One of six fonts inspired by old stencil lettering guides, Jeff Levine has drawn a font which captures the feel of simpler times when signs and posters were stencilled by school children, teachers, librarians and shopkeepers.

One of six fonts inspired by old stencil lettering guides, Jeff Levine has drawn a font which captures the feel of simpler times when signs and posters were stencilled by school children, teachers, librarians and shopkeepers.

One of six fonts inspired by old stencil lettering guides, Jeff Levine has drawn a font which captures the feel of simpler times when signs and posters were stencilled by school children, teachers, librarians and shopkeepers.

One of six fonts inspired by old stencil lettering guides, Jeff Levine has drawn a font which captures the feel of simpler times when signs and posters were stencilled by school children, teachers, librarians and shopkeepers.

Ageitha is a modern and luxurious handwritten font. Elegant and stylish, this font will become your top choice in no time. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

TOMO Pillo! a blocky style fat face with attitude. Bold, heavy and fun! all at the same time! You will only need this font to make your designs stand out fresh!

Plenti is the fat font to add to your visual communication toolbox. Friendly, square, and quirky all at the same time. It is itching to get used on posters and websites.

Greatest Hits JNL is Jeff Levine's serif version of his 50s style font, Doowop JNL... complete with the same fun look and "good-time-rock-and-roll" feeling as the original!

VWORP! VWORP! This font will travel through the four dimensions of time and space to materialise on your hard drive. TIMELORD was created for Telos publishing's line of DOCTOR WHO novellas.

An entertaining typography, dense but at the same time very gestural. "Ding" is a sans font that contains different alternatives of letters, a Cyrillic alphabet and Dingbat, special for children's titles.

inspired in a old time roman chiseled inscription in a stone wall

Legende was originally designed by Friedrich Hermann Ernst Schneidler. In reminiscence to the good old times, Ralph M. Unger redrew and digitized this font in 2003. His work is based on artwork taken from old font catalogues.

Vintage Wedding is a collection of 432 icons, divided into 4 categories. These symbols were selected and created in order to bring to mind the past times, yet at the same time, to retain the modern design. You can find here such rare and beautiful objects as phonograph or cult eyeglasses. The font includes many diverse elements, which will help you create compositions out of flowers, to choose commemorative vases, and even to dress the bride and groom!

Whoosh JNL is a basic character set font with no foreign or extra characters. It simulates rapid movement and is perfect for displaying titles that convey rush hour, time constraints or speed.

Based on some examples of a Clarendon-inspired wood type design, Clarenwood JNL is a bold and effective titling font which harkens back to old times and advertising on a grander scale.

QuickType is a typeface I designed for demonstration purposes. I used it to illustrate my first book about type design. It has crooked slab serifs and looks very much like a typewriter font. But in order to make things clear I had to overdo some curves and so QuickType turned out a very distinct typewriter typeface. Since those days I worked on the shapes from time to time, so it got better and I extended it to include several neccessary cuts. Now it is a full fledged very usable font. Yours very quick Gert Wiescher.

The inspiration for this font (as well as the name!) comes from a London cafe I visited years ago. I was fascinated with the handwritten menu - irregular and awkward, yet refreshingly charming. I did my best to recall that particular look by adding 4 slightly different versions of each lowercase letter. The name of the font comes from the speed of the waiter...or the lack of it! But luckily he took his time, otherwise I wouldn't have had the time to really look at the handwritten menu! :)

This slighty messy handwritten font was inspired by the scrawl of a teenager given a marker. Meaning it was inspired by my own quick writing at the time. Right down to the stars.

Vreme (eng. Time) is simple, clean and elegant font. Design is based with simple straight lines and elegant curves with slightly rounded edges for nice look. It could be used for different purposes.

Carla Pro is a lively, legible, and partly joining broad-nib script font. I named it after a favourite colleague, in my hot-metal time, who set on the Linotype next to mine.

Hi! Presenting a cute pin-up style font named Skater Girl. It has a modern and vintage look at the same time. Also few ligatures and alternate glyphs are available in this typeface.

Assembler is a font designed by Ethan Dunham that has a slightly bouncy, organic feel, but at the same time is mildly cold and angular. Suitable for headlines and single lines of text.

Mad Cash is punked, grunged and shattered - all at the same time! When viewed at a small scale, the font seems grungy - but the larger you view it, the more shattered details appears!

I used to be a tour guide and spent a lot of time in Asia. One thing that I really liked, was having noodles, ANY kind of noodles, for breakfast! Breakfast Noodles is a very uncomplicated headline font: I made it while seriously renovating our ‘new’ home (a fixer upper farm), which means that this particular font was made over a period of almost 3 months… It wasn’t exactly a letter at a time, but close. I will try and make the next font in, say, under two months… Hopefully! In the meantime, enjoy this one!

Hail to the king baby! Inspired by the greatest comics artist of all time, these fonts will have you lettering pages like a New God! Both feature a seamless center squiggle and the deluxe font feature awesome Kirby crackle!

This font is a nod to paper notebooks in which a long time ago students made notes. That's why the font looks like written by hand. The inspiration of this family font is the phrase, "Let me go back to the past".

Maebashi is a display font in Japanese style. This font comes with a Japanese feel and you can feel it every time you use this font. It's the perfect font for multipurpose projects like logos, branding, posters, headlines, and more (especially for Asian-themed projects).

Something beautiful does require extra energy to realize it !!! This Saylove font is very tiring in its work but now you only need a few minutes in an instant to make various crafts that you are working on, which allows you to work on various types of typography you need to get beautiful hands made in a short time. With some interesting initial and final forms, the Saylove font suits your needs in creating logos, invitations, cards, product packaging, headers, and whatever you want. You will be very satisfied with the presence of attractive replacement letters, where you can make according to the shape you expect, Saylove is equipped with a number of small letters including swash that you can use to realize a hand job that suits your imagination. I really hope you will get special satisfaction in using this font.

Shine Glitter is a handwritten font with a modern calligraphy feel. Shine Glitter is perfect for modern projects, titles, blogs, logos, branding, invitations and more! Accent characters are included at this time. Thank you!

Krellon invites you to step back in time and embrace the elegance of the past with its vintage style. Rounded shapes define each character, creating a sense of approachability and friendliness. What makes Krellon so special is its subtle, textured appearance. The font carries a delightful roughness that adds authenticity to your text, as if each letter has endured the test of time. Beautiful ornaments are included as a bonus. Krellon fits in headlines, logos, branding materials, and many more.

A long time ago, I used to work in a Pundak near the Dead Sea. It was a typical halfway restaurant slash gas station and you could order the usual dishes: fries, schnitzel, salad. Of course, this typeface has nothing to do with that Pundak; I just thought about the time I spent there when I created it. Pundak font is an all caps contoured affair. Ideal for packaging (not just Schnitzels…), headlines and posters. It comes with all the diacritics.

ALERT: Comicraft's Mad Font Scientist John Roshell and Lead Lab Assistant Drewes McFarling have applied an Unstoppable Force to our Immovable Font ULTIMATUM, successfully splitting it into a family of three fonts! Here’s the secret formula: ULTIMATUM MASS retains the dynamic details of the original with flat, angled corners; ULTIMATUM FORCE cooperates with your demands for a vertical slice of the action; and ULTIMATUM VELOCITY got tired of waiting for a compromise and cut across its horizontals. The complete family features three styles of eight weights for a total of 24 fonts, each with support for 221 languages including Western & Central Europe, Vietnamese & Cyrillic. Three Variable Fonts provide precise control of Weight & Italic slant. ULTIMATUM MASS FORCE VELOCITY is ideal for high performance car & truck branding, sports uniforms, video game graphics, college & university apparel, and any time you want to convey industrial strength and technological innovation.

About 7 years ago, I released a beautiful (imho) Art Deco inspired font called Weltschmerz. Weltschmerz was an all-caps font and I always wanted to do a lower case version as well. But as things so often go in life, I never found the time and forgot about it. Some time ago, I ‘rediscovered’ my good old Weltschmerz font and remembered that I wanted to create a lower case version. Without further ado: here is Neuer Weltschmerz (‘New Weltschmerz’). I redid the whole font, better kerning, better spacing, better looks… and with a proper lower case! I did keep the original handwritten look intact - because, well, it IS hand made!

Lost Souls is intended to represent something old, retro and innovative at the same time.

This monospaced version of Galix was commissioned in 2037 by the space exploration company Earth2, as part of a major overhaul of their branding, which had used, since 2021, a generic sans serif (much like every other company). Many specialists in both design and space exploration suggested that this very rebrand started a chain of events that concluded with the invention of time travel in 2041. Contrary to the perceived notion put forward in popular Science Fiction, time travel is only (as of now) possible in the digital realm. It was considered fitting that included among the first files sent back in time should be the Galix Mono typeface, which was remade in OTF format to ensure that it would work with the technology available in 2019. Earth2, for all their insight, did not foresee that the release of the typeface in September of 2019, would lessen the impact of their rebrand. What kind idiots would rebrand a forward looking company with a font that was, by then, almost 18 years old? The subsequent lacklustre response to the redesign didn’t inspire the tidal wave of R&D funding Earth2 had anticipated, and the company went into administration in the summer of 2039, having never invented the time travel which made the release of Galix Mono in 2019 possible. Experts believe that the files sent back in time, although their very sending made it impossible for them to be sent, remained as “time relics” of the future that might have been.

If you need a fantasy font that will brighten up your book about Drakula or your game about Tricksters or other fantasy characters or your movie needs magic then this font is for you. Any time if you need magic, the font is for you!

Born out of an insatiable addiction to handwriting fonts, Andrea's Handwriting fonts are simple, readable and easy on the eyes. Each font is cool, casual and fun all at the same time. Perfect for printing your personal thoughts be they silly, pensive or absolutely nonsense!

Alessyia is a classic style typeface font. This font has classic but at the same time a fresh look. "Alessia family" includes 3 font types: Regular ( Classic and elegant with straight geometric lines ) Grunge ( Dirty and messy ) Retro ( Hand drawn brush font with an uneven texture )