Crimson Skyline is a thin brush font. I used a pencil and Chinese ink to paint the letters. Crimson Skyline comes with double letter ligatures for the lower case letters. And the name? Well, it just has a nice ring to it. That’s all!

Kind Type is based on watercolor painted letters. Open, bold strokes with rounded terminals make it a very legible typeface even at small size. Kind Type has a soft, friendly character with a distressed edge. It is suitable for short paragraphs, captions or headings.

Cocobella is a beautiful chic and elegant hand painted font. The characters are uneven which gives Cocobella an edgy unique look. Cocobella will work best for clothing brands, fashion magazines, advertising, books, greeting cards, invitations, weddings and any time you feel sophisticated and chic.

Kertayasa is a layered typeface inspired by an old signage and vintage letter painting. It consists of 10 layers, a wide support of latin languages, and some alternates. You will imbue beautifully vintage display typography in anything – including editorial and packaging – which you might create.

Bilestone inspired from vintage baseball, sign painting, and labeling, is suitable for logos, product names packages, labels, old fashioned coffee shops, bars and everything with specific characteristics of past times. Bilestone is a great combination to create something good and with a vintage feel.

Delabasto is contemporary brush font, with the look of a stylish face. were painted on paper and carefully made into a font. can be used for stationery, fashion, logo, merchandise, books, clothing, magazines, cover artwork etc. Delabasto includes several ligatures, alternates and international support.

Posterizer KG Sketch is basically a drawn version of Egyptian Slab Serif font Posterizer KG. Posterizer KG Sketch, is useful for some themes like music, painting, party, food, nature, kids... and many other funny and creative things. Contains all the Latin and Cyrillic glyphs.

Rase Nicolous is a tall, handwritten graffiti font built to emulate a particular category of modern American, west coast graffiti styles. The varied stroke width & rough edges can produce the look of a number of different writing implements, paint brush, pencil, marker, chalk etc.

Anachak font, Is a square structure. It emphasizes the sharpness of the serif, giving it a strong and formidable feeling. Suitable for headlines for various publications such as Packaging, Print Ad, Etc. Available in 18 styles. - ฟอนต์ อาณาจักร โครงสร้างเหลียมมีเชิง ขับเน้นความคมแหลมคมตรงช่วงจบเส้น และฐานเชิง ให้ความรู้สึกหนักแน่น น่าเกรงขาม ยิ่งใหญ่ และดุร้าย เหมาะสำหรับการพาดหัวสำหรับสิ่งพิมพ์ต่างๆ เช่น Packaging, Print Ad, Etc มีให้ถึง 18 สไตล์ เลือกใช้ได้ตามความเหมาะสม

Originally made in seven sizes, 6 to 48 point. Our font was digitized from the 24 point which we found in 1947 in a Sparks, Nevada, newspaper shop. Typical of the late nineteenth century types for job printers, where the rule was “never start a line with a font used in the line above”.

Have you ever wanted to print text upside down? There is, or course, software the lets you rotate text, but another way is to use an upside-down font like UpsidedownTOC. Notice that to use it to get upside-down printing, you must type in the words backwards. UpsidedownTOC is derived from the font TiredOfCourier.

Have you ever wanted to print text upside down? There is, or course, software the lets you rotate text, but another way is to use an upside-down font like UpsidedownJJ. Notice that to use it to get upside-down printing, you must type in the words backwards. UpsidedownJJ is derived from the font JetJane.

Frantic Pace JNL is based on hand lettering found on the lid of a late 1950s or early 1960s edition of the Print Craft alphabet printing set once manufactured by the Superior Marking Equipment Company of Chicago. The free-form spurred serif lettering is fun and casual; giving the impression of movement or action.

Viva Beautiful is a lovely hand painted brush script. Viva Beautiful includes two script styles (Regular or B) and an all caps font. Both scripts come in a basic or pro version. Viva Beautiful Pro and Viva Beautiful Pro B include opentype alternates and common ligatures. Try the alternates and ligatures to give your designs a realistic hand painted look. Viva Beautiful and Viva Beautiful B include opentype ligatures. The all caps font is a basic version and pairs beautifully with any Viva script. This brush script family works best for fashion, beauty products, food, apparel and magazines. Viva Beautiful could also be used for film, television, marketing, advertising and websites. Bring beauty to your designs with Viva Beautiful!

TF Hustler Blood Graffiti Font - a unique and exciting design that is sure to add a splash of creativity to your projects! Our font features a monoline style that is complemented by a vibrant splash of paint, giving your designs a unique and eye-catching look. we've also included several alternative that are perfect for supporting the graffiti style. These alternative give you even more flexibility and allow you to create designs that are truly unique and individual. The monoline style gives the font a clean and modern look, while the splash of paint adds a touch of creativity and spontaneity. Features: Uppercase, Lowercase, Numeral, Punctuation & Multilingual. For any questions please contact me 🙂 Thanks!

Arestons is an aesthetic vintage typography font, inspired from the past, elegant signage, gold leaf , sign painting and old label product. Arestons comes with tons of alternates characters to make more eye cacthy . It is suitable for authentic logos, headings, sign painting, posters,letterhead, branding, magazines, album covers, book covers, movies, apparel design, flyers, greeting cards, product packaging, and more. To make everyone enjoyed Arestons give you one extras font including ornament , catch word and some traditional badge. If you use Areston with you imagination, you just cobine with the another font like script , serif or san serif font and adding some effect finally.. BOOM..!! you get a great design for your project.

Who made this mess! Material is quintessential paint brush font fun. A little bit grunge, little bit 80s chic. Material is rated R for adult content and violence, violence to the american alphabet. This font soars just like KITT in Knight Rider. Part virtuoso part New Kid On The Block. Feels like you’re painting those letters on yr’ own self! Anytime you need to make a little mess and really express yourself choose Material. This font will really give your designs some distressed authenticity. Material is great for billboards, t shirts or video productions. It’s full of smudgy love, it’s loud and is likely to offend but what better way to give your designs that highly sought after ‘edge’.

Preto is an extensive type family, which explores the function of serifs on readability and legibility. Preto consist of three subfamilies: Sans, Semi and Serif. Preto is designed for multilingual typesetting. All of the subfamilies have equal gray value but different texture which can be use to differentiate languages. Preto sub-families have two text weights and two bold styles (Regular -> Bold, Medium -> Black). Every weight has a companion Italic style as well. The serif version has been designed to work best at small point sizes (around 8, 9 points). You will not achieve calm, boring or invisible look of your text with Preto Serif. Its long, spiky and sharp serifs contribute to give the typeface a distinct and energetic character. It is very suitable for magazines, corporate identity, brochures or other print materials where a typeface for continuous reading is required. The ligatures in Preto Serif are very special. You can set them in different tracking values and spacing will increase/decrease consistently in the ligatures as well. Alternative characters in the font files allow you to change the feeling of the text from typical to more special (J, Q, g , &). Each font contains a full set of small caps and many alternative characters for complex typesetting.

Preto is an extensive type family, which explores the function of serifs on readability and legibility. Preto consist of three subfamilies: Sans, Semi and Serif. Preto is designed for multilingual typesetting. All of the subfamilies have equal gray value but different texture which can be use to differentiate languages. Preto sub-families have two text weights and two bold styles (Regular -> Bold, Medium -> Black). Every weight has a companion Italic style as well. The serif version has been designed to work best at small point sizes (around 8, 9 points). You will not achieve calm, boring or invisible look of your text with Preto Serif. Its long, spiky and sharp serifs contribute to give the typeface a distinct and energetic character. It is very suitable for magazines, corporate identity, brochures or other print materials where a typeface for continuous reading is required. The ligatures in Preto Serif are very special. You can set them in different tracking values and spacing will increase/decrease consistently in the ligatures as well. Alternative characters in the font files allow you to change the feeling of the text from typical to more special (J, Q, g , &). Each font contains a full set of small caps and many alternative characters for complex typesetting.

Colonial Press is a font based on serif typefaces designed by William Caslon I (1692-1766) and various revivals thereof. Caslon is cited to be the first original typeface of English origin, but some type historians point out the close similarity of Caslon's design to the Dutch Fell types, presumed to be the work of Dutch punchcutter Dirck Voskens. Colonial Press harkens to the look and feel of newspapers in Colonial North America around the mid 1700s without the rough edges commonly associated with colonial printing and many reconstructions. The rough quality of the American typeface is believed to be the result of oxidation from the exposure to seawater during the long voyage from England to the Americas. Colonial Press is a heavy font that retains some of the handcut quality of these fonts while smoothing out the irregularities that make many of these fonts so visually distracting at larger point sizes. For the italic version of this font, I chose to emulate the more ornate letterforms that I have encountered, giving the italic characters a more ornamental feel. Colonial Press comes with full punctuation and a 362 glyph character set for most Western European-based Latin alphabet languages. It is a font that is designed both for normal typing and for larger, decorative display.

Make your own retro design with Lettro Font! Lettro is an exquisite bold script typeface inspired by the retro design from 70-80-ish. Lettro is created with a ton of stylistic alternates, swashes, and ligatures, and also comes with 5 total Layered fonts: Regular, Extrude, Extrude Outline, Double Extruded, and Double Extruded Outline. Perfect fitted layer to give you more contrast, more bold look of the title. Every glyph for alternates is curated for the best and possible without eliminating the characteristic of these fonts! Combine that many styles and create an awesome retro design! This retro typeface is perfect for logotypes, t-shirts, vintage badges, retro quotes, branding, packaging, posters, signboards, social media needs, etc. ——— Lettro features: A full set of uppercase & lowercase characters Layered Style Numbers & punctuation Multilingual language support PUA Encoded Characters OpenType Features +563 Total Glyphs +212 Stylistic Alternates +49 Ligatures +47 Swashes and more (Shiny and Spray Effect Included!) ——— ⚠️To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe InDesign & CorelDraw X6-X7, Microsoft Word 2010, or later versions. There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac), or a software program such as Pop Char (for Windows and Mac). ⚠️For more information about accessing alternative, you can see this link: http://adobe.ly/1m1fn4Y ——— 🔑Important tutorial from the author: Tutorial for Mollusca font trio: https://lnkd.in/d984CQD6 How to use Midway | Retro Script Font on illustrator: https://lnkd.in/eusbZd7s How to use Midway | Retro Script Font on Photoshop: https://lnkd.in/evsYrwgs Happy Designing...😊

A beautiful serif font with calligraphic touch. Great for your documents, book printing, and other designs.

KnewFont simulates neat and meticulous hand printing. Its letters slant left and come in five weights.

A very light, elegant, condensed typeface, which must be used very large (at least 100 points).

Halliday JNL was redrawn from impressions made by a rubber stamp sign printing set, thus providing the slight imperfection of line widths that gives a hand-made approach to the typeface. The lettering style is based on Beton Open Condensed, a clean and popular slab serif used for decades in print display titling and rubber stamp manufacture.

There has long been interest in the talismanic value of different numbers and their varied many - pointed stars or patterns. This font presents star designs with points numbering between five and twelve, in solid form, outlined, interlaced, and placed within a circle. Whether your interest is mathematical or mystical, We hope you will enjoy this collection of forms.

This family was inspired by numerous documents and books printed in Paris during the end of the 1700s. Mainly, documents printed by P.G. Simon & N.H. Nyon, “Printers of the parliament” were used for the Normal and italic styles and “Caps”. “Titling” characters were coming from a collection of hymns printed by Nicolas Chapart. In France these Fournier characters, as Baskerville in Great Britain, were the most often in use in the late 1700s, just before the Didot designs. This font supports strong enlargements, specially the capitals of “Caps” file and “Titling”, remaining very smart, elegant and fine.

PostScript fonts are constructed by connecting dots, dots that have special attributes that control the shape of the connecting lines. In designing Minimalist, I wanted to see how few dots could be used to construct each letter. This is the source of the name--it is (or was) a minimum-point alphabet. I did not expect much from it, and was surprised that it turned out as well as it did. Since I originally drew it, I have added some points to some of the letters to get them to generate proper bitmaps, so it no longer has minimum points.

We produce original printing press letter fonts, for example from the journal Southern Literary Messenger (circa 1830 - 1870). The only one in the world. What makes our fonts so attractive to the eye, are the myriad imperfections. It's not an approximation to the printing-press letters--- these are the actual letters, complete with all their manifold differences. If you look closely you will notice that the letter 'e' say, each time it is printed, is slightly different. These differences arise from the mechanical action of the inked-wooden press on the paper, and cannot be faked by artificial means. The eye subconsciously picks up this text as the actual printing press letters. Edgar Allan Poe published many of his great works in the Southern Literary Messenger, as did many other great nineteenth century writers, ie. Henry Wadsworth Longfellow, Nathaniel Hawthorne &c.

Cuckoo Fat was first seen in 1988 when I painted it on a record shop's window. Since then this hand lettered font has been there and done that. Cuckoo Fat is a loud and proud, classic and informal display font designed to work well on any job.

The 1957 French publication “La Letra Dans La Peinture et la Publicite” (“The Letter tn the Painting and Advertising”) had an illustration of split-serif letters and numbers with a decidedly Western feel. This is now available as Horse Thief JNL in both regular and oblique versions.

Visual Fantasy is a great, all caps display font. It was based on an old font of mine called Plakkaat, which was made using a flat brush and acrylic paint. Visual Fantasy is great for poster work, book covers and product packaging. Comes with extensive language support.

A handsome font, perhaps a little classical. Regularly-connected script, so it’s legible but also memorable font. Holiday Type Project offers retro hand drawing scripts. Inspired by retro script on shopfront lettering, wall paint advertisements in Italy around 1950s. Check out the script fonts from Holiday Type!

Created in Minneapolis in 1996, Chunder is inspired by the hand-painted cursive signage of urban boutiques where a shopkeeper can't afford to hire a very good sign painter. Kinda clunky, kinda flowery. Like beer spilled on a daffodil. "It's not pretty, but it's mine," says Chank.

Verismo (Italian for ‘realism’, from vero, meaning ‘true’) is a genre of operas with scenarios based on contemporary everyday life. This font is inspired by old school sign painting techniques. In addition, the font has a contemporary look and can therefore be used in many different designs.

A full character set derived from an enamel hand painted sign on the Whitehouse lawn that contained the magic set of 9 characters or enough rudimentray styles elements to derive a complete character set. It's very round and boxy and is great for display and signage.

The opening title sequence for the 1958 film “The Long, Hot Summer” was hand lettered in a free-form style as if painted with loose paintbrush strokes. This served as the model and inspiration for Summertime Breeze JNL, which is available in both regular and oblique versions.

Verismo (Italian for ‘realism’, from vero, meaning ‘true’) is a genre of operas with scenarios based on contemporary everyday life. This font is inspired by old school sign painting techniques. In addition, the font has a contemporary look and can therefore be used in many different designs.