Velino is the most recent of our Premium Typefaces. The serif version comes in two packages with three widths: Velino, Velino Condensed and Velino Compressed. The Display package contains high contrast typefaces, with a modern flair, very feminine but with plenty of character, specially designed for fine print in big text sizes. The Text package was designed for any running text. Its proportions and colors make it the ideal for text, even in very difficult conditions such as newspaper printing. We also designed the perfect companion to this enormous type system: Velino Poster, a Slab Serif typeface with only one weight and its respective italic, but with plenty of muscle, for every time some extra strength is needed, like setting very big text, magazine covers or newspapers’ special sections. Finally we designed Velino Sans and Velino Sans Condensed to perfectly match the weight and proportions of Velino, all with matching italics.

Ergonomique is a humanist sans serif typeface that has been designed to be efficient and comfortable to use across all applications. Ergonomique’s personality is defined by its spurless lowercase glyphs – the stems are truncated and blend into their adjoining arcs, as can be seen in the a/b/d/m/n/p/q/r/u characters. Ergonomique is ideal for branding and display purposes, but also performs well as body copy if you’re seeking a unique style for your text. With its nine weights and complementing italics, Ergonomique is highly versatile, especially when you consider that there are small caps and old style figures included, along with a Latin Extended character set. Key Features: • 18 font family – 9 weights in Roman and Italic • Small Caps, Ligatures, with Proportional, Old Style, and Small Cap figures, plus Fractions, Numerators, Denominators, Superiors, and Inferiors • Full European character set (Latin Extended) • 800+ glyphs per font.

Hanstoc Script is a formal calligraphy typeface. A sporty cursive, this retro lettering works as a cool team logotype or a vintage headline. Drawn and created by Mans Greback in 2022, it has a fresh style and a bold personality. Use underscore _ to make a swash. Example: Baseball_ Use multiple underscores to make different lengths. Example: Beauty____ The Hanstoc Script family consists of four professional styles: Regular, Bold, Italic, Italic Bold; complimenting each other for greater design opportunities. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Velino is the most recent of our Premium Typefaces. The serif version comes in two packages with three widths: Velino, Velino Condensed and Velino Compressed. The Display package contains high contrast typefaces, with a modern flair, very feminine but with plenty of character, specially designed for fine print in big text sizes. The Text package was designed for any running text. It’s proportions and colors make it the ideal for text, even in very difficult conditions such as newspaper printing. We also designed the perfect companion to this enormous type system: Velino Poster, a Slab Serif typeface with only one weight and it’s respective italic, but with plenty of muscle, for every time some extra strength is needed, like setting very big text, magazine covers or newspaper’s special sections. Finally we designed Velino Sans and Velino Sans Condensed to perfectly match the weight and proportions of Velino, all with matching italics.

Velino is the most recent of our Premium Typefaces. The serif version comes in two packages with three widths: Velino, Velino Condensed and Velino Compressed. The Display package contains high contrast typefaces, with a modern flair, very feminine but with plenty of character, specially designed for fine print in big text sizes. The Text package was designed for any running text. It’s proportions and colors make it the ideal for text, even in very difficult conditions such as newspaper printing. We also designed the perfect companion to this enormous type system: Velino Poster, a Slab Serif typeface with only one weight and it’s respective italic, but with plenty of muscle, for every time some extra strength is needed, like setting very big text, magazine covers or newspaper’s special sections. Finally we designed Velino Sans and Velino Sans Condensed to perfectly match the weight and proportions of Velino, all with matching italics.

Kontrast Grotesk represents a contrast in type design based on a different principle. It was inspired by W. A. Dwiggins and his experiments with the stroke variations. Contrast in this typeface is created not only with the influence of the writing tool (the thickness of horizontal strokes in relation to vertical), but by setting the primary and secondary construction strokes of the characters (e.g. glyph “E”). The grotesque types are usually with no or minimal contrast. Having the contrast has created a new and original look of this typeface without compromising the legibility. The fonts are designed for fluent reading on the screen. A little wider proportions are specially welcome with no need for saving a space as it is in printed media. Kontrast Grotesk family consists of five weights, with italics, small caps and italic small caps. Fonts contains a range of opentype features.

Petunia is a calligraphy style font designed by New York based calligrapher Eliza Gwendalyn . Her modern copperplate script has been a style she has been developing throughout her career. Her angelic flourishes and bouncy style are widely influenced by Eliza’s favorite childhood character Alice in Wonderland falling down the rabbit hole. She pairs her elegant script with a traditional sans serif and serif which is based on Eliza’s everyday handwriting. The name ‘Petunia' acquired from her childhood nickname her parents called her which was only fitting to choose as the name of her font that was derived from her childhood fantasies. Widely known in the wedding industry, she curated this font family for industry professionals with a versatile array of styles: a script, a bold script, sans serif, sans serif italic, serif, serif italic, and specially calligraphy words & ornaments making this a total package for all types of designers.

Opal Pro is a text family designed by Hannes von Döhren in 2008. It gives every text a noble character. The typeface has long ascenders that clearly rise above the capital letters and a low x-height. Opal’s letters sport inktraps at stroke junctions, which on one hand create a cutout feeling and on the other hand strengthens the image in larger point sizes. In total, the letterforms have clear emphasis on their verticals and horizontals; they do not fear the weight on their curves. In addition to the Italic and Bold, the Opal type family includes a Script face, whose letterforms include connections, similar to handwriting. On top of that, the typeface possesses swash letters for italic and script, small caps, many ligatures and borders & ornaments. With a little bit of care, designers will be able to create the finest of traditional, elegant work with this family.

Quantificat™ is a modern geo-humanist sans-serif typeface offering excellent legibility and strong personality. It is a fully featured text type family, well proportioned and uniform in color. It is designed to serve as a characterful display typeface, too, as it includes beautifully carved, flowing, calligraphy-inspired true italics, subtle, precise hairlines as well as modern, powerful and friendly heavy styles with emphasized ink traps. Quantificat family introduces advanced typographic OpenType features, such as stylistic alternates, swashes, small capitals, case sensitive forms, standard and discretionary ligatures, contextual alternates, lining, old style, tabular and small cap figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols. The complete family consists of 20 styles - 10 weights with corresponding true italics as well as 2 variable fonts. It supports extended latin languages. Quantificat is a part of one type system together with Qualion, Qualion Round and Bozon.

Velino is one of our most complete type families. The serif version comes in two packages with three widths: Velino, Velino Condensed, and Velino Compressed. The display package contains high-contrast typefaces, with a modern flair—very feminine but with plenty of character, specially designed for fine print in big text sizes. The text package was designed for any running text. Its proportions and colors make it ideal for text, even in very difficult conditions such as newspaper printing. We also designed the perfect companion to this enormous type system: Velino Poster, a slab serif typeface with only one weight and its respective italic, but with plenty of muscle, for every time some extra strength is needed, such as setting very big text, magazine covers or newspapers’ special sections. Finally, we designed Velino Sans and Velino Sans Condensed to perfectly match the weight and proportions of Velino, all with matching italics.

Stapel is a contemporary closed sans serif with sci-fi looking forms and eloquent, thin stroke joints. The superfamily consists of three subfamilies of different width: Normal, Narrow and Condensed. Each subfamily contains seven weights with corresponding true italics. Additionally, there are several extra wide bold styles. All these styles work perfectly in headings and short display texts. Another important subfamily is Stapel Text which includes upright and italic styles of lower contrast and more generous spacing. Text styles are great for body text in small and medium point sizes. Most styles include alternate characters, proportional and lining figures, math symbols, fractions, currency signs and case-dependent punctuation. A wide range of styles and typographic features makes Stapel ideal for use in brand identity, infographics and all kinds of designs related to technology, science, finance, politics or sports. Stapel was designed by Alexander Lubovenko and released by Paratype in 2020.

Cushy is a versatile san serif font that’s stuffed with numerous plush swashes and unique alternates. But it’s not limited to display use only. Cushy is well suited for text or display applications. Cushy’s large “x” height, square proportions, and generous even weight enhance its legibility in all point sizes. The font’s bold personality radiates friendliness and warmth. Clean classic proportions lend it authority and vigor. Cushy bends around corners and flows throughout. You won't find any sharp corners. The diagonal strokes possess a subtle arch and enhance its characteristics. Available in 8 styles with multiple weights: Thin, Light, Regular, Bold, including italics. Cushy includes stylistic sets, stylistic alternates, swashes, ligatures & discretionary ligatures, and foreign language diacritic glyph support. Cushy provides 40 distinctive swash options, 17 ligatures, and 13 alternates. Weights include Thin, Light, Regular, Bold, with italics. Cushy is suited for corporate ID, retail, magazines, books, brochures, websites, logotypes, etc.

Velino is the most recent of our Premium Typefaces. The serif version comes in two packages with three widths: Velino, Velino Condensed and Velino Compressed. The Display package contains high contrast typefaces, with a modern flair, very feminine but with plenty of character, specially designed for fine print in big text sizes. The Text package was designed for any running text. It’s proportions and colors make it the ideal for text, even in very difficult conditions such as newspaper printing. We also designed the perfect companion to this enormous type system: Velino Poster, a Slab Serif typeface with only one weight and it’s respective italic, but with plenty of muscle, for every time some extra strength is needed, like setting very big text, magazine covers or newspaper’s special sections. Finally we designed Velino Sans and Velino Sans Condensed to perfectly match the weight and proportions of Velino, all with matching italics.

Edgethorn is a beautiful, italic-only transitional serif typeface that was born after I became obsessed with a few small paragraphs of italic text on a type specimen broadside from 1785. Working on this type revival allowed me to delve much more deeply than I ever have before into type history and typeface classification, and I’ve included some type history for you with your download so that you can play around with the smattering of historical characters I included (like the medial s). Although it is based on centuries-old typefaces, Edgethorn is elegant, timeless, and perfect for 21st century projects. Edgethorn includes approximately 525 glyphs — including 64 standard and discretionary ligatures and a handful of contextual alternates and character variants — and supports over 200 languages. The OpenType features can be very easily accessed by using OpenType-savvy programs such as Adobe Illustrator and Adobe InDesign.

Scientist Castle Family Slab Serif Font Is A Great Font For any project! Available in 4 styles that you can use for various purposes, as a combination or separation according to the design style. Complete with OpenType features, which allow you to give a more calligraphic look! There are regular, Italic, Outline, and Outline Italic styles and very easy to use. Scientist Castle Family Slab Serif Font is a great choice for Projects you like branding, design, wedding, photography, Magazine, logo designs, album, covers Book, business cards, quotes, and projects other designs. What’s Included : – S-Alt – Works on Win, Mac – Simple installations – Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. – PUA Encoded Characters – Fully accessible without additional design software. Thanks for your support, please kindly send us a message for any question about our product. Hope you like it.

Velino is the most recent of our Premium Typefaces. The serif version comes in two packages with three widths: Velino, Velino Condensed and Velino Compressed. The Display package contains high contrast typefaces, with a modern flair, very feminine but with plenty of character, specially designed for fine print in big text sizes. The Text package was designed for any running text. It’s proportions and colors make it the ideal for text, even in very difficult conditions such as newspaper printing. We also designed the perfect companion to this enormous type system: Velino Poster, a Slab Serif typeface with only one weight and it’s respective italic, but with plenty of muscle, for every time some extra strength is needed, like setting very big text, magazine covers or newspaper’s special sections. Finally we designed Velino Sans and Velino Sans Condensed to perfectly match the weight and proportions of Velino, all with matching italics.

"If you prick me, do I not bleed? If you tickle me do I not laugh? If you poison me do I not DIE? And if you wrong me shall I not REVENGE?" "I am not a TYPEWRITER! I am not a MACHINE! I am -- NOT -- JUST -- a lettering ROBOT! I -- AM -- A -- HUMAN -- BEING!" Having trouble with YOUR lettering artist? LETTERBOT is here to help. Take all the fuss and muss out of dealing with a real person and install this helpful and responsive robotic font. It has no opinions of its own and will assist you in the lettering of your comic without all that tedious human interaction which lettering artists seem to think they're entitled. Designed by John JG Roshell.* *Now obsolete. Features: Four weights (Regular, Italic, Bold & Bold Italic) with upper and lower case alphabets. Includes Western & Central European accents and Cyrillic characters.

Velino is one of our most complete type families. The serif version comes in two packages with three widths: Velino, Velino Condensed, and Velino Compressed. The display package contains high-contrast typefaces, with a modern flair—very feminine but with plenty of character, specially designed for fine print in big text sizes. The text package was designed for any running text. Its proportions and colors make it ideal for text, even in very difficult conditions such as newspaper printing. We also designed the perfect companion to this enormous type system: Velino Poster, a slab serif typeface with only one weight and its respective italic, but with plenty of muscle, for every time some extra strength is needed, such as setting very big text, magazine covers or newspapers’ special sections. Finally, we designed Velino Sans and Velino Sans Condensed to perfectly match the weight and proportions of Velino, all with matching italics.

A high lower-case x-height geometric sans with open counters, Regulator Nova is extremely legible at text sizes and in extended settings while the range of weights also make it suitable for headlines. The stoke terminals are all cut at close to 90 degrees, lending a sharp precision to the characters. Alternate versions of the g, j, r, w, K, R, W, # and ampersand are available in both upright and italic, and can be toggled on and off in the Opentype panel or the Glyphs palette. Clean, elegant and legible, Regulator Nova has a classical proportions based on a circumscribed circle and square, and shares structural similarities to early sans serifs such as Rudolf Koch’s Kabel, while adopting more British forms for the M and R. Regulator Nova is an extension and reworking of Regulator, now with extra weights, reweighed italics, Opentype-savvy alternates and a full European character set.

Velino is the most recent of our Premium Typefaces. The serif version comes in two packages with three widths: Velino, Velino Condensed and Velino Compressed. The Display package contains high contrast typefaces, with a modern flair, very feminine but with plenty of character, specially designed for fine print in big text sizes. The Text package was designed for any running text. It’s proportions and colors make it the ideal for text, even in very difficult conditions such as newspaper printing. We also designed the perfect companion to this enormous type system: Velino Poster, a Slab Serif typeface with only one weight and it’s respective italic, but with plenty of muscle, for every time some extra strength is needed, like setting very big text, magazine covers or newspaper’s special sections. Finally we designed Velino Sans and Velino Sans Condensed to perfectly match the weight and proportions of Velino, all with matching italics.

Carouge Pro is a contemporary typeface with a classical twist. This duality gives Carouge an energetic and vivid sensibility. Its subtle shapes are highly suitable for all types of documents, including corporate collateral and publicity literature. The fineness of the types provides a pure and elegant style that is highly valued in the fashion and design industry. While extremely legible in small body sizes, its personality comes into full bloom when used in large type sizes. Carouge comprises a wide range of bold fonts, from Ultra Thin to Ultra. The italic companion of the roman type has a split-line allure with a rounded personality. Carouge Pro is available in eight weights from the UltraThin to an Ultra Black. Each weight is also supported by a strong personality cursive italic. “When I designed Carouge, I wanted to create a typeface with a sober appearance and a dash of audacity. Carouge provides a fine balance between two different worlds.” — André Simard Carouge Pro is a contemporary typeface with a classical twist. This duality gives Carouge an energetic and vivid sensibility. Its subtle shapes are highly suitable for all types of documents, including corporate collateral and publicity literature. The fineness of the types provides a pure and elegant style that is highly valued in the fashion and design industry. While extremely legible in small body sizes, its personality comes into full bloom when used in large type sizes. Carouge comprises a wide range of bold fonts, from Ultra Thin to Ultra. The italic companion of the roman type has a split-line allure with a rounded personality. Carouge Pro is available in eight weights from the UltraThin to an Ultra Black. Each weight is also supported by a strong personality cursive italic. “When I designed Carouge, I wanted to create a typeface with a sober appearance and a dash of audacity. Carouge provides a fine balance between two different worlds.” — André Simard

TT Phobos useful links: Specimen | Graphic presentation | Customization options TT Phobos is a pliable display serif with a soft and gentle character. The features of the typeface are the moderate contrast between bold and thin strokes, pliable visual compensators, and the counter-clockwise bend of internal ovals. In addition to 6 weights and 6 italic, TT Phobos also includes two original decorative fonts, inline and stencil. Despite its pliability and display character, TT Phobos is dynamic enough and is well suited for text arrays even in large text blocks. The serifs of letters are completely asymmetrical and bring in dynamics when reading the text from left to right. Thanks to the harmonious contrast of black and white forms and internal negative spaces of the letters, as well as its broad letter spacing, the typeface is well read in small sizes. In this case, the character of the letters is completely preserved, partially thanks to the exaggerated elegant visual compensators. The ornamental pattern used in TT Phobos Inline varies for capital and lowercase letters. Capital letters implement a more complex double inline with a rhombic element in the middle, and in the lower case features a simplified form of the inline, made in a single movement. Thanks to the original cutting, TT Phobos Stencil stands out for its expression, and the rounded cuts add even more visual style to the font. TT Phobos consists of 14 faces: 6 weights (Light, Regular, DemiBold, Bold, ExtraBold, Black), 6 Italics, inline and stencil. There are 17 ligatures in TT Phobos, including several Cyrillic ones. The typeface has stylistic alternates, which adds an italic effect to the upright fonts, and a little solemnity of the upright version to the italics. In addition, we have not forgotten about the old-style figures and other useful OpenType features, such as ordn, sups, sinf, dnom, numr, onum, tnum, pnum, liga, dlig, salt (ss01), frac, case.

Introducing "Korge", a captivating and versatile retro bold slab serif font that seamlessly marries vintage aesthetics with modern functionality. With its bold design, serif form, and a trio of regular, rounded, and extruded versions, Korge offers a wealth of creative possibilities for your design ventures. Korge is a font that transports your projects back to the golden eras of design. Its bold and distinct serifs evoke a sense of nostalgia, lending your creations a classic and enduring appeal. Korge provides not one, but three distinct styles to choose from. The regular version exudes a commanding presence, while the rounded variant softens the edges for a more approachable feel. The extruded version adds depth and dimension, giving your text a 3D, eye-catching quality. Korge is a font that speaks the language of design across borders. With its multi-language support and PUA encoding, it ensures your message resonates with audiences from diverse linguistic backgrounds. From logo design to branding, packaging, posters, and beyond, Korge adapts seamlessly to a wide array of design projects. Its bold slab serifs demand attention, making sure your message is delivered with both authority and style. Korge invites you to embark on a journey of creative exploration. Craft memorable headlines, iconic logos, or striking signage – this font is your canvas for pushing the boundaries of design. With Korge, the possibilities are limitless. Its vintage-inspired bold slab serif design, multi-language support, and versatile styles make it the ideal choice for designers seeking to infuse their projects with timeless charm and contemporary appeal. Get ready to bring your visions to life with Korge, where classic meets cutting-edge. ——— Korge features: A full set of Uppercase & Lowercase letters Numbers and punctuation Multilingual language support PUA Encoded Characters OpenType Features +237 Total Glyphs Rounded Style + Regular Style Extruded Style Korge Includes: Korge Regular Korge Regular Extruded Left Korge Regular Extruded Right Korge Regular Extruded Left Italic Korge Regular Extruded Right Italic Korge Rounded Korge Rounded Extruded Left Korge Rounded Extruded Right Italic Korge Rounded Extruded Left Korge Rounded Extruded Right Italic

Barbou was originally cut in 1925 by Monotype as a counterpart to Fournier, siblings that were different in design but both based on the work of Pierre-Simon Fournier. Whether by choice, accident or oversight, Fournier was preserved digitally, and Barbou was lost to history. Barbou was notably used by Stanley Morrison, in particular as the face of The Fleuron. I fell in love with Barbou when I saw it, and knew that I wanted to bring it to a new generation of designers and readers. This is a revival of Barbou, a faithful recutting with new weights, characters and many of the best features that modern font technology brings. Particular attention was paid to the original Monotype Barbou 178 specimen sheet. Originally only available in a single weight, Barbou has been recut with a variable weight, providing a large degree of flexibility between Regular and Bold. Barbou excels as a comfortable reading face for books, and the variable weight allows you to fine tune the darkness and texture of the page in a way never before possible. Barbou has a distinctive softness, and this revival of Barbou preserves much of the effect the medium of metal type had on the letterforms. This results in a subtly rounded yet defined type, elegant not worn, with the utmost attention and respect to the smallest of details. Barbou was originally cut with disparate x-heights for roman and italic, and this revival of Barbou features both the original italic, as well as a new italic redesigned at the same height as the roman. In Fournier’s time, roman and italic would not be mixed on the same line, but the type must change to meet the needs of a new generation. Barbou also features unique ligatures and alternates, old style numbers, small caps and a full Greek alphabet. Barbou is perfect for books and anywhere a comfortable reading face is required, and excels in flexibility.

Quirky and irregular FS Split is no ordinary typeface. Its irregular proportions make it unique, with round letters appearing wide, and straight letters narrow. Other quirks include its eclectic crossbars – the uppercase ‘A’ has an unusually low bar, while the bar on ‘G’ is particularly long. The uppercase has many interesting features in fact, including large counters, closed terminals on certain letters like ‘J’, and a cap-height that lines up with ascenders. The lowercase also holds surprises – the dots on ‘i’ and ‘j’ are unusually large, and some characters, such as ‘g’, feature double-storey counters. An extreme but stylish italic The italic versions of FS Split Sans and Serif are particularly striking. While similar in style to their upright, Roman versions, they take on a larger-than-usual 18-degree angle, making the forward-slant more dramatic. Although the main purpose of any italic is to help words and phrases stand out, this unique execution helps to make the italic variants of FS Split stylish fonts in their own right – they would work brilliantly on magazine covers, in titles and headlines, pull quotes, and even used commercially in logos and corporate branding. Serif and sans: a split personality FS Split Sans and Serif have their differences but also their similarities, contrasting and complementing each other perfectly. This ‘love hate’ relationship inspired the name of the typeface family, and means the two variants provide a versatile, typographic palette for use in graphics and branding. While its proportions are similar to the sans, the serif has a bigger contrast between its weights of bold, regular and light, bracketed serifs, and different styles of terminals, some being straight and others ball-shaped. FS Split Sans has more subtlety and simplicity, with a smaller weight contrast, less flamboyant terminals, and more consistent counter sizes. The two variants are distinct yet alike, so can be used successfully either in isolation or together.

Quirky and irregular FS Split is no ordinary typeface. Its irregular proportions make it unique, with round letters appearing wide, and straight letters narrow. Other quirks include its eclectic crossbars – the uppercase ‘A’ has an unusually low bar, while the bar on ‘G’ is particularly long. The uppercase has many interesting features in fact, including large counters, closed terminals on certain letters like ‘J’, and a cap-height that lines up with ascenders. The lowercase also holds surprises – the dots on ‘i’ and ‘j’ are unusually large, and some characters, such as ‘g’, feature double-storey counters. An extreme but stylish italic The italic versions of FS Split Sans and Serif are particularly striking. While similar in style to their upright, Roman versions, they take on a larger-than-usual 18-degree angle, making the forward-slant more dramatic. Although the main purpose of any italic is to help words and phrases stand out, this unique execution helps to make the italic variants of FS Split stylish fonts in their own right – they would work brilliantly on magazine covers, in titles and headlines, pull quotes, and even used commercially in logos and corporate branding. Serif and sans: a split personality FS Split Sans and Serif have their differences but also their similarities, contrasting and complementing each other perfectly. This ‘love hate’ relationship inspired the name of the typeface family, and means the two variants provide a versatile, typographic palette for use in graphics and branding. While its proportions are similar to the sans, the serif has a bigger contrast between its weights of bold, regular and light, bracketed serifs, and different styles of terminals, some being straight and others ball-shaped. FS Split Sans has more subtlety and simplicity, with a smaller weight contrast, less flamboyant terminals, and more consistent counter sizes. The two variants are distinct yet alike, so can be used successfully either in isolation or together.

BMX Radical is inspired by the titles of the cult 1980s BMX movie "Rad". The characters R, A and D were designed after this, with the rest of the character set being completely made up. The font is uppercase only, but with two different alphabets. In OpenType-capable applications, engaging contextual alternates will make the alphabets automatically switch between each other, meaning double letter combinations always contain two different glyphs to give the text a much more handmade feel. It is a very versatile brush font. It can look cheesy and retro in bright colors with outlines or gritty and modern in more muted palettes.

Introducing Mage Candy - Multilingual Handwritten Comic Font, a whimsical and lively typeface that brings the charm of hand-drawn comic elements to your design projects. This font is a celebration of creativity and spontaneity, capturing the essence of playful doodles and energetic illustrations. With its irregular strokes and quirky letterforms, Mage Candy - Multilingual Handwritten Comic Font exudes a sense of authenticity, as if each character was crafted by a skilled comic book artist's pen. The characters dance across the page with a dynamic rhythm, creating a visual experience that is both entertaining and engaging. I hope you enjoy in creating something awesome using Mage Candy. Thank you! :)

Ascent Pro – a modern geometric sans serif with an engaging character. Inviting and versatile, with ton of stylistic alternates and ligatures to choose AscentPro works perfectly for logos, headlines, posters, packaging, business cards and many more! Thinner fonts look great in text copy. All in all 18 fonts including obliques provide you with a huge number of design options. HOW TO ACCESS ALTERNATE CHARACTERS Open glyphs panel: In Adobe Photoshop go to Window - glyphs In Adobe Illustrator go to Type – Glyphs / or Window – Type - OpenType FEATURES: 18 weights and obliques Stylistic Alternates & Contextual Alternates Standard Ligatures & Discretionary Ligatures Numerals & Punctuation Fractions, Superscript & Subscript Multiple Latin Languages Supported

Introducing Angular Alchemy, a font that pushes the boundaries of modern design and brings a touch of enchantment to your projects. This unique geometric typeface is a true alchemy of creativity and precision, combining sharp angles and clean lines to create a visually striking composition. With its contemporary appeal and captivating charm, Angular Alchemy captures attention and leaves a lasting impression. Whether you're crafting sleek logos, engaging headlines, or cutting-edge branding materials, this font adds a touch of sophistication and allure. Elevate your designs with the magic of Angular Alchemy and witness the transformation as it infuses your work with a sense of modernity and intrigue.

Manifesto was designed for an article written in response to opinions that philosophy and personal expression have been wiped clean from today's design profession. Contemporary design is sterile and sublime. Enter Ken Garland's revision of the original 1964 Manifesto. The publishing of the "First Things First" manifesto 2000 is exhibit A that a trend for social belief systems is growing. Or is it? Many comfortably accept that designers are indeed "engaged in nothing less than the manufacture of contemporary reality". The four 'voices' of the TX Manifesto Family (Regular, Slant, Stout and Stencil) is intended for your typographical response, and push for conscientious design.

If you're about to make the jump into hyperspace, buckle up and engage your R2 unit with our new font release, HYPERDRIVE! Ten years in the making, we've spent almost as much time developing these characters as George Lucas spent developing his! Co-created by Starkings & Roshell (HYPERDRIVE, not George), this font is guaranteed to keep TIE fighters off your tail and will always come in useful if you get menaced by phantoms or attacked by clones. So sit back, relax and enjoy the flight -- but don't forget; let the Wookiee win! Remastered Hyperdrive includes new letter shapes, 200+ connecting letter combos, improved spacing & kerning and support for Western & Central Europe.

Risbeg – Elegant Serif Font: A Font for Impactful Titles Timeless Elegance Meets Modern Design Risbeg Elegant Serif Font blends classic serif features with a modern twist, creating a stylish and engaging visual experience. Its well-crafted curves and distinct serifs make it perfect for titles that demand attention. Each character in Risbeg is designed with precision, ensuring a harmonious balance in your designs. Versatile and Readable Risbeg stands out for its versatility, adapting seamlessly to various design needs. Whether it’s for branding, editorial layouts, or digital media, this font maintains readability across different mediums. Its clear, crisp lines make reading effortless, even in dense text blocks.

Get ready to transcend to a world of magic, laughter, and butterflies. Your branding will spark delight and engage everyone who sees it! Glitzier-A Calligraphy Font A beautifully handcrafted calligraphy font that’ll make your guests sing and elevate your projects! Every swash, stroke, and curve was created to entice happiness and elegance. The ideal font for social media banners; posts, and ads, printed quotes, t-shirt designs, packaging, or even as a modern text overlay to any background image. Our font always includes Multilingual Support to make your branding reach a global audience. Features: Swashes Ligatures Stylistic Set PUA Encoded Numerals and Punctuation Thank you for downloading from Natha Studio

Introducing Magent – Display Typeface A Fusion of Style Magent sets itself apart as a striking Display Typeface that seamlessly merges the timeless elegance of serifs with the contemporary allure of sans serifs. This extraordinary fusion not only shatters monotony but also injects a vibrant energy into your designs. Fun and Playful Typography Magent exudes an unmistakable aura of fun and playfulness. It’s the font to choose when you want to infuse your projects with a touch of whimsy and character. The result is content that not only stands out but also leaves a lasting and memorable impression. Endless Creative Versatility An outstanding attribute of Magent is its sheer versatility. This font effortlessly adapts to a multitude of design contexts, spanning from posters to branding and beyond. Its adaptability makes it a true chameleon in the world of creativity. Memorable and Engaging Magent’s dynamic blend of serif and sans serif elements guarantees that your content remains not only memorable but also engaging. It captivates your audience and leaves them with a vivid and enduring impression, ensuring they keep coming back for more. In Conclusion In summary, Magent – Display Typeface is a font that defies conventions. It’s a design masterpiece that harmoniously combines aesthetics with a playful spirit. Whether it’s branding, posters, or an array of creative projects, Magent is a one-of-a-kind font that captivates your audience and infuses your content with vibrancy and charm.

Touch Tone introduces a condensed lowercase and oblique italics to the uppercase font inspired by the "Dr. Strangelove" movie titles – designed by Pablo Ferro. Touch Tone's naive hand-drawn strokes rely on a quirky variable width-brush. They are looser, more textured, tactile, more informal, with quirky nervous lines. A family of four fonts: it includes two weights, light and medium, and both with roman and italics. All the fonts include the same patterns and ornaments. However, many of the “medium” font weight ornaments are beefed up to visually match. Touch Tone utilizes OpenType features. It imitates handcrafted lettering by including 2 glyphs for each U&lc letter (4 sets) – all kerned with care. This medley avoids a repetitious appearance so each sentence looks original and hand-drawn. The uppercase includes two widths – extra condensed and extended. Add whimsy and eccentricity by mixing the extra condensed caps with extended caps and the lowercase alphabet. Use the Contextual Alternates, or Stylistic Alternates features panel, or select the alternates in the Glyphs palette. Touch Tone includes oldstyle numerals, a variety of retro patterns, dingbats, speech bubbles, icons, banners, graphic arrows and ornaments. Each font includes 403 glyphs. Suitable for display or text and many European alphabets. Purchase both weights, roman and oblique italics to emphasize words. Touch Tone combines cool graphics and patterns with OpenType. Generously apply Touch Tone for added warmth and a "Rat Pack" groovin' message.

Kolbano is a visually captivating typeface that is renowned for its distinctive and expressive letterforms. Designed with meticulous attention to detail, each character in Kolbano Font possesses a unique shape, making it an exceptional choice for creative and artistic projects. The font's design philosophy centers around providing a harmonious balance between elegance and personality. The letters in Kolbano are meticulously crafted with fluid curves, sharp angles, resulting in an eye-catching and memorable visual experience. Every character stands out on its own, showcasing its own individuality and artistic flair. Whether used in headlines, logos, or other design applications, Kolbano is sure to make a lasting impression. In addition to its regular upright variant, Kolbano also offers a captivating italic style. The italics add a dynamic touch to the typeface, imbuing the text with a sense of movement and energy. The slanted letterforms maintain the unique shape of each character, preserving the font's distinctiveness while introducing a sense of flow and elegance. The italics are perfect for emphasizing words, creating emphasis, or adding a touch of sophistication to any design. Kolbano s versatile and adaptable, suitable for a wide range of creative projects. Its aesthetic appeal makes it ideal for editorial design, branding, packaging, posters, and any application where typography plays a central role. The font's versatility allows it to effortlessly adapt to various design themes and concepts, whether it be modern and sleek or vintage and nostalgic.