Once I set on the concept for this ‘Origami’ inspired font, I used an imaginary strip of folded paper as the basis for each character, the folded effect being realized fully by incorporating an incised line. Of course the folded paper aspect is just a two dimensional illusion but subconsciously, will automatically be interpreted three dimensionally. There are numerous options for creating alternative characters following this logic, as the centuries-old Origami tradition itself illustrates quite clearly, but I wanted to maintain an ordered sense of style and balance throughout the full character set, so avoided any unnecessary flourishes, staying true to the Japanese ethos and spirit.

Eugenia is a font for display and poster needs. Each stroke reflects the strong nature of a woman who hates what she loves. This font is suitable for posters with the theme of art and enthusiasm. The name Eugenia reflects the glory and the figure who likes to do good, we hope that people who use this font can make something that is good for others.

Polke is a single weight display face brimming with style and charm but simultaneously exuding impressive core strength and a vibrant personality. Floating ball terminals rub shoulders with contrasting sharp and rounded letterforms to produce a distinctively decorative headline font built on robust foundations. Polke's name is derived from the striking terminal dots which dominate the character set, creating a Polka-Dot effect throughout. I also had the artist Sigmar Polke in mind which explains the spelling, and so the two ideas simply morphed together.

Need a sloppy lettering style to add a messy touch? This scrapbooking font will do the trick.

This dotty delight, with its exceptional x-height, is based on handlettering presented in one of Hal Martin’s many Idea Books for Signmen, Artists and Displaymen, published in the 1930s. The ball terminals on several letters in the original alphabet have been enlarged to punctuate the page with dancing dots, suggesting the game which gives this typeface its name. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

There really is no nonsense in this font - but the name comes from my original sketches, where I drew a lot of nonsense! Actually, I couldn't figure out what letters to use from the sketches, so I picked them all!!! That's why each letter has 10 different versions! And what is cool is that they automatically cycles as you type. All you have to do is turn on Contextual Alternates, and the rest is magic!

The courageous Russian author of the best seller Anastasia, Vladimir Megre, once said that this remarkable woman would inspire creative people around the world to produce their best work. Since I consider myself a creative person who has been deeply touched by her story, I sincerely hope that this will be true for me also. Anastasia talks a lot about God, the wonders of the natural world and how all things have been created so perfectly. This belief in universal perfection, however, is not confined to mystics alone. Many great mathematicians and scientists, including Albert Einstein, were of the same opinion. Having read Dan Brown’s The Da Vinci Code, I became quite fascinated with the so-called Fibonacci series; "a sequence of integers in which each integer (Fibonacci number) after the second is the sum of the two preceding integers; specif., the series 1, 1, 2, 3, 5, 8, 13, . . ." (Webster’s Dictionary). These mysterious numbers, which are said to give divine proportions, are found throughout nature in everything from a rose to a spiral galaxy. Many believe that this reinforces the argument that there is a divine intelligence back of creation. With that in mind, I thought it would be interesting to see if I could somehow create a font using these numbers in the design process. If I have succeeded - even partially - in attaining these mystical proportions, it will definitely have been worth all the hard work. And, I sincerely hope that many will enjoy using this font in producing their own best work.

Clavo was picked for the EXHIBITION CALL FOR TYPE - NEW TYPEFACES and is presented in the Gutenberg Museum in Mainz, Germany. Clavo is a multipurpose font family. Its warmth comes from subtle details, classical proportions and traditional forms, while harmonious structure prevents distraction while reading. This makes Clavo a universal typeface. In all sizes, from caption to display. The family consists of ten weights. They were not created in a linear way. The steps between the weights were adjusted carefully to avoid a mechanical graduation, in favor of optical harmony. Clavo covers all latin languages. It contains a wide set of numerals, small capitals, fractions and other OpenType goodies. And of course every weight comes with matching italics.

Best Quotes is a classy handwritten font. Made for any professional project branding. It is the best for logos, branding and of course quotes. Every letter has a unique and beautiful touch. Includes: Best Quotes (OTF) Features: PUA Encoded Multilingual Support Numerals and Punctuation

Blox is a bold, retro, experimental display typeface designed by Superfried. With a simple geometric structure, tight spacing and cuts, Blox is very distinct with high impact. Available in two styles, vertical or horizontal, Blox has been featured on the Behance curated typographic gallery TypographyServed.com.

Sally Garden - A Sweet Handwriting Font Duo. It comes with an elegant and modern style which is perfect to make any design stand out! This font ideal for elegant branding projects, greeting cards, packaging, social media, logo design and of course, wedding invitations. Sally Garden Type Features: Uppercase -Lowercase Numerals & Punctuations PUA Encoded Ligatures Suitable for Headlines, Logotypes, Signs, Posters, Letterhead, T-Shirt and many more. Support International Language Be sure to check out all the previews above by clicking on them and scrolling down to see all the fonts and ideas and inspiration for using this font duo. Hope you enjoy with our Font Thank You Graphicfresh

Sevigne [sey-vee-nyey] is a highly refined, contemporary geometric stencil, inspired by the ambience of high-end fashion and luxury combined with the raw, utilitarian nature of the stencil. The inclusion of over 130 unique ligatures expand it’s sensibility of alluring, well-balanced letterforms and distinctive style. The stencil marks are atypically placed and vary throughout, giving it a purposely forward presence. Stylistically, as an all-caps typeface, Sevigne exudes a greater sense of harmony and polish due to it’s unicase form where the interplay of a limited amount of characters is the focus. Subtle, considered details are found within individual letters, contrasted by the complex, intersecting forms that make up the various ligatures. With multiple stylistic sets added to the expanded ligatures, individual letters and ligature pairs can be carefully exchanged to fine-tune text settings for a unique custom type solution. Features include: Precision kerning- Expanded set of over 130 Ligatures, including alternates (ae, oe, fi, fl, ffi, ffl, ffj, ff, fh, fj, ft, tt, th, ct, st, oo, og, go, ogo, gog, la, ea, ev, ew, fy, ez, et, oc, ga, do, uv, vu, yu, uy, nn, mm, xy, yx, ao, oa, ac, da, aq, nt, aa, ll, ss, ut, tu, ka, ca, ag, of, off, co, ne, nr, nl, nd, nk, hn, mn, me, mp, al, an, af, ar, ak, ah, ad, ab, and, gg, all, co, ço, he, the, tl, tn, tf, tr, tk, td, tb, te, am, ame, amb, tm, ap, tp, wu, uw, kt, tz, ra, za, mk, xx, yy, vv, ww, ky, fu, oq, cc, cq) Alternate characters (A, G, R, Q, _, $, ®, •, ¶) Slashed zero Full set of numerators/denominators Automatic fraction feature (supports any fraction combination) Extended language support (Latin-1 and Latin Extended-A) *Requires an application with OpenType and/or Unicode support.

This is the 100th font released by CheapProFonts, and I wanted to make something special - so I have chosen to upgrade one of the most popular free fonts ever: the one and only Scriptina by the infamous Fredrick “Apostrophe” Nader! After first cleaning up the outlines, spacing and kerning, Scriptina Pro has been expanded with a set of alternate letters without the loops and swashes, using the OpenType contextual alternates feature to switch them around automatically to avoid too many overlapping and repeating elements. You can also manually turn off the loops and swashes with the OpenType titling and swash features respectively. The originals alternate letters have been incorporated as stylistic alternates (and stylistic set 02) and the ligatures as discretionary ligatures if you should want them. The alternate non-script lowercase z is programmed as stylistic set 01. In addition Scriptina Pro has been given the usual CheapProFonts large multilingual character set, of course. I hope many will enjoy the improvements and additional language support. And, naturally: it is still free! ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual “western” glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Emencut sans serif, and everything in between. San Serif is a hot trend, and we have the hottest ones. Our newest font family is waiting for you to get it: The San Serif family offers 18 different styles, each with a unique look. Use this typeface in your design or business projects, of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Puntodewa Sans serif font. The font design is influenced by the Serif family-style and geometric shapes, which makes it easy for us to create compositions in designs that are modern and unique. This font is our best effort to make your project nice and special, and hope you enjoy it. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Kawara, our newest font, is now available. We produced this display font with a Japanese theme or an Asian font to fulfill the needs of your project with a Japanese theme, but it’s impossible to use an authentic Japanese font because not everyone understands Japanese letters, therefore we present this font as an intermediate alternative. To make your project gorgeous, strong, and bold, we produced this font with the most unique shape imaginable. So, what are you waiting for? Use this font to realize your ambition of having a wonderful project. Logotypes, food banners, branding, brochure, posters, movie titles, book titles, quotes, and more may all benefit from this font. Of course, using this font in your various design projects will make them excellent and outstanding; many viewers are drawn to the striking and unusual graphic display. Start utilizing this typeface in your projects to make them stand out.

Kono is a font straight from the modern, gritty, warfare computer game genre. Rough and ready, with letters that double as numbers and look fit to be sprayed on a bunker wall, Kono brings you a bleak example of the near-future, where pragmatism rules out over artistry. Kono itself, ironically, is stylistically crafted to capture this feeling, carefully selecting the perfect mix between flat, straight lines and rounded corners, using wide, squat characters to mimic practical architectural styles. Kono is great for capturing a bleak but somewhat heroic attitude, whether you want to use that to encourage optimism or advertise pessimism.

Introduce Gasted font, designed by combining heroism in written artwork, modern fonts for digital and robotic needs, of course, this very elegant and powerful san serif font family, will make your project unique and attractive in its presentation. what are you waiting for, start making your project spectacular This font is perfect for games, sporting events, branding, banners, posters, movie titles, book titles, quotes, clothing, logotypes, and more. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a complimentary font family, both for titles and subtitles and sentence text. start using our fonts for your amazing projects.

Epoha is geometrical sans-serif font family available in 3 widths and 4 weights. With rounded edges that soften design of the letters, Epoha delivers functionality on the first place – it is neutral, versatile, legible and easily applicable for any project. Equipped with extended Latin and Cyrillic language coverages, Epoha in widths and weights diversity allows use of typographical contrast in editorial use or branding, to package design, posters and websites.

A faux script font typical of classic american branding. I have totally reworked all the letterforms: they started with a “notch” and ended flat - I have removed the “notch” and rounded off the ending stroke, so now you can actually start words with the lowercase letters. I have also improved the spacing (especially after the capitals), and of course added all the “foreign” glyphs. A classic is reborn! Nick Curtis says: "Just another “somewhere from the thirties to the fifties” kinda script, named kinda after a sixties rock festival." ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual “western” glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

The original typeface was designed by Albert Kapr between 1971 and 1973 for Typoart in Dresden. Kapr was the font designer and teacher as well as book author on type design of former East Germany. He also was an expert on this kind of type design, and thus, it is no surprise that he created Leipziger Antiqua, a design combining features of both Latin and broken scripts. The result is a stunning and unique gem from earlier times although it does not come along too distinguished or artsy. The digital version of Leipziger Antiqua was developed by Ralph M. Unger exclusively for profonts in 2005. During the work, Unger fell so deeply in love with this typeface that he couldn't help but add an expert font with small caps etc.

Black Magnet is great looking, badass, and each character was designed with great composition. Of course, this font is very suitable for you that like death metal music, design, your clothing, logo, and many others.

One would think the whole hippy thing would have died out after the knighting of Mick Jagger and the selling out of the The Who. Not at Canada Type. We still occasionally read Burroughs and Ginsberg, listen to Dylan and Hendrix, and use the backyard to pretend (um, like run barefoot with the dog). And we're always happy to make another psychedelic font. This one is based on an early 1970s film type that went by the names Hoopla and Scorpio. Doobie is a typical hippy font that uses the simplest elements of the art nouveau genre. Bubbly and wavy, Doobie exudes an almost child-like innocence, the ever laid back, optimistic simplicity of flower power. It is right at home alongside the many other psychedelic fonts that make Canada Type the definite home of the groovy alphabet. Far out!

This elegant family of fonts, suitable for both text and display, is narrow in fit and characterized by a unique feature: in the capital B, P, and R, the stroke of the bowl does not quite meet with the stem. The design is noticeably calligraphic with a dynamic and delicate character, especially in the italics. Its subtleties can best be appreciated when set in large point sizes.

The signs of the Bosnian pyramids The pyramid researcher, Semir Osmanagic, began excavations in 2005 in Visoko, Bosnia, 30 km North from Sarajevo. Mr. Senad Hodocic, the curator at the local museum, pointed out at the pyramidal shape of the Visocica Mountain, which grabbed Osmanagic's attention. It is also suspected that the four adjacent hills, covered by plants and greenery, also hide the pyramids. The main sites of the excavations are called the Pyramid of the Sun and the Pyramid of the Moon, and the results achieved so far have already proved that those structures are man-made and artificial. The Pyramid of the Sun is bigger and older than the pyramid in Giza, which was built by Pharaoh Cheops 4600 years ago. Gábor Szakács, who went to the site in June 2006 for the first time, found the symbols on the megalithic blocks inside the tunnel of the Pyramid of the Sun, which correspond to the ancient Hungarian runic writings. Further information about the Bosnian Pyramids is available at the website http://www.piramidasunca.ba/. There are also researchers who do not accept the subject of the Bosnian pyramids. Time will tell the truth.

Midnight Chalker is, well, a chalk(ish) font and it was (fro the greater part) created around the midnight hour. That’s usually when I get my inspiration. Midnight Chalker is a tall, eroded font - all caps, but the upper and lower case differ and can be mixed. Of course it comes with more diacritics than you can throw a chalkboard at.

It’s surprising - it can take more time and effort to make something deliberately and artfully imperfect than it does to make a more conventional design. We certainly found this to be the case when designing ‘SpeedSketch’. Perhaps a more accurate name would have been ‘SlowDraw’ but that wouldn’t really capture the essence of the finished design.

Designed by Morris Fuller Benton 1913-15, this Oldstyle family was digitized by Jim Rimmer in the early 2000's. It is a roman face closely styled to that of Nicholas Jensen's with a companion italic in the style of Aldus Manutius. Benton considered Cloister the ideal typeface and it does indeed lend itself to many uses.

Base Neue is the reincarnation of the basic typography (adaptation) of modern civilization. InkTrap is applied and many variations that can be used for this typeface, from very narrow media to extra-large publications. Weights from thin to black and then there are widths from Super Condensed to Super Expanded, which of course are all used in various media, from heading or titles to body text. Base Neue provides a total of 108 styles consisting of 782 glyphs per style. 95 different languages are supported, and it also has access to alternative letters and interesting ligatures.

Kodama are spirits in Japanese folklore that inhabit trees. The term is also used for trees in which a kodama houses. Kodama Forest is a rough, spikey and inky font, in the style of the great Ralph Steadman. Kodama Forest comes with a bunch of alternates, some interesting ligatures and a lot of splatter. And, of course, all the diacritics you can throw a tree spirit at.

Do you remember that kid from Lord of the Flies? Why do I even remember that kid, I’m too young for that. However, his name was Piggy, and I wanted to make a typeface that resembled him. So this is my tribute to Piggy who got killed by that falling plastic rock in the movie. May he live forever through this typeface, on birthday cards, or maybe some sweet candy packaging or why not through an graphic identity for a toy company?

Take Bauhaus Bugler, dip it in chocolate, and what do you get? Bauhaus Bugler Soft, of course! Or dip it in butter! You can achieve all sorts of yummy, appealing images with the softness of Bauhaus Bugler Soft, whether it be food, cosmetics, fabric softener, or any number of other fluffy things! Unlike its fellow Bugler fonts, Bauhaus Bugler Soft’s design never appeared in Harry Warren’s 6th grade class newsletter, The Broadwater Bugler, but its design came about during that same period in 1975. Because of this, it has been officially designated an honorary Bugler font! Its theme of broad curves that leap over and under conjure visions of fashion and high-end department stores with their dress boxes and shopping bags, plus hair products, cosmetics, couture, and other stylish personal merchandise of the highest caliber. Bauhaus Bugler Soft also has an art deco flavor, especially when all capitals are used. It comes with two alternate versions of the upper and lower Y to give users more freedom of choice. Put Bauhaus Bugler Soft in your “haus” today! Digitized by John Bomparte.

In 2014 I designed the Nizar font here https://www.myfonts.com/fonts/sultan-fonts/sf-nizar/ It was prompted with great interest by graphic designers, today I am developing the Nizar Pro font, this font does not replace the previous Nizar font but rather continued it, in a way that does not depend on the literal transmission of Nizar Qabbani's method of writing, as the new script relied on the inspiration of Nizar's writing and imparting it Improvements and corrections to the previously designed Ruqah script rules found here https://www.myfonts.com/fonts/sultan-fonts/sultan-ruqah/ The Nizar Pro font includes wide and Normal pens, so it provides all flexibility for the user to process the text and creative work. The font Nizar Pro includes Arabic, Persian, Kurdish, Urdu and Latin languages In the font Nizar Pro has many of OpenType features

CA Kometo is an oblique headline typeface that consists of two styles, “Regular” (the Shadow) and “Fill”. Kometo has come to save the world. A superhero typeface featuring the super powers “shadow” and “imperfection”. It comes to save you from a world of boredom. Join Kometo and experience the fun of stacking fonts! Write something with “Fill”, copy paste it to another layer and switch to “Regular“. Maybe you will want to give it a little offset? Or you can also try to use the “Fill” style for body text, but do so at your own risk, spacing and kerning is optimized for the use with the “Regular“ style, so don't be too harsh if the results looks more vivid than text normally does. The character set is well built, supporting Western and Central European languages.

American designer Frank Marciuliano created the Linotype Abstract display font in 1997. Abstract's letters are made up of collaged elements: a single letter can contain several different textures. Instead of an upper and lowercase, Linotype Abstract offers two different uppercase alphabets, each with different patterns. Text set in Linotype Abstract takes on the appearance of a cubist painting, making it the perfect font for all of your funky type needs. Linotype Abstract is included in the Take Type 4 collection from Linotype GmbH."

Mageri is a beautiful and charming typeface. Designed with smooth curves and a unique shape, Mageri is the perfect font for all of your creative projects, from websites to posters, banners, and more. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

There is a very simple reason why the name of this font includes a potato. Or potatoe, if you prefer. It was carefully carved out of 14,5 kg of potatoes. Or 32.0 lb of potatos. Every single letter, every digit and every symbol. Manually, of course, and care-fully. It took a while. Longer than digitizing it, but since we love great quality, we put just as much care into this process.

A vintage photograph of the Man at the Wheel Saloon in San Pedro, CA [circa 1895] provided an excellent type design source with the unusual lettering on the bar’s sign. Basically a spurred serif design, the unusual characteristic of the type style is the ‘bumps’ or ‘dots’ on the tops of each letter. This has been redrawn digitally as Beer Joint JNL, and is available in both regular and oblique versions.

Lukara Script Font is a script decorative font with which you can achieve handwritten-type lettering feeling on the spot. Of course, Lukara supports a full set of Greek characters and an extended Latin character set with diacritics. Therefore, this multilingual font supports all European languages. In addition, the font has a really nice flow so you use it in a large text if you want to give them a handmade aesthetic. Also, it can be used on social media content, for branding, wedding invitations, or packaging. The bouncy romantic flow of this font is perfect for “save the date” cards and any other wedding print material. Again, this modern script font is perfect for a variety of graphic design needs like social media quotes, blog headers, posters, stationery, and branding.