Terazza Tiling was brought to mind by old-fashioned tiled fireplace surrounds. It's a system of geometric tiles intended for constructing page borders and rules. Their geometric nature makes them adaptable for any sort of period or modern look.

Amidst the pages of the 1946 foreign-printed "100 Alphabets Publicitaires" ("100 Advertising Alphabets") was an example of a beautiful vertical script type design with a somewhat calligraphic look. This became the work model for Script Spot Initials JNL.

No. 508 is a chunky, friendly, modulated gothic font. Strokes have a gentle inward curve at the median, with the tops and bottoms of the letters slightly wider. The face was introduced by William H. Page & Company in 1890.

Hail to the king baby! Inspired by the greatest comics artist of all time, these fonts will have you lettering pages like a New God! Both feature a seamless center squiggle and the deluxe font feature awesome Kirby crackle!

An elegant, yet informal Roman alphabet with Art Nouveau influences was found amidst the pages of the 1922 edition of “The Expert Sign Painter”. It is now available digitally as Sign Expert JNL in both regular and oblique versions.

An intoxicating blend of rare flavours is what makes the new transitional typeface Wermut (German for vermouth) resemble its alcoholic namesake. Bitter and thorny at first glance, it proceeds to surprise the palate with a complicated taste that leaves a pleasant aftertaste. Wermut may not be taken in hastily, but needs to be thoughtfully enjoyed at a measured pace. Its dark colour, compressed, spring-like, shapes, well-built proportions, and agreeable letterforms all look safe enough until one is jolted to encounter the clipped serifs that lend the page an unexpectedly edgy appearance. The font comes in two weights with an extended character set in Latin and Cyrillic scripts supporting 66 languages. A product of slow, careful distillation, this infusion of multiple ingredients comes together to form a unique mature taste which will be appreciated by true connoisseurs of typographic cocktails. Desined by Gayaneh Bagdasaryan and Vyacheslav Kirilenko.

The pages of the Speedball® Lettering Textbook have yielded a number of classic typefaces for digital designers. Frontiersman JNL and Frontiersman Black JNL have the wonderful hand-lettered look that adds just the right touch of nostalgia to any layout.

Customize your lettering project with this cool and clever font. Download it for fanciful journaling on scrapbook pages and greeting cards. Try it on Halloween party invitations or wherever you might want to add a whimsical touch to a unique publication.

No. 510 is a friendly, slim gothic face. Strokes have a gentle inward curve at the median with the tops and bottoms of the letters slightly wider and thicker. The design was first introduced by William H. Page & Company around 1887.

Add character to your paper crafts. Download this unique "Scribbletti" font to create lettering with a scratchy, handwritten look. Design titles, captions, and journaling for scrapbook pages and greeting cards, or simply give your publication an off-beat, handwritten appeal.

Silly Behavior JNL is based on a hand lettered alphabet found within the pages of the vintage lettering book “100 Alphabets Publicitaires” (100 Advertising Alphabets). The fun, haphazard arrangement of the letters and numbers convey a casual approach to titling.

The look of hand lettering often breaks up the monotony of the printed page. Rockaway JNL from Jeff Levine is a big, friendly sans serif that can give more of a human touch to your upcoming project without looking too informal.

On page 34 of the 1930 Samuel Welo publication “Lettering - Practical and Foreign” is a simple, basic Art Deco monoline design. This hand lettered type style is now digitally available as Basic Monoline JNL in both regular and oblique versions.

BatangChe™ font features a mincho (serif) stroke style with half-width Latin characters. This BatangChe font file is 6.9 MB in size. BatangChe is a trademark of the Microsoft Corporation. BatangChe Character Set: Latin 1, Korean code page 949

In the days of wood type, suppliers offered words such as 'and', 'at', 'for', 'each' and numerous others as stock cuts called "catch words". This collection of twenty-six were re-drawn using a vintage type catalog page as a model.

Lendriyan fonts, calligraphy and handwriten fonts. This font is very beautiful and charming with curves. With its uniqueness, this font can be used as a logo, title, script, leaflet, landing pages and others. You just like this font, thank you

No. 507 is an elegant headline font with added angled flourishes. Its unique features are angled terminals, small, pointed serifs, and no contrast in stroke weight. It is similar to No. 506, designed by William H. Page & Company around 1890.

Heldustry is a sans serif design with letterforms partway between Helvetica and Eurostile. The Heldustry font family has a large x-height and wide characters, making it ideal for situations where there is not much copy but pages must be filled.

The HeiT ASC Font family contains 3 Traditional Chinese fonts with Big 5 support. HeiT ASC Font Family features a sans serif style with consistent strokes. HeiT ASC Bold Font Family character Set: Latin-1, Traditional Chinese (code page 950).

Vintage, printed look Mozzart Rough typeface from Posterizer KG Type Foundry is one of two decorative versions of Mozzart Sans font family (slightly rounded, Neo-Grotesque corporate font, created for MOZZART D.O.O. company from Belgrade, Serbia). Mozzart Rough contains: 2 Weights, 2 Condensed and 1 Oblique version of the font, complementing each other perfectly. All versions contains completely MacOS Roman and MacOS Cyrillic code pages, tabular figures, small caps... Along with all of this, you will also discover extra added unique ornaments and symbols. It will be helpful for users to create realistic letterpress pages. Enjoy! Because of its complex outlines, Eveleth may process slowly in some applications.

Berlin Sans is based on a brilliant alphabet from the late ’20s, originally released by Bauer with the name Negro, the very first sans that Lucian Bernhard ever designed. Assisted by Matthew Butterick, David Berlow expanded this single font into a series of four weights, all complete with expert character sets, plus a dingbat font. Imaginative & little-known, it promises enticing opportunities to the adventurous typographer; FB 1994

Wild Creatures is a bold brush font, in three variations: regular, jumpy and jumpier. The jumpy and jumpier versions of the font include contextual alternates OpenType feature to give the font a bouncy and bouncier baseline. Wild Creatures also includes an all caps feature and a swash dingbat font, perfect to decorate your lettering designs. Use Wild Creatures in all your modern designs, such as quotes, branding, postcards.

A quintet of remorseless homewreckers, each member of the Vamp family contains hypnotic dingbats to lure you into their web. The Vamp family consists of the bewitching Vamp, the bigger, brasher Vamp Bold, the dangerous, psychedelic Psycho Vamp, as well as the lean (but still mean!) Vamp Slim and Vamp Slim Oblique. The Vamp family's seductive art deco form and fiendishly geometric wiles will break your heart and steal your soul.

WORKSHOP Marker is a handwritten font with a casual and modern look. You can use the alternates and ligatures to give your design a realistic, hand painted look. If you find a single repeating glyph, you can change that by toggling between Stylistic Alternates. There are Cyrillic glyphs and more then 100 playful Dingbats in the same style. WORKSHOP Marker is the perfect choice for all imaginative, playful and beautiful things.

Romina is a neoclassical font family with a hight contrast, developed for numerous uses, ranging from news to magazine and catalogs to corporate design and web. The Romina family consists of 7 weights from extra light to extra bold with matching italics. Romina provides advanced typographical support with features such as ligatures, small capitals and case sensitive forms but also some dingbat, special glypfhs and the others opentype features.

In the DR Krapka Round typefamily, the pixel has a round shape. The font supports OpenType features and contains small capitals, ligatures, oldstyle figures, terminal forms, historical forms, stylistic sets. The dingbats, arrows, emoji are also present. For small texts, it is recommended to use DR Krapka Round-FontSize10px in the font size 10 px. DR Krapka Round typefamily supported European languages based on Latin, Cyrillic and Greek scripts.

In the DR Krapka Rhombus typefamily, the pixel has a rhombus shape. The font supports OpenType features and contains small capitals, ligatures, oldstyle figures, terminal forms, historical forms, stylistic sets. The dingbats, arrows, emoji are also present. For small texts, it is recommended to use DR Krapka Rhombus-FontSize10px in the font size 10 px. DR Krapka Square typefamily supported European languages based on Latin, Cyrillic and Greek scripts.

Bats, Cats, Ghosts and Ghouls, Zombies, Witches and Spiders galore. Cackling to herself alone in her coven, our very own Scary Godmother, Lilou, threw eyes of newts and wings of bats into her cauldron and sent her unearthly children down the street with mischief in mind. Our Halloween Dingbats have every kind of Spooky Monster she could imagine, and a few more besides. Keep your porch light on. Trick or Treat

In his book of 100 Wood Type Alphabets, Rob Roy Kelly called this face "Teutonic". This version adds lowercase letters, missing in the original, plus a few woodcut dingbats in the brackets, bar, section and florin positions. Named for a charming town in the Texas Hill Country, founded by German settlers in the mid-1850s. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Say hello to Suerte. This new typeface with inverted contrast and bifurcated serifs was inspired by Caslon’s Italian type and by Aldo Novarese’s Estro, published by the turinese foundry Nebiolo. Our aim was to develop a wood type typeface adding a new personality incorporating Tuscan serifs. The complete alphabet was designed with a flat long brush and Indian ink and then vectorized. Suerte contains a big set of icons and dingbats.

As you can see above, Grante can smartly fit pretty different needs. While lowercase letters are bold-with-soft-edges, caps are magic: this font counts more than 100 ligatures for you to play in an OpenType-aware application. It is worth mentioning that even without OpenType tricks it is possible to use these ligatures, setting them "by hand". We hope you enjoy. Hey! Have we said that dingbats are included?

Kiddy Kitty is a soft and friendly sans-serif type family which consists of 6 upright italic and 5 italic weights. It supports Western and CE Latin and Cyrillic, and it also has some ligatures and swashes and 16 carefully drawn cat dingbats in each font. Kiddy Kitty is good for greeting cards, children's books and package design. It is designed by Vasily Biryukov with some support of Alexandra Korolkova.

Graphen family is a hand drawn typeface with 5 different weights. This font contains script that replaces glyphs with their alternates. It is based on checking the same glyphs in close range - not on a random appearance. Every weight was designed with attention to detail, so it can be used in small sizes and even on big posters. Weights include different features, such as dingbats or old style figures.

This font is packed with over 1,100 glyphs and gives you vast possibilites to give handwritten feel to your text - be it in English, Íslenska, Russian, Cymraeg or Čeština. Apart from featuring great number of letters there are also dingbats, roman numerals and mathematical operators included. Recommended to use in projects where personalized, legible, cheerful and straightforward look is required. The design is inspired by mature handwriting, unisex in expression.

The letters of this TrueType font are decked out with holiday star ornaments for a festive and slightly quirky look. Your Christmas messages will sparkle and shine. Try it on your annual family newsletter or as a title for Christmas eve scrapbook pages.

Thin, elegant and thoroughly Art Deco is the thick-and-thin (slightly flared) alphabet found on page 31 of Samuel Welo’s 1930 instructional book “Lettering Practical and Foreign”. Redrawn digitally as Evening Dress JNL, it is available in both regular and oblique versions.

An Art Deco geometric alphabet found within the pages of the 1939 French lettering book "Modèles de lettres modernes par Georges Léculier" ("Models of Modern Letters by Georges Léculier") is the basis for French Geometric JNL; available in both regular and oblique versions.

An eccentric chamfered sans serif wood type design with a right side engraving line from the 1800s was found within the pages of the Thorowgood foundry of London, England. This font is now available as Chamfer Engraved JNL in regular and oblique versions.

Uptown JNL was found amidst the pages of a 1944 edition of the vintage lettering design book entitled "Sixty Alphabets". This lovely Art Deco typeface has slight curvature to the straight lines of the letter forms and a wonderful hand-lettered look.

The 1920s Art Nouveau movement spawned a number of beautiful hand lettered pieces of sheet music from that era. Attractive and narrow, the characters found on the title page of one such piece of music was the inspiration for Easy Money JNL.