Proudly presents Haudrey, a handpainted typeface with a strong, condensed and bold style. Carefully crafted with dashed lines on the letterform and giving authentic handpainted and cool texture. Haudrey is surprisingly versatile, and you can apply it to many design projects. This font is perfect for display, headline, logo, poster, sports, food menu, flyer, apparel, stickers, and more! You can make a lot of fun with this font. This textured font is equipped already with special characters, stylistic alternates, multilingual support, and PUA Encoded which means you don't need any special software to access all the characters. That's all, friends. Don't hesitate to message me if you have any inquiries. Thank you. Ramz.

Goodbye Anjing is a Tall Handwritten Font that will give you an young and fun feeling. Goodbye Anjing come along with Multi-Lingual support which will add cool impression for your need. We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. Goodbye Anjing is perfect for any tittle, shope name, lyric video or logo, this also very suitable on product packaging, branding project, magazine, social media, wedding, or just used to express words above the background. Enjoy the font, feel free to comment or feedback, send me PM or email if there are issues or queries. Thank you!

Hi There, Exotico is special in that one word can be written in a million different ways. With a picturesque and exotic touch, it will give a new feel for all your design needs. Whats incuded: Exotico.otf containing upper & lowercase characters, full set of punctuation and numerals, with opentype features with stylistic alternates and ligatures. Exoticottf - For folks without opentype capapble software, the standard Serendipity font with the first set of letters. Features : Ligature,Contextual Alternates, Stylistic Alternates, PUA Encoded Can't wait to hear your comments and we are very grateful for your visit to our store. if there any questions, please feel free to ask me, i'm happy to help. Have a great day! Thank you :)

Greatest Fortune is an incredibly realistic and perfect handwritten font duo. The combination of various ligature (uniquely designed letter combinations) makes the font look more natural. In addition, the Greatest Fortune font also includes an all-caps version, complete with an alternative to the letters A-Z. Suitable as emphasis in a word or as a standalone font. Each font file includes uppercase, lowercase, numbers, punctuation, and multilingual support. This font also contains 61 ligatures which make the font look very natural. That's it! I hope you enjoy it. Feel free to comment if there are issues or queries. You can also say hello to me on Instagram: https://www.instagram.com/atharuah_ Thank You!

Groovy Orange feels playfully nostalgic and delivers an incredible vintage retro aesthetic. Use this display font to add that special retro touch to any design idea you can think of!. Masterfully designed to become a true favorite, this font has the potential to bring each of your creative ideas to the highest level! WHAT'S YOU GET ? Unique Letterforms Works on PC & Mac Simple Installations Accessible in the Adobe Illustrator, Adobe Photoshop, Microsoft Word Fully accessible without additional design software. I really hope you'll get pleasure using Groovy Orange and it will be perfect addition to your font collection! Contact me with an inbox message If you have any question. Thank you! Happy Creating.

Cortair is an organic font duo with natural vibes! Contain two fonts, Sans and Serif with Rough and Stamp Style. You can use this font for every project. Suitable for branding logo, hand lettering, or apparel design. We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Or simply send me a PM or email me at letterhend@gmail.com

Frankest is a vintage styled font duo. It's perfect for logotype, headlines, apparel, and poster with a vintage feel. Features: Uppercase Lowercase Numerals & Punctuations Ligatures, stylistic alternate, etc Multilingual We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Or simply send me a PM or email me at letterhend@gmail.com. Thanks for purchasing and have fun!

Hey Boo! HALLOWEEN TALES FONT - a fun and spooky Halloween font with webs, spiders, ghosts, pumpkins and more. Perfect for Halloween designs, logos, branding, packaging, cards, stickers, posters, quotes, social media posts and much more! You could make me happy if rated my work! Feel free to contact me, if you have any questions. Happy creating and have a Boo day! 💀 👻 🎃

Polo is one of Ralph M. Unger's original designs, a very beautiful non-slanted script font, quite lively despite its upright characters. Polo is reminiscent of the wild brush typefaces of 1960s.

Our Generation is a brand new handwritten font. Our Generation is perfectly suited for stationery, logos, t-shirt, paper, print design, website header, photo frame, flyer, music cover, poster, image slider, and much more.

Slatteros is a new modern brush font, incredibly adaptable to all sorts of designs. It is suitable for any branding, product packaging, invitation, quote, t-shirt, label, poster, logo that you wish to create.

Summer Splendor is a brand new handwritten font. Summer Splendor is perfectly suited for stationery, logos, t-shirt, paper, print design, website header, photo frame, flyer, music cover, poster, image slider, and much more.

Bellazio is a new modern brush font, incredibly adaptable to all sorts of designs. It is suitable for any branding, product packaging, invitation, quote, t-shirt, label, poster, logo that you wish to create.

Mangotea is bold script brush font with a hand-lettering brush style, and includes Opentype features. It is suitable for design, element design, wedding, event, t-shirt, logo, badges, sticker, and awesome work, etc...

Backstay is a casual and relaxed single line script font. It matches any branding project such as logos, t-shirt printing, creative products, and more. It will look extraordinary in a variety of contexts.

Fearful House is a brand new display font. Fearful House is perfectly suited for stationery, logos, t-shirt, paper, print design, website headers, photo frames, flyers, music covers, posters, image sliders, and much more.

Instinct Question is a brand new display font. Instinct Question is perfectly suited for stationery, logos, t-shirt, paper, print design, website headers, photo frames, flyers, music covers, posters, image sliders, and much more.

Holsworth is a handwritten script font with a natural texture style that will inspire any new design project with its authentic feel!. It's suitable for logotype, t-shirts, posters, branding, advertising, and many more.

Cute Rabbit is a friendly and sweet display font. It is perfectly suited for stationery, logos, t-shirt, paper, print design, website header, photo frame, flyer, music cover, poster, image slider, and much more.

Lüdickital is a handwriting script design. Lüdicke wasn´t satisfied with existing scripts which he though of too stylish and uneven. He simply digitized his own handwriting and developed a regular and a bold.

Striking Rainbow is a brand new display font. Striking Rainbow is perfectly suited for stationery, logos, t-shirt, paper, print design, website header, photo frame, flyer, music cover, poster, image slider, and much more.

Shy Darling is a cool and romantic display font. It is perfectly suited for stationery, logos, t-shirt, paper, print design, website header, photo frame, flyer, music cover, poster, image slider, and much more.

Sweet Daydream is a brand new display font. Sweet Daydream is perfectly suited for stationery, logos, t-shirt, paper, print design, website header, photo frame, flyer, music cover, poster, image slider, and much more.

Rodenberg is multipurpose display typeface with cool characters, inspired by urban culture that combine the classic and modern style. It is perfect for headlines, logotypes, signs, posters, greeting card, letterhead, t-shirts and more.

Rockdones is a new modern brush font, incredibly adaptable to all sorts of designs. It is suitable for any branding, product packaging, invitation, quote, t-shirt, label, poster, logo that you wish to create.

Christmas Eve is a brand new handwritten font. Christmas Eve is perfectly suited for stationery, logos, t-shirt, paper, print design, website header, photo frame, flyer, music cover, poster, image slider, and much more.

Expression Exchange is a brand new handwritten font. Expression Exchange is perfectly suited for stationery, logos, t-shirt, paper, print design, website headers, photo frames, flyers, music covers, posters, image sliders, and much more.

Rockstone is a new modern brush font, incredibly adaptable to all sorts of designs. It is suitable for any branding, product packaging, invitation, quote, t-shirt, label, poster, logo that you wish to create.

Summer Fable is a brand new display font. Summer Fable is perfectly suited for stationery, logos, t-shirt, paper, print design, website headers, photo frames, flyers, music covers, posters, image sliders, and much more.

Butter Luchy is Handwritten script font with handlettering Brush Style, so much opentype feature include of the font. Suitable for design, element design, wedding, event, t-shirt, logo, badges, sticker, and awesome work, etc...

Hexonu is a weird, awkward, monospaced font family. In place of true lower-case letters, it has a second set of capitals that, through the magic of the OpenType contextual alternatives (calt) feature, automatically alternates with the set on the upper-case keys. If one wants to use only one set of letters, the contextual alternatives must be turned off and character spacing adjusted. Hexonu is another effort to create a font with alternating sets of letters (see PoultySign, Lentzers, and Caltic for others). The base shape for forming the letters is a lopsided hexagon that resembles an old coffin. In four of the six family members, the alternating shape is a distorted hour-glass. In the other two, coffin shapes heads-up alternate with coffin shapes heads-down. The family was created as an experiment with the calt feature and not for any particular use. It does not work as text but its bizarreness makes it appropriate for some poster and signage applications.

This is the digital makeover and major expansion of a one-of-a-kind melting pot experiment done by VGC and released under the name Mardi Gras in the early 1960s. It is an unexpected jambalaya of Art Nouveau, Tuscan, wedge serifs, curlycues, ball endings, wood type spurs and swashes, geometry and ornamental elements that on the surface seem to be completely unrelated. But the totality works in a surprisingly loud and playful way that really defies categorization. Jingo is really five fonts in one: Over 1000 glyphs, four character sets, ornaments, swashes and ligatures. The forms are interchangeable in uppercase, lowercase and unicase settings. There is nothing low-key about this typeface. It is well suited for use on posters and book covers that require happy weirdness. But most of all it's great for those who like to fiddle with their type setting until amazingly conicidental pleasantnesses ensue. If you're that kind of designer and you know what you're doing, get Jingo, start up that glyph palette, and play away.

Bodoni Comedia is for the funny, happy things in life. I really enjoyed doing this one. - your funny type designer Gert Wiescher

I hate the idea of revivals. I have publicly said I choose not to do revivals because they make me uncomfortable. This is as close as I have been to crossing my own line. To be direct, Rhythm is based on the ATF typeface, Ratio (I just recently learned the foundry of origin). I came across this typeface from a printed specimen years ago when I was in school and held onto it. It was unique and I loved how well integrated the inline worked within both the flourish and serif of the glyphs—it was old, but not, reminiscent, but fresh. My specimen was limited in the glyph offering (it was c. 1930ish) and I realized a lot would need to be done to ‘finish’ it and bring it to contemporary expectations. I didn't want to do ‘retro’ and tried to avoid the visual trappings associated with it. What I did want to do is interpret what I had in the specimen and reinterpret it digitally, refining its construction and extending its typographic equity along the way. The ‘One’ and ‘Two’ (and their matching ‘Solids’) styles diverge providing various elaborations that coordinate well between rigid bracketed serifs and compact tails. I further expanded the glyph offering to include a full diacritic set, old style numerals, fractions, stylistic alternates, swashes, titling alternates and controlled flourishes that adhere to the efficient framework of the script. And yes, I refer to it as a ‘script’ because calling it a ‘cutesy serif’ seems wrong :) I hope this is seen less as a slavish revival and more as a championing of a really unique typeface. The Original Typeface was Adastra, designed by Herbert Thannhaeuser for the Foundry D. Stempel AG in Frankfurt, Germany.

Back in 2006 when we first released our Happy Holidays font, we thought the War on Christmas was over! We'd taken down our Menorahs, our Christmas trees, reclining Buddhas and red, black and green Kwanzaa decorations, and were prepared to sprinkle nothing more than a little Season's Greetings over our end of year celebrations. When we saw our friends and neighbors at department stores, we'd greet them with a simple, cordial, non-denominational “Happy Holidays.” But the font showed up at our company party this year having learned over 200 new languages (and, it must be said, a little bit loaded on Stylistic Alternates) in a mood to celebrate EVERYTHING. It was wishing people happy Bodhi Day, Solstice, Festivus, you name it! It even brought (count 'em) THREE new outfits based on the colors of Christmas, Hanukkah and Kwanzaa. So may the designs on the cups of the hot beverages that take you through the long dark coffee break of the soul that stretches from Halloween to Thanksgiving to New Year's Day be a little more festive this year with the refreshed, Remastered, all-inclusive spirit of Happy Holidays!

Glitther Syavina is a Fancy Modern vintage serif typeface with beautiful ligatures, tons of special alternative glyphs, and multilingual support. It's a very versatile font that works great in large and small sizes. Perfect for editorial projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image. Features: Lowercase and Uppercase Stylistic Alternates & Ligatures Numerals & Punctuation Open glyphs panel: In Adobe Photoshop go to Window - glyphs In Adobe Illustrator go to Type - glyphs Follow my shop for upcoming updates including additional glyphs and language support. And Please message me if you want your language included or If there are any features or glyph requests, feel free to send me a message, I would like to update it.

Liquorice Twist is a light-hearted fun font which developed from some hand drawn text designed to accompany and be integrated with some ‘Zen Doodling’ art that someone had drawn. It is very informal and unconventional, with the glyphs created using unusual and loose ‘rules’. The font has a set of stylistic alternates with equal height lower-case letters. It also has the option of alternate initial capitals and alternate ending lower case letters accessible via contextual alternates. I hope you will enjoy using it and if you have any further requirements please don't hesitate to contact me. Myfonts does not render the starting and ending swashes correctly. If you wish to see how any word will appear with contextual alternates selected please let me know.

Ancyra is a transitional serif family designed with current usage areas and requirements in mind. Efforts were made to provide the most effective harmony within each character and with the characters they are associated with. For customizing the usage areas and providing an impressive and fluent reading experience; it is designed in three different optical weights as title, subtitle and body text. Sharp and soft terminals used together (such as v, w, y, s, c, k) have an extraordinary effect, especially in italic styles. Contextual alternatives are designed to be compatible with the letters after the letters "c, e, t" in the text and create a cursive effect. Ancyra is perfect for use in newspapers, magazines, e-books, packaging design and fashion industry, branding of quality products and services. Ancyra has a versatile usage area with its optical weights.

Contagia is a trendy and stylish serif font. It is PUA encoded which means you can access all of the glyphs and swashes with ease! This font reads as strong, confident, and dynamic and can add tons of nostalgic character to your designs.

Felfel is an Arabic typeface inspired by the rich history of the Arabic Ruq’ah, one of the most widely used Arabic calligraphy styles, but with a modern pinch influenced by the visual identity of Egyptian streets. Born from the fundamental need in the Arabic design scene, Felfel is made to celebrate the elegance and timeliness of Arabic calligraphy while solving the problem of the cascading nature of Ruq’ah that results in increased line spacing. Felfel is space-friendly, perfect for headlines and quotes. Felfel supports major Arabic-script-based languages and covers Arabic, Hindu, and Farsi numbers. Like Traditional Ruq'a, Felfel works with the same context, but it adjusts to your needs without the rigidity of Ruqa’ah’s slanted baseline to give you the flow, beauty, and richness of the Arabic calligraphy with a modern feel. Felfel is dynamic. A substantial part of the font is based on versatile components, that minimizes characters and maximizes possibilities. the dots are in motion! They rotate from and to horizontal and vertical form, based on the word to match the calligraphy and the context, also the dots and marks move up and down, left and right to prevent all kinds of overlapping.