10,000 search results (0.08 seconds)
  1. Abaddon™ - Unknown license
  2. SF RetroSplice Shaded - Unknown license
  3. rockdafonkybit - Personal use only
  4. Holitter Forge - 100% free
  5. Surf Punx - Unknown license
  6. Comic Strip MN - Unknown license
  7. Albatross - Unknown license
  8. Deng Thick - Unknown license
  9. Jumbo - 100% free
  10. Induction - Unknown license
  11. Nonstop - Unknown license
  12. Shadow of Xizor - Unknown license
  13. Spacebeach - Personal use only
  14. Sk8ordye - Unknown license
  15. Yahoo!© - Unknown license
  16. Quadaptor - Unknown license
  17. Moby - Unknown license
  18. Ben Brown - Unknown license
  19. Metro-Retro - 100% free
  20. Shoguns Clan - Unknown license
  21. Tozuna - Personal use only
  22. Masterforce Solid - Unknown license
  23. Rasstapp 1.0 - Unknown license
  24. CRAY AN? - 100% free
  25. GUNBATS - Unknown license
  26. Loud noise - Unknown license
  27. Rock ‘n Roller - Unknown license
  28. Big Blocko - Unknown license
  29. SF Speakeasy Shaded - Unknown license
  30. 1-2-3 GO! - Personal use only
  31. Gianis by Obelisk Gestalt, $34.00
    OBL Gianis is a family of compact geometric sans-serif typefaces designed with a strong focus on headline utility while infusing a touch of subtle naivety. We drew inspiration from the rigid yet rhythmic construction principles found in late 20th-century geometric classics like Avant-Garde, Futura, and Kabel. OBL Gianis seeks to salvage and build upon the legacy of geometric typefaces as they continue to evolve in the 21st century. We've considered various real-world scenarios and use cases, adapting to the ever-changing visual culture. This evolution has given OBL Gianis its unique quirks, including a larger x-height to accommodate bold usage in tighter typesetting, a compact double contour to balance the larger x-height, and shorter descenders and ascenders in lowercase characters. With extensive Latin character support (over 1000 glyphs) and 18 different weights and accompanying italics, OBL Gianis is well-equipped to meet the ever-changing demands and trends in headline typesetting.
  32. Hello Walter by Fonts of Chaos, $14.00
    Hello Walter is a nice and clean typography I made for my little boy Walter. The story behind is I want to create a bold font with less holes and funny shapes. More naive but still serious with a lot of glyphs easy to use in many language cyrilic included. Perfect for web and print, for making logos or children book and app. Have lot of fun.
  33. Minuet by Canada Type, $24.95
    Minuet, an informal script with crossover deco elements giving it an unmistakable 1940s flavor, is a revival and expansion of the Rondo family, the last typeface drawn by Stefan Schlesinger before his death. This family was initially supposed to be a typeface based on the strong, flowing script Schlesinger liked to use in the ads he designed, particularly the ones he did for Van Houten’s cocoa products. But for technical reasons the Lettergieterij Amsterdam mandated the face to be made from unattached letters, rather than the original connected script. Schlesinger and Dooijes finished the lowercase and the first drawings of the uppercase just before Schlesinger was sent to a prison camp in 1942. Dooijes completed the design on his own, and drew the bold according to Schlesigner’s instructions. The typeface family was finished in February of 1944, and Schlesinger was killed in October of that same year. Though he did see and approve the final proofs, he never actually saw his letters in use. It took almost four more years for the Lettergieterij Amsterdam to produce the fonts. The typeface was officially announced in November of 1948, and immediately became a bestseller. By 1966, according to a memo from the foundry, the typeface had become “almost too popular”. This digital version of Schlesigner’s and Dooijes’s work greatly expands on the metal fonts. Both weights include a complete set of lowercase alternates — based on Schlesinger’s own drawings, as well as alternative variations for some of the capitals, a few ligatures, and extended language support covering Western, Eastern and Central European languages, plus Baltic, Celtic/Welsh, Esperanto, Maltese and Turkish. Minuet is available in all popular formats. The OpenType version, Minuet Pro, takes advantage of internal font programming to combine the main and alternate fonts into a single file per weight, making all alternates and ligatures automatically available at the push of a button in OpenType supporting programs.
  34. Maassslicer3D - 100% free
  35. Elbaris - 100% free
  36. Nomitais - 100% free
  37. Quirkus Out - 100% free
  38. Shark Snack by Comicraft, $19.00
    Dumm DUM. Dumm DUM. Duh dum duh dum duh dum DUMMMM... Just when you thought it was safe to get back in the water, this font surfaces to take one last bite out of your summer vacation skinnydip! Scream and scream again — it won’t do you any good, SHARKSNACK is rough and ready to EAT YOU ALIVE! It’s too late to close the beaches, Chief Brody, this particular set of saw tooth letters has already consumed Dracula, the Werewolf, the Frankenstein Monster and any number of 70s comic book characters foolish enough to dip a toe in its maw!
  39. Cervino by Typoforge Studio, $29.00
    Did you know that Cervino is the Italian name for one of the highest and most beautiful mountain in Europe - Matterhorn? Just like this majestic peak, our new family is HUGE. Cervino family consist of three width masters, with nine weights in each of them, giving the total amount of 54 instances. It is full of different features - from the wide set of numerals and math signs, by small caps to subscript and superscript. It covers full latin and Cyrillic script. Cervino would be a perfect choice for headlines, newspapers and for the longer texts as well.
  40. WL Rasteroids Old by Writ Large, $5.00
    Rasteroids Old is a typographic flashback to computing of the early 1980s, when 7-pin dot-matrix printers were the state of the art, and most home computer displays were TVs hooked up to RF modulators. Rasteroids Old not only captures the dot-matrix printer look, but recreates the rasterized appearance of text on those lower-resolution monitors. Rasteroids Old is a fixed width font lacking any descenders. Furthermore, the character set is limited to the subset of US-ASCII that would be available on a typical machine of 1980. As such, it is not intended for large areas of copy.
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