Plz Print Brush is a good solid font for posters, headlines and accent words like - SALE! It gives the slightly irregular look of handlettering.

Ginky is another one of those grafitti- and comic-inspired pizzadude.dk fonts! You will need to use OpenType supporting applications to use the ligatures.

Serico is a font family that rekindles the past. It supports 114 languages, features a total of 508 glyphs and includes an italicized version.

Pull up your Jackboots and check out this Teutonic title font designed by Richard Starkings for Rob Liefeld's controversial relaunch of Marvel's CAPTAIN AMERICA.

The font is made in the direction of Tribal aesthetics. He is restrained, but at the same time very cityistic, has an aggressive mood.

Just a straight and simple font with a character of its own: written with a HB pencil which is very recognizable in its appearance.

Case Closed JNL is a bold, slab serif stencil font inspired by a set of brass stencils spotted for sale in an internet auction.

Glitterati is Disko 2005. This font contains alternative versions that enable customisation of headlines and are intended to be freely mixed in one setting.

This is an Arabic font designed according at the standards of Calligraphy. It contains a consistent styling and can be used in many functions.

Retrozoid is the first Open Type font from Pizzadude. It has got loads of different autoligs, just take a look at the preview pic!

A hand lettered font with quirky style Specifics: Cute style with average high of uppercase Numerical, Punctuation, Multi language included Hope You enjoy it.

It is the 3rd inscription font I shared with Liljegren Runic, one of the inscriptions in America. I couldn't find much information about it.

Environ is a rounded and modular font. Because it utilizes many straight lines, it works well for small blocks of text at small sizes.

Yiehar! Woohee! This is a funky and chunky wild west PizzaDude font! Buy all three versions at once and save a fistful of dollars!

Super heavy font inspired by the wide trunk of African trees known as baobabs, available in two versatile styles, with sharp, and rounded corners.

Great Western is an engraved roman font that reminds you of the old railroad days when steam locomotives made their way across the countryside.

Vermouth is a new Layered font family inspired by Italian signs of the 60s You can create awesome colorful display text overlapping some styles.

Brilliante is a geometric, uniform stroke, sans serif font with rounded end strokes. It is ideal for headlines, titles, branding, small blocks of text.

Happy Holidays! Okaycat's "Christmas Card" is a dingbat font that brings cheer to the season with a great selection of holiday greetings & Christmas symbols!

A playful slab-serif font. This typeface is versatile enough to be used in any type of design work, be it serious or fun.

Belynos, a simple and elegant didone. Plus a bit of triangular! Font family contains from Light to Black and suitable italic for various designs.

The Vtg Stencil series of fonts from astype are based on real world stencils. All styles offering an extended Latin character set. » pdf specimen «

This font is intended to be used with all of the lowercase letters. Alternate glyphs for each letter are contained in the capital letters.

Auxilia is a geometric sans serif font with a bit of humanist feeling, comes with various weights and condensed width for all purpose design.

Signage mandated by the Americans with Disabilities Act of 1990, plus additional accessibility signs, in both font and EPS format in the same package.

Plant Assortment was inspired by plant renderings from historic sources. This font contains an assortment of 47 plants located under the character set keys.

The swooshy swirls of the uppercase paired with the simple lowercase creates a very useful title font. Romantic and girly but still perfectly legible.

FeggoliteDancing has monospaced, wobbly letters. It is a variation of FeggoliteMono. For other fonts that have the same tipsy look, see NoPain and Seasick.

Characterized as inline display font family with childish manners, Scholle offers positive (Shadow) and negative (Regular) weights grouped by bouncing rhythm of its characters.

Rettaya is a cool, bold display font. It will elevate a wide range of crafting ideas, from cards, to branding, labels and much more.

The influence for this font came from the Fred Africian's uppercase letter composition shapes, published in "The Art of Letter-type" album, Yerevan, 1984.

HildiniaDonut is the second font designed by Hilde Rikken (age 10). I think a mouse took a little bite out of all the characters...

Napolitanka is an elegant high contrasted font family. Contains a set of ligatures and swashes in each weight and borders as separate OTF file.

C.P. Company is a group of types including 4 different forms and it is a complementary sign of communication for the C.P. Company clothes maker. C.P. Company communication makes use of media such as the press and the web and that’s the reason why we have always felt the need for a font that would not show incongruities through the monitor. Therefore we have decided to change the structure of glyphs like a, e, g, s… in the most contrasted versions to prevent the serifs from touching the internal parts of the letters and in this manner we have made a really unusual stylistic choice for a group of types. The difference between the height of caps and smalls is very low (about 20%) so that the smalls are easy to read even when their dimensions are on a very small scale. Moreover this stylistic solution gives the possibility to avoid using the small capitals in case of charts and catalogue codes (i.e. Tricot M5) and provides more vertical compactness between the lines. Even a sentence written in capital letters next to another one written in smalls does not look so much contrasted from a typographical point of view and then it is not unpleasant. The limits due to different constructive principles have been overcome by means of a grid based on the automatic division of EM square of 9-point type and in this manner the letters have a wider face. The font is even more unusual owing to the style chosen that belongs to the classical tradition of hair-lined types for glyphs like e and also thanks to ligatures like ? in the characters set. CP Company is a geometrical font whose alphabet makes use of the style of types that preceded the Helvetica, matched with more experimental and updated solutions. Numbering is monospaced. The bending of number 2, the slight raising of the oblique serif of number 4 and the presence of a hair-line in number 7 are the solutions adopted to make the types match in a more balanced manner.

A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. These Tessie fonts have two family members, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. Shapes that tessellate and also resemble real-world objects are often called Escher-like tessellations. This typeface contains Escher-like tessellations of birds. A number of years ago I decided to see how many of the 28 Heesch types of tessellations I could use to make birds standing on the backs of other birds. I found standing bird patterns for all 17 of the types that had either translated or glided edges. The TessieStandingBirds typefaces contain the standing-bird shapes that I discovered. At first glance they seem to be quite similar, but small differences matter in how they fit together. Most of the patterns require more than one character. The sample file here shows how pieces fit together to give tessellating patterns. (Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns.)

Super Puff MX is a Y2K inspired variable display typeface that takes from early 2000's futurism, pop, and cartoon aesthetics. Due to its heavy weight and alternates it offers, it's perfect for a variety of logos, 3D, and motion graphics. SPMX was designed specifically for those use cases, and its wide range of styles and alternates gives you lots of freedom for creating unique graphics that still capture the same fun, futuristic, and playful early 2000's aesthetic. Features & What's Included: Variable font file that allows you to choose any slant degree from Regular to Full Tilt. OTF font files in 4 styles or slants, from Regular to Full Tilt. This is included because many young, talented designers around the world don't have access to programs that can take advantage of a variable font. I want them to have the option of using properly slanted and kerned oblique instances of Super Puff. Robust OpenType features including a vast pool of alternates and stylistic sets giving you lots of choices when choosing letters, numbers, and punctuation. Two stylistic sets for letters and numbers One stylistic set for punctuation and symbols One stylistic set that replaces punctuation with Y2K style icons Extensive Latin language support covering almost all of Europe and South America. All multilingual glyphs have access to alternates as well. Super Puff MX was designed and developed by Abe Zeinali/Xuveki.

Assemblage Designed by Daniel Hernández, Alfonso García, Bruno Jara Ahumada and Luciano Vergara. Thanks to Pedro González for his contribution in the initial stage of the design process. Assemblage is a typeface-inspired by Roman square capitals-that comes in 6 different weights and ranging from Thin to Black. The background of the typeface makes it well-suited for branding, short text, titles and complex compositions, thanks to its italic version. Contrary to some conservative fonts, Assemblage includes an italic version with a look based on Elzeverian and Dutch Barroque typefaces, what gives the font an extra dash of elegance, resulting in a very enjoyable design. The family was specially created for labelling wine bottles and general packaging. Assemblage is a font collection consisting of a Sans Serif plus an Italic version of classic features. The family comes in 6 weights and includes ligatures, caps and small caps plus 3 sets of smaller small caps for different kinds of composition. The Italic version-with strong decorative features-comes with swashes. Assemblage also includes a set of dingbats, especially designed for packaging as well as for publishing or branding. The Sans contains 979 characters and the Italic version 620 characters. Assemblage supports 212 different languages and its OpenType features include ligatures, semi oldstyle figures, 3 sets of ornamental small caps (in the Sans version), swashes, ending forms and alternates in the Italic version.