Transistor is a decorative and electronic serif typeface. One of the historical connection was the Didot, development in French. Transistor typeface was designed from the concept and experimentation with electronic circuits. The main typographic proportion are connected with the modern typeface, like Didot where the letterforms are inspired from the point nib pen design approach but also with electronic type style letterforms.

Introducing Marvelo is a comic display font that is fun adn clean. Suitable for use on quotes, displays, logos, branding, social media post, advertisements, product packaging, product designs, labels, photography, watermarks, invitations and more. Displayed fonts: Uppercase, Lowercase, Numbers, Symbols, Accents also Multilingual Support Enjoy the font, feel free to comment or feedback, send me a PM or email. Thank You!

Smilecake is a Cute Fun Handwritten Font. Smilecake Cute is a neat and casual handwritten font. Whether you’re looking for fonts for Instagram or calligraphy scripts for DIY projects, this font will turn any creative idea into a true piece of art! Smilecake also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Geiny, is a modern display typeface with flared serif and horizontal emphasis as its characteristics. alternative styles with curved crossbar, curved tails, and catchwords when you activate Discretionary Ligatures to create interesting typography composition. Features 296 glyphs Stylistic Alternate & Discretionary Ligatures Accented characters Multiple Languages Supported : Afrikaans, Albanian, Catalan, Danish, Dutch, English, Estonian, Finnish, French, German, Icelandic, Italian, Norwegian, Portugese, Spanisch, Swedish, Zulu

Hello, This is Metro Beardy! Metro Beardy is a retro bold font that comes from hand scratches to get natural writing. With the main style of the hand-lettering display font. Metro Beardy is very suitable for use in various media such as; packaging, logos, labels, posters, shirt designs, wisdom quotes, bulletins, typography, and many other media, especially with retro or vintage looks.

Proudly Present, The Old Falcons a Random Handwritten Font. The Old Falcons is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. The Old Falcons also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Soulfinger PB is a another frisky offbeat typeface from Pink Broccoli, this time inspired by a vintage paperback cover of Patricia Highsmith's "A Pleno Sol". Soulfinger is a flare serif with just enough visual dance to it without going off the rails. It's simply a celebration of the original vintage paperback titling, letting it's freak flag fly, so to speak.

Gustavo Eastwood is a Handwritten Script Font. Gustavo Eastwood is a beautiful and refined script font. It has a classy, elegant and modern look that can be used for logos, branding, invitations, stationery, wedding designs, social media posts, and much more! Gustavo Eastwood also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Rocksider is a Modern Handwritten Font. Rocksider is a stylish, cool and casual looking handwritten font. It has a classy, elegant and modern look that can be used for logos, branding, invitations, stationery, wedding designs, social media posts, and much more! Rocksider also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Boucik is a Modern Calligraphy Font. Boucik is a relaxed, modern and adaptable script font. It is the best choice for creating eye catching logos, branding and quotes. Every letter has a unique and beautiful touch, which will make your design come alive! Boucik also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Friedrich Neugebauer is known for the cutting power of his calligraphic invention. As a prisoner of war in Egypt, he wrote with toothpaste when all else failed. The irrepressible style of this Austrian artist inspired Richard Lipton to capture his calligraphy as a typeface. Avalon plays sweeping freedom in the capitals against the vital discipline of a lowercase relieved by alternative ascending characters.

Sanremo - this bold display font is a stylish and original multipurpose font in a modern style with many alternatives and ligatures that are very attractive. With their help you can make your project unique. Use the main set to highlight exactly what you need. All characters in this font are PUA-encoded and can be accessed from the Glyph panel.

Little Comet a Bubbly Handdrawn Typeface with two style that will give you choices to explore. Little Comet is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Both styles also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Glamoria is a Modern Monoline Script Font. Glamoria Script is an enchanting handwritten font. This versatile script font has a wide spectrum of applications ranging from greeting cards to headlines and is guaranteed to add a romantic feel to your next project. Glamoria also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Hanifah is a great script font. wrapped in subtle strokes with a stunning decoration. This font can be changed as needed, whether the script is normal, bounce, casual, or without tail. because there are many alternatives to this font. suitable for wedding invitations, quotes, labels, logos, social media posts, special events like birthdays, valentines, Christmas and anything else you need.

Proudly Present, Mocha Cherry a Handwritten Fun Sans with Two Styles, Inline and Regular. Mocha Cherry is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Mocha Cherry also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Orkside is a Modern Calligraphy Font. Yorkside is a cool, trendy and paint brushed handwritten font. It looks beautiful on a variety of designs requiring a personalized style, such as wedding invitations, thank you cards, weddings, greeting cards, logos and so on. Yorkside also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Oleandro is a Modern Calligraphy Font. Oleandro is a unique and elegant handwritten font. It looks beautiful on a variety of designs requiring a personalized style, such as wedding invitations, thank you cards, weddings, greeting cards, logos and so on. Oleandro also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Dancinglove is a Modern Calligraphy Font. Dancinglove is a unique and elegant handwritten font. It looks beautiful on a variety of designs requiring a personalized style, such as wedding invitations, thank you cards, weddings, greeting cards, logos and so on. Dancinglove also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Angels Cookie is a Modern Fat Handbrushed Font. Angels Cookie is a fun and sweet brushed handwritten font. Whether you’re looking for fonts for Instagram or calligraphy scripts for DIY projects, this font will turn any creative idea into a true piece of art! Angels Cookie also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email.

Gingle Snowland is a Monoline Signature Font. Gingle Snowland is a gorgeous monoline script font. This amazing typeface is perfect for product packaging, branding project, magazine, social media, wedding invitations, or just used to express words above the background. Gingle Snowland also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Introducing Scenarie Display Typeface: Streamlined Elegance Redefined Unveil the art of sophistication with Scenarie Display – a condensed sans serif font meticulously designed to streamline your designs. From sleek logos to space-efficient layouts, Scenarie Display offers a modern and refined touch. Embrace the power of condensed typography Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Pelita is a sans serif family which is divided into 2 sub-families, Regular and Grande. Pelita is designed with a terminal that forms a curved angle on one side so as to give the impression of representing firmness and softness. The grande version is a modified version of the main version, but is designed more streamlined with curves and more extreme angles.

Proudly Presenting, Chicola Smoothy a Sweet Handwritten Font plus Decorative Elements. Chicola Smoothy is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Chicola Smoothy also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Antiokhia a Playful Quirky Font that will give you an playful, lovely and young impression. Antiokhia is perfect for any tittles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Antiokhia also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Proudly Presenting, Masmuseh a Handdrawn Japanese Style Font that bring an Japanese feel. Masmuseh is perfect for any tittles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Masmuseh also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Raeling is a display font inspired by a visit to Luxembourg, capturing shadows falling intricately from park railings appearing as broken-script lettering. A mixture of manmade / natural, traditional / new, ugly / beautiful reflecting the paradox and contradictions of the city. A single curve and stroke developed into a grid block from which characters emerged and broke free of their barriers and conformity.

Really excited to introduce Sweet Harley Script, a beautiful hand lettering font! Sweet Harley is perfect for poster design, book covers, merchandise, fashion campaigns, newsletters, branding, advertising, magazines, greeting cards, album covers, quote designs and more. Features UPPERCASE lowercase Number & Symbol International Glyphs Alternative lowercase Ligature If you need anything else just shoot me on email at: dedukvic@gmail.com Happy designing.

Proudly Presenting, Gloomy Mummy a Handdrawn Halloween Typeface with two styles! Gloomy Mummy is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Gloomy Mummy also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Golden Dates is a Modern Calligraphy Font. Golden Dates is a stylish and trendy script font. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch. Golden Dates also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Introducing Lovelove Font Lovelove is a lovely script font. Its charm makes it appear wonderfully, readable, and, ultimately, incredibly versatile. Comes in Regular and Italic styles. Equipped with beginning and ending love tail. This font will look outstanding in any context, whether it’s being used on busy backgrounds or as a standalone headline! Thank you for the purchase. Happy creating design :)

Gary Miska is a cute font with two style neu and regular fun happiness look and will makes this font suitable for your any project design. Feature Uppercase & Lowercase Number & Symbol International Glyphs Multilingual support ligature Feel free to drop us a message any time and follow my shop for upcoming updates Shoot me on email at: dedukvic@gmail.com Hope you enjoy it.

Introducing Cerita Cinta Font Cerita Cinta is a casual handwriting font. Its charm makes it appear wonderfully, readable, and, ultimately, incredibly versatile. Comes in Regular and Italic styles. Equipped with beginning and ending tail. This font will look outstanding in any context, whether it’s being used on busy backgrounds or as a standalone headline! Thank you for the purchase. Happy creating design :)

The typography on a 1964 children’s activity book published by Whitman entitled “Build with Stencils” was in a bold, condensed design. The only problem was that the ‘rails’ [the parts that divide a letter into stencil pieces] were too narrow and would disappear at smaller point sizes. Widening the ‘rails’ just a bit greatly improved the appearance of the stencil characters. Play Day Stencil JNL is now available in both regular and oblique versions. In its day, the Whitman Publishing Company of Racine, Wisconsin published dozens of activity books for children, including a number of them with stencils. The company was a division of Western Publishers from the early 1900s through the 1970s, but went through a number of sales and name changes. Currently [as Whitman once again] it is owned by Anderson Press, and is known for its line of coin folders and books on coin collecting.

Bastliga is a signature font that has its own uniqueness and characteristics from a signature font, because it is handwritten manually, so it has the impression of a true signature. This font is carefully crafted with a modern touch. This font looks elegant, luxurious, natural with a beautiful signature touch. Bastliga would perfect for photography, watermark, social media posts, advertisements, logos & branding, invitation, product designs, label, stationery, wedding designs, product packaging, special events or anything that need signature taste. Your download will include 4 font files; ~ Bastliga One, Two, Three, Four and Five A hand-made, all characters brush font which has a complete set of A-z characters. Includes a range of multilingual support, punctuation, ligature & alternate. ~ Bastliga Tail A bonus set of 52 Uppercase & Lowercase with tail. Simply select this font and type any A-Z & a-z character to create one of the bonus elements.

Mr Eaves is the often requested and finally finished sans-serif companion to Mrs Eaves, one of Emigre’s classic typeface designs. Created by Zuzana Licko, this 2009 addition to the Emigre Type Library expands the versatility of the original Mrs Eaves with two complimentary families: Mr Eaves Sans and Mr Eaves Modern. Mr Eaves was based on the proportions of Mrs Eaves, but Licko took some liberty with its design. One of the main concerns was to avoid creating a typeface that looked like it simply had its serifs cut off. And while it matches Mrs Eaves in weight, color, and armature, Mr Eaves stands as its own typeface with many unique characteristics. The Sans version relates most directly to the original serif version, noticeably in the roman lower case letters a, e, and g, as well as in subtle details such as the angled lead in strokes, the counter forms of the b, d, p, and q, and the flared leg of the capital R, the tail of the Q. The distinctly loose-fitting letter spacing of Mrs Eaves was applied also to the Sans version. This, together with generous built-in line spacing due to a small x-height and extended ascenders and descenders, renders the same kind of lightness and airiness when setting text that is so characteristic of Mrs Eaves. Deviations from the original Mrs Eaves are evident in the overall decrease of contrast, as well as in details such as the flag and tail of the f and j, and the finial of the t, which were shortened to maintain a cleaner, sans serif look. And the lower case c had to be balanced out differently after it lost its top ball terminal. And with the loss of serifs, Mr Eaves set width is slightly narrower. Mr Eaves Italic also carries over many forms from its Mrs Eaves model, most notably the v, w, and z, which are unusually flamboyant for a sans italic design. It also utilizes lead in and terminal tails that are reminiscent of the serif italic. The biggest departure here is the width of the characters. The extra narrow gauge and delicate features seemed more appropriate for the Serif than the Sans. To allow for a comfortable fit, Mr Eaves Italic has a more robust design and wider character width. Meanwhile, the Modern family provides an overall less humanistic look, with simpler and more geometric-looking shapes, most noticeably in the squared-off terminals and symmetric lower case counters. This family has moved furthest from its roots, yet still contains some of Mrs Eaves’ DNA. The Modern Italic is free of tails, and overall the Modern exhibits more repetition of forms, projecting a cleaner look. This provides stronger differentiation from the serif version whenever a more contrasting look is desired. Each version (Sans and Modern) contains its own set of alternates providing unique options for applications such as headlines, word logos, letterheads, pull quotes, and other short text settings. Both the Sans and Modern come in six weights. The simpler forms of a sans-serif provide the opportunity of more weights than do serif letter forms, which are more complex in structure, making it difficult to accommodate additional weight without distortions. Regular and Bold match the original Mrs Eaves weights, while the Heavy provides an additional weight for extra emphasis.

Mr Eaves is the sans-serif companion to Mrs Eaves, one of Emigre’s classic typeface designs. Created by Zuzana Licko, this 2009 addition to the Emigre Type Library expands the versatility of the original Mrs Eaves with two complementary families: Mr Eaves Sans and Mr Eaves Modern. Mr Eaves was based on the proportions of Mrs Eaves, but Licko took some liberty with its design. One of the main concerns was to avoid creating a typeface that looked like it simply had its serifs cut off. And while it matches Mrs Eaves in weight, color, and armature, Mr Eaves stands as its own typeface with many unique characteristics. The Sans version relates most directly to the original serif version, noticeably in the roman lower case letters a, e, and g, as well as in subtle details such as the angled lead in strokes, the counter forms of the b, d, p, and q, and the flared leg of the capital R, the tail of the Q. The distinctly loose-fitting letter spacing of Mrs Eaves was applied also to the Sans version. This, together with generous built-in line spacing due to a small x-height and extended ascenders and descenders, renders the same kind of lightness and airiness when setting text that is so characteristic of Mrs Eaves. Deviations from the original Mrs Eaves are evident in the overall decrease of contrast, as well as in details such as the flag and tail of the f and j, and the finial of the t, which were shortened to maintain a cleaner, sans serif look. And the lower case c had to be balanced out differently after it lost its top ball terminal. And with the loss of serifs, Mr Eaves set width is slightly narrower. Mr Eaves Italic also carries over many forms from its Mrs Eaves model, most notably the v, w, and z, which are unusually flamboyant for a sans italic design. It also utilizes lead in and terminal tails that are reminiscent of the serif italic. The biggest departure here is the width of the characters. The extra narrow gauge and delicate features seemed more appropriate for the Serif than the Sans. To allow for a comfortable fit, Mr Eaves Italic has a more robust design and wider character width. Meanwhile, the Modern family provides an overall less humanistic look, with simpler and more geometric-looking shapes, most noticeably in the squared-off terminals and symmetric lower case counters. This family has moved furthest from its roots, yet still contains some of Mrs Eaves' DNA. The Modern Italic is free of tails, and overall the Modern exhibits more repetition of forms, projecting a cleaner look. This provides stronger differentiation from the serif version whenever a more contrasting look is desired. Each version (Sans and Modern) contains its own set of alternates providing unique options for applications such as headlines, word logos, letterheads, pull quotes, and other short text settings. Both the Sans and Modern come in three weights. The simpler forms of a sans-serif provide the opportunity of more weights than do serif letter forms, which are more complex in structure, making it difficult to accommodate additional weight without distortions. Regular and Bold match the original Mrs Eaves weights, while the Heavy provides an additional weight for extra emphasis.

Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org TT Ricordi Allegria useful links: Specimen | Graphic presentation | Customization options TT Ricordi Allegria is a sleek and intelligent contemporary Florentine grotesque inspired by the half-erased lettering in Basilica di Santa Croce, Florence. TT Ricordi Allegria was drawn by Antonina Zhulkova and reflects in its graphics the transitional stage between the classic serif with varying proportions, gravitating towards the Roman capital type, and the Florentine sans serif. The font is characterized by variability in the proportions of characters, contrast between strokes, wedge-shaped triangular characters, and the absence of traditional serifs. The main visual feature of the typeface is its diversity and the ability, using different stylistic sets, to completely change the character and perception of the typeface. The drawing of the characters from the main set is strict, thanks to which the font looks stern, as if the inscription in the font was really carved out of stone. And with the help of another set, we can add roundness, or even smoothness, to the font. This is due to the fact that the letters (E R K Q J Y in Latin, and Л К Ж Э in Cyrillic) from the second set have either very noticeable "curls" or smooth, rounded "legs". In addition, the typeface includes a set of beautiful ligatures for use in display inscriptions, such as large headlines. An interesting moment when working on the typeface was the creation of the Cyrillic typeset, since the Cyrillic alphabet does not so easily fit into the concept of the Florentine grotesque and stressed semi-serif. The most difficult thing in working on the Cyrillic alphabet was to create a system of spacing for characters, as it was done in the Latin alphabet, and to make sure that when typing in Cyrillic, the drawing of the text remained beautiful. That is why the letters Д Л У Ы appearing in the font family are somewhat unusual to the eye, and the proportions of other characters in Cyrillic are not quite “classic” either. In general, the Cyrillic set looks more display than its Latin prototype, but at the same time it lacks the sense of historicity or legacy of the Soviet past, which often comes to the foreground when working on the design of the Cyrillic alphabet in this type of serifs. TT Ricordi Allegria consists of two weights (Regular and Bold) and one variable font. Each style includes over 750 characters, as well as 19 OpenType features. Interesting features of the typeface include three stylistic sets that greatly change the perception of the font, a set of bright display ligatures, a few neat icons that are suitable for breaking text and will emphasize the visual language of the font. Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org FOLLOW US: Instagram | Facebook | Website