Ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, wayfinding and signage as well as web and screen design. Optimized for web, tablet and smartphone applications. Also “Bosphorus” is a perfect screen display font. Technical information: “Bosphorus” provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Bosphorus 50 Normal 53 Regular” forms the central point. The first figure of the number describes the stroke thickness: 51 Thin to 56 Black. 5 Width / 6 Weights and italics also “Bosphorus” total 60 types. The family contains a set of 530 characters. Case-Sensitive Forms, Classes and Features, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs. You can contact me at buyuksel@hotmail.com, pre-purchase and post-purchase with questions and for technical support. UPDATE: 1- Some glyph unicode error correction / 04-06-2018 - Euro Unicode - Idottacent Unicode - Oganec Unicode - Middot Unicode 2- New Version 2.0 / 25-06-2021 You can enjoy using it.

You can download usiful link: Bodrum Sans PDF Type Specimen Bodrum Sans is a sans serif type family. Designed by Bülent Yüksel in 2018/19. The font, influenced by style serifs, popular in the 1920s and 30s, is based on optically corrected geometric forms for better readability. Bodrum Sans is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give Bodrum Sans a harmonious and sensible appearance for both texts and headlines. Bodrum Sans provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Bodrum Sans 14 Regular” forms the central point. "Bodrum Sans" is available in 10 weights (Hair, Thin, Extra-Light, Light, Regular, Meduim, Bold, Extra-Bold, Heavy and Black) and 10 matching italics. The family contains a set of 650+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy in all graphic programs. Bodrum Sans is the perfect font for web use.

Introducing Genera, a strong & clean modern sans serif font family designed in two versions – Genera & Genera Alt, which complement each other for body copy & display text. It comes in 10 weights with matching italics (oblique) styles with 4 variable weight fonts for a total of 44 fonts, will give you a freedom to choose the weight you need between Thin & Black. This typeface also equipped with useful OpenType features such as Ordinal, Superior, Stylistic Alternates, Proportional Figure, Fraction, Numerator & Denominator. Each font file has 470+ glyphs which covers Western & Eastern Europe Latin language, as well as other Latin based languages – over 200 languages supported! This typeface has 44 font members consisting of: 4 variable fonts (Genera; upright & oblique, Genera Alt; upright & oblique), 40 single fonts (Genera; upright & oblique in 10 weights, Genera Alt; upright & oblique in 10 weights). Genera will be a Swiss knife for your creative projects, a real multi-purpose typeface that’ll be perfect for logo, packaging, greeting cards, presentations, headlines, lettering, posters, branding, quotes, titles, magazines, headings, web layouts, mobile applications, art quote, typography, advertising, invitations, packaging design, books, book title, & nearly any other type of creative design you’re working on.

"Bodrum Style" is a serif Style family designed by Bülent Yüksel in 20018/19. The font, influenced by serif styles that were popular in the 1920s and 30s, is based on optically corrected geometric forms for a better readability. "Bodrum Style" is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances help the legibility and give "Bodrum Style" an harmonious and sensible appearance for both texts and headlines. Bodrum Style provides advanced typographical support for Latin-based languages. An extended character set - supporting Central, Western and Eastern European language - rounds up the family. “Bodrum Style 14 Regular” forms the central point. "Bodrum Style" is available in 10 weights (Hair, Thin, Extra-Light, Light, Regular, Medium, Bold, Extra-Bold, Heavy and Black) and 10 matching italics. The family contains a set of 650+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs. Bodrum Style is the perfect font for web use. Enjoy using it.

Ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, wayfinding and signage as well as web and screen design. Optimized for web, tablet and smartphone applications. Also “Bosphorus” is a perfect screen display font. Technical information: “Bosphorus” provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Bosphorus 50 Normal 53 Regular” forms the central point. The first figure of the number describes the stroke thickness: 51 Thin to 56 Black. 5 Width / 6 Weights and italics also “Bosphorus” total 60 types. The family contains a set of 530 characters. Case-Sensitive Forms, Classes and Features, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs. You can contact me at buyuksel@hotmail.com, pre-purchase and post-purchase with questions and for technical support. UPDATE: 1- Some glyph unicode error correction / 04-06-2018 - Euro Unicode - Idottacent Unicode - Oganec Unicode - Middot Unicode 2- New Version 2.0 / 25-06-2021 3- Variable / 18-02-2022 You can enjoy using it.

“Bodrum Slab” is a slab serif type family. Designed by Bülent Yüksel in 20018/19. The font, influenced by style serifs, popular in the 1920s and 30s, is based on optically corrected geometric forms for better readability. “Bodrum Slab” is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give “Bodrum Slab” a harmonious and sensible appearance for both texts and headlines. Bodrum Slab provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Bodrum Slab 14 Regular” forms the central point. “Bodrum Slab” is available in 10 weights (Hair, Thin, Extra-Light, Light, Regular, Meduim, Bold, Extra-Bold, Heavy and Black) and 10 matching italics. The family contains a set of 650+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs. Bodrum Slab is the perfect font for web use.

This is Range Sans, the sans-serif counterpart to Range Serif . It can be categorized as a grotesque, with the idiosyncratic angular details from the serif family making themselves known in the arches and bowls of the lower case. The range of weights is larger than Range Serif, with two more weights at the lighter end of the spectrum. The weights from light to black correspond to their seriffed sisters, so can be interchanged with them freely while maintaining a similar text color and vertical metrics. This is useful for adding emphasis; Range Sans is deliberately lacking an italic, but the italics from Range Serif work better than you might expect in running text, particularly for the light and regular weights. Range Sans has a contemporary, somewhat geometric look that lends itself to uses such as corporate identities, minimalist graphic design, and logos. The middle weights do work well in running text, however, with the angled details being less noticeable at small sizes. Designed for demanding typography, supporting most Latin-based languages, Range Sans is equipped with true small caps for all weights, an array of numeral styles (proportional- and tabular- lining and oldstyle figures, small cap figures, numerators, denominators, superscripts and subscripts/scientific inferiors), automatic fractions, a set of useful arrows, case-sensitive forms, and a range of currency symbols including recent additions: Turkish Lira, Indian Rupee and Russian Ruble.

Salda Soft; It is a modern sans serif family that blends old and new generation sans serif fonts in the same body. It has a wide usage area with its light narrow structure, soft and clean lines, humanist touches. It provides clean and smooth visuals in vertical screens, mobile applications and block texts. It consists of a total of 20 styles. Ideal for all kinds of editorial design, packaging, corporate identity, brand, application, web and desktop.

Introducing a cute handwriting "Bodicx" Simple Fun Display Font! If you are needing a touch of casual modern San-Serif for your designs, this font was created for you! What's Included: Uppercase and Lowercase Number and Punctuation Support Language This font works best in a program that supports OpenType features such as Adobe Indesign, Adobe Illustrator CC and CS, or Adobe Photoshop CC and CS also CorelDraw More Questions? Here are some (potential) answers! Do not to resell this font in any way. Multilingual Support is included for Western European Languages If You interest this font for commercial use please contact me at : wahyuputrabangsa127@gmail.com Have a Wonderful Day, Gatra Std

Leitmotiv is a handwritten calligraphy font which can be used for invitations, greeting cards, posters, advertising, weddings, books, menus etc. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Elementarz Pro is a handwritten, monoline, fully connected script with ligatures and contextual alternates to help with flow and readability. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Harpers Grotesque is a classic multiusable grotesk font with a modern twist. Harper Grotesque has an extended character set to support Central and Eastern European as well as Western European languages plus OpenType features, fractions and alternates.

Ravensara Serif - elegant high contrast classic serif. Style of the typeface originates in a classic Didone but took a step to simplify some letter forms and make Didone feel more contemporary. Ravensara Serif is a part of the Ravensara superfamily, united by the same anatomy, which currently also includes Ravensara Sans and Ravensara Stencil. Ravensara Serif, despite its ancient roots and due to simplified and smoothed forms, can be used in a variety of different styles. It’s a perfect choice for bold headlines, oversize typography, fashion logos, branding, identity, website design, album art, covers, posters, advertising, etc. It is available in 7 weights, including Thin, Light, Regular, Medium, SemiBold, Bold and Black. Ravensara Serif extends multilingual support to Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Pan African Latin and Afrikaans.

Back to the basics. In the last ten years, type design has been confronting chaotic scene. The font market is flooded with a mixture of wheat and chaff and typography becomes increasingly complex. But one golden straight path exists. The path began from the industrial revolution, passing through swiss style, now we walk along the path as a matter of course. It is sans-serif. The decades from the Swiss style, namely "less is more age" to the contemporary basic style "Less, but better age", we call it golden decades. In those decades, type design met modernism. Go back to a theory in the golden decades, we redesigned new geometric, minimal sans-serif. Less is more and better. We added cool and calm spices to the modernism in the golden decades. As a result, letterform has a contemporary, sharp, and neutral atmosphere, and geometric rounded bowls and counters create a nice rhythm. Golden Decades consists of 8 weights and their matching Italics for a wide range of usages. Farther, Golden Decades is supporting international Latin languages and basic Cyrillic languages including Basic Latin, Western Europe, Central and South-Eastern Europe. Also, Golden Decades covers Mac Roman, Windows1252, Adobe1 to 3. This wide range of international characters expands the capability of your works. Lowercase "a" has OpenType stylistic alternate for advanced typography.

A neo-brutalist variable typeface conceived with flexible proportions and a singular heavy weight, including the oblique. Useful for any quirky display uses. Designed with extra-wide contrasting shapes, as a result of an extreme simplification of traditional typographic letterforms, “Moai” has a variable width that adapts to your needs, pushing for maximum readability. It's perfect for logos, headlines, posters, art projects, social media, visual identity, corporate image, film posters, music cover art, and books. Specifications: - Files included: Moai Variable including obliques - Multi-language support (Central, Eastern, Western European languages) - OpenType Features Thanks for viewing, Unio.

Bahar was inspired by the playful-energetic nature of Cooper Black from Souvenir's soft but confident stance and was born from the idea of creating a new structure by blending this structure with calligraphic strokes. The title and body are presented in two sets for perfect results. Bahar has a wide variety of character alternatives to create the perfect and fun title. It offers calligraphic flavors with swashes, start-finish forms, and fun ligatures. Bahar Text is prepared for Body texts and offers a good reading experience. Does not include swash and style alternatives. Bahar consists of five weights, Bahar Text four, a total of nine weights, and 18 styles with true italics. For each weight, there is a complete set of open type features including ligatures, small caps, old-style and table numbers, and positional numbers.

Say Hello to Gegor, an experimental serif display font. Gegor is freedom of our hand when creating the letterform without many references. We try to let the pen tool flow and dancing according to our imagination. The characters of this typeface are adopted from the letter "r". She was born and influence each other. The simple shape on the shoulder are slightly pointy at a thick weight and curves at a thin weight have a big influence on other letters. The unique form of letter "r" takes us to further development to get achieve a distinct harmony as a display typefaces. If you look at the teaser images and get an idea, we are in line. Gegor consists of 14 families from thin to black, and 1 outline style in black weight equipped with discretionary ligatures, case-sensitive forms, ordinals, small capital, and fractions. Consists of multilingual support including Western European, Central European, and Southeastern European. Gegor is perfect for posters, logos, branding, magazines, websites, and more. Gegor will give a unique vibe to your works. Supports languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Cebuano, Chiga, Colognian, Cornish, Corsican, Croatian, Czech, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Icelandic, Ido, Inari Sami, Indonesian, Interlingua, Irish, Italian, Javanese, Jju, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kinyarwanda, Kurdish, Latvian, Lithuanian, Lojban, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Maori, Morisyen, North Ndebele, Northern Sami, Northern Sotho, Norwegian Bokmål, Norwegian Nynorsk, Nyanja, Nyankole, Occitan, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Sardinian, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, South Ndebele, Southern Sotho, Spanish, Swahili, Swati, Swedish, Swiss German, Taita, Taroko, Teso, Tsonga, Tswana, Turkish, Turkmen, Upper Sorbian, Vunjo, Walloon, Welsh, Western Frisian, Wolof, Xhosa, Zulu

Bumper is the ideal ultra-black Sans Serif if you wanna make noise. The three widths could even be mixed in one single word, which creates a hand-made, edgy look. Bumper falls between glossy mags and poster art, and has a great effect when used for flyers.

Greater Albion always releases a Black letter each year, hopefully well before the Christmas seas (which we seem to have managed this year - September). There is something about this year's project which suggests a caste portcullis to us. Why not visit ye olde world in your next designer project?

American type designer Paul H. Neville created this display FontFont in 1995. The family contains 2 weights: Condensed and Black and is ideally suited for editorial and publishing and poster and billboards. FF Extra provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

Leon is a modern wide sans serif type family in Hebrew and Latin. It comes in four styles to match any design need - Headers in Black or Thin to long text in regular and Bold. Includes full Hebrew support including punctuation. Designed in Tel Aviv by Ben Nathan, 2021.

Palmilla is a very gestural Sans font that contains 7 fonts (Thin, Light, Regular, Medium, Bold, Black as well as a set of dingbats, it is perfect for informal or children's titles, it contains many Alternatives such as Ligatures, to have more options at the time of writing.

Albion’s Very Old Masthead is inspired by traditional newspaper mastheads. A heavy Black Letter which brooks no argument, and can be emphatic and refined (emphatically refined?) at the same time. Very Old Masthead has been deliberately weather to suggest that it has been set with timeworn, well-used, type.

Hailgen is a Serif typeface that explores the flexibility in contrast, with a thicker horizontal and thinner vertical contrast. Designed specially for short texts or quotes. Hailgen comes with 5 weights ranging from Thin to Black and is armed with several opentype features and Latin and Cyrillic language support.

Ruqia Arabic typeface is a modern Arabic typeface designed by Ahmed Zaza. the design is inspired by the Naskh style. The result is a hybrid that combines modern proportions with Classic Arabic scriptsit's suitable for branding, editorial, packaging, and advertising.Ruqia Arabic Features five weights from Light to Black.

Ningrat is a mix of classic with modern serif font family. It’s weight cover regular. The black weight of Ningrat Display font offers very strong impression. As a great choice for title and headers, it pairs well with most of the popular sans serif fonts for body text.

Arthura is a sans serif font family with subtle reverse contrast, particularly visible in its ultra bold ‘Black’ style. Six weights plus matching italics. Simple geometry and with humanist nuance that adds warmth. It’s a perfect choice for branding, magazines, posters, advertising, packaging, headlines, logos, web, print etc.

Firm is a black sans serif display font. Perfectly attracts attention due to its shapes. With it, you can highlight important information in your text, and it is also perfect for creating a logo.This font contains alternates lowercase, ampersand and ligatures, math symbols, arrows, fractions, and multilingual support.

Designed with high contrast. The stems are not completely straight, slightly narrow in the middle, combining rounded and right angle at the terminals and serif ends. Gibralt consists of 8 styles from Extra light to Black, each matching with italics version. Suitable for Headlines, paragraph, text, printing and more.

Cyntho Next is a totally reworked typeface based on our previous bestseller Cyntho Pro. It also has a slab-serif counterpart - Cyntho Next Slab. Cyntho Next is a modern geometric sans based on a hybrid waterdrop-like shape with eight weights varying from Thin to Black and featuring Cyrillic.

Faustian is a modern study and different take on classic historical black letter styles, geometric in its construction, giving a very modern clean look whilst its historical influences shine through. coming in 3 weights with a host of opentype features including old style figure, alternate characters and more

Liquid Embrace is a rough 'n' ready brush font. It was created using a Chinese calligraphy brush and Royal Blue Ink (I had run out of black...). Liquid Embrace is fat and in your face, making your message stand out all the more. Comes with an ocean of diacritics.

Wataha (in polish - wolf pack) is a sharp, robust uppercase family of 3 fonts: Bold, Heavy and Black. Perfect for posters, headlines and logotypes. With a range of OpenType features you have access to alternative letter shapes, fractions, arrows etc. Wataha supports most Latin-based languages and few others.

Maiden Sans is a humanist sans-serif based typeface which contains nine weights, from thin to black. Designed to use as body text to headline. The design of Maiden Sans typeface can easily be recognized at the terminal with reverse pen-head style and a bit sweet link!

Visage is a contemporary text family designed by Garrett Boge in 1988. Its delicate serifs, subtly tapered stems, and generous proportions offer both distinction and readability to the text at any size. The family consists of five weights - Light, Book, Medium, Bold and Black, with corresponding oblique styles.

Sales Event JNL is an inline sans that was modeled from examples of old wood type. Its casual, cheerful style well suits point-of-sale signage or banners, fun headlines and relaxed themes. The font is available in both the regular inline version and the black (solid) version.

A throwback design reminiscent of 1950s signage and print ads, Merrymakers JNL takes a previous release (Bluesman JNL) and places the letters and numbers inside parallelograms with ‘TV screen’ openings. Merrymakers JNL is available in both regular and oblique versions. The upper case A-Z characters have the taller side of the shape to the left, while the lower case a-z has the taller side to the right. To make a ‘fan fold’ or zig-zag message, simply alternate upper and lower cases as in this example: C-a-R D-e-A-l-E-r-S You can type spaces between words, but if you prefer blank connectors, use the following: Upper case solid black connector – left bracket key Lower case solid black connector – right bracket key Upper case ‘TV screen’ connector – left brace key Lower case ‘TV screen’ connector – right brace key There is a very limited set of punctuation available. The upper case ampersand, question mark, exclamation point, period, comma, single quote and double quote are all on their respective key positions, but to accommodate the lower case [smaller side] versions, those glyphs have been reassigned to other standard keyboard positions: Type @ to get & Type # to get ? Type $ to get ! Type ^ to get . Type * to get , Type - to get ’ Type = to get ” Additionally, to access the lower case [smaller side] versions of the numerals, type the following keys: Type % to get 0 Type ( to get 1 Type ) to get 2 Type + to get 3 Type / to get 4 Type : to get 5 Type ; to get 6 Type < to get 7 Type > to get 8 Type \ to get 9

Fresno is a two-font family. Fresno Inline and Fresno Black. Fresno Black is a recent addition. It can be used alone, and it is carefully tailored to fit behind the Inline font to add color to the inline. There are alternate characters: A, M & N in the caps and lowercase key positions. Fresno is a square gothic style typical of Mid-20th Century Showcard Lettering. A lettering genre known as “Gaspipe.” Signage samples similar to this still exist on buildings in my home town, Oakland, California. I have designed over a half dozen variations of this form over the years. Including Amboy. Golden Gate Initials, Matinee, Motel, and Hotel. Designed in 2001 by Jim Parkinson, Fresno has recently been refreshed, enhanced, and re-released.

Amboy is a two-font family. Amboy Inline and Amboy Black. Amboy Black is a recent addition. It can be used alone, but it is carefully tailored to fit behind the Inline font to add color to the inline. There are alternate characters: A, M & N in the caps and lowercase key positions. Amboy is a square gothic style typical of Mid-20th Century Showcard Lettering. A lettering genre known as “Gaspipe.” Signage samples similar to this still exist on buildings in my home town, Oakland, California. I have designed over a half dozen variations of this form over the years. Including Golden Gate Initials, Matinee, Motel, Hotel and Fresno. Designed in 2001 by Jim Parkinson, Amboy has been refreshed, enhanced, and re-released.