Avestrage is a bold stencil serif, build with stylish look, and includes bunch of alternates and ligatures, to make your presentation look satisfying. This font can used for clean design and if you want make it retro look this font is suitable too because this font is very versatile for any design. This font is one weight only, you can create designs such as posters, headlines, merch, web or app interfaces, etc. What's you get : Standard glyphs Ligatures (Opentype features) Web Font International Accent Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even works on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support Image used: All photographs/pictures/vectors used in the preview are not included, they are intended for illustration only. Thank You

Creative greetings... Introducing Cospiog which has an elegant looking design. This font has additional ligatures to give it a varied appearance. You can use Cospiog in modern and contemporary designs, and is suitable for use in various fashion media, posters, modeling magazines, typography, promotions and other digital media. FEATURES; Uppercase. Foreign Support, Numbers and Punctuation. Ligatures. Regular & Italic. Works on PC and Mobile. Simple installation. Accessible in Adobe Illustrator, Adobe Photoshop. Adobe InDesign, even works in Microsoft Word. Fully accessible without additional design software. Cospiog is encoded with Unicode PUA, which allows full access to all additional characters without having to design any special software. Mac users can use the Font book, and Windows users can use the Character map to view and copy any additional characters to paste into your favorite text editor/app. Thank you for visiting, have a nice day ;)

Roves is a font family dedicated to exploration, adventure and the early merchants of history. The word rove means “a journey, especially one with no specific destination; an act of wandering”. the family consists of three Stencil versions each with a Regular and Bold weight as well as two Sans versions each also with a regular and bold weight, this is a total of 10 different options to work with. When combined these two fonts create great looking typography that compliment each other but each also strong enough to be used on their own. The Roves family is a display font with a great rust vintage feel to it which gives the user an authenticity when working with typographic projects. Roves has been created with the designer in mind, to create with and explore the different options with in the family.

Klaud is our new slab serif family with 14 styles. It is compact, stable typeface that's carefully designed to suit in every possible situation where an working horse typeface could be used. Klaud is good balanced, visually equalized family that looks and feels smooth in longer texts and paragraphs, but works well in headlines also cause it's gentle decorative letter parts. Strong look is achieved by more squared then rounded characters design. As mentioned, Klaud is perfect to fit into any designer's project – from editorial use as the main typeface to situations where you are looking for a couple of words only like posters or packages. It is fully legible and versatile as web font also. Klaud is offered with OpenType features like Numerator, Denominator, Fractions, Small Caps, Oldstyle Figures, Lining Figures, Standard Ligatures, Case Sensitive Forms, Arrows, Alternate Annotation Forms.

Pagoda Script Is a calligraphy Vintage script font that comes with beautiful alternate characters. copper plate mix calligraphy with handlettering style. Designed to convey stylish elegance. Pagoda attracts like a typeface that is smooth, clean, feminine, sensual, glamorous, simple and very easy to read. Pagoda Script comes with a Clean and Aged version, beautiful upper and lower case, binding and loved by many finishes. It has Multilingual support (Western European characters) and works with the following languages: English, Danish, Dutch, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Norwegian, Polish, Portuguese, Spanish, Swedish. In my example I show how this script can be used. It's perfect for logos, wedding invitations, alcohol labels, romantic cards, and more. Products include: Clean & Aged Script Versions (TTF) Alternative Upper & Lowercase Styles fastener Recommended for use in Adobe Illustrator or Photoshop. Special features do not work in Microsoft Word.

Vecto is a typography designed by Ryan creative that encapsulates a modern minimalist vision approach, formal rigor, and shows a variety of designed characters including glyphs as well as depicting graphics in a modern way, that subtle constructive anatomy, those geometric ratios produces kerning and precision lines. FEATURES; Uppercase. Support Foreign, Numbers and Punctuation. Regular & Italic. Works on PC. Simple installation. Accessible in Adobe Illustrator, Adobe Photoshop. Adobe InDesign, it even works in Microsoft Word. Fully accessible without additional design software. Vecto is encoded with Unicode PUA, which allows full access to all additional characters without having to design any special software. Mac users can use the Font book, and Windows users can use the Character map to view and copy any extra characters to paste into your favorite text editor/app. Thanks for visiting, have a nice day ;)

Say hello to the new modern blackletter font, HYACINTH! Hyacinth is a modern blackletter font with a touch rounded style. With an elegant modern style, it adds a bold touch to your projects and will inspire you to create something unique and modern. Besides that, this font is also equipped with alternative characters, ligatures and multi-language support. Hyacinth is ideal for headings, flyers, greeting cards, product packaging, book covers, printed quotes, logotype, apparel designs, and album covers. Features: Hyacinth Hyacinth Outline Instructions ( Access special characters, even in Cricut Design ) Have many alternate and ligatures Unique letterforms Works on PC & Mac Simple Installations Accessible in Adobe Illustrator, Adobe Photoshop, Microsoft Word even work on Canva! PUA Encoded Characters Fully accessible without additional design software. Get ready to unleash your creativity with HYACINTH! Enjoy Designing! Dharmas Studio

Start good day for new font! present to you, Freaky! Freaky is a unique display serif font with two versions, regular and outline. Specially designed to create a striking and eccentric look in a variety of design projects. Freaky is a great choice for design projects that require a unique and striking visual identity. From bold branding to creative t-shirt designs, this font will add an unforgettable visual touch to any design medium you use. What did you get? Unique letterforms Works on PC & Mac Simple Installations Accessible in the Adobe Illustrator, Adobe Photoshop, Microsoft Word even work on Canva! PUA Encoded Characters Fully accessible without additional design software. I really hope you'll get pleasure using Freaky font and it will be perfect addition to your font collection! If you have some questions, please write me a letter! Shakira Studio

Wave Vero Classic & Elegant Font created by Authen Type. This font features a classic and elegant style. Classic and elegant style designs are very beautiful to use in branding designs for beauty and feminine products. It might also be interesting that Wave Vero is placed for designs, brochures, logos, and invitations with a neat and varied font concept. Features Standard glyphs uppercase and lowercase letters Numerals, a large range of punctuation and ligatures. Lowercase letters include ending swashes. Works on PC & Mac. Simple installations, accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Fonts include multilingual support for; ä ö ü Ä Ö Ü ß ¿ ¡ _____ Image used: All photographs/pictures/logo/vectors used in the preview are not included, they are intended for illustration purposes only.

Introducing our exciting new font, NYMPHO! 🎉✨ Nympho - The perfect blend of modern Y2K vibes and unique style, featuring letter shapes that resemble playful rectangles. Nympho - Incredibly versatile and will elevate your projects, whether it's designing eye-catching magazine layouts, captivating posters, or any other creative endeavor. With its style preview channeling the coolness of the 90s and a touch of Y2K nostalgia, "Nympho" is ready to add a friendly and trendy twist to your designs. Features: Nympho Instructions ( Access special characters, even in Cricut Design ) Have alternate with all characters (Uppercase & Lowercase) Regular and Clean version Unique letterforms Works on PC & Mac Simple Installations Accessible in Adobe Illustrator, Adobe Photoshop, Microsoft Word even work on Canva! PUA Encoded Characters Fully accessible without additional design software. Get ready to unleash your creativity with Nympho! Enjoy Designing! Dharmas Studio

Please welcome, White Rainbow. Fun and casual vintage retro decorative font. The definition of real versatility and flexibility. You can rock on both vibes, retro and modern by using a single font. Yes, just like your favourite day-to-day sneakers. Wide variety of Stylistic Alternates and Ligatures in every single letter to elevate your design game to the next level. Cut the process more because it should be easy. Perfectly fit for the visual project such as logo, branding, poster, food and beverages, social media content, website, UI/UX design, youtube thumbnail, CV, mood board, wedding, you name it. FEATURES Uppercase and Lowercase letters ligature and alternates feature Numbering and Punctuations Multilingual Works on PC or Mac Simple Installation Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word Hope you Like it. Thanks. Helotype

Introducing Herolfter - Modern Bold Display Font Herolfter, a sleek Bold Display Font with a modern edge. This versatile typeface boasts 55 ligatures, allowing you to add a unique touch to your designs. Herolfter is perfectly suited for branding projects, logo, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery and any projects seeking unique taste. FEATURES - Stylistic Alternates - Ligatures - All Caps with Small Caps - Numbering and Punctuations - Works on PC or Mac - Simple Installation - PUA Encoded Characters - Easily accessible without additional design software. - Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word - Multilingual Support for 68 languages including Afrikaans, Albanian, Basque, Catalan, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, German, Icelandic, Indonesian, Irish, Italian, Malay, Norwegian Bokmål, Portuguese, Spanish, Swahili, Swedish, Zulu Hope you Like it. Thanks.

Hello Introducing, Riyadhus Sholihin - Our fresh new collection of modern display fonts inspired by Italic handwritten calligraphy with strong and unique character suitable for designing logos, templates, brochures, videos, advertising branding, and more. Riyadhus Sholihin font with challenging Arabic nuances and equipped with alternates and swashes. very suitable for headlines, typography, Poster, magazines, brochures, packaging, Websites, and much more for your design needs, making your designs looks like Islamic nuances. What's Included: + Standard glyphs + Alternates and swashes + Web Font + International Accent + Works on PC and Mac + Simple installations accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even works on Microsoft Word. PUA Encoded Characters: Fully accessible without additional design software. Fonts include multilingual support. + Image used: All photographs/pictures/vectors used in the preview are not included, they are intended for illustration purposes only. Thank you

Saverny Script This is a Vintage calligraphy script font that comes with beautiful alternative characters. copper plate mixed calligraphy with handttering style. Designed to convey stylish elegance. Saverny Script has a smooth, clean, feminine, sensual, glamorous, simple, and easy to read typeface. Saverny Script comes with a Clean and Aged version, beautiful upper and lower case, binding and favored by many finishes. It has Multilingual support (West European characters) and works with the following languages: English, Danish, Dutch, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Norwegian, Polish, Portuguese, Spanish, Swedish. In my example I show how this script can be used. It's perfect for logos, wedding invitations, alcohol labels, romantic cards and more. Products include: Clean & Aged Script Version Alternative Uppercase & Lowercase Font Style Binders Recommended for use in Adobe Illustrator or Photoshop. Custom features don't work in Microsoft Word.

Dolego Display Font cool thin - black font for your retro designs. He is funny and wonderful with a brave personality. Perfect for a headline, logo, or anything your creativity calls for. Features Standard glyphs uppercase and lowercase letters Numerals, a large range of punctuation Lowercase letters Works on PC & Mac Simple installations, accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Fonts include multilingual support for; ä ö ü Ä Ö Ü ß ¿ ¡ ____ PLEASE NOTE Most of the fonts require advanced graphic software that supports Open Type Features like Adobe (Illustrator, InDesign, Photoshop), Affinity (Photo, Designer, Publisher), Corel Draw, or similar software. Image used: All photographs/pictures/logo/vector used in the preview are not included, they are intended for illustration purposes only. Thank you Hope you enjoy our font!

Introducing Disforia Inersia! Your purchase includes Disforia Inersia Script, conjunctive handwritten script, and Print, handwritten, printed script typeface. Disforia Inersia created side by side to work together. All lowercase letters are placed to receive a connecting tail from Disforia Inersia. You can mix and match in the same word to your heart's content! Disforia Inersia was also created with the crafter in mind: there are no closed counters in either type, meaning they can easily be used for stencils and electronic cutters such as the Cricut line and the Silhouette. Disforia Inersia Package includes: - Nearly 300+ glyphs in Inertia Dysphoria font, designed to work together! - No closed counters - useful for stencils and vinyls! - More than 200 accented characters in each font. - Double letter staggered ligatures for a hand-drawn look! - PUA-encoded for easy character map access! Enjoy and thank you. Skinny Type

Hokaplay - Playful Display Font Hokaplay is a playful display font that creates with a very good concept and adjusted well to keep the legibility. Hokaplay Playful Display Font Comes with upper and lowercase Standard Characters, Punctuation, Numerals And other Glyphs variation of the OpenType features/ Ligatures. Hokaplay Playful Display Font is suitable for logos, posters, school flyers, university banners, modern advertising design, product labels, cartoons, kid books, custom mugs, pillows, t-shirts, youtube thumbnail/cover, poster quote, editorial design, book/cover Title, website/blog, social media post, packaging designs,, and other designs. Features; - 2 Styles; Regular and Rounded - Standart and special ligatures - Uppercase, Lowercase, Number, and Punctuation - Works on PC & Mac - Simple installations - Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word - Fully accessible without additional design software. - Mültîlíñgúãl Sùppört for; ä ö ü Ä Ö Ü ß ¿ ¡

The font is largely undesigned, but is bound together by a thick connected band which forms the word-blocks. At the same time, parts of Urbanregent are very designed, glyphs have been re-designed to reflect changes in the way we speak and write. The exclamation mark is louder and more manic, because people tend to write two or three exclamation marks after each other anyway. The full stop is more stopping and the hyphen kicks you on to the next word. Kenn Munk's fonts are generally hard to use - Urbanregent is no exception, but a tip would be to start each word with a capital letter. Because Every Word Is Important.

This first font was made as an experimental work for us. learn a alot of typeform from other typeface in the past, bring us to this grace position. We learn about Variable font and all the thing to do some improvement in our work. such a nice time to present this new font to the world as the ground breaking of our mission to scale up our skill and to step up into the next vision as a font designer. We create this font with variable and Open Type features. Some instances including, from thin to black. and on the variable font has and oblique style.

Flavery is a vintage slab serif font that is perfect for creating a rustic and rugged aesthetic with its hand-drawn slab serif style. This font is ideal for evoking the old-fashioned cowboy era or the classic vintage vibes era and is great for display purposes. Flavery features alternate glyphs and supports multilingual Latin characters to enhance your designs with a touch of old-world charm. Its bold and distinctive style will make your designs stand out and give them a unique character. Whether you're working on a poster, packaging, or branding project, Flavery will add a touch of vintage authenticity to your work.

Worthing aims to combine Victorian charm with modern-day requirements for legibility and clarity, and we hope, demonstrates that traditional elegance still has its place in the modern world. Meanwhile, for those who are curious about the naming of our fonts, Mr Lloyd our designer was reading Mr Wells (H. G.) War of the Worlds recently. No doubt some of you will remember the part that Worthing in Sussex played in that story. Worthing is offered in three styles: regular, alternate and shaded. It's ideal for Victorian and Edwardian era inspired design work, posters and signage, as well as for book covers, chapter headings and so forth.

The marker has been sitting in your pen drawer for years. You can't bring yourself to throw it out, because it's the best marker in the world; but it has become worn and frayed, and you can't bring yourself to use it, either. But today you have just the project for the best bad marker in the world, and you take it from the drawer, remove the cap, and notice with glee that time has accumulated a perfect supply of ink in the frayed tip. You bring it down on the pristine white paper in front of you, and magic begins to trace itself on the page...

Creating a combination between serif and sans serif typefaces, Jotia utilises the best of both worlds, resulting in a unique and modern neo-humanist font family. Taking its inspiration from lapidary inscriptions rather than pen drawn text, Jotia uses triangular serif shape details to create a strong uniformed personality with clear legibility. This original quality enables characters to be expressive in headlines, as well as in printed and onscreen text situations. Jotia also works beautifully alongside both serif and sans serif typefaces giving complex editorial work a more powerful and visually stimulating dynamic. Details include six weights, manual kerning and spacing, ligatures and alternatives.

There is plenty of lyric and literature about looking over one's shoulder in contemplation. What would you have done differently if you knew then what you know now? This is the kind of question that comes out of nowhere. When it does and whether its context is personal or professional make very little difference. It's a question that can cause emotions to rise and passions to run hot. It can trigger priority shifts and identity crises. It's never easy to answer. Three years ago, I published a font called Semilla. My aim with that was to distill the work of Bentele, a lettering artist from early 1950s Germany. Picking such an obscure figure back then was my way of pondering the meaning and efficiency of objectivity in a world where real human events and existences are inevitably filtered through decades of unavoidably subjective written, printed and oral history. And maybe to pat myself on the back for surviving surprises mild and pleasant. Having been fortunate enough to follow my professional whims for quite some time now, I took another, longer look at my idea of distilling Bentele's work again. I suppose the concepts of established history and objectivity can become quite malleable when personal experience is added to the mix. I say that because there I was, three years later, second-guessing myself and opining that Bentele's work can be distilled differently, in a manner more suited to current cultural angles. So I embarked on that mission, and Bowling Script is the result. I realize that it's difficult to reconcile this soft and happy calligraphic outcome with the introspection I've blathered about so far, but it is what is. I guess even self-created first world problems need to be resolved somehow, and the resolution can happen in mysterious ways. Bowling Script is what people who like my work would expect from me. It's yet another script loaded with all kinds of alternation, swashing and over-the-top stuff. All of that is in here. These days I think I just do all that stuff without even blinking. But there are two additional twists. The more noticeable one is ornamental: The stroke endings in the main font are of the typical sharp and curly variety found in sign painting, while the other font complements that with ball endings, sometimes with an added-on-afterwards impression rather than an extension of the actual stroke. In the philosophical terms I was mumbling earlier, this is the equivalent of alternate realities in a world of historical reduxes that by their very nature can never properly translate original fact. The second twist has to do with the disruption of angular rhythm in calligraphic alphabets. Of course, this is the kind of lettering where the very concept of rhythm can be quite flexible, but it still counts for something, and experimenting with angular white space in a project of a very dense footprint was irresistible. After playing for a bit, I decided that it would interesting to include the option of using optically back-slanted forms in the fonts. Most scripts out there, including mine, have a rhythm sonically comparable to four-to-the-floor club beats. So the weirdly angled stuff here is your chance to do the occasional drumroll. Everyone knows we need one of those sometimes. Bowling Script and Bowling Script Balls fonts comes with 1600 characters and features extended Latin-based language support. There are also a basic version of both fonts without all the alternates and extra OpenType features. Bowling family ships in cross-platform OpenType format. We also want to present “Mute”, a visual essay narated by Tomás García and Valentín Muro, about digital life created specially to introduce Bowling Script.

This font came to be when I was creating a cake topper mockup (see the promo images) and didn't have a thick script font that I liked for it. So I got to work writing out some fun chunky cursive letters that could top a cake! The concept of breaking bread is an old one, often meaning two parties working together. In the Breaking Bread font, I've combined that heavy connecting script with a hand-lettered sans-serif uppercase set. It works in all lowercase, all uppercase, and title case with equal ease! I've also included a number of alternates and ligatures, so you can have a truly hand-written look when double-letter words show up, plus a few extra characters and swashes to add some pizzazz to your work. It's great for crafting a mug or t-shirt, creating a logo, or making product packaging! And all of those alternates are PUA-encoded, so they're easy to access in any character map. Breaking Bread also comes with over 300 extended Latin characters for language support, including but not limited to: Catalan, Czech, Danish, Esperanto, Estonian, Finnish, French, Gaelic, German, Icelandic, Irish, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Romanian, Serbian (Latin), Slovak, Slovenian, Spanish, Swedish, Turkish, Welsh, and more!

Introducing Tiki Tangle - A Decorative and Classic Font Full of Retro Fun! Tiki Tangle is the answer for designers looking for a retro touch and uniqueness in their designs. This decorative font captures the retro fun that's all the rage right now, creating a balance between nostalgic memories of the past and timeless uniqueness. Each letter in Tiki Tangle is a work of art in itself, embracing a cute and unconventional retro aesthetic. Suitable for designers who want to add a touch of uniqueness to their projects, in line with contemporary design trends. With Tiki Tangle, you have the creative freedom to turn your designs into eye-catching works of art. Whether you're designing a classic poster, eye-catching product labels, or unique social media graphics. Here's what you get: Regular and Italic Version All Multilingual symbol Opentype features ( ligature, alternate ) Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Multilingual character supports : (Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Zulu) Follow my shop for upcoming updates, and for more of my work, Thank you!

Juxta is a unique experimental and futuristic script. It was born from the idea to combine two antipodes: programming fonts aesthetics and handwritten script. Juxta has witty and jagged character combined with a perfect grid structure and certain decorative elements, such as cross out letters, that gives it the spirit of Nordic minimalistic design. Juxta script is a part of Juxta superfamily, united by the same aesthetics, which currently also includes Juxta sans. Juxta script is available in 7 weights, including Thin, Light, Regular, Medium, SemiBold, Bold, and Black. It is a potential leitmotif of graphic design projects that need a creative breakthrough, including logos, labels, branding, identity, website design, album art, posters, advertising. Juxta offers standard ligatures, contextual and stylistic alternates. It extends multilingual support to Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Pan African Latin, Afrikaans, and Basic Cyrillic for exceptionally far-reaching global accessibility.

The Nixt Font Family is a new font with currently seven styles. As an alternative to Helvetica, Arial, Gill Sans, Futura, & Gotham, Nixt has a similar design aesthetic to those aforementioned in that its design, structure, and feel crosses decades of appeal. From Mid-Century, through the stark '60s, decades of succeeding modern architecture through the turn of the 21st Century, Nixt's glyphs are timeless, clear, ultra-legible in all styles and weights. Best use in Advertising, Branding, Signage, Architecture, Fashion, Posters, Headlines, and By-Lines, Print & Digital, and of course Labels. There are currently, at first release, 7 Styles: Extra Light, Light, Regular, Italic, Book, Bold, & Extra Bold. There are more in process and will be added when completed. The inspiration behind the Nixt Fonts is the Bauhaus, Mid Century Industrial Design, Art Deco through Moderne Era Architecture, American Pottery and American Design of The Twentieth Century.

As the first multi-font family designed for the CounterPoint font library, Plectrum offers designers and font lovers an alternative to the usual display style fonts of CounterPoint with a low key yet elegant sans serif family that can serve a variety of functions. Designed as a humanist style sans serif, the letters have variation in stroke weight. The italic faces have some variation in the letter design making them more of a true italic rather than simple oblique faces. The complete family consist of four weights: Regular, Italic, Bold and Bold Italic which can be purchased separately or as a complete package. The typeface has some unique features which add warmth to the design such as a slanted cross bar on the lowercase e and a large x-height. This is a solid, versatile family. Available in OpenType and contains support for Latin based and Eastern European languages.

Amigo was designed by Arthur Baker in 1989 and consists of a single weight. Its basic forms are based on Venetian old face types, as can be seen for example in the slightly slanted cross stroke of the lower case e. But Baker also gave his figures eccentric contours, for example, a marked stroke contrast which gives the look of having been written with a broad-tipped pen, and the change in stroke is by no means regular in the lower case characters. The heavier upper parts become thinner as they progress downward, in contrast to the tendency of most text typefaces. The eccentricity of the forms give the characters a lively almost comic look and is best highlighted in large point sizes. However, Amigo is also legible in point sizes as small as 10 and well-suited for middle length texts and headlines.

Where the heck does a name like Chaloops come from? You know that Chihuahua that used to sell the tacos? Chank's mother-in-law calls him Chalupa. And the American pluralization for that must be Chaloops, because that's her nickname for her two little spoiled fuzzball dogs. Another comic variation on Chank's whimsical handwriting, Chaloops is bouncy, quirky, and light-hearted like the Chauncy fonts. But Chaloops has more squiggles and its stroke terminals are mostly square. Just like you. Chaloops the font comes with a few alternate characters to give your designs a more authentic hand-drawn look. Happy and playful like a pair of frolicsome puppies, this font is perfect for kids’ products and marketing. Advanced OpenType features include "Stylistic Set #1: Decaf" which gets you a calmer, more legible variation. The fonts in this family come in 3 weights in cross-platform OpenType format for both Mac & Windows.

I like posh English words - the ones you read in books, but actually never use. Erstwhile is such a word; it means ‘former’, but if you use it while talking to someone, it sounds quite odd. Erstwhile is a classy font family - crafted in Holland (with love!).

The original Avenir typeface was designed by Adrian Frutiger in 1988, after years of having an interest in sans serif typefaces. The word Avenir means “future” in French and hints that the typeface owes some of its interpretation to Futura. But unlike Futura , Avenir is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give Avenir a harmonious and sensible appearance for both texts and headlines. In 2012, Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next to life, as a new take on the classic Avenir. The goal of the project was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. Since then, Monotype expanded the typeface to accommodate more languages. Akira’s deep familiarity with existing iterations of the Frutiger designs, along with his understanding of the design philosophy of the man himself, made him uniquely suited to lead the creation of different language fonts. Avenir Next World family, the most recent release from Monotype, is an expansive family of fonts that offers support for more than 150 languages and scripts that include Latin, Cyrillic, Greek, Hebrew, Arabic, Georgian, Armenian and Thai. Avenir Next World contains 10 weights, from UltraLight to ExtraBlack.

The Seol Sans design offers a fresh palette for designers working with the Korean alphabet, particularly those looking to pair Latin and Korean alphabet (or Hangul) forms without creating typographic friction. The choices for Hangul fonts that work well with humanist Latin typefaces are limited. As Monotype’s first original Korean design, the Seol Sans typeface is a humanist take on the traditional rigid and hard designs of Hangul characters. The Seol Sans design more closely resembles the natural curve of hand-written characters. Seol Sans features Neue Frutiger for its Latin glyphs, and works harmoniously with Neue Frutiger World and Monotype’s CJK typefaces Tazugane Info (Japanese) and M XiangHe Hei (Chinese). Seol Sans is a great choice for global brands using a Sans Serif design looking to maintain their visual identity, and communicate with a consistent tone of voice in the Korean market.¶

The starting point for Wildcat was the 3×5 squared grid popular for tiled lettering and American sportswear typefaces. However, Wildcat breaks free of the net whenever necessary. This typeface comes across as tough, it has no soft curves, and evokes strength and confidence. Unlike other collegiate-style fonts, Wildcat includes a real lowercase which makes the face particularly usable and adaptable. Wildcat also contains a full complement of Latin Extended-A characters. Three fonts are included in the download; Regular, College and Outline. The College and Outline fonts share identical spacing and kerning, so can be overlapped to create bicolor artwork.

Mezzotint CF is a daring and playful display typeface perfect for logotypes, posters, and editorial use. High-contrast strokes, flared serifs, aqueous connections, and inky terminals give Mezzotint CF its striking and rakish personality. Includes roman and italic sets across a single bold weight, with wide language support, optional ligatures, OpenType alternates, and more. Mezzotint CF pairs well with a contrasting, simple geometric sans-serif like Greycliff CF; for maximum effect, try a large difference in typeface size between the two. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Bandalero is a witty display font from British designer Richard Yeend. The letterforms in this poster/display typeface are quite square-ish and geometric. The lowercase letters have short x-heights, and the uppercase letters look dressed for a showdown, with bandoleer-like elements strapped across their tops. Because of this, Bandalero should only be used in large sizes, where it can really stare down its opponent, or reader. This might be the best font yet for a keep out sign! Bandalero was designed in 2003, and is part of the Take Type 5 collection, from Linotype GmbH."

A condensed sans serif designed as an additional companion to the Corbert font family. Incorporating the key characteristics from the original family with influences drawn strongly from the Bauhaus and modernist era. This condensed version is 15% closer than the normal family improving economy of space across design layouts. Used in conjunction with the regular widths Corbert becomes a functional and versatile font system ideally suited for large complex design projects. Details include 9 weights with italics, 540 characters with alternative lowercase a, e and g, 5 variations of numerals, manually edited kerning and Opentype features.

Introducing Remixa, a cutting-edge modern sans-serif typeface that seamlessly incorporates elements from serif typefaces, resulting in a truly unique and captivating design. Remixa boasts a carefully crafted set of six weights, ranging from light to bold, allowing for versatile usage across a wide range of design projects. Each weight has been meticulously balanced to ensure optimal legibility and visual impact, empowering designers to create captivating and expressive compositions. Its clean lines and subtle serif-inspired details create a harmonious blend that stands out in both digital and print media. Experience the essence of modernity and timeless elegance with Remixa.

M Zhi Hei's design concept comes from M Stiff Hei , where horizontal and vertical strokes (橫、豎) are direct, dots (點) are short but forceful, downstrokes(撇、捺) are straight and sharp - everything bold and straightforward. One big difference between M Zhi Hei and M Stiff Hei, is the similar thickness of horizontal strokes (橫) across all font styles, so that there would be a strong contrast formed by the thin horizontal and thick vertical strokes (橫、豎) in the bold face. Still, remains bright, neat and beautifully crafted, it is a multi-purpose typeface that convince audiences and cater for different needs.