Step into the groove with Daily Shine, the ultimate funky retro font that will transport you straight back to the '70s era. Whether you're looking to infuse nostalgic flair into your logo or seek a fresh burst of inspiration for your design ventures, Daily Shine is your go-to choice. With its stylish swash alternates, Daily Shine adds a touch of extra style to your project, creating a dynamic and eye-catching look. Plus, its multilingual support ensures versatility for various language needs. From captivating headings and expressive logotypes to spirited quotes, apparel designs, inviting invitations, lively flyers, dynamic posters, heartfelt greeting cards, captivating product packaging, captivating book covers, empowering printed quotes and even mesmerizing album covers and movie posters, Daily Shine is your versatile companion for any creative endeavor. Get ready to shine bright and groove on with Daily Shine font!

Introducing NORWALK - Modern Serif Font. Our latest digital modern serif font - a sleek and sophisticated typeface perfect for any creative project. With clean lines and elegant curves, this font is sure to make your designs stand out. Get your hands on it today and elevate your designs to the next level! Ready to take your design game to the next level? Whether you're creating a logo, website, or printed materials, this font is the perfect choice for adding a touch of class and sophistication.

«Brozas» is a contemporary font for modern design. Created for digital art, Web-design, magazine layout. Brozas font is an unusual experience and an experiment on the edge of decorativeness. Drawing letters has a sharp, contrasting character and combined with smooth arcs. Different weights change not only the thickness of the strokes but also their shape. Brozas supports Basic Latin and Extended Latin, Cyrillic — in total about 200 languages are supported. The font has three weights: Thin, Regular and Black. Brozas font was designed by Viktor Pesotsky.

Smitta Bali is an amazing hand lettering, looking attractive and natural! Every single letter has been carefully crafted to make your text look beautiful. This font is suitable for invitation, branding, advertising, classic design, poster design etc.

I like the letters on the Peitago goulya because each letter is curved and rounded at the edges, it looks unique and has characteristics. Peitago goulya is handwritten, intentionally made with indentations. This font looks very pleasant.. !

High contrast serif font, so elegant, keeping the ethnic look and feel.

An organic handwritten script font with alternates to create a custom look.

hello designers, meet my newest font James Harden Script. This is a classic thin font in italic style. This font comes with modern ligatures that can make your work look elegant, sweet, and perfect. With this style, this font will be suitable for logos, branding projects, product packaging, mugs, quotes, posters, shopping bags, logos, t-shirts, book covers, business cards, invitation cards, greeting cards and all your other projects. The James Harden Script font includes multiple language support. You can use this font for your work very easily because it contains many features. Contains a full set of uppercase and lowercase letters, punctuation, numbers, and multilingual support.

It’s time to see our impressive font, Maszeh. It is a firm font to escalate your design level higher. In line with the racing theme, this font creates brave strong impressions on your designs and is aimed to be used in any larger-sized texts such as titles than the body texts. Enjoy other incredible features available on this font. Features: Multilingual Supports PUA Encoded Numerals and Punctuation Use Maszeh for any design projects such as posters, banners, logos, book covers, headings, printed products, merchandise, social media, and so on. Find out more ways to use this font by taking a look at the font preview. Get it now. Happy designing.

Introducing, Sila, Modern Serif. This font has an attractive and elegant alternative and several ligatures that enhance it, making your font / logo more attractive. This font has a bold and smooth shape, making this font look unique but doesn't leave an elegant impression. This font is suitable to be applied especially in logos, invitations, novels, books, magazines, labels, greeting / wedding cards. So what are you waiting for! What's included? Uppercase Characters Lowercase Characters Support 75+ Language FEATURES So what are you waiting for? immediately purchase this font, feel free to comment, or send me my PM or email at khoirtypework@gmail.com Thank you for seeing

Sweet Honey is a display font inspired by the cuteness and joy of childhood. Any design made using this font will bring out a cheerful, cute, and unique feel that blends together. Each Uppercase and Lowercase character in this font is made as unique as possible, so that this font can stand out and be easy to remember whenever people look at it. This font has 2 styles, namely regular and bubble, these styles make this font more varied so that it adds inspiration to every design that is made. Sweet Honey is perfect for use in brochures, book titles, magazines, posters, announcements, and more.

Cliffhanger's top-selling DANGER GIRL creator and artist, Jeff Campbell, also topped our first MASTERS OF COMIC BOOK ART poll. Originally Jeff wanted his font to be wholly exclusive to the DANGER GIRL book, but we begged him, we pleaded with him and, eventually, we took photographs of him (in compromising positions with his "models") and he relented. Now, at long last we are making this slick and stylish font available as a part of our catalog, and you no longer need be a stranger to danger. See these families related to J Scott Campbell: J Scott Campbell Lower & J Scott Campbell Sketchbook .

Nextrue font is a sans serif font with a sleek and sporty look. This font is shaped as a professional multipurpose font with a strong look in upright and a dynamic look in slant letter. You can use it in modern youth design, adventure, hobbies and sports. This font is perfect for a variety of projects, such as branding, poster displays, logo design, magazine covers, product labels, clothing and more. This font is perfect for taking your designs to the next level! Nextrue fonts feature opentype, kerning, ligatures, and alternative styles packed in 12 fonts (Condense, Extend, Slant). Nextrue fonts include uppercase, lowercase, numbers, punctuation and multilingual support.

Standard Request is 100% handmade, and was inspired by both grafitti and comic book lettering. When viewed at large sizes, the handmade look and feel really stands out - at the same time, Standard Request, is super legible even at really small sizes. I've added 5 slightly different versions of each letter, and they automatically cycle as you type!

A small book entitled “Portfolio of Alphabet Designs for Artists, Architects, Designers & Craftsmen” [published in 1938 by Irene K. Ames] contained a number of pages displaying hand lettered alphabet examples. One sample in particular stood out for its bold Art Deco look and unusual design. This is now available as Dance Moderne JNL, in both regular and oblique versions.

Frieda is a handwritten calligraphy script equipped with contextual alternates features and ligature variations for a customised look. Just add "+" before the letter or manually choose the character from Glyph Palette. Authentic, chic, but also relaxed with a set of beginning and ending extensions. Frieda can be used for weddings, greeting cards, invitations, books, menus, advertising, etc.

Say hello to 'Picasso in paradise' - an avant-garde script with loads of fresh buoyant character and an abstract, casual feel. The script includes a large selection of natural-looking ligatures, that form automatically as you type when you have your OpenType features active. Perfect for Branding, Greetings, Book covers, advertising, packaging, and so much more.

Your Stash of fonts for that custom hand-lettered look. Stash comes in two styles; a clean modern and a worn vintage look, each in five weights. Stash features hundreds of alternates to make every setting look crafted and unique. The fonts are programmed with a smart set of contextual alternates that handle initial and final forms, as well as a few connecting pairs, making each word look polished. Tails and underlines round out the character set. With Stash you can craft solid logotypes with a unique look, set posters and ads, and even run longer lines of copy on packaging. Pick it up for your next craft beer label, chocolate pack, café logo, or good old social media posts!

Say hello to Virmana Script, a retro calligraphy brush stroke font, perfect for use in logotypes and more! This font has a poppy, bold appeal and comes with three styles so you can layer for an incredibly stylish look to your projects. Offering OpenType features, stylistic alternates, ligatures and International support for most Western Languages. You need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign. Perfect to creating modern designs like logos, branding, posters, social media, wedding invitations, headlines, clothing design and more. All lowercase letters include stylistic alternates, beginning and end swashes, which makes the font look fabulous! Virmana Script includes (total 3 styles): Virmana Regular Virmana Extrude One Virmana Extrude Two All styles are coded with PUA Unicode. Mac users can use Font Book and Windows users Character Map to view and copy any of the extra characters to paste into your favorite text editor/app. Thanks and Happy Creating.

Presenting to you Rushen. A vintage display sans serif with 5 styles. Designed with a bold weight that is awesome to be used for many purposes such as headline, branding, logo, apparel, logotype, cards, labels, poster, packaging, and many more. These fonts are all-caps fonts complete with multilingual support. Be Bold with Rushen! What you'll get : Regular: The basic one, with sharp geometrical shapes, formal and elegant look. Good to apply in Books, newspapers, letterhead. Curvy: Inky inspired from the old-school advertising, can be combined with your favorite fonts. Perfect for labels, posters, and short editorial. Stencil: The most explored with some adjustments that look good for a manly theme, urban style, military themes, brave, and youth. Shadow: The complement from all, but still can be stand-alone for western design, old school, and food themes. Distressed: The vintage-inspired with the neat ink effect and minimal anchor points to keep font still ergonomic. Thank you for your support!

Looking for a fun and versatile font to captivate your audience, clients, or guests? Trying to create the perfect contrast between your titles/headings and body copy? Maybe you’re a Beauty Influencer, Interior Designer, or run a Cooking YouTube channel - looking for a way to stand out from your competition. Maybe you feel like your birthday e-cards are missing that “something”. If you can say “yes” to any of these then hold on to your seats and get ready for a modern, fun, and delightful experience! Introducing Topsy-Turvy - A Modern Calligraphy Font. This gorgeous, fun, and elegant font can be used for a host of different content needs and projects. Use it for your headings, logos, business cards, printed quotes, invitations, packaging, resumes, and even your website or social media branding. Delight your audience, clients, or guests with this versatile, elegant font. What you’ll get: - Multilingual & Ligature Support - Full sets of Punctuation and Numerals Compatible with: - Adobe Suite - Microsoft Office - KeyNote - Pages

This font was created while looking at the various shapes my handwriting consistently took, especially in the ways that letters would have breaks in them. Over the course of a few months I continually tweaked the letter forms and shapes, and lo and behold, I developed Deco Sans. This family currently only includes a thin weight, as I'm only one person, and very busy with college. I'm continuing work on a regular, bold, and possibly a future italic weight, but these may not be released for many months to come. As this is a very thin font, it should be used at sizes no smaller than around 16 or 18pt as it tends to get lost in whitespace, and looks best at large sizes. As such, this weight should be considered more of a display font than a text font, however, I predict a regular weight to be very readable and much more useable for the everyday.

The Journal Sans typeface was developed in the Type Design Department of SPA of Printing Machinery in Moscow in 1940–1956 by the group of designers under Anatoly Schukin. It was based on Erbar Grotesk by Jacob Erbar and Metro Sans by William A. Dwiggins, the geometric sans-serifs of the 1920s with the pronounced industrial spirit. Journal Sans, Rublenaya (Sans-Serif), and Textbook typefaces were the main Soviet sans-serifs. So no wonder that it was digitized quite early, in the first half of 1990s. Until recently, Journal Sans consisted of three faces and retained all the problems of early digitization, such as inaccurate curves or side-bearings copied straight from metal-type version. The years of 2013 and 2014 made «irregular» geometric sans-serifs trendy, and that fact affected Journal Sans. In the old version curves were corrected and the character set was expanded by Olexa Volochay. In the new release, besides minor improvements, a substantial work has been carried out to make the old typeface work better in digital typography and contemporary design practice. Maria Selezeneva significantly worked over the design of some glyphs, expanded the character set, added some alternatives, completely changed the side-bearings and kerning. Also, the Journal Sans New has several new faces, such as true italic (the older font had slanted version for the italic), an Inline face based on the Bold, and the Display face with proportions close to the original Erbar Grotesk. The new version of Journal Sans, while keeping all peculiarities and the industrial spirit of 1920s-1950s, is indeed fully adapted to the modern digital reality. It can be useful either for bringing historical spirit into design or for modern and trendy typography, both in print and on screen. Designed by Maria Selezeneva with the participation of Alexandra Korolkova. Released by ParaType in 2014.

Sans meets serif. Would you like to express tradition by using a contemporary font? Sintesi might be exactly what you are looking for. Sintesi stands for synthesis: the unification of serif and sans-serif into a contemporary font, which surprises with different facets depending on its application. In copy size Sintesi performs like a sans-serif. It is a compact and well readable font that fulfills all requirements of modern digital media. In larger sizes, Sintesi unfolds its traditional character. Now, its strong contrast and the perceptible feather-ductus stand out clearly, as we appreciate it in a historical old style face. Sintesi is completed by a suitable italic. Its cursive character has more to do with writing-speed than to moderate inclination. Therefore Sintesi may be well-suited for many other purposes, not only for emphasis. The whole font family consists of 20 styles and offers a wide range of Western and Eastern European special characters, typographical ligatures, uppercase, oldstyle and fraction figures. Sintesi (Serif) builds together with Sintesi Semi and Sintesi Sans an extended family. Start combining antiquity with modernity! Download a free trial version of Sintesi with a reduced character set. Check it out!

Jadey - The Classical Serif Font We tried to make different fonts. With a touch of the ethnic past. So that this font looks more classic and modern. Measuring each letter reminds us of the past in some works in Indonesia. Although it looks classic, this font is perfect when combined with today's design styles. Have fun being creative with this font.

Linotype Ho Tom is part of the Take Type Library, which features winners of Linotype’s International Digital Type Design Contest from 1994 to 1997. Designed by Thomas Hoffman, this font’s historical roots are easily traced to the slab serif style. Ho Tom was originally intended as a lettering system for a project in the center of the old East Berlin. This explains the stable, angular characters and the consistent rectangular base forms, which also makes Ho Tom a very legible font, suitable for longer texts.

Big bangs font is made with letter anatomy that looks very unique with a characteristic bulging shape and very large weight size, inspired by explosions, this font looks big and dangerous as well as unique, suitable for use in graphic designs such as stickers, posters, covers, labels, and others.

short and bold font, cute and looks professional and a nuanced logo font that you can customize with the elegant look you want there are several alternatives that you can use and combine, and there are italics to make it easier for you to work on your design project

Rafellia is a handwritten script font, with an elegant and beautiful look. Rafellia will look perfect for elegant logos, wedding stationery, posters, quotes, short text, branding, web, graphic design, and more. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Gallicide is a Handmade Modern Vintage Textured Display Typefaces. This fonts is combining the style of modern handwritten style and classic vintage looks. It comes with 3 Styles (Rough, Reglar and Outline). This font will look good on any retro design like poster, t-shirt, label, logo etc.

Linotype Afrika, from German type designer Jörg Herz, is part of the TakeType Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contest 1999 for inclusion on the TakeType 3 CD. Dancing, jumping, and playing, the lively beings of this symbol font exude joy. Ornaments and a few frolicking animals complete the font. Combining the single figures, whether as decoration or border, creates a pattern which will surprise you with its lightness and dynamism.

Linotype Agogo is part of the Take Type Library, chosen from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. Designed by British artist Ed Bugg, the font is reminiscent of the elegant 1920s and 1930s. It is a calligraphy font with five weights, one regular and four swash. The regular weight alone is clear and legible enough even for longer texts, although when used with swash characters, the texts should be shorter or headlines.

Lunatique is a highly decorative font, available in three widths, with extended language coverage as well as alternates for some glyphs. This font is inspired by Lucky typeface, designed in 1972 by André Pless for the Mecanorma permanent type contest. The style was later released as Letter-Press transfer sheets. Transfer sheets... Sounds quite nice, definitely. But hey, these digital ones will be way smoother to use, you bet. Give them a go and make your text shine!

Linotype Dharma is part of the Take Type Library, chosen from the contestants of the International Digital Type Design Contests of 1994 and 1997. G. Jakob and J. Meißner designed this font with an ornamental character, for example, with diagonal slashes as umlauts or dots on the i and j and the triangular serifs on the upper left of both letters and numerals. Such details make for a restless font, best used for short headlines in large point sizes.

Neo Phalanx is a rectangular, circular & curvy modern display sans inspired by Ancient Greek mass military formation. The difficulty of make this font is balancing rounded corner & sharp edge. There are letters like "M W A H R N K S Z" provides a unique personality in the title display. Numbering and punctuations also designed in unique styles to deliver different visual language. This font is suited for variety of applications from poster to branding, advertising, digital.

We've gathered the old characters together, and added a bunch of young new hotshots, to create the long-anticipated sequel to our STORMTROOPER font! The digitally remastered Special Edition STORMTROOPER is now a trilogy, with two new weights -- outlined ARMOR and inlined BLASTER -- each containing more than 100 autoconnecting letter combos*. Yes, you'd have to be crazy to attempt a font like this; our man JG certainly has courage... * Hutts, dewbacks and point blank misfired laser shots not included

Neue Power is a contemporary sans serif display font family in 6 weights plus 12-degree of obliques. It supports 75+ Languages (Latin Based) followed by the Grotesk typefaces, perfect for various design needs, including Branding (Identity), Logotype, Printing to On-Screen/Digital Reading, Posters, Caption, Headline, Body Text, or Captions. Neue Power Typeface will give you a nice way of aesthetic communication for your design project. Available from Light — Ultra plus obliques in a total of 12 Fonts.

SYN NOVA is a digitisation project of SYN – futuristic typeface designed by Wojeciech Freudenreich, famous polish graphic designer. Our concept, besides giving it a digital form, was to expand the character set, design minuscule and opentype features for the typeface. Together with Wojciech Freudenreich we created 4 new weights. The complete family (5 styles & Variable Font Version) is distributed under open and free font license. Subsidised by the National Centre for Culture under the programme Kultura w sieci

Truens is a vintage display typeface. It's an all uppercase serif font collection with a Script font that was inspired by the look and feel of old serifs. Truens features include badges, ornaments, catchwords, and Multiple Language Support. This fonts is very versatile, all the styles work well together and can look authentically vintage.