of a button, thanks to the smart OpenType programming. Please note that this feature will only work in OpenType savvy applications. Check it performing live on the sample text below: just click on the Advanced Typography option, located next to the sample colors options (look for an icon showing “ff”), and check the option “swash”. Very cool, isn't it? Happy blooming!

Meet Halagar! a versatile font family that brings a dash of masculine charm to your creative toolbox. With a diverse range of 8 weights, Halagar offers endless possibilities for your design projects. Whether you're crafting a bold brand identity, designing eye-catching packaging, laying out engaging body text, creating striking titles, composing captivating posters, or sharing vibrant social media posts, 'Halagar' has you covered. Its strong and assertive presence adds a touch of confidence to every piece. With Halagar, you're not just getting a font; you're getting a reliable design companion that elevates your work to the next level. Explore the endless potential and let 'Halagar' be your go-to choice for all things branding, packaging, and beyond. Unleash your creativity with 'Halagar' today and make your designs stand out in style!

**Wildlife Animal** a sharp and cutting-edge typeface that perfectly captures the spirit of the forest and the wild. Ideal for Easter Day designs, this font boasts a cute and playful style that's sure to delight. Whether you're creating invitations, greeting cards, or posters, "Wildlife Animal" will help your text stand out with its unique and eye-catching design. With its forest-inspired theme and playful, yet sharp style, this font is perfect for adding a touch of nature to your designs. Download "Wildlife Animal" today and take your Easter Day designs to the next level! --- File Include: - Wildlife Animal otf - Wildlife Animal ttf - Wildlife Animal woof - Readme.pdf Thank you for let us be your design partner, If you have any questions please don't **hesitate** to drop me a message

Hi everyone. This is my new signature style script. Any inscription will look like a natural stroke. This will give a unique look to your projects. Try my new font, it is lined with all the distances and it looks professional and at ease. It is ideal for signature or design, postcards and greetings, websites or blogs. Test it out below to see how it could look for your next project! Includes: Uppercase and lowercase Numbers and punctuation Foreign language support Ligatures Check out my blog: https://www.instagram.com/zloillev pinterest.com/dmitriychirkov7 Enjoy

Easy Speech is a hand drawn font inspired by my own writing, suitable for texts made in a hurry on sticky notes, letters, postcards... Most glyphs collide to give a real badly written feeling.

Display Dots Five is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. Display Dots Five has an uppercase alphabet, numbers, and punctuation.

Display Dots Six is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. Display Dots Six has an uppercase alphabet, numbers, and punctuation.

Proven in newspapers around the world, Worldwide is a classic news face in the modern idiom, somewhat condensed, especially in the display weights. The Regular font of the Text family is loaded with features.

Display Crisp is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. Display Crisp has tall and short cap alphabets, numbers, and punctuation.

Font designed from that used in France in 1492 to print the peace treaty between French and Enqlish Kings in Etaples, French town in Normandy. This font include "long s", naturally, as typically medieval, and only a few special characters as there were not very often used in the text, no more than abbreviations. Added, a lot of accented characters no longer existing on this time. A render sheet, joined with the font file, makes it easy to identify on a keyboard. This font is used as variously as web-site titles, posters and fliers design, editing ancient texts, greetings... This font supports as easily enlargement as small size, remaining a readable and beautiful regular gothic.

Ganyota is a beautiful sans-serif typeface that’s perfect for large displays, small text, and creative typographic creations. This font is ideal for adding contrast, hierarchy, and impact to your branding, developing online adverts, and producing quotations to post on Instagram, among other things. With sixteen families to choose from, this typeface will make it easy for you to build projects. Use it immediately to make your project appear lovely and attractive. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Ekeras is an original design by Alex Kaczun. It is a display font not intended for text use. It was designed specifically for display headlines, logotype, branding and similar applications. Primarily a display, this extremely versatile font has generous proportions, large counters and loose fitting which also allow the font to work well across a wide range of text sizes. The entire font has an original look which is strong, dynamic, machine generated and can be widely used in publications and advertising. Ekeras is a futuristic, techno-looking and dynamic typeface with an appearance of machined-like parts with sharp and rounded edges. The large Pro font character set supports most Central European and many Eastern European languages.

This font has wide letterforms and bends which echo the continuous roads traveled on when reaching distant holiday destinations. The typography aims to be clear and legible, as do helpful road signs. This font can function as headings, subheadings and body text.

Lonely Annie is a fun font for titles or body text. Each letter of the font appears hollow, but with thick borders -- like a little stained glass window. It looks great in small and large sizes, especially with "Outline" or "Shadow" turned on.

TheSerif is part of the Thesis superfamily. Although it was conceived to be the perfect secondary font within the Thesis system – for use in headlines, subheads, pull quotes, etc. – TheSerif has also been used successfully as a text font in its own right.

AZ Hello font was inspired from old auto repair signs. This font utilizes an "old look" to the line work which is designed to have a "worn feel" to it. Ideal for use as headline or sub-head text in you design.

Wedusa with an antique typeface offers the impression of a classic and elegant design. Inspired by classic and modern calligraphic styles. Can support about 35 languages. Will be a versatile font because writing text using this font is also easy to read.

Cartwheel, a super bold and playful display font designed by Tom Censani was inspired by the imperfect beauty of hand-lettered signs at theme parks and the bouncy cadence of text inside comic book bubbles. Cartwheel is a fun attention-grabbing font.

Krom Mono is a modular monospaced font built with pixel shapes. Designed for headlines, posters, and small size body text. This family consist of 9 weights from thin to black plus variable font with a character set that covers over 90 languages.

Introducing new font_ "Adegoke". This is a sans serif font, designed with contrasting countur differences. Gives a simple impression with a thick serif flavor. Some alternative characters are available to give each user freedom in creating headings such as magazines, posters or brands. While the basic character can be used as body text. This font family is also available in oblique style to add variety of users.

Bennet, Richard Lipton’s spirited serif superfamily, was inspired by Moth Design’s logotype and stationery system for the North Bennet Street School in Boston. Initially modest in concept, Bennet grew to an expansive suite of 96 fonts tuned for editorial use. The three widths of Bennet’s Display and Banner sizes—Regular, Condensed, and Extra Condensed—are ideal for precise fitting of newspaper and magazine headlines. Lipton developed graded text styles for the series, offering users precise variations to help compensate for varying degrees of ink spread on different types of paper stock during the printing process. For example, because of ink absorption, the lightest grade—Bennet Text One—printed on low-quality newsprint stock will have the same gray value as the darkest grade—Bennet Text Four—on superior coated paper. (Bennet Text Two is the default grade and offered here.) Bennet also provides for a stellar reading experience in digital media, its carefully considered details vibrant yet legible on-screen.

Bennet, Richard Lipton’s spirited serif superfamily, was inspired by Moth Design’s logotype and stationery system for the North Bennet Street School in Boston. Initially modest in concept, Bennet grew to an expansive suite of 96 fonts tuned for editorial use. The three widths of Bennet’s Display and Banner sizes—Regular, Condensed, and Extra Condensed—are ideal for precise fitting of newspaper and magazine headlines. Lipton developed graded text styles for the series, offering users precise variations to help compensate for varying degrees of ink spread on different types of paper stock during the printing process. For example, because of ink absorption, the lightest grade—Bennet Text One—printed on low-quality newsprint stock will have the same gray value as the darkest grade—Bennet Text Four—on superior coated paper. (Bennet Text Two is the default grade and offered here.) Bennet also provides for a stellar reading experience in digital media, its carefully considered details vibrant yet legible on-screen.

Mettle Bilingual Arabic font, Latin-Arabic for print and web. The Mettle font family contains four weights: thin, normal, medium, and broad. This font supports Arabic, Latin, Persian, Urdu, and Kurdish languages. The digital designer can use the variable Mettle font to access wider options in working with the text.

TAIAMA - modern elegant sans-serif font, 2022 release. The font has a set of Latin and Cyrillic. When designing the font, I took into account it’s simplicity and intelligibility. Even a large amount of text looks stylish and modern, and most importantly, readable. Why not use this font for everything?

Rataczak is a stiff, awkward serifed font that was inspired by similar fonts from the 19th century. It is legible as a text font but not graceful. In addition to plain, italic, bold, bolditalic, extrabold, condensed, and condenseditalic styles, there is a striped style and a font of swash capitals.

Hawkes is an extensive handmade typeface family that comes with a bundle of weights, widths and styles, all designed to work cohesively. Here is a breakdown of the Hawkes family. Hawkes Sans: The primary subfamily is a sans-serif typeface that includes nine fonts: three weights (light, medium and bold) and three widths (narrow, regular and wide). Within this set are an array of stylistic features; including small capitals, character style alternatives, discretionary ligatures and contextual alternatives. See details below for more information on OpenType Features. Hawkes Variable Width Sans: The secondary subfamily is the same base sans-serif fonts but combined in variating widths. Essentially, it takes all three widths of each weight and randomly mixes them together. This creates a funky and creative alternative to the more traditional sans-serif set. The variations are for the uppercase, lowercase, small capitals, ligatures and numbers. Hawkes Script: The last subfamily is the script typeface. It’s a quirky script with variations of its own, including ligatures, swashes and contextual alternatives (again, see below for further details.) The script font works great as a complimentary style to the sans-serif, or on it’s own. FEATURES Alright, let’s get into all the extra goodies this typeface has to offer. Small Capitals: Small caps are short capital letters designed to blend with lowercase text. These aren’t just capital letters just scaled down but designed to fit with the weight of both the lowercase and capitals. With Hawkes, small caps can either sit on the baseline (in line with the base of the capital and lowercase) or to be lifted to match the height of the capital letters by applying the discretionary ligature setting in the OpenType panel. These small capitals have a dot underlining them that sit along the baseline. The feature offers a unique display affect that is great for logos, titles and other headline needs. Discretionary Ligatures: A discretionary ligature is more decorative and unique combination than a standard ligature and can be applied at the users discretion (as the name indicates.) The specific styling for these ligatures varies for different fonts. With Hawkes, they are used as an all capital styling feature, or to lift the small capitals to align with the height of the capitals. In the former setting, both lowercase and uppercase letters are first changed to all capitals, then a specialized set of letter combinations are transitioned so small characters are positioned within a main capital letter. These combinations only happen with main characters that include an applicable stem, such as C F K L R T Y. Some of these combinations include two or three characters. When Small Caps is turned ‘on’, this feature will lift the small caps to the height of the capital letter. For more information, please check out the user guide! Stylistic Alternatives: Stylistic alternates are a secondary form of a character, often used to enhance the look or style of a font. For Hawkes, these alternatives provide a slightly more handmade feel. A - the capital and small capital A will lose its pointed apex and become rounded. Think of it more as an upside-down U than an up-side-down V ;-) Oo, G, Ss, Cc- these characters’ topmost terminal becomes a loop. The O is applied automatically, the G S and C need to be turn on individually. Titling Alternatives: This feature does sort of the opposite of what it intends. Instead of being used for titling purposes, this feature makes the text look better in paragraph text settings. Kk Rr h n m - curved terminals on the are straightened e - the counter stroke also gets straightened from a more looping motion y - the shape of y is changed from a rounded character to a sharper apex (think more like a ‘v’ than ‘u’) Contextual Alternatives: Contextual alternates are glyphs designed to work within context of other adjacent glyphs. With Hawkes Sans, there are three slightly different variations per character. The feature rotates the application of each variation. This helps with organic authenticity, so if you have two e’s next to each other, they won’t look identical (reflecting the natural variations in handwriting and lettering.) With Hawkes Variable width fonts, I have created a contextual pattern that randomizes the widths of each character. So, when the feature is turned ‘on’ in the OpenType panel, the widths would alternate in a pattern such as: Narrow, Wide, Regular, Narrow, Regular Wide, Narrow, etc. It happens automatically so the user doesn’t have to think or worry about getting a random seed. With Hawkes Script, contextual alternates allow strokes to connect properly from one character to the next while maintaining a believable, natural flow. Connecting strokes are present for two letters next to each other but are replaced by a shorter stroke when located at the end of a word or sentence. Some characters have in-strokes when located at the start of a word. When a character is preceded by a capital letter that doesn’t connect, it too needs an in-stroke or altered spacing. This feature is complicated and messy, but luckily you don’t really have to think about it! I’ve done all the coding so all you have to do is turn ‘on’ the feature in the OpenType panel and you are off to the races! I’m just letting you know what’s happening behind the scenes. Swashes: These are just for Hawkes Script and provide tail swashes to the start and ends of letters. There are three different options. You can pick the basic option by turning ‘on’ the swash feature in the OpenType panel, or you can pick using the Glyph panel. Stylistic Sets: This feature work in new versions of Illustrator CC and InDesign CC. You can pick specific styling sets instead of turning on an entire feature. For example, let’s say you want to have a loopy S, but not a loopy C or O, you can just turn on the S in the Style Set. It also helps create the little drop box that pops up when you hover over a character, showing you the alternates associated with that character. This makes it easy to pick and choose specific styles you want in a word or headline. ---------- And there it is folks! That’s all the basic info on Hawkes, I know it’s been a lot and I appreciate you hanging on. If you are like me and need more of a visual reference to accessing all these goodies, I’ve made a user guide to help navigate Hawkes and everything it has to offer. Altogether this extensive family boasts 14 total fonts in a wide array of styles, weights and widths, making it a great addition to any handmade type collection. Enjoy!

A plain text face without any outstanding features.

Telltale is made for headline and text use.

Give a simple rounded fun groovy, fancy, to any text project, also cool for a logotype. I created this font while listening to a lightning seed song, pure and simple, and having fun with it.

Display Squares Two is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. Display Squares Two has upper and lowercase alphabets, numbers, and punctuation.

Introducing Black Ocean!! Handwritten font with quick dry strokes and a signature style. perfect for branding projects, home ware designs, product packaging or simply as a stylish text overlay to any background image or posters.

Display Dots One is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. Display Dots One has upper and lowercase alphabets, numbers, and punctuation.

Lucida is a family of fonts with one basic design, but offered in two variations. It has both serif and sans serif characters. Lucida is suitable for books/text, documentation/business reports, posters, advertisement, multimedia.

Lucida is a family of fonts with one basic design, but offered in two variations. It has both serif and sans serif characters. Lucida is suitable for books/text, documentation/business reports, posters, advertisement, multimedia.

Intense Eve is a crunchy, girly font with jumpy letters. Romantic indeed, and comes with extra heart swashes to jazz up your text! You will need to use OpenType supporting applications to use the autoligatures

Display Dots Seven is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. Display Dots Seven has upper and lowercase alphabets, numbers, and punctuation.

Granola a completely hand-drawn font, when you need more than a regular sans serif to express random granularity. When used in smaller sizes from 14pt down, it works extremely well for book text too.

A revival of one of the popular wooden type fonts of the 19th century. Suitable for text or display, Aetna has thick stems and serifs, related to Roman and Doric, short descenders, tall x height.

Suisside is a sans-serif unicase font design inspired by international style and the new typography. Works great when set in simple, clean and minimal type layouts is recommended for short texts, logos and posters.

Lucida is a family of fonts with one basic design, but offered in two variations. It has both serif and sans serif characters. Lucida is suitable for books/text, documentation/business reports, posters, advertisement, multimedia.