8,376 search results (0.037 seconds)
  1. ChocolateBoxDecorative - Unknown license
  2. Santa'sSleighFull - Unknown license
  3. Arachnids - Personal use only
  4. peach sundress ~ - Unknown license
  5. Nemo Nightmares - Unknown license
  6. Milkmoustachio - 100% free
  7. Grenouille - Personal use only
  8. RhumbaScript - 100% free
  9. Fiddums Family - Unknown license
  10. Adry of Hanabi - Personal use only
  11. Chiquita Banana - Unknown license
  12. Marquis De Sade - Unknown license
  13. CAC Lasko Condensed - Unknown license
  14. Belshaw - Personal use only
  15. Steelplate Textura - Personal use only
  16. King Xmas Trial - Unknown license
  17. Beast vs Buttercrumb - Unknown license
  18. Fantastic MF - Unknown license
  19. Raslani Tribal - Unknown license
  20. Fannys Treehouse - Unknown license
  21. Shifty Chica - Unknown license
  22. Midnightman - Personal use only
  23. Baudi by MKGD, $13.00
    Bauhaus is a style of art that was born in Weimar Germany in the early part of the 20th century. The font that bears the bauhaus name was constructed in accordance with this style by making use of spheres and squares with little or no added flourishes. Since this typeface was already minimalistic in appearance, it was difficult to produce a similarly styled font. So I went back to bauhaus’ architectural roots for inspiration. The result contains a more detailed composition, but is still focused on the basic aesthetics that continue to make bauhaus a popular art form. Baudi has a glyph count of 388 and supports the following languages Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkmen, Upper Sorbian, Vunjo, Walser, Zulu
  24. FancyPants by Adriprints, $8.00
    FancyPants is the first script font for Adriprints. It is always a challenge to jump into something new, and cursive script was right up that alley. FancyPants is a semi-linking, quirky, cursive script available with extended glyphs for international use.
  25. DIN Next Rounded by Monotype, $56.99
    The name DIN refers to the Deutsches Institut für Normung (in English, the German Institute for Standardization). The typeface began life as the DIN Institute's standard no. DIN 1451, published in 1931. It contained several models of standard alphabets for mechanically engraved lettering, hand-lettering, lettering stencils and printing types. These were to be used in the areas of signage, traffic signs, wayfinding, lettering on technical drawings and technical documentation. Rooted in earlier designs for Germany's railway companies, the alphabets were based on geometric shapes in order to be easily reproducible using compass and ruler. In post-1945 West Germany, the DIN alphabets were widely used, for instance on most road signs. They became available as fonts that were appreciated by designers for their industrial, somewhat quirky and “non-typographic” look and feel. From the 1990s onwards, more refined versions became available for use in book and magazine typography. DIN Next is a typographically corrected and expanded version of this quintessential 20th-century design. DIN Next Rounded is its softer, friendlier version.
  26. Toffee Script by Suomi, $25.00
    Toffee is based on Art Noveau typeface Regina Cursive.
  27. Fiorenza by Scriptorium, $18.00
    Fiorenza is based on cursive calligraphy from Renaissance Italy.
  28. P22 Folkwang Pro by IHOF, $29.95
    Folkwang is an unusual roman type with a lowercase that resembles an upright italic. Unusual top serifs are contrasted by almost no foot serifs. Originally released by the Klingspor foundry in 1955, this face originated from Hermann Schardt while he was the director of the Folkwang Werkkunstschule in Essen Germany circa 1949. According to British book designer and printing historian John Dreyfus in the 1955 Penrose Annual: Folkwang “…is a lovingly made piece of work which could have easily have been little more than an act of awe-struck reverence for the calligraphic techniques rediscovered by Edward Johnston and spread abroad in Germany by Anna Simons. Of special interest is the serif treatment of the lower-case letters: at the feet the terminals are mostly left bare, but the ascenders and the cross-strokes of the f and t are given elaborate curving serifs which in the mass create an effect unusual in a page of letters made as movable types, resembling rather more a piece of intaglio engraving. The ligatures ch and ck are original and successful.”
  29. Pixochrome - Unknown license
  30. Mechanikschrift by Victory Type, $12.00
    Mechanikschrift, roughly German for “mechanical writing”, is a typeface from Noah Rothschild and Victory Type. The aesthetic of this font is just what its name points towards: machine-like structure with a German flare. Minimalism is often associated with German design, and Mechanikschrift is a minimalist typeface. Furthermore, the designs of the characters, outside of the general theme of squared-off corners and angular appearance, are related to Herbert Bayer’s work at the Bauhaus.
  31. Heckel by Hanoded, $15.00
    Erich Heckel (1883 - 1970) was a German painter and printmaker. He was a founding member of Die Brücke (The Bridge), a group of German expressionists. Heckel font somewhat resembles the loose (and messy) handwriting Erich Heckel used in some of his drafts.
  32. Futura BT by Bitstream, $39.99
    Futura is the fully developed prototype of the twentieth century Geometric Sanserif. The form is ancient, Greek capitals being inscribed by the Cretans twenty-five hundred years ago at the time of Pythagoras in the Gortyn Code, by the Imperial Romans, notably in the tomb of the Scipios, by classical revival architects in eighteenth century London, which formed the basis for Caslon’s first sanserif typeface in 1817. Some aspects of the Geometric sanserif survived in the flood of Gothics that followed, particularly in the work of Vincent Figgins. In 1927, stimulated by the Bauhaus experiments in geometric form and the Ludwig & Mayer typeface Erbar, Paul Renner sketched a set of Bauhaus forms; working from these, the professional letter design office at Bauer reinvented the sanserif based on strokes of even weight, perfect circles and isosceles triangles and brought the Universal Alphabet and Erbar to their definitive typographic form. Futura became the most popular sanserif of the middle years of the twentieth century. Ironically, given its generic past, Futura is the only typeface to have been granted registration under copyright as an original work of art, and, further irony, given the key part played by the Bauer letter design office, the full copyright belongs to Renner and his heirs. This decision in a Frankfurt court implies that a further small group of older typefaces may also be covered by copyright in Germany, particularly those designed for Stempel by Hermann Zapf. This situation appears to be limited to this small group of faces in this one country, although protection of designers’ rights in newer typefaces is now possible in France and Germany through legislation deriving from the 1973 Vienna Treaty for the protection of typefaces. Mergenthaler’s Spartan is a close copy of Futura; Ludlow’s Tempo is less close. Functional yet friendly, logical yet not overintellectual, German yet anti-Nazi... with hindsight the choice of Futura as Volkswagen’s ad font since the 1960s looks inevitable.
  33. Schneider Buch Deutsch by Intellecta Design, $21.90
    a digitization of a classic blackletter by german typographer Schneidler
  34. Dractura by Aerotype, $29.00
    Dractura is based on a fifteenth century German fraktur typeface.
  35. Mitropaschrift by RMU, $-
    The letter faces of the former German catering organization Mitropa.
  36. Dracena by Aerotype, $29.00
    Dracena is based on a sixteenth century German fraktur typeface.
  37. KG Hard Candy by Kimberly Geswein, $5.00
    Whimsical, hand-drawn connected cursive handwriting in both striped and solid versions.
  38. Bethencourt by Apostrof, $30.00
    Bethencourt is a font family designed by Vsevolod Buravchenko & Viktor Kharyk with technical support by Konstantin Golovchenko. It is based on uncial, half-uncial, Old Roman Cursive and New Roman Cursive. The character set includes Latin Extended characters, stylized Cyrillic and decorative elements in the form of playing dolphins.
  39. Hausbau by FaceType, $8.00
    Hausbau is a radical geometric font, inspired by the German Bauhaus.
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