Core Circus Rough is a textured version of Core Circus which is a layered type family consisting of seven 3D effect layers, eight 2D effect layers and one shadow effect layer. Uppercase and lowercase letters are separated by such features that counters are opened or closed. Core Circus provides other closed counter styles such as numbers with opentype feature (Stylistic Alternatives). Also available Core Magic Rough (Slab-Serif version of Core Circus Rough) The shape of Core Circus is simple but the combinations of effect fonts are impressive. Core Circus makes your works charming and special with endless combinations (at least 262,551 kinds). This family is really nice for book titles, headlines, logotypes and any artworks.

LTC Kaatskill was made specifically for use in an edition of Rip Van Winkle for the Limited Editions Club. "I feel that Kaatskill owes nothing in its design to any existing face, and the type therefore is as truly an American type as anything so hidebound by tradition as type can be."- F. Goudy This face was one of the first digital typefaces released by the Lanston Type Co. Ltd. Jim Rimmer took painstaking measures in his faithful revival. Goudy had never designed a specific Italic to accompany this face. The Italic completed by Rimmer is a variation on Deepdene Italic. The font set was re-mastered in 2006 by Colin Kahn.

I wanted to design my own sans-serif typeface for my web site to complement the rest of my type library; I designed Congenial as an understated, highly legible complement to my more decorative display faces. Of course, I’m never far from my calligraphic roots, so Congenial retains some hand-drawn elements, visible particularly in the heavier weights of this generous 10-face family. As befits its name, Congenial is a friendly and inviting face with a generous x-height and highly differentiated characters. See what’s included! http://bit.ly/1Agnkio These fonts have been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

It's that time of year again, isn't it? And yes, we're speaking rhetorically, because our true intent is to rouse voters into action, claim a significant gain in support over our nearest rivals and lead the nation, perhaps The World, into a new era of prosperity, one in which our once proud nation can become great yet again! An era of Hope, a time of peace and an end to war! Because never, in the field of human conflict, have so many, given so much and gained so little so that the have nots can reward themselves and those that have and-and... Victory, and Hope, and Greatnessness! Related font: Victory Speech Lower

The original Graphique Pro was designed by the famous Swiss designer Hermann Eidenbenz in 1945 and included one outline shadow style. His idea of a very narrow, very economic headline font became increasingly more popular over the last decades and since the recent trend of layered fonts his idea is more up-to-date than ever. profonts studio now took the idea of the Graphique Pro to its next level: Graphique Pro Next. This layered type family consists of 8 styles which can be combined in plenty of ways to create unique designs. The fonts thereby preserve the outstanding and timeless drawings of the original Graphique Pro font and will add an aesthetic and fresh look to every project. Please have a look at the Graphique Pro Next Type Specimen for more details about the language support and font layer combinations.

Do you want to get something miracle? Miracle World is an elegant serif font to level up your design into something miracle. It can never go wrong to be applied in any purposes. The weight of the font was designed to bring strength to any title/header. On the other hand, the curves of the characters convey a sense of elegance. It is also has fascinating features that helps you maximize your design. Features: Stylistic Sets Ligatures Multilingual Supports Numerals and Punctuations PUA Encoded It can be used for many design projects, such as poster, logo, book cover, branding, heading, printed product, merchandise, quotes, social media campaign, etc. Learn more about how to use it by seeing the font preview. Thank you for purchasing our fonts. Please don’t hesitate to contact us, if you have any further question or issues. We’re happy to help. Happy Designing.

Finding a perfect font for your designs may be tough work and time-consuming. Definitely, you never want to have a too plain, common font, but you have trouble finding the one to express your creativity and visions precisely. For that reason, Sweetie Darling is here to meet your needs. Sweetie Darling is a cursive-style handwriting script font. Like other cursive font designs, the letters are interconnected, but another character of this font is that the letters have high contrasts in curved edges to beautify the display. Due to the seemingly complex font style details to add the font’s legibility, it is suggested to apply this font for big text sizes. Additionally, you can enjoy the available features here. Features: Alternates Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Sweetie Darling fits best for various design projects, such as brandings, headings, magazine covers, quotes, invitations, greeting cards, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Raclette grills are an ingenious Swiss invention. This tabletop grill is used to cook raclette cheese, a unique sort of cheese produced by the happy cows of Valais. Swiss designer Michael Parson created a typeface in 2002 that speaks endearingly to his hearty homeland tradition - endearingly enough, he named it Raclette. Raclette most likely started out as a bold, condensed sans serif. But then, just as one pulls little trays off of a raclette grill, Parsons quickly removed many rectilinear bits from the edges of each letter. Text set in Raclette looks like an old brick wall, or perhaps like a raclette party for several hundred people, that ended an hour ago! Raclette is one of ten of Michael Parson's experiments in type design featured in the Take Type 5 collection from Linotype GmbH."

Jan Koller designed the Banner typeface family especially for the creation of animated web banners. Banner is best used at 80p without antialiasing. The family comes in 24 styles which, in combination, create great, unusual screen effects. Three different animation modells provide the basis: extrusion, cutting in/out by ‘pixelation’, outline pixel rotation. The available flash clip listed in the Related Links below demonstrates some of the effects. Take a look! The swf clip runs in any web browser (drag & drop) but you need the flash player plugin. Apart from animation use, Banner also works well in print. Since all 24 styles are identical in width and kerning, you can set several styles on top of each other, maybe using different colours for each style. Look at the nice effects yourself!

Devin is designed mainly for the benefit of the advertising industry, and it surely is a nice typeface for headings, isn't it? And you should see what a nice body type it makes! I had no other typeface in mind when working with it, but I can now find several typefaces it is related to. It reminds of the egyptienne group, but I did't really plan that. The name Devin is taken from my birth region. There is a castle with that name on the northern Adriatic coast (known even from Rilke's Duino elegies - Duino is another name of the same castle). A castle ruin called Devin, too, can be found on a height above the Danube in Slovakia, not far away from its capital Bratislava. Devin was released in 1994.

The Pergamon series is a creation of Alfons Schneider (1890–1946) and was issued by the foundry of Ludwig Wagner in Leipzig in 1937/1940, though the website of the Klingspor-Museum says that several of the faces were probably produced after the death of Schneider. This digital version is extended with the necessary OT characters and signs, while also the “символы кириллицы” are added. Also, in addition to the members of the family designed by Schneider, regular, italic, bold and bold italic extended versions were produced. The specimens of Ludwig Wagner stated emphatically: “In allen Graden werden beide K K geliefert”, so these two forms are in all the faces, while the two condensed members also have k k, as the specimens said that this alternative character was also in these two faces.

Almost every type designer feels the need, from time to time, to interrupt his or her serious work on complex text type systems for something more playful. In Luc(as)'s case this has often meant designing more typefaces. In the early 1990s, while working on Thesis, Luc(as) drew several display faces which were based on the shapes of TheSans but were either de(con)structive versions or experimental variations. Probably the most innovative of these was Nebulae, in which the lettershapes have been dissolved into clouds of bubbles; the three versions can be layered to obtain a denser (and more legible) structure which can also be multi-coloured. A fourth version called ThreeDee (3D) offers a convincing simulation of three-dimensional bubble-like type floating in space.

Dulcet is a hand lettered, rough binding script with high ascenders & low-descenders. It is both elegant and grungy and will work wonders on your invitations or love letters, make beautiful posters, frightening t-shirt designs or logotypes. It is equipped with OpenType features such as common ligatures, double letter ligatures, contextual and stylistic alternates for a varied and hand drawn look. Access alternates by using the glyph panel in Illustrator and InDesign. Dulcet comes with several initial & terminal swashes that can be added to the beginning and/or end of any lowercase letter as well as different swashes for the upper case letters. For initials/beginnings, write _ (underscore) + digit 0 to 9 For terminals/endings, write digit 0 to 9 + _ (underscore) For start swashes, - (hyphen) + digit 0 to 9. Enjoy!

My personal handwriting has changed a number of times over the years. Just Another Hand is a narrow brush drawn handwriting font, inspired very loosely by the handwriting of my high school days. There's a little artistic license taken with Just Another Hand in the sense that while I never really wrote with a brush in high school, I wanted a cleaner stroke for this interpretation. A little personality, a little restraint... a style that works for all sorts of projects across the board. The Just Another Hand Pro family contains 659 characters per font. The expanded SmallCaps option for gives the typestyle a little extra versatility, expanding on the original typeface inspiration. Opentype features include: A collection of ligatures Smallcaps Limitless Fractions Full set of Inferiors and Superiors Proportional figures and Tabular figure sets

Magie is a handwritten font with a strong casual and expressive character. It has the peculiarity of being able to combine capitals and small letters in the same word or in all capital letters. Containing full OpenType features such as stylistic and contextual alternates, swashes, ligatures, initial and terminal forms, up to seven stylistic sets per letter (in uppercase and lowercase). We also include catchwords and ornaments. Imagine the amount of combinations you might do giving your text freshness and naturalness without equal! 
Magie has a Central European language support to fit your design. This font may looks beautiful on wedding invitations, greeting cards, logos, posters, labels, t-shirt designs, logos, business cards and is perfect for use in ink or watercolor works, fashion, magazines, packaging and food menus, children's books and more!

Anna Gagarin is the loving matriarch of the Gagarin Family. Her life was full of love and passion. She had several affairs with Futurist and Contstructivist artist in the beginning of the 20th century. She was in love with the Russian poet Vladimir Majakovski (born on July 19th, 1893 and died in Moscow on the April 14th, 1930). She gave birth to his son Boris. She called him 'a cloud with trousers'. After this love story, Anna Gagarin met the designer and artist Gustav Klucis in Italy. His radical and political ideas were much too childish for her. After a period of love and passion Anna gave birth to his son. At that time they were in Italy, which explains his italic forms. After her return to Moscow in the beginning of the 1920's Anna was introduced by Alexander Rodchenko. They were heavenly in love but Ilja Stepanova was very jealous on her husband. Anna once said that 'Alexander fills mine construction with love...' That phrase can be an explanation for the term Constructuvism as an art movement. Alexander was the great love of Anna. She gave birth to their love-baby Dimitri Gagarin. That night Alexander designed his most famous poster. A decade before that Anna told it was
'a time for a change'. In a local bar in Sint Petersburg she met Gregory Rasputin. At that time Rasputin was a well known person and a respected member of the Sint Petersburg upper class.His diabolic character influenced Anna and after several months she gave birth to their son Kurt. He inherited the main characteristics of his father. The Gagarin Family wants to give love and wants be loved...

Sonovovitch is a unicase display typeface inspired by the Russian Constructivist movement and Soviet Cold War era propaganda. Although a faux Russian font, Sonovovitch has language support for the true Cyrillic alphabet. Originally intended as an exercise in downsizing the typical font’s character set, Sonovovitch quickly expanded in the opposite direction, adding multiple variations for letterforms and utilizing Open Type features allowing for easy substitution of glyphs… creating plenty of variety for letter combinations. Open Type “Titling Alternates” even substitute completely foreign glyphs, never seen before in any language, allowing for totally alien typesetting. The results found in Sonovovitch are packed with bold character and eastern European influenced flair. Sonovovitch’s eclectic geometric forms lend itself to a multitude of graphic applications; from serious branding programmes, to light-hearted packaging, to sports jerseys, to hand-crafted DIY projects.

Peter Schnorr was a German artist/illustrator of Art Nouveau period (called Jugendstil in Germany and Austria). He was quite adept at calligraphy and did a variety of commercial work, including business signs. He designed at least four different alphabets and collaborated with Bruce Rogers on advertising work and title page designs for books. One of their clients was the publishing house of Houghton Mifflin. I have not been able to discover anything else about him, but I suspect he might be the grandson of the Bavarian artist Jules Schnorr von Carolsfeld, who was once commissioned to do a mural by Ludwig II of Bavaria (whose famous castle was copied by Disneyland). Schnorr did not give individual names to his fonts. Where there is no historical name, we like to follow the tradition initiated by Bauer and name fonts after their designer, with a descriptive adjective in the designer’s native language. Gestreckt is German for stretched or elongated. An interesting deign detail of this typeface is the cross bar of the “T” --it is NOT symetrical. The right hand side extends only 88% as far as the left hand side (a ratio of 9:8). I presume this was done for a more pleasing letter fit. Today Schnorr’s design is frequently offered under the name “Ambrosia.” However. close inspection will usually reveal that the serifs have been treated differently. I believe our font has a greater fidelity to the original design. Please also compare the design of the various auxiliary characters to those in other fonts. Often they are either borrowed from an inappropriate font of a different period or are missing altogether. We make every effort to design characters that are in keeping with the overall design and spirit of the typeface. For example, see the superscript Registered Trademark symbol (0174) and the Double s (0223). I think both are quite successful. Schnorr Gestreckt ML represents a major extension of the original release. In addition to the standard 1252 Western Europe Code Page with character slots up to decimal position 255, there are glyphs for the 1250 Central Europe, the 1252 Turkish and the 1257 Baltic Code Pages. There are also two alternate letter forms, one ornament and seven ligatures with Unicode codepoints (Private Use Area) and OpenType aalt, ornm & liga GSUB layout features. There are a total of 318 glyphs and 351 kerning pairs. Please note that some older applications may only be able to access the Western Europe character set (approximately 221 glyphs). This release also incorporates a redesign of several glyphs: the comma, quotes, acute accent, and grave accent.

Medallion is a new and fresh font script that comes with a vintage and neat style. so this font can be used easily, even in mix and match with other fonts. so it can provide new alternatives and sensations for designers or craftsmen, in working on various projects. This font is perfect for all your project like the wedding invitation, greeting cards, branding materials, business cards, quotes, posters, insignia, badge, greeting cards, vintage logo, or you can use this font for various logo project (logotype) and more! The following characters are ideal to make an attractive message, mix and match Medallion with a bunch of alternative characters to fit your project Medallion comes with 318 glyphs totally. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA Unicode (specially coded fonts). so that all the alternate characters can easily be fully accessed by a craftsman or designer through either Windows or Mac computer without any requirement for fancy design software. Mail support: If you have any question, please contact me Via e-mail "unicodestudio@gmail.com" Thank You!

Qonihy is a modern serif typeface that is ideal for projects that require a classic yet contemporary look. Its characteristics allow you to express your creativity. Every character in Qonihy is meticulously designed, with precise and elegant lines that give the impression of luxury and professionalism. This font is appropriate for a wide range of design demands, including book designs, logos, and product packaging. Qonihy’s combination of narrow and bold serifs creates a strong and dominant impression while remaining easy to read. With the available character alternatives, you can easily customize the appearance of your text and make your projects more creative and unique. Qonihy’s multilingual support allows you to easily reach a worldwide audience and deliver your content in many languages. So, if you want to create visually appealing and elegant projects, Qonihy is the way to go. What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Meet Pristine Pro, the epitome of elegance and precision in typography. This Slab Serif font, meticulously developed with a humanistic touch, promises unparalleled sophistication for your projects. Its 18 versatile font families, ranging from Thin to Black, offer a tailored solution for every design need. Explore the seamless blend of clean lines and firm structure that defines Pristine Pro. This font isn't just a typeface; it's a statement of modernity and style. With support for 89 international languages, including English, French, Spanish, and German, Pristine Pro caters to a global audience, ensuring your designs communicate effectively worldwide. Desire perfection in your designs? Pristine Pro delivers. Craft compelling branding, striking posters, or editorial layouts with confidence. Its immaculate precision and extensive language support empower your creativity. Your desire for flawlessness finds its match in Pristine Pro, promising visuals that captivate, leaving a lasting impression on any audience. Ready to elevate your designs? Take action now. Download Pristine Pro and witness your creativity flourish. Unleash the power of clean Slab Serif typography with international appeal. Dominate the digital space, ensuring your projects rank high and capture attention. Seize this opportunity and transform your designs into timeless masterpieces.

These fonts will join-as-you-type in your OpenType application as shown in the posters above. Choose Use Contextual Alternates option in your app to get basic recommended baseline joins for teaching. Additionally, use can choose from 7 Stylistic Sets of alternative letterforms that are so important for Teachers. Create 'pen-lifts' too! Fonts display unjoined by default on this website and are delivered that way - joining is controlled by you. A mature ‘joined-up’ hand is the result of correct instruction from an early age. Sassoon Write typefaces are a direct progression from the separate letters of Sassoon Infant or Sassoon Primary and were specially created for teaching cursive handwriting in a flexible way. Designed for older pupils and adults, rather than children. A family of 4 fonts than join, or enter " | " between letters for unjoined text. For use with OpenType compatible applications such as Word. Enables progressive pupil exercises for a smooth transition between separate letters and teaching joined handwriting. Free to download resources Stylistic Sets and how to access the alternative letters feature in these OpenType fonts Purchasers of this font package may use their Order Number to receive a free Copybook PDF by Rosemary Sassoon recommended for effective teaching

Introducing the stunning Longevity Bold Script Font, a true masterpiece of typography that will bring elegance and sophistication to any design project. Crafted with the utmost attention to detail, this font boasts an exquisite hand-lettered script style, complete with bold strokes and delicate flourishes that add a touch of luxury to any text. Its timeless design ensures that it will remain a classic for years to come, while its versatility allows it to adapt to any design concept, from wedding invitations to product packaging. The Longevity Bold Script Font is perfect for designers looking to make a bold statement, whether it’s on a website, brochure, or social media post. Its bold and confident appearance exudes a sense of strength and power, making it ideal for branding projects, logos, and headlines. With its sleek and stylish aesthetic, this font is sure to impress your clients and elevate your design work to new heights. So why settle for ordinary when you can have extraordinary? Choose the Longevity Bold Script Font and create designs that will stand the test of time. Feature : Longevity alternates multilingual support If you have any questions please don’t hesitate to contact me Thank you best regards, Fikryal Studio

Grotesque sans typefaces: you know you won’t ever get tired of those. And any moment you decide that Vignelli was right and one Swiss font is enough, here comes a new specimen from the past inviting you to try new takes on the modernist letterforms. It's a tight and crowded design space, so design decisions are subtle and almost unnoticeable. Whoever you decide to be in the details - either God or the Devil - you surely need a taste for the infinitesimal to work with these shapes. Time design borders sandstoning shapes, in a delicate equilibrium between modernist precise ideals and the fascinating energy of old lead grotesques. The resulting typeface develops around an idiosyncratic relationship with negative space, inspired by the tight metrics modernist designers imposed on their layouts. Leaving a text optimised spacing to the text subfamily, Milligram plays with a feeling of attraction behind shapes, something brought to the extremes in the logo-oriented Milligram Macro Variant. Designed by Cosimo Lorenzo Pancini with Andrea Tartarelli, Milligram is a fine but bold homage to the Akzidenz Grotesk that never was. • Suggested uses: Milligram is a versatile type family: perfect for modern branding and logo design (Milligram Macro), for text and editorial design (Milligram Text), web design, packaging and countless other projects; • 36 styles: 7 weights + 7 italics x 3 different styles + 2 variable fonts; • 759 glyphs in each weight; • Useful OpenType features: Access All Alternates, Case-Sensitive Forms, Glyph Composition / Decomposition, Denominators, Fractions, Kerning, Lining Figures, Localized Forms, Mark Positioning, Mark to Mark Positioning, Alternate Annotation Forms, Numerators, Oldstyle Figures, Ordinals, Proportional Figures, Scientific Inferiors, 5 Stylistic Sets, Subscript, Superscript, Tabular Figures, Slashed Zero; • 207 languages supported (extended Latin and Cyrillic alphabets): English, Spanish, Portuguese, French, Russian, German, Javanese (Latin), Turkish, Italian, Polish, Afaan Oromo, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Bulgarian, Shona, Quechua, Albanian, Catalan, Chichewa, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Gikuyu, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Bemba, Lombard, Lithuanian, Tsonga, Wolof, Jamaican, Dholuo, Galician, Ganda, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Latvian, Silesian, Bashkir (Latin), Sardinian, Estonian, Afar, Cape Verdean Creole, Maasai, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Gagauz (Latin), M?ori, Tok Pisin, Tongan, Alsatian, Atayal, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Palauan, Sami (Northern Sami), Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Sami (Inari Sami), Yindjibarndi, Noongar, Hotc?k (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Slovio (Latin), Volapük.

Decima – condensed geometric Sans Serif typeface, released back in 2009 and quite successful ever since (MyFonts Rising Star, February 2009). Decima Pro – an upgraded version of Decima, with careful refinements to glyph shapes and extension of glyph amounts, which enabled support of more Latin languages as well as support of Cyrillic. Six more alternate styles have been added to the original six styles. Typeface is released in OpenType format with some OpenType features.

Ad Hoc is a fake. My intention was to design a typeface with the looks of the characters drawn on paper with a marker pen. But they are all drawn on a monitor, with no scanner ever involved. That's the reason why they look so regular. Ad Hoc is Latin and stands for, approximately, for this reason". The expression itself is often used for something unplanned, improvised. Ad Hoc was released in 1992.

Temet Nosce - Serif font family - Multilingual - 6 Styles Temet Nosce Serif font family help you develop your creative projects with its 6 styles and multilingual supports. It was inspired by the famous saying from ancient Greek mythology. The characters that make up its structure were influenced by the carved letters in the old stone inscriptions. According to ancient Greek and Roman authors, there were three maxims prominently inscribed upon the Temple of Apollo at Delphi: "know thyself", "nothing too much" and "give a pledge and trouble is at hand". Their exact location is uncertain; they are variously stated to have been on the wall of the pronaos (forecourt), on a column, on a doorpost, on the temple front, or on the propylaea (gateway). The date of their inscription is also unknown, but they were present at least as early as the 5th century BC. Although the temple was destroyed and rebuilt several times over the years, the maxims appear to have persisted into the Roman era (1st century AD), at which time, according to Pliny the Elder, they were written in letters of gold. This font comes with uppercase, lowercase, punctuation, symbols and numbers, ligatures and multilingual supports. Ideal for books and magazines, editorials, headlines, websites, logos, branding, advertising and more. This font family can meet your needs in all creative projects, modern and classic. With this font you can create your unique designs. Have a good time.

This typeface was inspired by the rough surroundings of a modern city and reflects the contradicting nature of an emerging global youth culture. Ever since its first release—back in late 1999— it is constantly on our ‘most wanted’ list and has been part of numerous product campaigns. Music, mobile telephony, food and beverages, politics, you name it. Coca-Cola used it, José Cuervo used it for about 3 years. The new ‘Pro’ version goes one step ahead. You may now capture the essence of the younger generation in every major European language. PF Fuel has been extended with the full array of Cyrillic characters as well as matching frames for this extra stamped look. Furthermore there more alternate characters than ever. Create a custom look, when same characters sit close, or one next to the other. You may find these useful—alternate characters either in the lowercase positions, or access them through the ‘stylistic alternates’ OpenType Pro feature. If you need some extra fuel, this is where to get it!

Athewe is a display font with a strong and courageous superhero theme. Created specifically for projects that require a bold, impressive impression, this font is the perfect solution for creating bold and bold designs. With Athewe, you can bring an awesome superhero feel to any of your projects. This font brings strength and boldness to your designs, creating a look that is both impressive and full of character. Each letter expresses a strong and daring style, delivering a memorable message to your audience. With features such as ligature and alternate, Athewe provides unlimited flexibility and creativity. You can combine these font elements to create unique and interesting variations of the style. In addition, multilingual support allows you to use Athewe in multiple languages, so your project can reach a global audience. If you’re looking for an alluring, powerful, and superhero-themed font, Athewe is the right choice. With a striking style and features that allow for creative experimentation, this font will catch the eye and inspire your potential customers. What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Baxau is a superhero-themed display font that brings strength, courage, and modernity to your projects. With a strong, bold, and bold style, this font is the perfect solution for creating an impressive and aggressive look. The Baxau font features letters that combine boldness with a modern twist, creating a fresh and energized look. Each character exudes undeniable power and charisma, delivering compelling and inspiring messages to your audience. With features such as ligature and alternate, Baxau provides unlimited flexibility and creativity. You can combine these font elements to create unique and exciting style variations. Multilingual support also allows you to use Baxau in multiple languages, so your project can reach a global audience. Baxau is the perfect choice if you need a font that is attractive, powerful, modern, and true to the superhero theme. With a strong message and features that give room for creative experimentation, this font will quickly grab the attention of your potential customers and make a memorable impression in no time. What’s Included : File font All glyphs Iso Latin 1 Alternate, Ligature Simple installations We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

Released by Intertype in the 1930’s, Vogue was a geometric sans serif rival to Futura and Kabel. Vogue had many unique quirks such as its distinctive G, that striking Q with a vertical tail, and many others. Almost ninety years later there has been no decent digital revival of this wonderful typeface... until now. Intervogue brings this classic to life in the modern age. Seven weights complete with true obliques and an alternate cut give Intervogue the versatility to be a true workhorse.

Released by Intertype in the 1930’s, Vogue, was a geometric sans serif rival to Futura and Kabel. Vogue had many unique quirks like its distinct G, that striking Q with a vertical tail, and many others. Almost ninety years later there has been no decent digital revival of this wonderful typeface... until now. Intervogue Soft brings this classic to life in the modern age. Seven weights complete with true obliques and an alternate cut give Intervogue Soft the versatility to be a true workhorse.

The inspiration source for MFC Sansome Monogram is a decorative serif lettering style that comes from the book Henderson's Sign Painter from 1906. Known as "Rustic Roman" and originally designed by John F. Irwin, this fantastic typeface has been digitally revived and expanded for monogram designs. While the original lettering did not include numerals and was never originally intended for monograms, its ornate nature lends itself so wonderfully to the craft. A PDF guidebook for MFC Sansome Monogram is available under the Gallery tab.

Architype Universal is a collection of avant-garde typefaces deriving mainly from the work of artists/designers of the inter-war years, whose ideals underpin the design philosophies of the modernist movement in Europe. Their ‘universal’, ‘single alphabet’ theory limits the character sets. Architype Bayer was drawn from Bauhaus Archiv sketches for a minimal sans typeface that was created in 1925 by Herbert Bayer, based on his single-alphabet student thesis. This ‘universal’ alphabet was designed for exclusive Bauhaus use, but never cut as a typeface.

Erbar or Erbar Grotesk, designed by Jakob Erbar (Ludwig & Mayer) in the early 1920s, is a truly key design from a historical viewpoint. None other than Paul Renner studied Erbar and used this knowledge in the design of his famous Futura. Erbar is a beautiful constructive Grotesk perfectly mirroring the Zeitgeist of the 1920s. The newly expanded Erbar family of URW++ comes in nine styles, of which seven have been digitally remastered recently in URW's design studio (light, book, medium, bold, italic, bold italic).

A pragmatic sans-serif which sits in the centre on the grotesque to geometric style spectrum. Equal measures of both letterforms create a neutral type family that is modern, functional, and easy to read without being too distracting. Details include seven proportionally spaced weights and four monospaced weights, both with matching italics, 750 characters with an alternative lowercase a and g, twelve variations of numerals with stylistic zero’s, Opentype features inferiors, superiors, fractions, case-sensitive punctuation, and language support covering Western, South and Central Europe.

An old book found at a Paris bouquiniste contained samples of the typeface “Caractère de finance,” a bâtarde design by 18th century typefounder Pierre Simon Fournier. Rather than revive the type, Kanna Aoki decided to reinvent it, using a felt pen to achieve a rustic, handwritten quality, departing from the 18th century model as she saw fit. MVB Chanson d'Amour conveys a soulful elegance that stops short of the ostentatious, overwrought found in many formal scripts. It is lovely and sweet, but never saccharine.

A versatile and elegant sans serif with a hint of Futura and a dash of Gill, but entirely its own design. Clear and legible in small sizes, refined and authoritative in larger sizes, Serenity is perfect for corporations, institutions, museums, galleries, editorial and publishing. Seven weights from a fine Thin to an impactful Heavy, plus italics, present a full range for all text and headline needs. Comes with full international character support, tabular and old-style numerals and alternate versions for the R, K, a and g.

Gastromond began about five years ago with a question: why are fat faces always based on Didot or Bodoni models? Was there a reason that the stresses of these display faces was always vertical or horizontal and never angled? It was time to find out. Gastromond is meant to blend the Renaissance stylings of the Garamond types with the Victorian outlandishness of the fat faces. The result is an emphatic take on a classic genre. Loaded with swashes and alternates, Gastromond has enough character to go around.

The Arthur Cabinet font family offers a most particular range of seven fancy ornamental fonts in the spirit of the Art Deco era. These fonts celebrate the age of elegance, stylishness and refinement to its very best. They give you a unique tool for exquisite designs. The fonts of this family are derivatives from the Arthur Sans series, which you may also want to have a look at. Use this unique typefaces for distinctive personal stationary, outstanding headlines, captivating brochures and invitations; for marvellous logotypes, wonderful menus, hotel leaflets, exciting ads … for brillant designs. Each Arthur Cabinet font features the same comprehensive Euro-Latin encoding for full language support. Additionally, every font includes a small supplementary set of fine ornaments. – For an even more comprehensive range of Arthur embellishments check out the font Arthur Sans Regular or Arthur Ornaments! Have also a look at the sister fonts of the gorgeous Arthur Sans Family, which will offer you yet another wonderful scope of fascinating typographic possibilities. ________________________________________________________________________________ Tip: Set Sample text (see below) manually to [ABCDE…] to view effectively the fonts most relevant parts! ________________________________________________________________________________