Introducing, Roghsire.A stylish displa font with chic & classic looks. This typeface has been made carefully to make sure its premium quality and luxury feel. It comes with Slant Version. Very suitable for logo, headline, tittle, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Chips Snack! A hand-written font with 2 styles, regular (brush texture) and solid. Chips Snack is perfect for short typography, logotype, apparel, T-shirt, Hoodie, product packaging, quotes, flyer, poster. Whats Include? 1. Uppercase and lowercase characters 2. Supports international languages 3. Numerals, punctuations 4. Accessible in the Adobe Illustrator Glyphs panel, or under Stylistic Alternates in the Adobe Photoshop OpenType menu, Adobe InDesign, Corel Draw, even work on Microsoft Word 5. Multilingual support Please message me if you're unsure of any language support. Thanks for looking, and I hope you enjoy it! Please don't hesitate to drop me a message if you have any issues or queries.

Introducing our latest product the Sunydale Font Duo! classy, contemporary pair of script and serif fonts. It is free-flowing, feminine, fashionable and friendly. Sunydale is perfect for fashion, e-commerce brands, trend blogs, or any business that wants to appear classy and chic. Sunydale Includes: Uppercase, lowercase, numeral, punctuation & Symbol multilingual support Stylistic alternates Discretionary ligatures 2 swash (numeral keys) PUA Encoded Characters Fully accessible without additional design software. To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. If you have any question please do not hesitate to contact me.Thank You!

Silver Broom is a display font with fun and playful looks. This type of font perfectly made to be applied especially in storybook children or child theme which is need a standout font, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase and lowercase numbers and punctuation multilingual swashes feature ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Hollow House is an eye-catching typeface with a great looks in horror / creepy font. This type of font perfectly made to be applied especially in movies which is need a standout font, and the other simple forms such as invitations, labels, logos, magazines, books, greeting, packaging, novels, labels or any type of advertising purpose. Features : numbers and punctuation multilingual alternates ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

Story Fresh is a family script font, with 5 styles: brush, bold, medium, normal and light. Story Fresh a work that is purely handmade, has its own characteristics with the style of monoline. this is perfect for invitations, signatures, blogs, social media, business cards, product brands. FILE INCLUDE - Story Fresh Brush (OpenType,PUA) - Story Fresh Bold (OpenType,PUA) - Story Fresh Medium ( OpenType,PUA) - Story Fresh Normal ( OpenType,PUA) - Story Fresh Light ( OpenType,PUA) OpenType features can be accessed by using OpenType smart programs such as Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. special greetings for all, all of us all smoothly in running the routin

The Oyster family is a useful toolkit for hand-draw moods. It's a super casual and somewhat messy font that comes in two flavors: regular and outline, or rather, truly-hand-drawn-outline. Both styles have two choices for each upper- and lower-case letter, for that additional handmade feel. The OpenType contextual alternates feature instantly get these alternate glyphs to dance. The regular style also brings a set of glyphs with filled counters in a stylistic alternates pack, for a little twist now and then. And finally, the family has also a picture font with useful icons and ornaments. Handmadify your message and give Oyster a try!

Introducing the new beautiful Madeira Script! It includes subtle connections and exceptional charm, Madeira is perfect for logos, wedding invitations, stationery designs, branding projects, photo overlays, editorial features, and more. Take the stress out of finding a font that matches your existing set and focus on what you want to do that is designing beauty work. Madeira is built with OpenType features and includes swash start, end, number, punctuation, alternative, binder and also supports other languages ​​:) Everything can be accessed using software that supports Opentype, such as Adobe Indesign, Adobe CS Illustrator, Adobe Photoshop CC, and Corel Draw. Thank you! - Don't hesitate to ask me

Haystack is a handwritten script with many . You can use also for headline or signature. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual alternates and ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

Batrisyia Script - a new fresh & modern script with a handmade calligraphy style, decorative characters and a dancing baseline! So beautiful on invitations like greeting cards, branding materials, business cards, quotes, posters, and more design concepts, The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe Photoshop , Corel Draw X version, and Microsoft Word. And this Font has given PUA code (specially coded fonts), so that all the alternate characters can easily be accessed in full by a craftsman or designer.

Aneisha Script is a modern calligraphy font with the current handwriting style, this font is perfect for branding, wedding invites, magazines, mugs, business cards, quotes, posters, and more. You need a program that supports OpenType features such as Adobe Photoshop Cs / Adobe Photoshop CC, Adobe Illustrator CS / Adobe Illustrator CC, Adobe Indesign and Corel Draw and many more programs that support OpenType. If you do not have a program that supports OpenType, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows) If you have any questions, do not hesitate to contact me by email: hello.mrletters@gmail.com. Happy designing :-) Thank You for your purchase!

Introducing, Huyton- a unique display script with reverse contrast, comes with extrude. The unusual reverse contrast make this typeface one of a kind. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : extrude version uppercase & lowercase numbers and punctuation multilingual alternates and ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

DETAILS Manees! A modern calligraphy font with two styles, regular and slant. Manees font is suitable for branding, logotype, apparel, T-shirt, Hoodie, product packaging, quotes, flyer, poster, advertising, etc. Whats Include? 1. Uppercase and lowercase characters 2. Multilingual support. 3. Numerals, punctuations, and alternates 4. Accessible in the Adobe Illustrator Glyphs panel, or under Stylistic Alternates in the Adobe Photoshop OpenType menu, Adobe InDesign, Corel Draw, even work on Microsoft Word. Please message me if you're unsure of any language support. Thanks for looking, and I hope you enjoy it! Please don't hesitate to drop me a message if you have any issues or queries. Omotu Studio

Everything your head should not be or would rather not do is here. A complete collection of 225 illustrations (plus bonus shadows) in three fonts. The illustrations collected in the Capsbats keep the free-flowing lines of the ink-on-paper sketches. As a dingbat, or pictorial typeface, the Capsbats are very versatile: you can use them immediately in any application. The vectorial format of the font file means they are scalable with no loss of quality. And you can customize them in no time in your favourite graphics program. They can be used out of the box, as accents or spot illustration, or enlarged, combined, coloured, textured... to achieve an infinite variety of results easily. With Capsbats you have an incredible resource for your concept illustration needs: enlarge them and you can create a high impact page layout, posters, magazine covers and book jackets, advertising... The Capsbats Shadows are bonus silhouettes that you can use in very different situations. Use these shadows to fill them with your own patterns, or use them as a mask or clipping path, to paste the images you want inside them. The possibilities are endless. We didn't limit our imagination in drawing them, so why would you when using them? The book 1000 Heads is a compendium of the drawings featured in the Capsbats and Entestats and it gives a glimpse of the limitless applications of this collection.

The Richie™ typeface grew out of a lettering experiment inspired by the work of Czech type designer Oldrich Menhart (1897-1962). Menhart’s typefaces were primarily text designs with a strong personal calligraphic influence. Monotype Studio designer, Jim Ford, wondered what a display typeface from Menhart might look like, and began drawing bold script characters with a broad-tipped chisel marker. “It was a familiar but laborious exercise,” explains Ford, “I tried to achieve an authentic – yet controlled – randomness that would serve as the foundation of a typeface.” Ford first drew a large suite of characters using the marker. All the drawings were then carefully adjusted, and scanned. Ford then pieced together a typeface from the best versions of letters, and refined those further. The result is a rugged, somewhat eccentric and playful script built on an obvious hand-drawn foundation. In a world of smooth scripts, the Richie design is heavy, chunky and rough. Its hand-made feel and vigorous rhythm put the power of raw brush lettering into the typographer’s hands. OpenType® fonts of Richie include standard, contextual and discretionary ligatures, in addition to contextual and stylistic alternates, old style, lining and superior figures, plus a large complement of swash characters. The name “Richie”? It grew out of Ford’s original premise for the design. “I wondered what it might it look like if ‘Old Richie’ had designed a heavy display face or script.”

The TYMA Garamont Roman was inspired by the Berner-Egenolff type sample from the 1560s. The Italic was inspired by a sample from Robert Granjon, also from the 1560s. The name TYMA is short for AB Typmatriser, a Swedish company founded 1948, because the Second World War stopped all import of matrices for Linotype and Intertype typesetting machines. It took until 1951-52 before the import was up to speed again. Until then, Sweden had to fend for itself. TYMA produced all technical equipment needed for type production, including the pantograph to cut the matrices, a complete set for each size and version. The templates for Garamont Roman were initiated by Henry Alm 1948. Bo Berndal was hired the following year, and continued the work by drawing and cutting templates for the rest of Garamont Roman, as well as for the remaining Garamont family. Bo Berndal stayed at TYMA until it went bankrupt in 1952. At that time Bo Berndal had already kick-started his career as type designer by drawing the typeface Reporter for one of the big daily newspapers, Aftonbladet, a version of Cheltenham for another daily, Dagens Nyheter, and copied several old typefaces for other customers. Librarian Sten G. Lindberg at The Royal Library of Stockholm, Kungliga Biblioteket, procured copies of original type samples. Henry Alm started the work in 1948, and Bo Berndal completed it - finally in this OpenType version.

The story of Serena is a unique one among revivals. Serena was neither a metal face nor a film one. In fact it never went anywhere beyond Stefan Schlesinger’s 1940-41 initial sketches (which he called Saranna). A year later, while working with Dick Dooijes on the Rondo typeface, Schlesinger was sent to a concentration camp where he died, along with any material prospects for the gorgeous letters he'd drawn. The only sketches left of Schlesinger’s Saranna work are found in the archives of the Drukkerij Trio (the owner of which was Schlesinger’s brother-in-law). The sketches were done in pencil and ink over pencil on four sheets of paper. And now Hans van Maanen revives Schlesinger’s spirit as closely as the drawings permit, and elaborately expands the work to cover a multitude of codepages and languages. It took more than 65 years for Schlesinger’s drawings to see the light, so van Maanen made sure to bring them to life stylishly and respectfully. Serena embodies the peace and calm rarely ever found in mainstream calligraphy or other genres of display type. With upright elegance and a slight Eastern touch, this typeface expertly bridges the gracefully casual with the deeply spiritual. The light and soft letter forms add a pleasant, breezy element to anything they touch. When used sparingly in titling or display, Serena is like a sigh of desire, rare but quite memorable and very appreciated.

A Venetian serif in 6 styles The Apolline typeface family was created by Jean François Porchez as a means to study the transition from Renaissance writing into the first printing types. Rather than sticking to the method commonly used these days for the creation of revivals of Jenson or Bembo types, it seemed more interesting to try and get in the same mindset as those exceptional designers during this pivotal period in the history of typography. Thus Apolline is an exploration of the design methods used by people like Nicolas Jenson and his contemporaries for adapting handwriting with its multiple occurrences (a, a, a, b, b, b…) into single, unique signs (a, b…). Initially Jean François made drawings modelled after his own calligraphy. They were done at a very small size on tracing paper (2 cm high for the capitals) to preserve the irregularity of human handwriting. Besides emphasising the horizontal parts of the letter forms, the serifs were designed asymmetrically to reinforce the rhythm of the writing. The final drawings were produced at a large size (10 cm high for the capitals) to allow for subtle optimisation of specific details. The very narrow and fluid Apolline italic Influenced by various concepts for an ideal italic by Van Krimpen, Gill, etc. Apolline italic was designed at 8° degrees. Although the structure of the letterforms were informed by chancery scripts, the italic has full serifs like the roman. Very narrow and fluid, its unique design creates a good contrast when used in combination with its upright counterparts. Thanks to the presence of the serifs similar to roman typefaces it sets very neatly in large sizes. The next step was digitising the drawings with Ikarus (the pre-Bézier-curves era) to create the final roman and italic fonts. Two years later, when the family was expanded to six series the same method was used, this time with Fontographer. This was necessary for correcting a few problems caused by the conversion to Bézier outlines, and to add intermediate weights. Before the advent of feature-rich OpenType, quality type families consisted of several separate fonts for each weight to provide users with various sets of numerals, an extended ligature set and alternates, ornaments, and so on. Introducing Apolline Morisawa Awards 1993

IMPORTANT – Please consider the superior Carrig Pro before making a purchase decision. Carrig started its life in 1998. I was working for a design agency in Cork, Ireland and was given a new brand identity project for a lakeside hotel in County Kerry. While visiting the hotel I made various sketches of the surroundings and upon returning to the studio, it was clear that my strongest ideas for the identity would be based on these freehand drawings. I wanted a classic, rough, hand-drawn typeface to complement this style but at that time, the studio didn’t have anything suitable, so I decided to draw my own. I found a Trajan-esque typeface that I really liked the look of in an old calligraphy workbook. I set about drawing my own version and then digitised it. Once the client had seen and approved my design, I began working on creating a complete all caps typeface to use for the hotel’s stationery. With ‘carrig’ being the Gaelic word for ‘rock’, my new typeface was all the more appropriate as it had the appearance of letterforms that had been carved into stone and weathered by time. With the project completed and the client happy, Carrig then sat in my unused fonts folder for several years... but there was always a nagging feeling at the back of my mind that I should do something more with it. So, in the autumn of 2014, I finally set about doing just that and created the font family you now find at MyFonts. Carrig’s form and structure was influenced by a hybrid of Classic Roman and Garalde typeface designs. The original calligraphic elements from the 1998 version of Carrig have been retained to add personality—as can be seen in the serifs, strokes, spurs, terminals and open bowls. Perhaps its most distinctive trait is a high x-height combined with relatively short ascenders. I wanted Carrig to immediately resonate with the reader and have designed it to be familiar and friendly. I imagine designers might choose Carrig as an alternative to such typefaces as Trajan, Garamond and Baskerville. I see Carrig as primarily a display typeface for titles/headlines in printed materials. I would also love to see it being used for branding, packaging and promotional material and am keen to hear from designers who use it in their own work.

My wife was watching a baking show in which a Scottish guy attempted to cook a clootie. A what?? A clootie??? Never heard of a clootie! Apparently it is a suet dumpling, containing dried fruits (like raisins) and boiled in a piece of cloth (clootie means ‘rag’ or ‘strip of cloth’ in Scottish). Clootie font is a handmade bundle of happiness. It is rounded, soft and legible and will look particularly good on book covers. And I promise you all: one day I will cook clooties to find out what they taste like!

This frilly script has been acid dipped, scratched and destroyed for use in grungy design jobs or any other use that calls for a ragged script. Three different degrees of deconstruction are available. The Alternate Two variant is highly distressed, and when rasterised by many programs at smaller point sizes appears almost illegible, but prints just fine. OpenType features include 64 OpenType ligatures that can be used to extend the natural appearance of the lettering oldstye figures and ending swashes. Brigette works great in conjunction with insigne Splats!

Slocals! Check out the action of our radical new font, PLEASURE POINT! It's Bananas, Totally Tubular, Stoked and ready to ride some waves. Back in his grom days, Comicraftsman John JG Roshell could be found down at Pleasure Point, waiting for The Big One, and this is IT! Don't be a criddler, paddle hard and rip this font to your motherboard to keep it real every time you gun, rail or tail. And if you get rag dolled, dude, don't blow out your squeaker. Pleasure Point will hang loose and chillax you to the max.

Nazhdak is a handwriting sans serif of three styles sketched with a felted pen and digitized afterwards. Designed in 2001 under the impression of Erik van Blockland's FF Kosmik typeface. Nazhdak is searching and investigating boundaries between regular and irregular typefaces. In spite of ragged letterforms and general laxity the face is rather good for small sizes, and in large sizes it completely shows its crude fascination. The main destinations are small informal text compositions and display typography. Nazhdak was designed by Zakhar Yaschin and released by ParaType in 2009.

Stars contains 174 characters; a variety of solid and dimensional star designs with from three to twelve points, pentagrams, sheriff stars, stars of david, outline stars, burst stars and airforce stars. Stars Two contains 174 characters; a variety of five pointed outline stars with centers, star designs composed from various geometric shapes with from three to eight points, jagged stars, quilt stars, outline stars, starfish, arrow stars, burst stars, drop shadow stars, ragged starbursts, double stars and air force stars. Stars Three is a collection of 174 star designs.

Portsmouth Second Fleet is the rag tag, wild bunch companion to Portsmouth. It is a strong, sturdy typeface with historical character. Its inspiration comes from the height and strength of the wooden tall ships that sailed into port in their day. With caps and small caps, this typeface is great for headlines or subheads for design projects that need a historical or retro feel, such as from the 1940s and earlier. Two different styles that can be layered allow for different colored drop shadows, outlines and fill for even more customization.

The wind howled, the night grew long, and British type designer and lettering artist Tim Donaldson created the typeface Banshee. This dramatic display face is modeled after one of Donaldson�s handwritten lettering styles. Banshee began as letters rapidly written by Donaldson with one of his homemade ruling" pens. The letterforms are firmly rooted in the tradition of classical chancery italics. With its ragged lines and counters, Banshee realistically captures the irregularity of pen and ink on paper, lending an immediacy to packaging, advertisements, posters, and invitations that few digital typefaces can match."

Honey Blooms is a charming handwritten font that captures the whimsy and playfulness of a marker-style. With its fluid strokes and organic feel, this font brings a touch of warmth and authenticity to your projects, especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. It comes with Extra Doodles (OTF & TTF Version). Features : Uppercase & lowercase Numbers and punctuation Alternates Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Billie Crimson is a stylish serif font that exudes class and timelessness. Its sophisticated & classic looks make it perfect for a variety of design projects, especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.The font comes with several alternate characters that add even more versatility and uniqueness to your designs. Features : Uppercase & lowercase Numbers and punctuation Alternares Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Allow me to introduce the Lovely Buttering script, which combines elements of informal, romantic, sweet, beautiful design, and hand-drawn typography design elements. Lovely Buttering script has 1000+ glyphs and 500+ alternative characters, including various language support. You can use this font for your work very easily because there are many features in it. Contains a complete set of upper and lower case letters, punctuation, numbers, and multilingual support. This font also includes several ligatures, alternative stylistic sets for those of you who have software that can work OpenType (Corel Draw / Photoshop / Illustrator / InDesign). Need help? If you need help or advice, please contact me through e-mail. Thank you for your purchase!

Everyone who lives will surely die Death Markers is a natural brush font, inspired by a vintage aesthetic sign painting. Made in combination with hand lettering, it comes with dramatic movement and it’s great for any next creative project that needs a retro vibe and horror touch. It comes with 2 styles: Clean and Drip effect. Ideal for logos, handwritten quotes, product packaging, header, poster, merchandise, social media & greeting cards. With your purchase you get: - All Caps - Numbers and Punctuation Marks - Support for MAC or PC - Simple installation for Adobe Illustrator, Corel Draw, Photoshop, or Procreate (New Updated) - Support Multilanguage I hope you make something cool with it. If you have any questions don't hesitate to ask!

Praysire is a sophisticated sans serif with beautiful swashes. It has many alternates which you can play around to match your project, whether for a standout headline, or for a tagline, you name it. The unique letterform makes this font one of a kind! Perfectly to be applied to the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual alternates & ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Introducing, Silvestern. A vintage display typeface with the touch of nostalgic feel yet still looks luxury in a modern design concept. This typeface has unique looks and strong character with its ornament as bonus. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase (alternates) Numbers and punctuation Stylistic alternates multilingual PUA encoded Extra ornament in vector We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Fontanella is a typeface designed by Coto Mendoza, which emerged from calligraphy and manual drawing exploring the skeleton and classic proportions of Roman capital letters. This initial process later gave rise to a sans serif family composed of 8 pesos and its italic variants. It also includes small caps, old numbers and width variants in the set of alternates. The slightly enlarged x-height makes it perfect for composing short texts in editorial, fashion, branding, magazine, television, window display and other media projects. Fontanella a classic spirit reinterpreted in a contemporary language. We especially thank Alfonso García for his impeccable work on the digital edition and Nicolás Tobar for the art direction on the specimens.

Introducing Natural Rough, the perfect font for adding a touch of organic charm to your designs. This Handwritten font boasts a beautifully natural texture, adding a unique and rustic feel to your typography. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Red Buttery is a modern Calligraphy font. I hope this font is perfect to make signature logo branding and watermark for photography studio. wedding invitations, Magazine Covers, Classic themed scriptwriting, Red Buttery includes a full set of upper and lower case hand letters, numbers, assorted punctuation marks. All lowercase letters include start and end strokes, providing a realistic handwriting style. Note : To use beautiful strokes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign, and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional font swash file: if you have any questions please give us a short message thank you Zamjump Studio

Boldye Font Inspired by the Reebok Logo and Sport typeface style. Boldye are strong on the curves and sharp on the edges of some of the letters suitable for logo projects, branding, posters with sports themes. Easily creates your own logo type with fonts. Boldye has an Open Type feature to access a large selection of unique alternative letters and many ligatures to make it easier for you to create. Boldye can be accessed perfectly on design applications such as Adobe Illustrator, Adobe Photoshop, Corel Draw, Affinity Designer but does not rule out the possibility that it can also be accessed using web-based applications such as kittl, canva, artboard studio and others.

Melgis Tp with beautiful curved lines, it becomes a complete beauty in one unit. Melgis Tp is a 9 weight font family ideal for beauty products, logos, magazines and posters. This font is ideal for beauty brand design with swash glyph suitable for your beautiful elegant design concept. Melgis Tp - Beauty lines & simple sans serif font style for Poster, Magazine, Beauty brand design. PLEASE NOTE Most of the fonts require advanced graphic software that supports Open Type Features like Adobe (Illustrator, InDesign, Photoshop), Affinity (Photo, Designer, Publisher), Corel Draw, or similar software. Image used: All photographs/pictures/logo/vector used in the preview are not included, they are intended for illustration purposes only. Thank you

YR Gothic Arabic font draws inspiration from the Gothic calligraphic style, renowned for its timeless elegance. This style is characterized by a harmonious balance of thick and thin strokes, with a focus on vertical lines. The result is a graceful, fluid letterform, with consistent attention to detail throughout. YR Gothic Arabic font is a sophisticated choice that conveys a sense of refinement and sophistication. With its classic and timeless design, this font is well-suited for various formal applications, such as branding, invitations, and official documents. Its versatility also allows it to be used in a range of other contexts, including advertising and signage, where its sense of elegance and refinement can elevate any design project.

Darcy is bold and exuberant. As an all-cap family (exception “i”), every letter has an artsy, handmade alternate. For the most joyful bounce, choose all lower or mix up the cases. For a more even baseline, go with all uppercase. Darcy Prints has gestural, organic motifs and patterns, including leaves, grasses, flowers and abstract shapes. Each playful letter has two options with different looks easily available in upper/lower places. Darcy Designs is a cheerful picture font adapted from 26 of the hand-drawings in Darcy Prints. Darcy family is based on hand-lettered cards the designer makes for friends. Darcy family lends itself to products that celebrate warmth, creativity, and a zest for humor and fun!

Introducing Taylor Johnson Display Font is a handmade font style dance and then traces of life to have a Grungy brush and unique calligraphic shape, the writing style is very natural and simple. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!