Morris Fuller Benton designed the serifed Clearface typeface for ATF in 1907. He liked the design so much that he also created a flare-serif variation, Clearface Gothic, soon after. It is a great typeface for headlines. SoftMaker created an updated version, Cleargothic Pro, in 2012. SoftMaker’s Cleargothic Pro typeface family contains OpenType layout tables for sophisticated typography. It also comes with a huge character set that covers not only Western European languages, but also includes Central European, Baltic, Croatian, Slovene, Romanian, and Turkish characters. Case-sensitive punctuation signs for all-caps titles are included as well as many fractions, an extensive set of ligatures, and separate sets of tabular and proportional digits.

Poster Paint is a fun shocard alphabet which came about from Jim Rimmer’s admiration of Goudy Stout, a design he liked in spite of the fact that Goudy himself claimed to detest it. Extremely eye-catching and humourous to a fault, Poster Paint is an ideal fit for fun environments like theme parks, concession stands, cofee and juice bars, and in print design for children books and fun food packaging. Poster Paint was updated and remastered for the latest technologies in 2012. It comes with a glyphset of over 375 characters, and supports the majority of Latin-based languges. 20% of this font’s revenues will be donated to a GDC scholarship fund, supporting higher typography education in Canada.

Coleface was created by the British typographer Roy Cole, completed shortly before his death in 2012. It comprises six fonts: Coleface 30, 60, 90 and the italics 33, 66, 99. As with his earlier typeface families - Lina, Zeta and Colophon - Coleface is a highly-readable sans serif typeface that offers significant flexibility in terms of its potential uses. Roy Cole studied typographic design under the tutelage of Emil Ruder at the Gewerbeschule in Basel, at a time when typographic history was being made through the creation of a style that epitomized modernity. Consequently the principles of order, simplicity and legibility, fused with experimentation, became a hallmark of his practice, as exemplified in his last font Coleface.

The typeface was designed for ParaType in 2002 by Dmitry Kirsanov. Based on the Mesolithic images on stones were discovered in a prehistoric cave of Mas d’Asil, France. There is a great number of hypotheses explaining the function of the mysterious stones. They have been considered as vessels of souls, computation tools, fortune-telling and magic symbols, relics of prehistoric writing system.

Necia font family has been designed for Graviton Font Foundry by Pablo Balcells in 2014. It is a modular, geometric and slightly condensed typeface which has been conceived to be primarily a display typeface, but given its clarity it can also be used for composing short and intermediate length texts. Necia consists of 8 styles. Each containing small caps and several alternate characters.

Aguda font family has been designed for Graviton Font Foundry by Pablo Balcells in 2014. It is a modular, geometric typeface which has been conceived to be primarily a display typeface, but given its clarity it can also be used for composing short and intermediate length texts. Aguda consists of 8 styles. Each containing small caps and several alternate characters.

Yuli is my daughter - she was born on February 13th, 2014. I named this font after her, because there are some similarities. Both are bouncy and happy, playful and quirky, funny and happy - and above all: cute and cuddly. Yuli font was loosely based on Bodoni and Spumoni - two typefaces I like a lot. Yuli speaks a lot of languages.

Matita Informal is part of a larger type family developed from 2005-2019 with handwriting in mind. A humanistic informal sans serif in five weights containing swashes, alternative characters, old style, lining, tabular & proportional figures. The family share proportions and weights to ensure all fonts (family members) work together well. Matita Informal is a very friendly typeface suitable for many purposes.

Adrenalina was created in 2003-2007. In 2014 the project was revised and became a font family. The character set was drawn through digital manipulation from photos of pichações taken in São Paulo - Brazil. Pixação is a form of tagging that comes from Brazilian graffiti writers. This style of pichação (or pixação) is also known as tag reto (straight tag).

JabcedHy is a serifed, legible typeface in four weights with each weight having both an upright and an italic style. The original four fonts (plain, italic, bold, and bolditalic) were constructed by blending two other typefaces, and because the result seemed better than either parent, the parents were retired. Semibold and extra bold weights were added in a 2019 revision.

Mayyun is An Arabic text typeface for desktop applications. This line is intended for presentation projects, names of various publications and short paragraphs Here you will find a Mayyun in two types of regular and bold fonts. The font includes a matching Latin design and support for Arabic, Persian, Kurdish, and Urdu. Designer: Sultan Maqtari Design date: 2021 Publisher: Sultan Fonts

Literal is a classic sans serif typeface with closed shapes. Simple and elegant at the same time, it is perfect for a wide range of uses, where you need both large and small text, be it a print product, website design, logo design and much more. The font supports Extended Latin and Extended Cyrillic. Created in 2019. Type designer Igor Kosinsky.

Maple Lane is a refined traditional serif font composed by the Okaycat design team, Natsuko Hayashida & Luke Turvey, in 2014. Bold letterforms contrast with fine seriffed detail at Maple Lane to offer style excellence with fancy embellishment options. This nicely balanced serif is designed to mix and match with the more relaxed and casual version of Maple Lane,

Teapot is a font with letters on teapots. Upper-case letters have the handles on the right and lower-case characters have the handles on the left. The letters on the teapots are from the typeface InsideLetters. A revision in 2018 added some characters that can be used to create multicolored lettering. A pdf file here shows how to use them.

MMM is a sturdy Typeface, the design is based on a old Soap-Powder advertisement. MMM is very useful for headings and/or logotypes. André Toet his 17th Font Caps, Lowercase. With Numbers, Glyphs and the normal Punctuation. Use this Font well, it’s made with the greatest care. Concept/Art Direction: André Toet © 2017 - Design: André Toet / Jasper Terra

Warning: works with contextual alternate-feature, which is not showing here. Matita Connected is part of a larger type family developed from 2005-2019 with handwriting in mind. A solid script face in two weights and a dotted instructional version. With alternative glyphs based on different writing habits. For teaching, teaching material or just typography. An unchildish handwritten type family for many purposes.

Antipasto is a geometric sans serif font designed by Cosimo Lorenzo Pancini. The original family of three weights has been revised and expanded in 2017 with Antipasto Pro that now includes cyrillic and greek characters, open type features (small caps and old style numerals), six new weights from the hairline to the extrabold and an icons set in 8 weights.

This is a second edition of Deedee type family, originally designed in 2011. Deedee is a geometric sans serif typeface family of ten styles with extended support for most Latin languages plus Cyrillic. Revisions in this edition included minor adjustments to glyph shapes and improved kerning tables. The typeface is ideal for use in display sizes and is quite legible in the text.

Elina continues the series of graceful calligraphic typefaces by Natalia Vasilyeva that partially imitate broad pen drawings. The family consists of two styles -- normal and decorative. Decorative style contains characters ornamented with thin strokes that add a beauty and charm to the design. The fonts can be used in display matters, advertising and celebration texts. Released by ParaType in 2011.

Precious Serif is a distinctive, modern slab serif typeface, first released in 2003 and now refreshed in 2017. This contemporary, chunky gem is the sister typeface to our Precious Sans family, both sets designed with similar metrics and characteristics to ensure they pair together seamlessly in print & digital applications. Mix Precious Sans & Serif together in a block of text to wonderful effect!

Bucanera Soft is a clean modern blackletter designed especially considering its readability. Due to its soft edges, Bucanera Soft leaves the traditional look of aggressive and hard blackletters and allows to find a more friendly appearance in a wide range of applications. Bucanera Soft was selected as a winner in the 3rd Communication Arts Magazine Typography Contest in Typeface Design category, 2013 issue.

Based around the Australian boomerang, Greg Bastin’s design originally appeared on private Christmas cards and individual projects. It was formalized into a font in 2002 by David Philpott (JY Circles) and brings a quirky antipodean style to the JY&A Fonts range. This display family is available in Solid and Outline forms, the latter containing patterns that parody those of Aboriginal culture.

Aesthet Nova is a display type family. Released initially as Aesthet in 2015, it had a significant makeover. Inspired by the 70’s aesthetics, Aesthet Nova remains true to its original "back to nature" roots. It is a smooth talker with a larger than life personality. Equipped with an extended Cyrillic character set, it features rounded serifs, ball terminals and soft corners.

Carol Gothic is a traditional blackletter face closest to Linotype’s Old English. Typefaces of that style were used quite frequently in the 19th century English typography, so Carol Gothic fits perfectly for Victorian--looking designs but it is also suitable for any layouts which need blackletter. The type is designed by Alexandra Korolkova and Alexander Lubovenko and released by ParaType in 2015.

ITC Esprit is the work of designer Jovica Veljović and blends the classic proportions of a serif typeface with the grace and charm of calligraphy. Highly legible even in small point sizes, the font can also be used as an impressive display face for use with sans serif text. In 2010 Veljovic revised this family and released this as ITC New Esprit.

The first plain weight of Cutoff was designed in 2005 to be used in Miele, an independent Italian free magazine. The need was for an elegant, unusual and legible semi-serif with contemporary flavour. I was fascinated by the deconstructivist work of Jeff Keedy (Hard Times Thick), Phil Baines (Can You, You Can) and Otl Aicher (Rotis), so my aim was to get the feeling of a cut transitional typeface; at the same time felt the exigence to work on the whole shape of the glyphs, in order to soften the “90s deconstructivist” effect and obtain a more balanced and readable design. In the last years I further worked on the typeface adding the other styles, extending the character set and refining the letterforms. Finally the precious collaboration with URW++ brought in 2010 to a complete OpenType Pro font family, with multilingual and advanced typographic features. Fulvio Bisca, July 2010

During the last ten years of his life, Hans Eduard Meier (dec. July 17, 2014), together with Max Schläpfer, developed an innovative concept of a new Swiss Schulschrift (handwriting script for schools) called ABC Basisschrift®. His life’s work is crowned by the fact that now, since the fall of 2014, and beginning in Lucerne, this new didactic will replace the old Schnürlischrift in Switzerland. In contrast with the Schnürlischrift, the idea is to guide a child in three steps to learning a personal handwriting. ABC Schule 1 is for the first grade, ABC 2 starts to introduce the first connections and ABC 4 Ligaturen is designed with many ligatures to serve as a good example for handwriting. ABC Schule is also available with ruling and for visually impaired students.This version of the Basisschrift®, available from here, is the original version by Hans Meier.