8,228 search results (0.024 seconds)
  1. The "id-asobi_LightOT" font, meticulously crafted by Inoue Masaru, stands as a sublime example of typographic art that elegantly balances playfulness with sophistication. It is an embodiment of moder...
  2. The "Psychotic" font, though a hypothetical creation for this description, would likely embody a daring and unbridled aesthetic, resonating with themes of unpredictability and intense emotional expre...
  3. Feast of Flesh BB is a creation of Blambot Fonts, a type foundry that has made a significant mark in the realm of comic book lettering and graphic design. This particular font encapsulates an aura of...
  4. The Flying Hollander font, created by the prolific German type designer Manfred Klein, is an artistic and whimsical typeface that carries a unique charm and character. Known for his eclectic and wide...
  5. The Hill House font, designed by the talented Jon Hicks, stands as a testament to the intricate and unique possibilities that typeface design can offer. This particular font draws inspiration from th...
  6. Alright, prepare yourself for a typographic voyage to the land of "Rational Integer" by Tepid Monkey Fonts, where numerals and letters coexist in a harmonious utopia devoid of irrationality. Ration...
  7. Uechi is an intriguing font, born out of collaboration and creativity. Created by American composer and typographer David Rakowski, Uechi is not just a typeface but a reflection of an artistic journe...
  8. The font "3x3 dots Outline" by dustBUSt Fonts is an intriguing and distinctive typeface that captures the essence of both minimalism and creativity. True to its name, this font utilizes a unique comp...
  9. "Peach Sundress" by Teagan White is a font that embodies a sense of delightful whimsy and gentle nostalgia, capturing the essence of sunny days, carefree afternoons, and the soft, welcoming embrace o...
  10. HL2MP is not a widely recognized font in the traditional sense, such as Helvetica or Times New Roman, especially within professional typography or design circles. The name "HL2MP" seems to reference ...
  11. As of my last update in April 2023, "Gamera" is a distinct font created by Harold Lohner, an artist known for his eclectic and wide-ranging typeface designs. Drawing inspiration from the world of fan...
  12. "Walk the Plank," a distinctive creation by Teabeer Studios, sails through the visual seas with a piratical charm that's both adventurous and whimsically menacing. This font captures the essence of p...
  13. The "Charlie" font, created by Kevin and Amanda, embodies a sense of playful creativity and warmth that is characteristic of much of their work in the type-design domain. Known for their eclectic ran...
  14. The font named "Lemonheads" is a typeface that captures the essence of whimsy, playfulness, and youthful energy. Imagine the vibrant life of a lemon — bright, zesty, and bursting with flavor. That's ...
  15. Marsh Gas, crafted by the talented Levi Halmos, is a font that seems to rise from the depths of fantasy and enchantment, encapsulating the essence of mystery and peculiar charm. At first glance, Mars...
  16. Asylum, crafted by Clearlight Fonts, embodies a unique font narrative that stands out in the realm of typography for its distinctive characteristics and vibrant personality. This typeface is a conver...
  17. The "Tetris" font, as imagined and created by Tim Ko, is an innovative and playful typeface that directly draws inspiration from the iconic video game of the same name. This font encapsulates the ess...
  18. As of my last update, Hitch is not a widely recognized or standardized font within major typographical databases or among commonly listed typefaces. However, let's imagine what a font named Hitch cou...
  19. Manta is a highly versatile and visually captivating font that draws its inspiration from the grace and fluidity found in the natural world, particularly the manta ray's elegant movements through the...
  20. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  21. As of my last update in April 2023, there isn't a widely recognized typeface named specifically "Snoopy" in the traditional sense that is acknowledged across major typography communities or databases...
  22. The font AnglosaxOblique, crafted by the renowned type designer Manfred Klein, is a distinctive and stylistically unique typeface that captures the essence of historical elegance with a modern twist....
  23. Sure! The 21 Kilobyte Salute font, crafted by Eric Perlin, is a distinctive and captivating typeface that captures the essence of digital nostalgia and the early era of personal computing in a modern...
  24. The font named Skeksis, created by Neale Davidson, is a fascinating typeface that draws inspiration from the rich tapestry of fantasy and science fiction. This font serves as a bridge between the mys...
  25. As of my last update in 2023, "Chlorinov" is not a widely recognized or standard font within the graphic design or typography communities. However, the name suggests an imaginative and perhaps innova...
  26. The D3 Roadsterism Wide Italic font is a captivating and dynamic typeface that turns any textual content into a visually engaging masterpiece. Crafted with meticulous attention to detail by D3, this ...
  27. Rostock Kaligraph, conceived by the gifted German typeface designer Peter Wiegel, is a striking embodiment of craftsmanship and elegance. This font distills the essence of classical calligraphy into ...
  28. HYERBA by Billy Argel is a distinctive typeface that encapsulates a blend of modernity and classic elegance, making it a unique addition to the plethora of fonts available to designers and typographe...
  29. Draggletail isn't a widely recognized name in the vast expanse of typography where classic, contemporary, and quirky fonts intertwine. However, the mere invocation of its unique name suggests an arti...
  30. As of my last update in 2023, "Sepulcra" is not a widely recognized or established font within mainstream typographic resources or design communities. However, crafting a descriptive narrative based ...
  31. "KG Begin Again" is a captivating font created by Kimberly Geswein, an artist known for her broad and diverse contribution to the world of typography. Kimberly specializes in crafting fonts that are ...
  32. Wolf's Bane, crafted by the talented Iconian Fonts, emerges as a distinctive and dynamic font that captures the essence of both adventure and mystery. Iconian Fonts, known for their vast portfolio of...
  33. The typeface "Insecurity" by Keith Bates is a fascinating creation that embodies a unique conceptual approach to typography. At its core, "Insecurity" reflects the vulnerabilities and uncertainties t...
  34. The font LED BOARD REVERSED, created by Paul Hustava, adopts the unique allure and characteristics of classic LED displays and signs but propels its essence in a novel direction. The characteristic f...
  35. "Staubiges Vergnügen," created by nihilschiz, is a font that resonates with a unique blend of artistic flair and nostalgic charm. Its name, translating to "Dusty Pleasure" in English, perfectly encap...
  36. Sure, I'd be happy to paint a visual picture of the HIGHUP ITALIC PERSONAL USE font designed by Billy Argel for you. Imagine a font that effortlessly strides the fine line between elegance and advent...
  37. The Far Cry series, a popular franchise of first-person shooter video games, inspired the creation of the Far Cry font, encapsulating the adventurous and intense spirit of the game. This font is not ...
  38. The Bazar font by Olinda Martins is a strikingly unique typeface that embodies a blend of whimsical charm and artistic flair. At first glance, Bazar presents itself with a lively irregularity that im...
  39. The LOVE-BOX font crafted by the talented designer deFharo stands as a unique and enchanting typeface that captivates with its distinctive style and charm. It embodies a perfect blend of creativity a...
  40. The font "Hugh is Life Personal Use" by Billy Argel embodies a sense of personal touch and artistic flair, distinguishing itself through its unique characteristics and design nuances. As with many of...
Looking for more fonts? Check out our New, Sans, Script, Handwriting fonts or Categories
abstract fontscontact usprivacy policyweb font generator
Processing