Want to add an urban touch to your designs? Try using the Shock Graffiti font! This font offers a distinctive writing style and is very suitable for urban and street-themed designs. With Shock Graffiti, you can bring a strong and bold impression to every design you create. Shock Graffiti comes with a complete set of letters and fine details, so you can customize your design better. This font is also very easy to use and compatible with various design applications. Suitable for use in posters, merchandise, or even in t-shirt and hoodie designs. Get Shock Graffiti now and become a daring design creator! Available at an affordable price and with flexible licensing, so you can use it without limits on your future projects. What’s Included : - More than 200 of glyphs ( include Uppercase, Lowercase, Numerals & Punctuations ) - multilingual support - Works on PC & Mac - Simple installations - Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. - PUA Encoded Characters (fully accessible without additional design software) Support For Language : Albanian, Basque, Breton, Chamorro, Danish, Dutch, English, Faroese, Finnish, French, Frisian, Galician, Italian, Malagasy, Norwegian, Portuguese, Spanish, Alsatian, Aragonese, Arapaho, Arrernte, Asturian, Aymara, Bislama, Cebuano, Corsican, Fijian, French_creole, Genoese, Gilbertese, Greenlandic, Haitian_creole, Hiligaynon, Hmong, Hopi, Ibanag, Iloko_ilokano, Indonesian, Interglossa_glosa, Interlingua, Irish_gaelic, Jerriais, Lojban, Lombard, Luxembourgeois, Manx, Mohawk, Norfolk_pitcairnese, Occitan, Oromo, Pangasinan, Papiamento, Piedmontese, Potawatomi, Rhaeto-romance, Romansh, Rotokas, Sami_lule, Samoan, Sardinian, Scots_gaelic, Seychelles_creole, Shona, Sicilian, Somali, Southern_ndebele, Swahili, Swati_swazi, Tagalog_filipino_pilipino, Tetum, Tok_pisin, Uyghur_latinized, Volapuk, Walloon, Warlpiri, Xhosa, Yapese, Zulu, Latinbasic, Ubasic, Demo

Stencil Package JNL has its design roots in the brand name hand-lettered on the paper sleeves for the short-lived Stencil-It line of lettering guides produced in 1955 as a direct competitor to Stenso Lettering Guides. Formed by Bernie Aronson [a relative of the Libauers who owned the Stenso Lettering Company and who once worked for them] along with a financial partner (noted artist) Sidney Levyne, the company was soon put out of existence by a court action. It re-emerged in 1956 as the E-Z Letter Stencil Company and existed until the 1990s. Stencil Package JNL is available in both regular and oblique versions.

This font is one of the most used broken letter fonts today. Fette Fraktur is used to invoke a nostalgic or rustic feeling and found often on restaurants with hearty homemade food’ or breweries who use the good old recipes’ of the founder. The font was designed in the 19th century and from the beginning intended as an advertisement typeface. The lower case letters have a gothic character with only the ornamental flourishes making them broken letters, while the capital letters are more characteristic of broken letter typefaces. One could say Fette Fraktur is a true mix of styles, not unusual for typefaces created at the turn of the 19th century.

Kamila is a connected script typeface with an elegant feel. It is based on custom lettering and works well in all letter combinations in a harmonious way. This typeface has over 900 glyphs and includes 6 sets of stylistic alternates with swashed letters, standard ligatures, ornaments and other alternates for more versatility. Kamila is suited for most latin languages both in its basic and alternate letterforms. It also has initial and final letters that appear automatically when you type, which makes it feel more similar to writing. Every letter was carefully crafted and connections are smooth. Kamila is great especially for titles, posters, magazines, books, wedding invitations and logos. Enjoy!

The letters in Bouncer are round because they all begin as a ball and then have parts of the ball cut away. Bouncer was one of the earliest typefaces from Ingrimayne Type. Lower-case letters are smaller versions of the upper-case letters. BouncerTwo, designed twenty years after the original Bouncer, continues playing with the idea of making letters by cutting out parts of a circle, but in this case the circles are interlocking. All letters are upper-case but some of those on the lower-case keys differ from those on the upper-case keys. BouncerTwo is eye-catching but not highly legible.

The Trellis font family was an effort to combine my love for Art Nouveau and storybook lettering. The capital letters are intricately illustrated and fully appreciated when magnified. Trellis is a font family decidedly decorative and ready for greeting cards and holiday cheer. I was inspired by Storybook caps for the capital letters, and wanted to combine it with some lettering from early 20th century posters. What are its main characteristics and features? Leaves intertwined and growing out of the ends of the capital letters. Although it's highly decorative, it remains legible. Usage recommendations - Holiday Greetings, scrapbooking, personal seals since the capitals are quite attractive.

Say hello to State, this family is inspired by sport and a further development on Comply Slab. This family of fonts has some bold letters as well as stylistic alternates to give your layouts some interesting variation. State comes in 3 styles, Regular, Soft and Rough each with 7 weights and italics. It was specifically designed with a wider structure for better appearance in small sizes and the extra attention to the detail was needed for the big sizes. Use State to get the delivery you need, whether its for print, online or Television.

New Jonesy Latin is a rough version of Jonesy typeface. It includes 4 Styles: Print Script, Print Capitals, Rough Script and Rough Capitals for Latin languages. Print Styles work better in middle and large font size. New Jonesy is a funny modern script with a touch of vintage. It is good for menu, packaging, posters and as a starting point for lettering and logos. All contextual alternates are built into the “Liga” feature that is turned on by default. However, when your work with the typeface, please make sure that “Liga” is turned on.

Reklame Script is a brush typefamily consisting of four weights. It was designed by Hannes von Döhren in 2010. This family is influenced by the handlettering of printed advertisements of the 1940s and 1950s. You can combine the four weights to gain a better emphasis – perfect for headlines, posters, and other display uses. Reklame Script is equipped for professional typography. The OpenType fonts have an extended character set to support Central and Eastern European as well as Western European languages. The fonts also contain double-letter ligatures to prevent repetition.

Marketing Strategy JNL was inspired by some display signage used in an episode of the classic "Alfred Hitchcock Hour". Evoking the early-60s feel of kitchy advertising, this display font has a limited character set and is specifically designed for creating retro ad banners and point-of-sale attention getters as well as period piece signage. For those preferring a blank hexagon for spaces between words, one is located on the equal key. Marketing Strategy JNL is available in both regular (outline) and solid (white letters on black) versions.

The Flounder Pro is a simple and clean condensed all-caps sans serif font. It is a close relative of the Floz, but has rounded edges. It comes with Cyrillic, Greek and Latin alphabets, the latter including loads of accented characters. It is also equipped with a bunch of ligatures, as well as alternates for the letters J, W, Q, Z, Ω and Ξ. Those features are easily accessible via opentype features. This family includes three weights with their respective italics and backslanted versions. The Flounder works well for Logos, Headlines, or short texts.

Nimbussant Bresslo is a contemporary sans and attipic unicase were lowercase alternates with smallcaps creating an unusual look that can be used in posters, logo design and headings or small bold plain texts. This grotesque typeface supports most of the latin based languages and also kyrillic and greek alphabets. For a plus of a modern and young appeal, some of the letters have a very sharp, straight and minimalist body design but you may find also their stylistic alternates to better emulate the look you find more appropiate for your design.

Verge exploratory information transmitter Verge type family operates at the very edge of art and technology in the typographic constellation. Its fairing is designed with a new technique that adds better stability to the curvature. It is prepared for all environments and communicates with minimized latency. The letters of this contemporary slab serif are compact, clear and rather simple. It is suitable for branding, longer texts, information graphics and signalization. The typeface’s x-height is a little above 70% of its capitals. The italics are designed at a 7° angle.

ITC Cushing has a long history. The typeface was originally designed by J. Stearns Cushing, a Boston-based book printer, and famous American type designer Frederic Goudy expanded it to include an italic weight. Under a special license from the American Type Founders, Vincent Pacella modified the design for ITC and added some additional weights. ITC Cushing is slightly condensed with large, bracketed serifs. Pacella changed the capital letters to better complement the lower case and replaced the sloping serifs of the italics to linear type serifs to produce ITC Cushing.

Spark a revolution for a better future with Spark Sans. Super clean and geometric, this display typeface is ideal for tech, transportation, electronic music, revolutionary products or other disruptive ideas that move us beyond the present. Spark Sans has a relatively high x-height and squared off curves that give it a distinctive look while still maintaining a minimalist aesthetic. The design originated with custom lettering for the Primitive Spark identity, which became the foundation for the bold style. With 260 glyphs, Spark Sans is a great choice for many languages with Latin characters.

Santis is a multiface type, special for logos, brands, magazines and editorial world. Especially for setting trends in fashion and design. The particularity of this font is that you can easily read it, even when applying swash type letters. It is a Didot based font. Santis versatility can harmoniously display a word or phrase. Santis has 1017 glyphs with alternate characters, numbers and ligatures ornaments specially created for a better design. For best results use with Open Type. Designed by Enrique Hernandez with technical support of Daniel Hernández.

In the late 1930s, old Egyptiennes (or Italiennes) returned to the collective consciousness of European printers and type houses — perhaps because political news were front a centre, especially in France where Le Figaro newspaper was seeing record circulation numbers. In 1939 both Monotype and Lettergieterij Amsterdam thought of the same idea: Make a new typeface similar to the reverse stress slab shapes that make up the titles of newspapers like Le Figaro and Le Frondeur. Both foundries intended to call their new type Figaro. Monotype finished theirs first, so they ended up with the name, and their type was already published when Stefan Schlesinger finished his take for the Amsterdam foundry. Schlesinger’s type was renamed Hidalgo (Spanish for a lower nobleman, ‘son of something’) and published in 1940 as ‘a very happy variation on an old motif’. Although it wasn’t a commercial success at the time, it was well received and considered subtler and more refined than the similar types available, Figaro and Playbill. In the Second World War, the Germans banned the use of the type, and Hidalgo never really recovered. Upon closer inspection, Schlesinger’s work on Hidalgo was much more Euro-sophisticated and ahead of its time than the too-wooden cut of Figaro and the thick tightness of Playbill. It has a modern high contrast, a squarer skeleton, contour cuts that work similarly outside and inside, and airy and minimal solutions to the more complicated shapes like G, K, M, N, Q and W. It is also much more aware of, and more accommodating to, the picket-fence effect the thick top slabs create in setting. Basilio (named after the signing teacher in Mozart’s Figaro) is the digital revival and major expansion of Hidalgo. With nearly 600 glyphs, it boasts Pan-European language support (most Latin languages, as well as Cyrillic and Greek), and a few OpenType tricks that gel it all together to make a very useful design tool. Stefan Schlesigner was born in Vienna in 1896. He moved to the Netherlands in 1925, where he worked for Van Houten’s chocolate, Metz department store, printing firm Trio and many other clients. He died in the gas chambers of Auschwitz in 1944. Digital revivals and expansions of two of his other designs, Minuet and Serena, have also been published by Canada Type.

March Evoked is a brand new display font pack that includes regular and outlined version. march Evoked is inspired by an early spring in Spain, with flowers in full bloom all over the capital city - Madrid. With contrast lines & curves it will give your design that chic & modern appeal you are looking for. It is perfect for logos, branding, posters, social media & all other creative projects. I invite you to check out the preview images, and I hope you will be immersed in my vision for this creative typeface that, I am sure, will work for all kinds of interesting projects you might be working on this year. If you end up publishing your designs on Instagram, tag me - https://instagram.com/silverstagco and I will make sure to showcase your design and work to my audience as well! March Evoked - Creaive Display Font Includes: Numerals & punctuation Full language support Would you like to get 5 completely free fonts worth over $75? No tricks, no hidden words, terms or anything. Just subscribe to my newsletter, make sure to check your email to approve the subscription, add me to your contacts so that the emails don't end up in spam folder and you will get 5 fonts for free. The fonts are packed with alternates, ligatures and some even come with extra goodies. https://view.flodesk.com/pages/63594052b967a943dd6cc528 Happy creating everyone!

STF Eclectic Two contains more of the useful and the sublime. Alarm clock time icons and many characters which connect add extra usefulness to this dingbat font. Stuff you'll need someday for a graphic element, bullet or dingbat application. Perfect for website icons! The Eclectic family is legendary, with a cult-like following among the inititated. With over 100 characters in the complete set, you'll find yourself using Eclectic Two almost daily to add spice to your otherwise san-serif typographic existence. This font is essentially a soap opera of typographic image elements, created for projects when I couldn't find the "thingbat" I needed. Almost more of a collection of illustrations, there are many characters which connect to form patterns, and of course it's like a "small neutral European country" army knife for the creative community. EcTwo features an complete architecturally-inspired alphabet, more of those smiley face variations, the eight ball, alarm clocks for the hours, the bouncing ball (with connecting dotted lines!), the paper airplane (flying and crashed!), the work dog, the chainsaw, Dorothy's slippers, the sideways arrows again, a handicapped symbol, chicken feet tracks, male/female symbols, gears, polynesian-inspired ornaments for patterns, a lighthouse, a torch, and more. Sounds twisted, eh? Make your own juxtapositionsof characters for funky borders. Available in Mac and PC formats. License it today!

Back in 2011, Gelato Script was the best-selling brush script font on MyFonts, and has remained popular, appearing on everything from designer handbags to primetime TV shows; from food blogs to wedding invitations; from glossy magazines to (not so imaginatively!) ice cream shops. All these years on, and it struck me that there is much that could be improved on; there are certain glyphs that never quite felt right. So I decided to update Gelato Script, and this is the result, Gelato Luxe. What started as a simple update quickly spiralled into a total overhaul. There is not a single glyph in the new version that’s the same. The entire font has been tweaked and tinkered with and redrawn and respaced and rekerned to get it to this point. While I wanted to maintain the feel of Gelato Script, Gelato Luxe represents a massive leap in sophistication, with new alternates for smoother connections, and a totally new OpenType engine, with no fewer than seventeen stylistic sets. Gelato Luxe is a truly versatile script font. You can effortlessly change the feel by playing with the many OpenType features. Make sure contextual alternates and standard ligatures are switched on, and it will work like a charm right out of the box. See also Gelato Fresco for a further updated version, this time with extra weights!

Antikor is "mono geometric sans" family consist of 3 styles, 55 fonts with real italics... All fonts of family contains 800+ glyphs, and equipped with many typographic features. (Styles: Mono, Text and Display) Antikor Text is designed for those who prefer to use monospaced fonts not only in coding but in many different media of graphic design. The idea came from creating a typeface with monospaced aesthetic without disturbing aspects of monospaced typefaces . Antikor text has proportional spacing and precise kerning to avoid poor rhythm and track in reading text. It also provides wide range of useful features with extended glyph sets and opentype features. Antikor Mono is geometric sans monospaced typeface with all typographic features except spacing and kerning. As other styles it has many opentype features and extended character set including SmallCaps, Stylistic Alternatives, Scientific Numbers, Fractions, Oldstyle Numbers, Case Sensitive Forms, Arrows, Circled numbers and etc... It is designed to meet all the needs of the monospaced text medias... As Antikor is a versatile family, Antikor Display is a very alternative typeface with playful calligraphic curves. It is designed with the idea of creating a contrast and eye catching touch in display use of typography. It creates tasty contrast against the serious and solid monospace look. Each style has 11 weights ranging from Hairline to ExtraBold + real italics, consist of 22 fonts.

ITC Chivalry is a calligraphic hybrid that honors the tradition of combining Roman capitals with italic lowercase letters. Drawn by Missouri lettering artist Rob Leuschke, who used a flat-nib pen on textured watercolor stock and then converted the drawings into a digital font, the design combines an old world" feel with "new world" legibility. A companion set of black letter caps completes the suite of characters. "I've loved drawing letters for as long as I can remember," says Leuschke. "Even in kindergarten, I tried to draw letters like my teacher." After graduating from college, Leuschke worked for a short time at a sign company in St. Louis, and in the early 1980s began working at Hallmark Cards in Kansas City. His talent as a calligrapher and lettering artist eventually brought him back to St. Louis to begin a freelance career. Since then Leuschke has created over 250 fonts, primarily for the greeting card industry, that are now being used on work for his clients all over the world. Leuschke first conceived of the face as just the black letter caps; he later added the Roman letters to give the design more versatility. The Roman caps of ITC Chivalry combined with the lowercase are well suited to blocks of copy, while the more decorative black letter caps are ideal for showcasing short text of just a few words. Both sets of capitals also make great initial letters."

Amanah Script is a handwritten font with a casual and modern calligraphy style. This font offers a large number of Stylistic Alternates, as well as beginning and ending swashes. This font has a total of 1660 glyphs, including capital letters, lowercase, numeral and punctuation, multilingual accents, swashes, and includes a large number of stylistic alternates and heart swashes (for lowercase letters). Amanah Script can be used for wedding card designs, invitation, best for photographer, traveling, blogging watermark or craft. Key Features: - Multilingual Accents - Stylistic Alternates up to 15 choices - Has a heart connected feature - Activate Stylistic Alternate by simply adding "period" (.) and “number” (1-15) to each lowercase letter. - Has ligature features so that the letters connect well together - Has OpenType and PUA Encodes feature. As I mentioned earlier, Amanah Script has a large number of Stylistic Alternates features, up to 15 options for lowercase letters. Interestingly, you can activate all Stylistic Alternates that are owned by each letter, just by typing; letter + period + number. For example: a.1 a.2 a.3 or b.1 b.2 b.3 and so on. As for activating the heart connected for each lowercase letters is quite easy, just by typing; letter + underscore + underscore + underscore + letter. For example: a___a or b___b and so on. If there are things you want to ask, don't hesitate to contact my email. Alifinart Studio alifinart@gmail.com Thank you.

Super Retro is a font that offers a classic groovy retro style with a unique hand-drawn sketch touch. It draws inspiration from the retro era, filled with vibrant colors and a sense of fun. Each uppercase letter has its own distinctiveness compared to the lowercase letters, providing an interesting visual variation. Super Retro features chubby and rounded letterforms, creating an impression that embodies cheerful and joyful characters. Each capital letter is written with winding and wavy lines, adding an artistic effect reminiscent of trendy hand-drawn art. The font showcases a style inspired by the energetic music scene of the retro era, characterized by freedom of expression. The letters appear to sway and move dynamically, as if they are dancing on stage. Rough lines and details add an authentic touch, capturing a strong vintage aura. Super Retro highlights each letter with its unique qualities and characteristics. Every uppercase letter has a special touch that sets it apart from the lowercase letters. Some letters may have extra extensions at the top or bottom, providing distinctive decorative elements. There are also letters written in a more eccentric style, with slightly elongated or condensed proportions, creating intriguing and refreshing differences. This font is ideal for designing posters, logos, titles, and various designs that require a strong retro impression. With its ability to adapt to different letter characteristics, Super Retro offers limitless variations in your design creativity.

Persimmon is elegant and semi-formal with some very unusual letter shapes. Calligraphic in nature, Persimmon can be used where you want a distinctive and unique lettering style.

Melcheburn is a classic late-medieval gothic font based on original lettering by Samuel Welo. It has strong, formal lower case letters and extremely ornate and decorative capitals.

From a few hand drawn letters seen on a poster from 1939 you may find this font familiar. Miss Scarlett resembles the Gone With The Wind poster lettering.

The letters of this cursive font connect together to create script lettering that will add a unique touch to your special occasion announcements, invitations, scrapbook layouts, and programs.

Zumbelsburg is an exuberant, calligraphic typeface. The lower-case letters of Zumbelsburg are fairly standard blackletter characters, but the upper-case letters are ornamental, often with large flourishes.

Inspired by the stroke movements of brush lettering ‘Summer Display’ is an energetic family featuring high-contrast and well-proportioned letter shapes suitable for large displays and headlines.

A handcrafted font with extremely narrow letters, suitable for headings, logos, brands, menus, invitations, but can also be used with lowercase letters. Designed 2022 by Joachim Frank Germany.

Rotwobot is a loveable modern typeface with a slight retro appeal. It comes with quite a lot of ligatures and also robots and musical instruments. The font features auto ligatures for duplicate letters, many connected letters, quite a few graphical elements that can be accessed by shortcuts (lowercase letter + number form 0-9) and smallcaps.

The hand lettered title found on the sheet music for 1938’s "So Help Me (If I Don't Love You)" was the basis for Totally Deco JNL, which is available in both regular and oblique versions. A classic mix of widely rounded letters and condensed letters typifies the design style of the Art Deco era.

March may be a good time to use this typeface. PattyDay is a caps-only typeface in which the letters are decorated with shamrocks or clovers. Some but not all of the lower-case letters are different from the upper-case letters. If you want a version of this face without the shamrocks, try Ingone.

Moore 003 was inspired by Henryk Tomaszewski's poster lettering for the Moore Exibition (Warsaw, Poland 1959). The headline "Moore" is composed of paper collage. The lettering, in Tomaszewski's vision, contrasts in ways that recall the contrast of Moore's sculptures. It was my intention to continue this research using lettering in the form of a typeface.

The 1960 revised edition of Sam Welo’s “Studio Handbook – Letter and Design for Artists and Advertisers” showcases the many interesting lettering designs Welo hand lettered for his book. One such example is an extra-bold serif typeface which is now available as Law Office JNL, which is available in both regular and oblique versions. --------------

Kailey font is a hand lettered, voluptuous typeface that is very special to the Great Lakes Lettering team. This oblique font is inspired by Molly Jacques’ “signature” lettering style, using bold brush strokes, fluid flourishes, and distinctive characters. Kailey has a distinct feminine feel that takes on a bold attitude to match her curves.

Nostalgia Collective is a vintage serif font. With many alternate features for each letter, Nostalgia Collective provides flexibility and variety in the appearance of the text. Each letter has a unique alternative, adding a creative and eye-catching touch to your designs. Features : - Regular, Italic - Ligatures & Alternates - Letters, numbers, symbols, and punctuation - Multilingual Support

State Of Love and Toast is a retro typeface reminiscent of the early 90’s. It’s certainly the Seattle of fonts. The font features auto ligatures for duplicate letters, quite a few graphical elements & shapes which can be accessed by shortcuts (lowercase letter + number form 0-9) and smallcaps (alternate versions of the lowercase letters).

Is it monospaced? Is it a numberplate font? What's up with all the different letters? The questions about Jolly Beat are many, but I can tell you this: No sharp edges, multilingual support, contextual alternates (5 different versions of each letter, that automatically cycles as you type!) and a good handful of unpredictable letters!