Posterizer Kg Rounded, is basically rounded version of Egyptian, Slab Serif font Posterizer Kg. By adding rounded corners on serifs, the strict form disappears, in that way, the font gets softer form. Posterizer Kg Rounded is useful for sweet themes like cookies, puppies, love, joy, or some other similar things.

Bartino Family - a new fresh handmade sans serif font. Very suitable for greeting cards, branding materials, business cards, quotes, posters, and more!This font are perfect for wedding postcard. Or you can create perfect and unique design of your logo, blog, stationery, marketing, magazines and more :) Multilingual outline version streak version

The Graph is a Slab Serif font. The unique body of each letter without roundness makes it a pretty technical font. Similar letters often are used in coding or any tech frameworks. Currently, the font exists only in regular style. Strict and sharp, this font is designed for specific projects.

Irrlicht is based on C. H. Kleukens’ 1923 typeface Judith Type . Whilst Dunkle Irrlicht is a fairly faithful rendition and extension of Kleukens’ typeface, the Licht style was initially added as a stand-alone stencil version; yet, the two styles work perfectly together – for different nuances, for emphasis or simply stacked/layered. Irrlicht is equipped with upper- and lowercase ligatures, contextual and stylistic alternates, fractions, superior and inferior figures, extended language support and a few extra goodies. Additional information – How Irrlicht came to life Christian Heinrich Kleukens cut his Judith Type in 1923, at the peak of German expressionism, exclusively for publications with the Ernst-Ludwig-Press, such as a limited series of biblical prints – the first being the Book of Judith , hence the original’s name. I stumbled upon this typeface a couple of years ago in a nice little 1930 booklet of the Gutenberg-Gesellschaft and was struck by its forceful darkness on paper and its seemingly simple, crude letterforms. The lack of a long-ſ in the final version of Judith Type – quite unusual for a German typeface of that time – adds to this feel of crudeness and spontaneity*. Judith Type seemed to me like a semi-blackletter cousin of Rudolf Koch’s typeface Neuland (cast in the same year). Besides its apparent affinity with expressionism, it reflects a lot of that deeply spiritual craftsmanship of the era – much like Neuland. A few months later, when I was working on a stencil project and looking for a typeface that could be cut into thin wooden plates easily, I remembered those dark, sharp letters that seemed to be lacking any curves at all. After enlarging a few letters and tracing them by hand, the whole set was redrawn digitally, using only straight lines. As for spacing, the goal was to keep the letters tight but to avoid touching characters – without ironing out all the original’s tension and rhythm. Deliberate kerning, subtle contextual alternates and ligatures help to deal with critical glyph combinations. Two additional versions were developed: a stencil version with open counters and, in reference to a popular style of the 1920s and inspired by dry, cracked wood, an inline version. These two additional styles were later merged into one font – Lichte** Irrlicht was born. — AARHAUS * Consequently, the original typeface’s German eszett is simply a ligature of the “round s” and standard z . In some of his publications, Kleukens dispenses with using eszett altogether and sets double s instead. Irrlicht , however, does feature a more common eszett (ß); the original, among other more faithful letter forms, can be accessed via the stylistic sets feature ** licht – literally bright – being the German term for inline typefaces – not to be confused with leicht ( light )

Whisky fudge is a tasty handmade font! With its smooth edges and fun style Whisky Fudge will make your creative projects look simply delicious! Giving your design ideas a more personal touch, it’s a great choice for gift tags, greeting cards and invitations. The font comes with a set of standard ligatures (including double letters) and 5 final form characters to add extra flavour to your words. Uppercase letters also look great on their own for added creativity. Enjoy!

From the remnants of an old freeware font by Ray Larabie comes Cardholder Dispute SRF. Thoroughly rebuilt from the ground up by Jeff Levine, this post-80s techno lettering can also double as a pop culture font evoking 60s or 70s rock concerts and hippie colonies or (as the name implies) credit cards. The net profits from my font sales help defer medical expenses for mysiblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

Granpa’s typewriter comes from an antique Olivetti Typewriter Machine I have. This font has all of the effects a typewriter machine can offer you: a regular version, a strong hit version, a light distressed version, a double-hit version and X version, which is a compilation of several typewriter mistakes, tests and stains. This font is specially handy when trying to use a typewriter effect on an edgy/grunge work, where there's no worry about perfection!

Set the mirrored ball spinning, and get down to Funky Town. Based on a period piece appropriately named Disco 79, this version shifts the concentric elements so that they appear to be lit from below, adding impact and, perhaps, even a sinister touch. You'll also find special treats at the dagger, double dagger and section mark positions. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

The letterforms for this unique face were found on a luggage tag designed by the Richter Studio of Milan in the 1930s; the treatment was suggested by a recent Dutch ad for the opening of a service garage. The meeting of the twain results in a three-dimensional delight. Various transitional elements can be found in the ASCII tilde, {brace}, dagger and double-dagger positions. Both versions of the font contain characters to support all major European languages.

Treppenwitz (literally: ‘Staircase Wit’) is a German word describing a conversational remark that only occurs to someone after the opportunity to make it has passed. I love words like this: they can sum up a whole sentence or a complex train of thought. Treppenwitz font is hand brushed. It’s a little uneven, a little shaky, but will look good on product packaging and book covers. Comes with loads of diacritics and double letter ligatures as well.

I have been making some clean, connected fonts lately and when I was working on another one of these, I felt the need for something chaotic. So, Scapegoat was born. I used a round nibbed steel pen and Chinese ink and the result is quite a messy font. It may look chaotic, but as Nietzsche once said: ‘from chaos comes order’. Amen to that! Comes with double letter ligatures for the lower case and a whole lot of diacritics.

Highest Praise is a bold and expressive brush script. It has condensed proportions and subtle texture on the edges, giving it a blend of modern and vintage qualities. While stylish and distinct, the typeface is very readable, making it great for branding, packaging, quotes, invitations, headlines, etc. Features include swash characters and alternate “s” to give a different look, double-letter ligatures for certain combinations, and extras (swashes, lines) built into the font to add decoration.

The Brush Strike Family is an exercise in dynamic, gestural brush type design by Francesco Canovaro. The typeface contains no lowercase set, but it doubles the uppercase with a strikethrough alternate set to be used for dynamic logo design and unusual word highlighting. Two weights are available with consistent design: the light weight (Brushstrike Light aka Lightstrike) can work together with the heavier regular weight but can also be used in white on dark background for light effects.

Iquory is a charming, slightly rugged hand-drawn font. With bouncing letters and unpredictable curves, it could very easily give your text that feeling of randomness you are looking for! While the uppercase is very steady - the lowercase just screams for a party - so what are you waiting for? Oh, I almost forgot - the font comes with some nice ligatures for a handful of double letters! You will need to use OpenType supporting applications to use the autoligatures.

Lettering on a menu from a Pennsylvania hotel, circa 1930, provided the inspiration for this happy-go-lucky take on the alphabet. Lowercase letters are variants of the uppercase and kerning has been applied to every possible letter combination, so feel free to double-clutch the shift key to create a truly handlettered feel with this font. Both versions of this font include the complete Latin 1252 and CE 1250 character sets, with localization for Romanian and Moldovan.

Hello Falisha amazing script comes with 315+ glyphs. Alternative characters are divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates. The Open Type feature can be accessed using programs that understand Open Type such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, and Microsoft Word. And this font has provided PUA unicode (custom coded font). so that all the stunt doubles are easily accessible to the craftsman or designer.

Victualia - casual, hand drawn (Wacom, illustrator) brush font. "Ligatures" have been created for some double letters to enhance the illusion of handwritten text. (TT, tt, ff, oo, OO, mm, MM, ll & LL - open type version of the font and open type compatible layout application required). Victualia was initially created in 2005 as part of a course that I attended to At Berghs , but has now been given a face lift as well as a full set of special characters.

For decades, the Greenwich Village area of New York was a home for artists, poets, writers and free-thinkers of their time who were labeled "Bohemians" because of their non-conformist approach to life and the arts. Greenwich Village JNL is an Art Nouveau-influenced typeface with a Bohemian approach in its double crossbars on the A and H; all the while being a nice example of hand lettering found on a vintage piece of sheet music.

Whitley is a handwritten signature font package with a personal charm. With a style that I feel is the first time being blended with a different brush so it has a natural hand. It includes Whitley Alt weights which have alternative characters, both with capital letters and small that is completely new. Ligatures are available for some lowercase letters (more natural double letters). This can be accessed through software with different devices or glyph panels, e.g. Photoshop / Illustrator.

I really enjoy making brush fonts. I usually just get my Chinese ink and a bunch of brushes and start drawing glyphs. It took some time to get Studio Brush right, but I think spending that extra time paid off. Studio Brush is quite a neat brush font: the glyphs of this all caps font are of equal height (more or less) and complement each other perfectly. Studio Brush comes with double letter ligatures and some alternate glyphs.

Vedacity is a sophisticated glamorous script font, with modern calligraphy style that you'll hard to resist like the nowadays trend. Inspired from the society behaviour who always craving for the trends but still want to show something different yet special from it. Yes, that's why it came with a bunch of Stylistic Alternates of each letters because everybody loves a choices, in a pack. And also the Ligatures for every double letters to get the seamlessly handwritten looks.

Grunge is not dead! Neither is punk! The proof is the Overbeat font! It has got both grunge and punk in the one and same. The letters are grungy, and punked up with a sort of halftone slime effect. It's hard, it's tough and perhaps even scary! Play around with the font and you'll quickly notice the variety of the font. Each lowercase letter has 4 different versions and there is ligature substitution for most common uppercase double letters!

A former lettering artist at Hallmark Cards, Rob Leuschke now has his own thriving design businesses, Alphabytes and the new TypeSETit. Growing up in St Charles, Missouri, where he still lives, Rob showed great artistic promise at an early age. He earned a BFA in graphic design at the University of Missouri at Columbia. After graduation, his stint at Hallmark Cards gave him the opportunity to learn from and work with some of the best lettering artists in the industry. Rob struck out on his own in 1987 and now boasts a long list of clients from all over the world. Rob has created over 250 custom typefaces, and his work has been exhibited in New York. Ambiance BT is Rob’s first typeface published by Bitstream, with more to follow.

DF Pigtail is the result of a curious marriage of the 'free'-form of writing with the fixed (mono) space for each character of the typewriter typeface. In the early sixties of the last century, typewriter typography became popular as a Fluxus vocabulary. The Fluxus art movement (in fact a Dada like follow up) which encouraged a do it yourself aesthetic, and valued simplicity over complexity and anti commercialism over the conventional market-driven approach. I was educated in the mid seventies when this form of typography was still very popular and was even applied in corporate design. This particular letter has been used by my teacher Jan Begeer to compose his design assignments. Recently I rediscovered this type and was struck by its pigtail similarity and drew it my way.

Chortle is the typeface with strict lines and rounded end strokes, making it perfect for logotypes, editorial design, corporate design, and media. This versatile typeface is also great for creating a set of inspirational phrases. It comes in an amazing range of widths, and there's even a specially prepared variable version available.

Purista is a strict, orderly typeface based on a well-tried principle of geometric sans serifs from mid-20th century. Its obsession with technological precision makes it perfect for use in corporate systems and visual communications of technocratic businesses. Thanks to its broad range of cuts, it is also ideal for display advertising.

Typesetter Trinkets JNL adds more classic typographic gems to the Jeff Levine Fonts library. Re-drawn from vintage source material, the font has numerous cartoons, pointing hands, embellishments and stock printer's cuts for a myriad of uses.

Highman is a modern condensed bold font. Its contain all caps letter yet its have a different height between the uppercase and lowercase. Its fit for brand, titling, stacking or grid layout and all kind of display usage.

Beyond the halls of the ivy league, a vintage sport font from the days of old. A complete family for all of your layout needs. Includes a layered COLLEGE effect to stack up and command those team colors.

Gikit is a very raw and quirky typeface structured according to a strict grid. The design is massive, with very little curve (just the dots and a few punctuation marks). A really stand out characteristic is Gikit’s accents that crush the forms. The type is drawn with 2 styles, for 2 uses: Tittle or Text.

This time we designed a font of ink streaks on paper and named it Sketching. We loved creating it because this is a work of art in itself, making it through a long process. Every letter we made has always maintained its distinctive style. We hope you are all happy with our latest font.

Cartoon cuts, sales builders, catchwords, mortised cuts, decorative embellishments and stock art are what comprise the images found within Typesetter Treasures JNL. Redrawn from vintage sources, these nostalgic illustrations add warmth and charm to any print or web project.

Winterberry (Ilex verticillata) is a species of holly, native to the USA and Canada. I thought it was a rather cool name (pun intended) for a messy script font made during a cold spell. Winterberry was created using Chinese ink and a crappy brush - hence its messy appearance. Use Winterberry on your alt-Christmas invitations, your fantasy novels, your rock albums or your website! You’ll love it! Comes with a bunch of diacritics and some ripe double letter ligatures as well.

This frivolous 6-font typeface was inspired by playing with my food one evening. I began to wonder what it would be like to draw a typeface with a pipette and liquid... the result is Fluid. A key feature are the contextual alternates that substitute an alternate second glyph when typing double letters, this gives a more natural feel to the resulting text. It’s a fun typeface from my back catalogue that was originally released in June 2018. Enjoy playing!

Marvaloha is based on the handwriting of an Advertising creative director. The casual but powerful strokes he uses for sketching are also visible in his writing. The Marvaloha font family consists of the original Marvaloha Regular and a Bold version. Both have matching Italics. All four styles have double letter ligatures and a set of symbols and catchwords to give your design some extra power. You will need an Open Type Savvy Application to get the most out of Marvaloha.

Saturday Brunch is a smooth script. It fits into tight and tall places, has big loops, and lots of attitude. Saturday Brunch has a set of alternate lowercase letters with no tails (which are coded to work with tricky letters like x and z who don't play well with tails), a bunch of double letter ligatures, and a few fun alternates, like t's with long swooping crossbars, and 3 alternate ampersands so you can pick the perfect style for your project.

-OC Revolt is a variable display font made for the protest graphics of the NYC based T*#@p Brexit era Non-Complicit project who initially made guerrilla type with masking tape applied directly in situ or to silk screens. An uppercase only font there are alternate versions of each character on the lowercase keyboard. Double letter ligatures are used to prevent direct mechanical repetition of letters in the static styles and the Shift axis can be used to make each letter variably unique.

For those ultra natural-looking handwritten, jotted down notes, say hello to Enjoy Notes! Designed to look casual and carefree, but with business to take care of :) The characters consist of uppercase letters, but they differ in style for the uppercase and lowercase keystrokes, to make the font appear more like natural handwriting. Opentype double-letter ligatures are built in for you too, just turn on your ligatures setting in your design app , to see them appear as you type

I have a lot of pencils, but when I need one, they seem to have grown legs and have disappeared! When I decided I wanted to create a pencil font, it took me a long time to find the right pencil for the job! Wandering Pencil is a nice, handmade font. It is a bit shaky, a bit rough, but it does have class and will look nice on your designs! Comes with diacritics and double letter ligatures for the lower case.

Pattycake family is artsy and friendly. Pattycake is a 3D sketched block letter font with lots of hand-drawn energy and bounce. Pattycake Solid is a smooth and cheerful stand alone font that complements Pattycake, and works nicely as a loose fill under Pattycake so you can easily have fun with color! Both fonts have double-letter ligatures in upper and lower for plenty of movement, and are ready to brighten any fun project, especially those designed for young people.