Introducing HEXA’s second family-font, Retro Games Font. The RetroGames font is a witty reinterpretation of the fonts found in 90s 16-bit games that we enjoyed when we were young, presented as bitmap imaged fonts. It offers superior legibility and aesthetic sensibility compared to many other existing bitmap fonts. For instance, while most bitmap fonts create one stroke with 1 pixel or have various thicknesses in pixels, we have standardized it to a maximum of one stroke with 1-3 pixels, enhancing both legibility and aesthetic appeal. Since there are many similar bitmap fonts, we wanted to reinterpret it as a genre of its own. Our latest designed fonts HEXA, we noticed some shortcomings in legibility, and we aim to address those shortcomings in this bitmap font, Retro Games. Our RetroGames font, which brings back memories of our analog past, can be a valuable design element in many design works." ※ RetroGames is Latin-based and a completely crafted font that consists of 2 typefaces. Each typeface contains 195 sets of characters. This font family is in all-caps fonts. ※The font family includes 'Dropline' and 'Black.' 'Dropline' comes with a shadow effect, while 'Black' is designed without a shadow for simplicity." ※RetroGames is a monospaced fonts. So kerning is not applied.

Zephyrine is modern family of Display fonts. Zephyrine has 6 families font, starting from the small Regular and Regular Italic to the largest black and Black Italic. This typeface is versatile and can be used successfully in magazines, posters, branding, websites, etc.*

Moving Van JNL is a classic sign painter's block Roman with angled [instead of rounded] corners and slab serifs. This style of lettering was most popular in the 1920s and 1930s.

P22 Sneaky is the newest font by award winning type designer Michael Clark. Sneaky is a connecting-script and sibling of his popular Pooper Black type which shares a similar flow and casual elegance. It features shared details and relative size so that with careful design, the two can be mixed and matched. Sneaky Pro features over 500 glyphs with alternates and a Central European character set.

Helia Core is a semi-squared font with very low contrast. It was designed to be as clear as possible. This font has a soft and friendly aspect and is perfect for variety of use. Helia Core consists in a 16 styles family, from Hairline to Black with their italics. Each font includes Small Caps, OpenType Features such as Proportional Figure, Tabular Figures, Numerators, Superscript, Denominators, Scientific Inferiors, Subscript, Ordinals, Fractions and many ligatures. The ligatures are a good feature to make an original and creative layout. The fonts have an extended characters set to support Central, Eastern and Western European languages. The range of styles provides flexibility for text and title.

Like traditional athletic block typefaces, VTF Charisma is built with chiseled cornersand a rigid skeleton. However, an underlying formula of fervor and functionality emerges in execution. The typeface features traditional block tendencies that are challenged by expressive angles and deviations in line weight that harken to penmanship. Uniquely tapered terminals seen in letters like "a", "c", and "s" demonstrate a strong visual energy while increasing legibility. The legs of angled letterforms like the "A", "v", and "y" are cropped in a way that further reinforces this motif. These stylistic cues are employed throughout the family’s 7 weights, ranging from Thin to Black with an accompanying Oblique variant for each. VTF Charisma is equipped with a hefty 970 glyphs that support Small Caps, fractions, extensive Latin characters, stylistic alternates and more. Paired with its dynamic charm and strong visual appearance, the family’s horizon of capabilities broadens.

Stampede was created from a small sample of letters found on an old document dating back to 1902 from the Chicago, Indiana & Eastern Railway Co.

Kuroneko in Japanese means ‘ Black Cat’. I was working on a Japan itinerary for a friend and I told him about the luggage forwarding service by a company with a black cat in its logo. Wait: Black Cat? What’s that in Japanese? Cool name for a font! Kuroneko font will not forward your luggage, nor was it made in Japan. But it IS a very versatile font family - even if you’re more of a dog person.

There are many wide types that look sci-fi or super chic, but where is the personality? Doublewide brings its loud and fun loving character to the wide types party. Featuring light to black weights and a true italic, Doublewide can bring a boring page to life with lively headlines and compelling call-outs.

Haarlem, designed by Leslie Cabarga, was inspired by the sort of marks you get when you write with a flat-headed magic harger. There are two fonts in the Haarlem family, White and Black. Haarlem White is an outlined, shadowed version of Haarlem Black.

The Scriptorium got its start in the early days of personal computers with a few font designs for the Commodore 64, and the very first font which we did back then in the early 1980s was a gothic calligraphy font. That style of fonts - the medieval, gothic and black letter genre - has always been the backbone of our collection, but with recent releases we've stayed away from them to introduce a bit more variety. Well, with our new Zauberer font the antique, medieval and gothic look is back with a vengeance. Zauberer isn't a true medieval calligraphy style. It's based on early printed type from Germany which combines calligraphic elements with decorative embellishments from the woodcut printing era. The result is decorative and antique looking and rather appealing. The name comes from the German word for a magician or illusionist.

It is not only coarse but extremly black, and it is quite right to name it Black Letter in English. Ernst Schneidler, the designer, created the smallest possible counters. Still, this very coarse black letter is sensitive in detail and drawn with a high level of aesthetics. By the way, it was said in Schneidler's design class in Stuttgart that his number one student Walter Brudi had cut some of the characters with �silhoutte scissors� from black paper. Sharing his ideas and work with his students does not at all decrease or lower his copyright.Ganz Grobe Gotisch is not only a distinguised but also a very catchy design.(Albert Kapr in Fraktur -- �Form und Geschichte der gebrochenen Schrift�.)

Tudor Perpendicular is Greater Albion's seasonal Black letter release (not that we rule out the possibility of non-seasonal ones...) for 2012. As the name suggests, it is a design which emphasises, and yes, exaggerates for effect, the perpendicular up and down nature of Black Letter typefaces. There's no particular historical basis for this one - straight out of our own minds, just as a lot of Black letter 'revivals' have been over the years. Come and visit 'Ye Olde' world today...

Lard Pro Regular is an extreme contrasted extra black typeface designed for usage at larger sizes. Lard Pro Bold is an extra black typeface designed for usage at larger sizes. They contain extended Latin, Cyrillic and Greek alphabets to support a very wide range of languages.

Addison is a typeface that brings together modern western styles with a rustic texture. Between Addison West, with thick block serifs, and Circus, a more decorative face, the two would bring an authentic and unique style to any artwork. The bold faces make a stand and standout for any design concept.

Proudly present Juvelith a modern black letter font inspired by contemporary design and calls back to Old English Gothic Scriptures. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Bucintoro is a modern version of the rotunda blackletter, the Gothic book hand of Italy and Spain in the 14th, 15th, and 16th centuries. As the name implies, it's more "rotund" than the tall, angular Textur blackletter used in Germany that Gutenberg imitated. While the use of blackletter continued far into the 20th century in Germany and Scandinavia, the rotunda gave way to roman (and later also italic) letterforms in Italy, France, and Spain. It's less well known these days. Bucintoro has upper- and lowercase alphabets, numerals, punctuation, diacritics but lacks such modern characters as currency symbols. Has light, medium, and black weights.

Originally ZionTrain was built as a Cyrillic typeface for public transport navigation system. We wanted comprehensible, distinctive letterforms, that can help everybody on the way from Babylon to Zion. Here, on MyFonts, we present the ZionTrain STD versions with western latin including smallcaps and oldstyle figures in some faces in TrueType format; also western, central, baltic and turkish latin charsets, smallcaps, oldstyle numerals, few alternates, some arrows and fractions in ZionTrain OT OpenType format. Look how people use it: http://use.type.org.ua/tagged/ziontrain

ION A is a part of the ION superfamily, which consists of 3 families: condensed (ION A), normal (ION B) and wide (ION C), each having a compelling range of 10 weights. Styles Thin to Black have 436 glyphs supporting more than 70 Latin-based languages and the three heaviest weights, named U1, U2 and U3 have 94 basic glyphs. ION glyphs are based on the classic 7-segment display, but for readability and aesthetic reasons, some alphabetic characters don't follow this matrix strictly. In case you like things in order, don't worry, there's a stylistic set that replaces all characters with their strict alternatives. The special characters, such as #, @ or % are composed of special segments, but are designed to fit seamlessly within the whole character set. ION was designed with the needs of contemporary graphic design in mind. There are alternative characters, discretionary ligatures, slashed zero, superior & inferior numbers, fractions, ordinals and three handy stylistic sets. The ten styles of ION A are accompanied with a special 11th style called Cells, allowing you to design a special underlying layer of black or outlined cells. This way you can create various containers and boxes for your text, highlight what's important or go wild and draw a space invader, using the cells as building blocks. Learn more about the OpenType features and Cells at www.urtd.net/ion.

ION C is a part of the ION superfamily, which consists of 3 families: condensed (ION A), normal (ION B) and wide (ION C), each having a compelling range of 10 weights. Styles Thin to Black have 436 glyphs supporting more than 70 Latin-based languages and the three heaviest weights, named U1, U2 and U3 have 94 basic glyphs. ION glyphs are based on the classic 7-segment display, but for readability and aesthetic reasons, some alphabetic characters don't follow this matrix strictly. In case you like things in order, don't worry, there's a stylistic set that replaces all characters with their strict alternatives. The special characters, such as #, @ or % are composed of special segments, but are designed to fit seamlessly within the whole character set. ION was designed with the needs of contemporary graphic design in mind. There are alternative characters, discretionary ligatures, slashed zero, superior & inferior numbers, fractions, ordinals and three handy stylistic sets. The ten styles of ION C are accompanied with a special 11th style called Cells, allowing you to design a special underlying layer of black or outlined cells. This way you can create various containers and boxes for your text, highlight what's important or go wild and draw a space invader, using the cells as building blocks. Learn more about the OpenType features and Cells at www.urtd.net/ion.

ION B is a part of the ION superfamily, which consists of 3 families: condensed (ION A), normal (ION B) and wide (ION C), each having a compelling range of 10 weights. Styles Thin to Black have 436 glyphs supporting more than 70 Latin-based languages and the three heaviest weights, named U1, U2 and U3 have 94 basic glyphs. ION glyphs are based on the classic 7-segment display, but for readability and aesthetic reasons, some alphabetic characters don't follow this matrix strictly. In case you like things in order, don't worry, there’s a stylistic set that replaces all characters with their strict alternatives. The special characters, such as #, @ or % are composed of special segments, but are designed to fit seamlessly within the whole character set. ION was designed with the needs of contemporary graphic design in mind. There are alternative characters, discretionary ligatures, slashed zero, superior & inferior numbers, fractions, ordinals and three handy stylistic sets. The ten styles of ION B are accompanied with a special 11th style called Cells, allowing you to design a special underlying layer of black or outlined cells. This way you can create various containers and boxes for your text, highlight what’s important or go wild and draw a space invader, using the cells as building blocks. Learn more about the OpenType features and Cells at www.urtd.net/ion.

Dysanian is Hand Drawn Sans Font with a natural style and dramatic movement.is a Authentic Font that is written casually and quickly. Dysanian is has 4 style Normal,Italic,Black and Black Italic styles is perfect for the purposes of designing templates, brochures, videos, advertising branding, logos and more.

Edison Swirl, with its terminals majestically looping and twirling in a circular fashion, quickly takes us back to the Victorian era of type. This unusual fancy face, which dates back to the early 1900s, distinguishes itself by employing splayed M & N caps. Some letterforms also contain double cross-strokes for added interest. Edison Swirl is full of ornament and detail which creates a truly striking pattern of intrigue and delight. Edison Swirl is also available in the OpenType Std format. Some new characters have been added to this OpenType version. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

This light manual font, with two styles, is a looking like slab serif or typewriter pattern. It is containing Western and Northern European, Icelandic, Baltic, Eastern, Central European and Turquish specific characters, plus old style numerals, ct, st and f standard ligatures. The two styles are both legible from 10-11 pts.

Just as the camera adds weight to human faces, serifs can add weight to typographic faces. Rod McDonald trimmed and adjusted his new Egyptian Slate design as it emerged from its sans serif predecessor, the Slate typeface family. Slate is a great sans serif design, and the addition of his Egyptian Slate to your typeface library will make it even more versatile. Egyptian Slate is a solid and stylish slab serif design that will look superb in the spotlight of your choosing. Available in six weights – from a svelte light to a commanding black – each upright member of the Egyptian Slate family has a complementary italic. Egyptian Slate fonts are available as either OpenType Std or OpenType Pro fonts; the later options offers an extended character set that supports most Central European and many Eastern European languages. Egyptian Slate™ font field guide including best practices, font pairings and alternatives. Featured in: Best Fonts for Logos, Best Fonts for Websites

A poster for the 1917 Charlie Chaplin comedy “Easy Street” had Chaplin’s name hand lettered in thick, round cornered block characters. This inspired Silent Comedy JNL, which is available in both regular and oblique versions.

Gothic Gothic is a fusion of old and new that is both Gothic and Gothic. In typography Gothic can refer to German Blackletter or Old English styles. Gothic can also mean block or sans serif style lettering. By combining and balancing the elements from both of these ideas we have created a contemporary extended block letter typeface. The Gothic Gothic family contains 2 companion fonts. Gothic Gothic Text is a more minimal variation that has a more roman looking style while still retaining some Blackletter feel. Gothic Gothic Black is a bolder version designed to tend more toward the Blackletter style of Gothic with more contrast of stroke and a few of the more unusual Blackletter forms thrown in for flavor. Gothic Gothic has been honored with an award of Excellence in Type Design from Association Typographique International (ATypI) in 2001. Typeco has updated this font and has released it as an expanded family. Gothic Gothic is a crepuscular family of 3 fonts

Nürnberg (Nuremberg in eng.) New blackletter-sans font family in modern look with contrasts elements in six widths. Impressive style with non-typical Blackletter uppercases as alternates and normal Sans as standard. In the company with good-looking lowercases and their alternates you can get outstanding result for your project. Six widths give you wide range of use. Massive Bold or Black will be really good in none-long magazine headlines, some logos or cafe/bar signs, menu's or coffeeshops. Medium or Regular is for normally (not giant) text blocks or any of accented texts. Light and Thin are good in big pt. Short word forms or numerals is just awesome.

Price Tags JNL is a multi-use dingbat font. Along with over twenty nostalgic price tags, there is a set of individual numbers [1 thru 0 keys] and number pairs [A-T and a-i keys] for creating old-style white-on-black price tags. Blank end caps are available on the parenthesis keys, the decimal point is on the period key, catch words FOR, DOZEN and EACH are on the left and right arrows and right brace respectively, and the dollars and cents marks are on the dollar and hyphen keys. You'll even find a few extras placed upon the bracket and left brace keys.

The type family consists of six well-distinguished weights, from hair-thin all the way to the one black as the deepest night. In line with the current trend, it touches all boundaries, it stretches beyond technical possibilities and in extremes, it is almost illegible – the counters are reduced to a hairline. All italics have the same proportions as their corresponding regular styles, which emphasises the block-like appearance of the set text. Monopol was designed to thrive on posters, exhibit stands, book covers, magazines, and in complex visual styles. Its twelve styles make it an ideal tool for creating a dynamic composition using solely typographic means.

Setter is a type family that stands between geometric and humanist styles. Its unique features and large x-height gives it a modern look. Good for small text blocks, headlines and logos. Vast latin character set: Central, Southeastern and Western Europe. Vietnamese, Pinyin and Pan African Latin. Math and Currency. Enjoy it!

Tutorial : https://www.youtube.com/@madhalinestudio Deathmetal is a carefully crafted font, which features a very heavy black metal feel. This letter combines graffiti style and blackmetal style, giving a unique and cool new impression. Deathmetal suitable for metal band logos, merchandise, clothing, apparel, or anything that needs a black metal feel.

Brozo typeface is a versatile font with 18 styles, ranging from thin to black, thin italic to black italic. Its captivating and elegant look, complemented by multilingual support and a standard character set, caters to diverse designs. Brozo's minimalist yet sophisticated appeal ensures comfortable readability. Elevate your designs with Brozo's perfection.

The font HEXA is inspired by the Hexagon. The HEXA fonts are dynamically and uniquely designed typefaces based on the grid systems of the hexagon that extends infinitely. From this image, we have created the HEXA font. Hexa is Latin-based and a completely crafted font that consists of 3 typefaces. Each typeface contains 190 sets of characters. This font family is in all-caps fonts, and we provide different styles of uppercase and lowercase glyphs with the exception of letters c, ç, and comma/ single low-9 quotation mark. In lowercase glyphs, we emphasize the image, character, and identities of Hexa. The font family includes regular, black, and thin. We created the witty expression with Hexa’s regular identity; thin emphasizes the lines; black fills in the blanks. Hexa is a monospaced fonts. So kerning is not applied. We recommend using our fonts for big-sized uses. This typeface is a display font and looks more attractive in larger formats than on main texts. Features: -190 characters -Monospaced fonts -All-caps fonts (different styles provide uppercase and lowercase)

The typeface family Triump is a simple sans serif with 6 weights from Thin, ideal for use as an epigraph, to Black for head titles of special impact. Excellent for applying in graphic design as logos, trademarks, posters, editorial and web design. Inspired by the classic types of the late twentieth century with rounded corners that give the typography a smooth appearance with rounded ends, with a horizontal stroke that exceeds the vertical in the letters A, E, F, H, J and K which gives a distinct personality. Triump comes with a Black weight in normal and italic Line both upper and lowercase letters, especially to give a vintage look to the designs.