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  1. Dr066 by 066.FONT, $9.99
    Dr066 is a display font that simulates the appearance of typewritten text. Each letter in Dr066 has been carefully designed to resemble the effect you get with a typewriter. This effect adds a sense of nostalgia to the text, as if it were from a bygone era, adding an authentic charm to the designs. Dr066 retains its varied and extravagant style, giving the text a lightness and a certain nonchalance. Its distinctive and daring letters make it ideal for projects that strive for a unique look.
  2. Troyer AR by ARTypes, $30.00
    The Troyer AR ornaments are based on the first series of ornaments designed for American Type Founders by Johannes Troyer (1902-69). They were cast in 36 and 48 point in 1953 by ATF who said that they ‘mark a distinct and refreshing departure from the motif of earlier ornaments, and add a crisp touch to your finer printing’. Kenneth Day, in The Typography of Press Advertisement (1956), found them 'clean-cut and bright and clearly showing their calligraphic origins . . . useful for single decorative touches'.
  3. Qojarun by Twinletter, $15.00
    Introducing our newest font called Qojarun. With Arabic Style display fonts, you can easily give your designs a genuine Middle Eastern feel. This font features characters in an Arabic style, and goes well with a wide variety of design projects, from posters to logos and beyond. Elegant calligraphy Arabic letters are easy to read, just like writing in general. This download pack contains all the characters needed to translate your project into an Arabic theme, complete with the full character set, punctuation marks, and numbers.
  4. Pageantry Hebrew by Jonahfonts, $42.00
    Hebrew alphabets contain 22 Hebrew letters along with five final letters. These final letters are automatically activated when used in Applications such as Apple Pages® and MicroSoft Word®. Some alternate hebrew letters have been added. Pageantry Hebrew letters do not contain cantillation marks very much used in everyday modern Hebrew accompanied with the complete latin alphabet. View my other Hebrew fonts, Newmark Hebrew, Hebron Hebrew, Hanah Hebrew and Komunidad Hebrew which is a handwritten (script font). Pageantry Hebrew requires OpenType-aware software.
  5. Hubble by Posterizer KG, $29.00
    Hubble font is being released to commemorate the Hubble Space Telescope's 30 years of viewing the wonders of space. Hubble is a strong, dynamic, and rhythmic display typeface with thorny serifs, of authentic appearance, which makes it suitable for typographic formatting of shorter texts as logotype design, headlines, etc.
  6. Banks and Miles by K-Type, $20.00
    K-Type’s ‘Banks & Miles’ fonts are inspired by the geometric monoline lettering created for the British Post Office in 1970 by London design company Banks & Miles, a project initiated and supervised by partner John Miles, and which included ‘Double Line’ and ‘Single Line’ alphabets. The new digital typeface is a reworking and extension of both alphabets. Banks & Miles Double Line is provided in three weights – Light, Regular and Dark – variations achieved by adjusting the width of the inline. Banks & Miles Single Line develops the less used companion sans into a three weight family – Regular, Medium and Bold – each with an optically corrected oblique. Although the ‘Banks & Miles Double Line’ and ‘Banks & Miles Single Line’ fonts are based on the original Post Office letterforms, glyphs have been drawn from scratch and include numerous adjustments and impertinent alterations, such as narrowing the overly wide Z and shortening the leg of the K. Several disparities exist between the Post Office Double and Single Line styles, and K-Type has attempted to secure greater consistency between the two. For instance, a wide apex on the Double Line’s lowercase w is made pointed to match the uppercase W and the Single Line’s W/w. Also, the gently sloping hook of Single Line’s lowercase j is adopted for both families. The original Single Line’s R and k, which were incongruously simplified, are drawn in their more remarkable Double Line forms, and whilst the new Single Line fonts are modestly condensed where appropriate, rounded letters retain the essentially circular form of the Double Line. Many characters that were not part of the original project, such as @, ß, #, and currency symbols, have been designed afresh, and a full set of Latin Extended-A characters is included. The new fonts are a celebration of distinctive features like the delightful teardrop-shaped bowl of a,b,d,g,p and q, and a general level of elegance not always achieved by inline typefaces. The Post Office Double Line alphabet was used from the early 1970s, in different colours to denote the various parts of the Post Office business which included telecommunications, counter services and the Royal Mail. Even after the Post Office was split into separate businesses in the 1980s, Post Office Counters and Royal Mail continued use of the lettering, and a version can still be seen within the Royal Mail cruciform logo.
  7. Trakya Rounded by Bülent Yüksel, $19.00
    Thrace (/θreɪs/; Greek: Θράκη, Thráki; Bulgarian: Тракия, Trakiya; Turkish: Trakya) is a geographical and historical region in Southeast Europe, now split among Bulgaria, Greece, and Turkey, which is bounded by the Balkan Mountains to the north, the Aegean Sea to the south, and the Black Sea to the east. It comprises southeastern Bulgaria (Northern Thrace), northeastern Greece (Western Thrace), and the European part of Turkey (East Thrace). Trakya Rounded is a modern sans serif with a geometric touch. It has a modern streak which is the result of a harmonization of width and height especially in the lowercase letters to support legibility. Trakya Rounded is softer and rounder than it's sibling Trakya Sans. They're both ideally suited for advertising and packaging, editorial and publishing, logos, branding and creative industries, posters and billboards, small text, way-finding and signage as well as web and screen design. Trakya Rounded provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Trakya Rounded 500 Regular” forms the central point. The first figure of the number describes the stroke thickness: 100 Thin to 900 Bold. "Trakya Rounded" comes in 5 weights and italics and has the company of "Trakya Rounded Alt" that also comes in 5 weights and italics for a total of 20 styles. The family contains a set of 630+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures are easily accessible in all graphic programs. Trakya Rounded is the perfect font for web use. Enjoy using it.
  8. 1066 Hastings by GLC, $38.00
    In 1066, William, duke of Normandy, was invading England. He was demanding the crown for himself, against King Harold the Saxon. He killed Harold and reached the crown at Hastings, the well-known battlefield. A few years later, in Bayeux (Normandy, French)was displayed a large tapestry (almost 70 m long) who was telling the story of the conquest. Along the tapestry was written a comment in Latin, using Roman capitals influenced a little by English or Scandinavian style (as it is visible in the Eth character). We have created the font, inspired from this design, adapted for contemporary users, making difference between U and V, I and J, which has not any relevance for ancient Latin scribes, and naturally with Thorn, Oslash, Lslash... and usual accented characters did not exist at the time. We also have reconstructed the K, German double s and Z, always using patterns of the time. We have scrupulously respected the poetic irregular and distressed original forms with two or three alternate for each characters, including reconstructed numerals.
  9. Gorgonzola Gothic by The Ampersand Forest, $20.00
    Gorgonzola Gothic is a geometrically-inspired gothic sans serif family that's robust and versatile. Inspired by the geometric quirkiness of IxD (also by The Ampersand Forest), Gorgonzola Gothic expands into a thirty-style family that works for everything from branding to text. It further mitigates IxD's quirkiness by offering two options in the round and shouldered lowercase glyphs. The standard letterforms, like IxD, have notched joins, giving them an assertive, almost futuristic look. The alternates of those letterforms (housed in Stylistic Set 01, and available as immediate hoverable glyph options in the Adobe Suite) are more conventional (as are the SS01 ampersand, Q, S, a, and s). In this way, Gorgonzola Gothic offers the best of both worlds: a flavorful, slightly futuristic family (in the same world as geometric classics like Eurostile) and a workhorse gothic sans (like the Benton classics Franklin Gothic, News Gothic, etc.). Its three widths: Skinny, Slim, and Standard, give it a wide range of applications, from display to body. Gorgonzola Gothic makes a statement with strength and sureness.
  10. Mosquito Formal by Monotype, $29.00
    Mosquito Formal, by Éric de Berranger, takes the original jaunty design of Mosquito and dresses it in a tuxedo. The stressed character strokes, simple, straightforward shapes, relatively large x-height, open counters and hint of Peignot are still there, but the cursive strokes and lively terminals have been replaced with traditional designs. The result is a more serious-and more sophisticated typeface. The idea," says Éric de Berranger, "was to assuage the drawing of Mosquito. To 'calm' it; and eliminate its idiosyncrasies while preserving character structure and general appearance." Although still distinctive, as Éric de Berranger puts it, "Mosquito Formal is more to be read than seen, it is more invisible and thus, more readable than my earlier design." He does, however, use both typefaces in his graphic design projects: Mosquito for headlines and in applications where the lively design is appropriate, and Mosquito Formal for those instances that require a quieter more sophisticated look. Mosquito Formal is available in three weights with complementary italic designs in addition to a suite of small caps and old style figures. "
  11. The Diablo font, much like the name suggests, embodies an aura of mystique and darkness, evoking images of ancient tomes and arcane secrets whispered in the dead of night. This font is not just a col...
  12. Schema by Fonthead Design, $19.00
    Schema is a family of hand-drawn architectural lettering designed by Ethan Dunham. Schema comes in three weights, light, regular and bold. This font works well both in mixed case and upper case settings.
  13. Corpus Typewriter by Brent Galloway, $14.00
    Corpus Typewriter is an authentic typewriter font, sampled from a real vintage typewriter. Each letter and number has three alternative characters, giving you a large variety of options to get an authentic, vintage look.
  14. Windevere by Greater Albion Typefounders, $10.00
    Windevere is a family of display faces designed for easily readible headings and titles that convey a sense of speed and motion. The family includes three faces: Windevere Regular, Windevere Bold and Windevere Rounded.
  15. Rebel Train Goes by Dharma Type, $14.95
    Based on retro vinyl records in the middle of 20th century. There are three other fonts designed by in the same concept. -Word From Radio -African Elephant Trunk -Moon Star Soul -Rebel Train Goes
  16. Realite by Roman Melikhov, $20.00
    Realite font is suitable for creating minimalistic logos, wordmarks, titles, taglines. Each letter of the font has two or three alternates. You can mix default characters and alternate characters to get the best combination.
  17. Mastone by Konstantine Studio, $10.00
    Mastone was inspired by the bubble typography trends nowadays in the graphic design industry. A fresh mix of y2k culture, streetwear visuals, and brutalism yet an experimental touch of bubble throw-up graffiti styles.
  18. Doowop JNL by Jeff Levine, $29.00
    The good old days of rock and roll... Kids hanging out under the streetlights singing four-part harmony... Relive those days with Doowop JNL - a fun and playful font with a decidely 50s flair!
  19. Hexadot Thin by Konst.ru, $6.00
    Font with hexagonal dots for texts, names, logotypes, titles, headers, topics etc. Big sizes of this font can be used for posters, t-shirts and other surfaces. Also good for the three-dimensional inscriptions.
  20. Tonal by PintassilgoPrints, $16.00
    Tonal is a fat typeface, geometrical in its peculiar way. Available in three styles, it's a unicase alphabet and offers an alternative glyph for each letter, providing flexibility to your designs. Use it big!
  21. Gmuender Antiqua Pro by RMU, $40.00
    Inspired by the former hot-metal fonts of Imprimatur, Gmuender Antiqua Pro is a fresh designed versatile and multilingual serif font family. All five styles contain three different forms of numbers and small caps.
  22. Hyperizo by AbtoCreative, $15.00
    Hyperizo is a futuristic style font in three weights. It's the perfect font for logo, game, packaging, poster, web use, etc. The family contains a set of 231 characters, supporting multilingual and OpenType features.
  23. Vectora by Linotype, $40.99
    In creating Vectora, Adrian Frutiger was influenced by American Gothic styles, especially those of Morris F. Benton’s Franklin Gothic and News Gothic. Vectora is light and balanced, giving text legibility and a harmonious appearance.
  24. Hexadot Light by Konst.ru, $6.00
    Font with hexagonal dots for texts, names, logotypes, titles, headers, topics etc. Big sizes of this font can be used for posters, t-shirts and other surfaces. Also good for the three-dimensional inscriptions.
  25. Hexadot by Konst.ru, $-
    Font with hexagonal dots for texts, names, logotypes, titles, headers, topics etc. Big sizes of this font can be used for posters, t-shirts and other surfaces. Also good for the three-dimensional inscriptions.
  26. Freie Initialen-AR by ARTypes, $35.00
    Freie Initialen are derived from initials made for the Stempel Garamond series. The type was issued in 1928 in three sizes (36, 48, and 60 pt); the AR version follows the 60-pt design.
  27. Sisters by Type-Ø-Tones, $40.00
    Sisters is a lively set of stencil display typefaces designed by Type-Ø-Tones’ co-founder Laura Meseguer. The family features four fresh fonts that share foundational principles of construction yet complement each other—as sisters do—by celebrating their differences. Variations in contrast, weight, and design characteristics result in four distinct styles dubbed One through Four. This cool quartet contains no lowercase, asserting the family’s rightful place in the titling typography space. Like many Type-Ø-Tones typefaces, Sisters was conceived as a custom lettering project—in this case, the design was crafted for the identity of an art exhibition. Laura initially drew only the limited character set the show required, but from the outset, she saw great potential for a fully developed type family based on her lettering concept. The first member of Laura’s new family was, naturally, Sisters One. She later added contrast to produce Sisters Two, then equalized the weight of Sisters Two to create Sisters Three. To round out the group, Laura added a deco touch to Sisters Two, resulting in the festive but retro-elegant Sisters Four. Each Sister shares DNA with the other members of the family, just as human siblings do :). Credit for the Sisters name goes to Eider Corral and we couldn’t imagine a more fitting moniker for this little family.
  28. Radona by insigne, $29.00
    Radona is a blast from the 80’s that's rader than rad. Radona is the typeface version of Synthwave, an electronic music subgenre that takes influence from the 1980s but builds on it, resulting in a construct that lives in the minds of both those who have experienced it and those who haven't. Radona expresses a nostalgia for 1980s culture, attempting to replicate and appreciate the era's vibe, but extends it further with something new. This sans family has plenty of 80's flavor, but with some fresh twists to push it to the limit. Radona is a geometric sans-serif typeface. Radona has a few quirky characteristics, but it has a generally neutral tone and structure that makes it ideal for usage in print, especially when a contemporary look is desired. It looks amazing in both body text and headlines. The geometric grotesques that were popular in the 1980s served as inspiration. It's a typeface that's been crafted for usage in a range of design fields, from branding to packaging, and it can be used in anything from interfaces to apps. Radona is an excellent typeface for use on websites and other digital applications. Radona comes with a wide variety of styles and a large selection of stylistic alternatives, ligatures, small caps and other special features. Along with parachute pants, synthesized guitar riffs, and VHS scanlines, Radona brings back the 1980’s.
  29. Revel by Emily Lime, $21.00
    Revel is a stylish blend of high fashion meets country western. Use all Caps for an ultra-modern, sophisticated look. Or type in all lowercase for a more youthful, rocker effect. This cool font also comes with alternates, decorative elements, ligatures and even a few swashes thrown in the mix.
  30. Biff Bam Boom by Comicraft, $19.00
    Thrown from the pages of Spider-Man, Daredevil and Hulk comes BIFF BAM BOOM! Inspired by the Legendary Lettering Legerdemain of comics’ Silver Age, Biff Bam Boom is a font you can’t take a swing at without ending up with a broken nose. If you have any sense, duck and cover!
  31. Pageu by Realtype, $14.00
    Pageu is a handmade font written with a real brush pen. Written with quick movements using a brush pen. It's Handwritten with quick dry strokes. Suitable for those who need a font with real textures
  32. Karacho by alphabeet.at, $20.00
    Karacho is a ‘fat style’ geometric display typeface with two counter-styles, a stylistic set of lowercase letters, and multilayer options: the font design is separated in three layers for building individually colored font variants.
  33. Michel by sugargliderz, $20.00
    The design of this typeface was influenced by the typefaces left by Firmin-Didot. There are three weights, and all weights can be used in large font sizes to create a gorgeous and attractive impression.
  34. Blout by Greater Albion Typefounders, $14.50
    Blout is the typeface for those who want to shout their message, but to do so with subtlety. It brings together elements of sans serif and late blackletter design, and is ideal for poster work.
  35. TG Hagia by Tegami Type, $20.00
    TG Hagia is contemporary serif font inspired by Modern Culture. This font is highly recommended for use as display and body text. Tg Hagia is available in three widths namely regular, semi-bold and bold.
  36. SolKing by Fo Da, $15.00
    Solking is an Arabic typeface of a three weights : Sharp, Curved and Rounded . the main focus is on blending traditional and modern rules in the formulation and design of the Kufi type in new style .
  37. Janifera by Liartgraphic, $17.00
    Janifera is the newest font from Liartgraphic font with a beautiful and elegant handwritten style. Perfect for those of you who like fonts with the handwritten script genre. Also good for logos, flyers.landingpage, and others
  38. Artiste by ITC, $29.00
    A casual, open brush script style designed with a shadow effect for a three-dimensional impression by British designer Martin Wait. This typeface looks best with tight letter and word spacing in large display settings.
  39. Script Love by Okaycat, $29.95
    Script Love is a connected cursive script appearing as hand written in three weights: fine pen, pen & marker. Script Love features extended characters, containing West European diacritics & ligatures, making it suitable for international environments & publications.
  40. Glazed Donuts by DainType, $15.00
    The letters are reminiscent of shiny and tasty glazed donuts. There are three type families, and you can mix them all up to create a decently fun typography. Great for promotional material or package design.
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