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  1. La Rosa Muerta, a font created by the talented Juan Casco, is a testament to the artistry and profound emotion that typography can evoke. This font is not merely a set of characters; it's an explorat...
  2. Legendum, designed by Rogier van Dalen, is a unique and vibrant font that captures the attention of its viewers through its distinctive characteristics and versatile usability. The font embodies a mo...
  3. As of my last update in April 2023, "Pointened" by Holitter Studios appears to be a fictional creation or not widely recognized in mainstream font directories and discussions. Given that I cannot dra...
  4. The Europe Underground Worn font, crafted by the skilled typographer Måns Grebäck, is a profound artistic expression that encapsulates the essence of history, culture, and resilience. With every stro...
  5. Addict is not a font that I have specific knowledge of, as my database does not contain proprietary or niche fonts that might not have widespread recognition or use by 2023. However, based on its evo...
  6. As of my last update in 2023, "Omicron Zeta" is not a widely recognized or standard font within the extensive libraries of typography that are commonly used across graphic and web design, advertising...
  7. The font named SpideRaY, created by the designer or entity known as SpideRaY, embodies a distinctive blend of creativity and character that sets it apart in the realm of typography. At its core, Spid...
  8. As of my last update in early 2023, Canuth may not be among the most recognized or widely discussed typefaces within the vast and eclectic world of typography. However, let's embark on a creative jou...
  9. Singothic is not a widely recognized or specific font you might find in common font collections or typography references as of my last update. However, based on its name, we can make some educated gu...
  10. As of my last update in April 2023, "Winob" does not appear to be a widely recognized font within the traditional or digital typography communities, so my depiction will lean into imaginative interpr...
  11. As of my last update in April 2023, I don't have specific details about a font named "AZ" by Christoph Mueller in the databases I was trained on. It's possible that it could be a newly released typef...
  12. As of my last update in April 2023, the described font name "(afGiHmtV)" is not recognized as part of standard font collections or widely known typefaces. This name seems unconventional and doesn't f...
  13. **The Enigmatic Elegance of Xiparos Lombard: A Font Review by Yours Truly, the Artistic Oracle** In the grand parade of typographies where fonts like Arial and Helvetica march with their heads held...
  14. As of my last update in April 2023, "Fresh" by La Toya Grey may not be specifically known in mainstream font directories or among widely recognized graphic design communities. However, let's create a...
  15. "City Burn Night After Night and We Spraypaint the Walls" is not just a font; it's a declaration, an embodiment of the urban spirit captured in digital typography. Imagine walking through the heart o...
  16. As of my last update in April 2023, "Divlit" is not a widely recognized or documented font in the realms of typography commonly discussed or published in well-known typographic resources, databases, ...
  17. Imagine stepping into a world where the future and industrial design merge into an amalgamation of lines, curves, and sleek finishes. This is precisely the ambiance Sector 017, a font created by the ...
  18. As of my last update in April 2023, "T-Air" by Tom Tor represents a unique contribution to the world of typography, embodying an innovative and contemporary design ethos. This font, though not broadl...
  19. As of my last update in early 2023, the specific font named "Cartoo Nature" by Tokokoo may not be widely recognized or might be an emerging or niche font in the vast landscape of typography. However,...
  20. As of my last update in April 2023, the font "Tobminx" designed by ffeeaarr is a unique addition to the world of typography, embodying a distinctive blend of creativity and practicality. While I don'...
  21. Oh, gather round, typography aficionados, design enthusiasts, and lovers of all things that speak in silent voices but with the presence of a medieval knight at a Renaissance fair! Today, we dive int...
  22. Ah, the font "Carrois" by 04 | Yuji Oshimoto, you mean? Before we dive into the sea of glyphs and curves, let's get our facts aligned like a perfectly justified paragraph: it seems like a little mix-...
  23. As of my last update in early 2023, there is no widely recognized or mainstream font specifically known as "Veruca." It is possible that Veruca could be a custom or less widely distributed typeface, ...
  24. Ganymede3D - Personal use only
  25. Affair by Sudtipos, $99.00
    Type designers are crazy people. Not crazy in the sense that they think we are Napoleon, but in the sense that the sky can be falling, wars tearing the world apart, disasters splitting the very ground we walk on, plagues circling continents to pick victims randomly, yet we will still perform our ever optimistic task of making some little spot of the world more appealing to the human eye. We ought to be proud of ourselves, I believe. Optimism is hard to come by these days. Regardless of our own personal reasons for doing what we do, the very thing we do is in itself an act of optimism and belief in the inherent beauty that exists within humanity. As recently as ten years ago, I wouldn't have been able to choose the amazing obscure profession I now have, wouldn't have been able to be humbled by the history that falls into my hands and slides in front of my eyes every day, wouldn't have been able to live and work across previously impenetrable cultural lines as I do now, and wouldn't have been able to raise my glass of Malbeck wine to toast every type designer who was before me, is with me, and will be after me. As recently as ten years ago, I wouldn't have been able to mean these words as I wrote them: It’s a small world. Yes, it is a small world, and a wonderfully complex one too. With so much information drowning our senses by the minute, it has become difficult to find clear meaning in almost anything. Something throughout the day is bound to make us feel even smaller in this small world. Most of us find comfort in a routine. Some of us find extended families. But in the end we are all Eleanor Rigbys, lonely on the inside and waiting for a miracle to come. If a miracle can make the world small, another one can perhaps give us meaning. And sometimes a miracle happens for a split second, then gets buried until a crazy type designer finds it. I was on my honeymoon in New York City when I first stumbled upon the letters that eventually started this Affair. A simple, content tourist walking down the streets formerly unknown to me except through pop music and film references. Browsing the shops of the city that made Bob Dylan, Lou Reed, and a thousand other artists. Trying to chase away the tourist mentality, wondering what it would be like to actually live in the city of a billion tiny lights. Tourists don't go to libraries in foreign cities. So I walked into one. Two hours later I wasn't in New York anymore. I wasn't anywhere substantial. I was the crazy type designer at the apex of insanity. La La Land, alphabet heaven, curves and twirls and loops and swashes, ribbons and bows and naked letters. I'm probably not the very first person on this planet to be seduced into starting an Affair while on his honeymoon, but it is something to tease my better half about once in a while. To this day I can't decide if I actually found the worn book, or if the book itself called for me. Its spine was nothing special, sitting on a shelf, tightly flanked by similar spines on either side. Yet it was the only one I picked off that shelf. And I looked at only one page in it before walking to the photocopier and cheating it with an Argentine coin, since I didn't have the American quarter it wanted. That was the beginning. I am now writing this after the Affair is over. And it was an Affair to remember, to pull a phrase. Right now, long after I have drawn and digitized and tested this alphabet, and long after I saw what some of this generation’s type designers saw in it, I have the luxury to speculate on what Affair really is, what made me begin and finish it, what cultural expressions it has, and so on. But in all honesty it wasn't like that. Much like in my Ministry Script experience, I was a driven man, a lover walking the ledge, an infatuated student following the instructions of his teacher while seeing her as a perfect angel. I am not exaggerating when I say that the letters themselves told me how to extend them. I was exploited by an alphabet, and it felt great. Unlike my experience with Ministry Script, where the objective was to push the technology to its limits, this Affair felt like the most natural and casual sequence of processions in the world – my hand following the grid, the grid following what my hand had already done – a circle of creation contained in one square computer cell, then doing it all over again. By contrast, it was the lousiest feeling in the world when I finally reached the conclusion that the Affair was done. What would I do now? Would any commitment I make from now on constitute a betrayal of these past precious months? I'm largely over all that now, of course. I like to think I'm a better man now because of the experience. Affair is an enormous, intricately calligraphic OpenType font based on a 9x9 photocopy of a page from a 1950s lettering book. In any calligraphic font, the global parameters for developing the characters are usually quite volatile and hard to pin down, but in this case it was particularly difficult because the photocopy was too gray and the letters were of different sizes, very intertwined and scan-impossible. So finishing the first few characters in order to establish the global rhythm was quite a long process, after which the work became a unique soothing, numbing routine by which I will always remember this Affair. The result of all the work, at least to the eyes of this crazy designer, is 1950s American lettering with a very Argentine wrapper. My Affair is infused with the spirit of filete, dulce de leche, yerba mate, and Carlos Gardel. Upon finishing the font I was fortunate enough that a few of my colleagues, great type designers and probably much saner than I am, agreed to show me how they envision my Affair in action. The beauty they showed me makes me feel small and yearn for the world to be even smaller now – at least small enough so that my international colleagues and I can meet and exchange stories over a good parrilla. These people, whose kindness is very deserving of my gratitude, and whose beautiful art is very deserving of your appreciation, are in no particular order: Corey Holms, Mariano Lopez Hiriart, Xavier Dupré, Alejandro Ros, Rebecca Alaccari, Laura Meseguer, Neil Summerour, Eduardo Manso, and the Doma group. You can see how they envisioned using Affair in the section of this booklet entitled A Foreign Affair. The rest of this booklet contains all the obligatory technical details that should come with a font this massive. I hope this Affair can bring you as much peace and satisfaction as it brought me, and I hope it can help your imagination soar like mine did when I was doing my duty for beauty.
  26. Waltograph UI - Unknown license
  27. As of my last knowledge update in April 2023, while specific details about a font named "Cherry Blue" by Zain Fahroni might not be extensively documented or widely known, I can still conceptualize an...
  28. Open-Dyslexic - Personal use only
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