Armthedore Script Font This pair was inspired by the retro poster design that i saw on some coffee shop, It was crafted by hand specially to add natural handmade feeling in its brand identity than i make it clean with pentool. **Opentype features** Armthedore Script font has 172 character set included Armthedore Script Font is very good looking in logo, labels, t-shirt prints, product packaging, invitations, advertising and others. What includes * Multilingual support (Western European characters). This fonts works with folowing languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Chiga, Cornish, Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu. Thank you for using this font. LS

Introducing Hunsleitta! It is a typeface easy to read and so comfortable to wear. Hunsleitta is perfect for branding projects, homeware designs, and product packaging. You can use it in a logo, badge, insignia, packaging, headline, poster, t-shirt/apparel, greeting card, business card, and wedding invitation, or simply as a stylish text overlay to any background image and more. The flowing characters are ideal to make an attractive messages to your taste. Ligatures are also available for several lowercase characters (double-letters which flow more naturally). These are only accessible via software with OpenType capability or a glyphs panel, e.g. Photoshop/Illustrator. That's it! I really hope you enjoy it - please do let me know what you think, feedback is always hugely welcomed and appreciated. More importantly, please don't hesitate to drop me a message if you have any issues or queries. Now enough of reading this, get out there and make it happen :)

Bedfore Script is a romantic typeface. vintage script font that is thick, elegant & fun. very suitable for various purposes and wants. Like logo, label, wedding invitation, brand, t-shirt, letterhead, nameplate, news, book covers, magazine, oster, badge, etc. Bedfore Script features OpenType stylistic alternates, ligatures and International support for most Western Languages is included. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. Bedfore Script is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app. If you need help or have any questions, please let me know or via email "lettersams@gmail.com" I'm happy to help :) Thanks & Happy Designing!

Garlandia was inspired by Retro style in combination with a Handwriting style. Garlandia Script has many alternative swash and features like stylistic alternates, stylistic set, ligature and swashes so you can mix and match as you wish. Garlandia comes with open type features such as alternative styles, style sets and great features for logos, posters, badges, book covers, t-shirt designs, handwritten quotes, product packaging, headers, posters, merchandise, social media & greeting cards. To activate the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or newer versions. Garlandia is coded with PUA Unicode, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows to attach to your favorite text editor / application. If you need help or have questions, let me know or via email "lettersams@gmail.com" I am happy to help :) Thank you!

These initials set I collected from “Tractatus sacerdotalis de sacramentis”, published in the city of Lugrun, printed by Arnaldum Guillermum de Brocario in 1503. Tractatus font family has Regular and Colored styles. It's all you need to precisely imitate medieval style text. Use this font as a decorative element at the beginning of a paragraph or section, other part of the paragraph should be in regular black letter font. You’ll get Drop Caps & Numbers set. --- *You can use color fonts in PS CC 2017+, AI CC 2018+, ID CC 2019+, macOS 10.14 Mojave+ * *Please note that the Canva & Corel & Affinity doesn't support color fonts!* *Please download this test file with only A letter ( https://www.dropbox.com/s/1lr7fify0n520ms/Tractatus-Test.otf?dl=0 ) to check your app & system.* --- Best, Roman. Thank you!

Tapa is a classical old roman typeface family which has been cut with sharp serif; Its stems, proportions, serif and elegant angles, may induce into a new view of the "Old roman faces" by our contemporary digital age. The kerning pairs were carefully controlled to ensure a good readability and nice page tone contrast. The Tapa font family is completed with true italics (without compression). And enriched with a full set of OpenType features containing ligatures, discretional ligatures, old style numerals and swashed letters.

Akoyster is a fusion of cyberpunk visual culture & contemporary calligraphy with broad nib pen. It's ideal for eyecatching bald statements. Enjoy wiered shapes and create new future.

The idea was to find common intersections between the humanistic and the neo-grotesque model of sans. This variable font offers everything from the world of sans serif in one place – a broad range of weights, adjustable contrast, and a lot of alternative glyphs. As a bonus, you can choose the “cold” or “warm” impact of the text. The Cosan Cold variant has closed apertures and minimal tension in the manner of Helvetica, and the Cosan Warm is open, more dynamic, and airy. Cosan is very suitable for a parallel bilingual setting, as both types are equivalent in their proportions and text color. Like Yin and Yang, each has a piece of the other in him. The Warm version is not totally dynamic, nor is the Cold version totally rigid.

Van Wyck JNL was inspired by some old printing found in a catalog.

FP Stage was inspired by old Victorian theater posters and corresponding typographic designs.

Eingraviert is based on old books capitals, with a wood type engraving style

This fun font will get you singing that old favorite song ... It's fun.

an art deco font based on brazilian Rio's lettering old publish lettering style

A fancy version of an old Bruce's Typefoundry wood type : the 515 type...

Liam, an oldstyle easy to use typeface, excelent to emulate old printed books...

A creative context 2003. Fontsmith was sharing a small, cold, whitewashed studio space in Northburgh Street, Clerkenwell. But things were on the up following prestigious custom type commissions for The Post Office and E4. “Slab serifs were on the brink of another revival, we could feel it,” says Jason Smith. “All we wanted to do was have a play with these slabs, go as far as we could within what was acceptable and readable.” “It wasn’t initially clear what was happening,” recalls Phil Garnham. “We were becoming very influenced by our surroundings, outside the studio space. We absorbed the essence and the designer grime of where we were.” Process Jason began by drawing stems on-screen. “The key aspect of the font is the upward bend of the leading shoulder serif, the way it kind of ramps up and then plummets back down the stem. “The regular and light characters are quite narrow – great for text but the bold is quite wide and chunky – better for headlines. I think ‘y’ is quite different for a slab design. We call it the Fontsmith ‘y’.” Promotion Fontsmith were determined to get FS Clerkenwell noticed. To launch the font, Ian Whalley, a designer friend of Fontsmith, captured words heard on the streets of Clerkenwell, set them in the new font and crafted a small book of typographic conversations. It was a first for Fontsmith. “I think that’s part of why this font has been so successful,” says Phil. “It really does embody the spirit of the area, as a special place for design, arts and crafts. And designers love that.” Contemporary twist FS Clerkenwell, based on influences in and around this part of London with a rich tradition of printing and design, mixes tradition with creation. Old-fashioned values meet new-school trends. Its quirky, contemporary character lends an edge to headlines, logotypes and any large-size text.

Edgar No. 9 is an original design by Alex Kaczun. Edgar No. 9 is a derivative work based on his Big Boy typeface series. It was designed specifically for display headlines, logotype, branding and similar applications. Primarily a display, this extremely versatile font has generous proportions, large counters and loose fitting which also allow the font to work well across a wide range of text sizes. Edgar No. 9 is a heavy baroque slab serif and although it shares the underling skeleton of 'Big Boy', it is a much more compact in overall proportions and spacing. A handsome bold headline font that works well in text as well as display sizes—ideally suited for publications and advertising. Alex plans to expand the font series to include a large range of weights along with corresponding italics numbering 1 thru 9, as well as, true small capitals and old style figures. Distressed version(s) will also be available in upcoming releases. Stay tuned, more to come soon. The large Pro font character set supports most Central European and many Eastern European languages.variations to expand this 'hip' new font series. Groovin' baby.

The retro-inspired design of Aviano Copper Variable echos the bold style of America’s Gilded Age. Inspired by the copper-inscribed intaglio printing designs of the early 20th century, the powerful, wide character shape of this font walks softly across your page while carrying a big stick. To create the right balance, small wedge serifs were added onto Aviano Sans, giving you a sophisticated style that looks and acts like it belongs nowhere short of Boardwalk. Developed to a new level of excellence, this design offers a wide range of weights from thin to black. There's full multilingual support of all Latin-based languages and five stylistic sets, swash designs, and 1000 glyphs per weight, including some unique ligatures. Number options include old style figures, tabular figures, and superscripts. Unique median spur alternates, swashes, and ligatures will help you customize every single design. The feel of last century’s personal and business correspondence is waiting for you in this member of the Aviano family. While ideal for headings, displays, logos, and short texts, Aviano Copper’s use for everything from letterhead to wine labels may just give you the monopoly you’re looking for.

PT Sans Pro is a comprehensive type family intended for a wide range of applications. It consists of 32 styles: 6 weights (from light to black) with corresponding italics of normal proportions; 6 narrow styles; 6 condensed styles; 6 extra condensed styles and 2 caption styles (regular and bold). The design combines traditional conservative appearance with modern trends of humanistic sans serif and possess enhanced legibility especially in caption styles. These features, besides conventional use in business applications and printed materials, make the fonts usable for direction and guide signs, schemes, screens of information kiosks, and other objects of urban visual communications. The fonts have extended Latin and Cyrillic character sets serving alphabets of all title languages of the national republics of Russian Federation and supporting the most of the languages of neighboring countries. Each font contains about 1400 characters including small caps for all alphabetic characters, 4 sets of figures with lining and old style variations, stressed Cyrillic vowels, indices, fractions and so on. Design -- Alexandra Korolkova with assistance of Olga Umpeleva and supervision of Vladimir Yefimov. The fonts released by ParaType in 2010.

The Macarons font family consists of a monoline version, regular and bold weights, and a set of gestural catchwords, which reflects the use of the ruling pen as a freestyle tool. Ornaments and dingbats are also included. Macarons is a display type based on the classic Garamond typeface. It’s inspired by the foodie culture and the slow food movement, which began as a rebellion against fast food and has now grown to a global scale. Every day, thousands of people around the world take pictures of their food, look for new recipes to try and recover old ones, enjoy wine-pairing, and value locally produced food. Macarons is a fresh and spontaneous looking typeface that has been designed by Coto Mendoza, who also has developed a hand-made product line (Ride my Bike, Ride my Bike Serif, Four Seasons, D.I.Y. Time, Dans le Cuisine and In a Jar). This font is not constructed out of modules: each character is drawn by hand. Macarons is ideal for cookbooks, menus, liquor bottle labels, food packaging, wedding invitations, greeting cards, tea boxes, food blogs, small shops, cupcake bakeries and so on. Try! A freshly-baked homemade macaron!

Nsai is a modern sans serif font family with a geometric twist, created in 2021 by a Congolese type designer, Audry Kitoko Makelele. It is available in two versions (normal and extended) making a total of 36 fonts. There are 9 weights with their true italics. Over 600 glyphs per font provide a wide range of language support, from Latin to Cyrillic, as well as powerful Opentype features such as professional kerning, stylistic variations, very special ligatures, old-fashioned tabular figures, Fractions, denominators, exponents, unlimited indices, arrows and more to satisfy the most demanding professionals. On the one hand, it features rounded curves with very open terminals that make this font family elegant, user-friendly and contemporary and on the other hand very useful for writing titles on any medium. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as editorial design. It’s a wonderful, bold and elegant font. This font is guaranteed to make your design stand out from the crowd and leave a lasting impression, as it has the potential to enhance any creation.

Introducing Troback - A Vintage Display Font Step into a realm of timeless elegance with Troback, a meticulously crafted vintage display font that pays homage to the design aesthetics of the past. With its distinctive retro charm, Troback encapsulates the spirit of a bygone era, where every letter tells a story. Inspired by the ornate typography of vintage signage, Troback is a masterful blend of boldness and sophistication. Its characters are imbued with intricate details, from the delicate serifs that harken back to a more refined age, to the captivating curves that dance along the baseline with a sense of purpose. This font conjures nostalgia with every stroke, summoning memories of old cigar box labels, antique shop signage, and classic posters that once adorned bustling city streets. Troback isn't just a font; it's a journey through history, a bridge between the craftsmanship of yesterday and the creativity of today. Ideal for branding that craves a touch of vintage authenticity, for designs seeking to recapture the allure of a vintage era, Troback stands as a testament to the enduring power of timeless typography. Let your words resonate with the elegance of a bygone time - let them speak through Troback.

Milk Drops is a semi-casual-feeling cross between a didone and slab serif display font. Elegant, flourishy, whimsical and bold, as much as one font can be any or all of those things! It has highly contrasting weights, but not so much to take itself too seriously or risk legibility. Playfully, it entertains the teardrop motif wherever it can – in expected areas like the descender of a "y" and the ascender of an "f", but also in some whimsical flourishes. Many of the uses of the teardrop motif are implemented on the terminals and ears where many old prints may have suffered from bleed of ink – answering a "what if" question like "what if those accidental bleeds were designed on purpose?" or "what if a font were designed as though it was already seen through blurry eyes?" Milk Drops also features stencil-like open counters and lots of ligatures (32). Note also, it has some super-nerdy additions like symbols for Bitcoin, Pilcrow, Interrobang and Irony Mark. Language Support Milk Drops is highly versatile – with an impressive count of 470 glyphs, it can accommodate up to 78 latin-based languages.

Miss Mable is a high-quality, well-proportioned contemporary typeface with variations in thick and thin strokes that contains a hint of previous decades. I wanted to create enough weights and widths to make the typeface suitable for a wide range of uses where a soft, stylish, and friendly look is appropriate. The Miss Mable type family consists of 44 fonts. The family encompasses seven weights across three widths in Roman and italics plus variable versions. Each font contains a complete set of characters for Western and Central European languages. In addition, OpenType features include dynamic fractions, alternate glyphs, ligatures, plus proportional, tabular, and old-style numerals. These high-quality fonts are fully compatible with Windows, Macintosh, and Linux. Also for sale are two Miss Mable variable fonts that include all Roman and italic glyphs of every width and weight plus everything in between. For example, if you need something slightly bolder than bold and a little wider than semi-condensed, the variable fonts make that possible without distortion. Variable technology is new, however. All modern web browsers support variable fonts, but support for most desktop software is still spotty.

The retro-inspired design of Aviano Copper echos the bold style of America’s Gilded Age. Inspired by the copper-inscribed intaglio printing designs of the early 20th century, the powerful, wide character shape of this font walks softly across your page while carrying a big stick. To create the right balance, small wedge serifs were added onto Aviano Sans, giving you a sophisticated style that looks and acts like it belongs nowhere short of Boardwalk. Developed to a new level of excellence, this design offers a wide range of weights from thin to black. There's full multilingual support of all Latin-based languages and five stylistic sets, swash designs, and 1000 glyphs per weight, including some unique ligatures. Number options include old style figures, tabular figures, and superscripts. Unique median spur alternates, swashes, and ligatures will help you customize every single design. The feel of last century’s personal and business correspondence is waiting for you in this member of the Aviano family. While ideal for headings, displays, logos, and short texts, Aviano Copper’s use for everything from letterhead to wine labels may just give you the monopoly you’re looking for.

Introducing Hoax – a pre-worn sans serif with spirit, personality and distinction. This bold and semi-condensed sans serif is inspired by old copy machines and vintage prints. It is lively and eye-catching, ideal for where and when you want to make a lasting impression. Hoax is a celebration of character, a tribute to curiosity. Use this typeface and let everyone know that you mean business. OPENTYPE FEATURES: This font includes over 40 discretionary ligatures of prepositions and common words in English. These OpenType features can be accessed using OpenType friendly applications that allow the use of discretionary ligatures and stylistic sets. MULTILINGUAL SUPPORT: With over 700 glyphs, it has support for more than 150 languages, including Cyrillic script. List of discretionary ligatures: AND, ARE, AT, BY, FOR, EST, FEAT., FROM, IN, IS, OF, ON, OR, OUR, THAN, THAT, THE, TO, WITH, YOUR, CO. Each word is available in both upright and slanted versions. How to use: Activate the discretionary ligatures as you normally do in your OpenType friendly application. When activated, the words are in upright versions. To access the slanted versions, activate the first stylistic set (“Slanted Ligatures”). Happy typing!

A blackletter font of decorative style and of obscure origin which was rescued for all devotees of these old hot-metal letters. This font contains a bunch of useful ligatures, and by typing 'N', 'o' and period and activating the OT feature Ordinals you get an old-style number sign.

Lonestar Western is a revival of the old classic slab serif font named Hellenic which was very popular in the middle to late 1800s. While watching an old western movie the opening credits caught my attention, it was the Hellenic font with spurs added which gave it a more western look.

AZ Text font was inspired from a need for a generic worn san serif text of letters that looks old. This font utilizes an "old look" to the line work which is designed to have a "worn feel" to it. Ideal for use as the body or text in your design.

Corrente, named aptly for its “electric” letter shading (“corrente” is Italian for “current” (electrical)) will add a little spark to your works. Corrente’s “Dagger” glyphs are lightning bolts!

SK Eliz is an eight-bit old-school geometric font based on pixels. Despite the old school, the font looks modern and simple. The font is built on a clear geometric grid, verified to the last pixel. It is ideal for design works in the old style, illustrations and for game design. This font also contains a set of pixel icons for more convenient operation. There are also paired styles of numbers. The font comes in one weight but it has 850 glyphs which supports classical Latin, Cyrillic and most European languages.

"Sound Distortion" a mixed font inspired by retro collage art and clipping of old newspapers. Feel the old school taste with this block font mixed of sans serif, condensed serif, blackletter, handwriting, and old typewriter style, combined into a chaotic collage style. You can also mix and match the letter by using the alternates characters or switching with the lowercase which gives you a more attractive design. Features : - Lowercase & Uppercase - numbers and punctuation - multilingual - alternates - PUA encoded Please contact us if you have any questions. Enjoy Crafting and thanks for supporting us! :) Thank you

Try something different, we proudly present our new exploration named "Retroma Vibes" a mixed font inspired by retro collage art and clipping of old newspapers. Feel the old school taste with this block font mixed of sans serif, condensed serif, blackletter, handwriting, and old typewriter style, combined into a chaotic collage style. You can also mix and match the letter by using the alternates characters or switching with the lowercase which gives you a more attractive design. What you'll get : Uppercase Lowercase Numbers & punctuation Stylistic alternates Multilingual support Hope you enjoy this font!

An old turn-of-the-century style commonly used on billheads, letterheads, certificates, etc.

FG Lova is a small connected script font that looks like old letter writing.

This font was written with a calligraphic pen, loosely based on old-school calligraphy.

This font was inspired by lettering found on old tradecards from the 19th century.

Castiana is an elegant font inspired by old books, medieval typography, and rustic art.

This all started with a love for Minister. This is a font designed by Carl Albert Fahrenwaldt in 1929. In the specimen booklet there’s a scan from Linotype’s page many years ago. They no longer carry the font. I’ve gone quite a ways from the original. It was dark and a bit heavy. But I loved the look and the readability. This came to a head when I started my first book on all-digital printing written from 1994-1995, and published early in 1996. I needed fonts to show the typography I was talking about. At that point oldstyle figures, true small caps, and discretionary ligatures were rare. More than that text fonts for book design had lining OR oldstyle figures, lowercase OR small caps—never both. So, I designed the Diaconia family (using the Greek word for minister). It was fairly rough. I knew very little. I later redesigned and updated Diaconia into Bergsland Pro —released in 2004. It was still rough (though I impressed myself). In 2006, I found myself needing a readable sans serif. So I went to Bergsland Pro, and eliminated the serifs. I named the font Brinar. I kept a flare in place for the serifs and cupped the ends. I was stunned. People loved it. It’s remained my bestseller until very recently. So, at the end of 2016 I decided that Brinar really needed some help. The flares were basically random. The stem width and modulation variances all needed to be fixed. My old OpenType feature code was quite limited and clumsy. So, I created the 6-font Biblia family. I cleaned up or redesigned all the glyphs. I updated the fonts to the 2017 set of features: small caps, small cap figures, oldstyle figures, fractions, lining figures, ligatures and discretionary ligatures. These are fonts designed for book production and work well for text or heads.