The Jamroods Script is a calligraphic script font that comes with exquisite character changes, a kind of classic decorative copper script with a modern twist, designed with high detail for an elegant style. The Jamroods is interesting because it is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy letter joints. I also offer a number of decent stylistic alternatives for multiple letters. Classic styles are very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or all kinds of advertising purposes. . The Jamroods Script has 350+ Glyph alternative characters, including multiple language support. With OpenType features with alternative styles and elegant binding. The OpenType feature works automatically, but you can access it manually and for the best results required for your creativity in combining these Glyph variations.

Chandia Elegant Script is one of the Elegant script fonts that comes with a very beautiful character change, a kind of classic copper decorative script with a modern touch, designed with high detail to present an elegant style. You will get: Chandia Files Chandia Elegant Script is interesting because the typeface is pleasing to the eye, clean, feminine, sensual, glamorous, simple and very easy to read, because of the many luxurious letter connections. I also offer a number of decent stylistic alternatives for some of the letters. The classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or all kinds of advertising purposes. . . Chandia has alternate characters, including multiple language support. With OpenType features with alternative styles and elegant ligatures. If you need help or have any questions, let me know. Thanks & Happy Designing.

Burberry is a Script calligraphy font, Burberry is handcrafted with copper plate stylus and features opentype with pua encode, Burberry is a Script Calligraphy includes alternatives, style sets, ligatures, and swashes, Each lowercase glyph has a stylised styling, Swiss is perfect for branding , wedding invitations and cards or quotes. In order to use beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. Swash is called alternate style. For example, the letter "a" with ss.01 and a closing swash is an alternate style for "a". To access you need it, you need to open the Glyphs panel. Photoshop has a glyph panel where you can find alternatives and ligatures. Select the Beloved Gray font and open the Glyphs Window and double click on the glyph you want to use. To open from Illustrator, please follow: Window --Types --Glyphs. Thank you and have a nice day

Beatrice Script is a calligraphy script font that comes with exquisite character changes, a kind of classic copper decorative script with a modern twist, designed with high detail to present an elegant style. Beatrice Script is interesting because it has a soft, clean, feminine, sensual, glamorous, simple and very easy to read typeface, because there are many fancy letter connections. I also offer a number of decent stylistic alternatives for multiple letters. Classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or any type of advertising purposes. . Beatrice Script has 1077+ glyphs and 929 alternate characters, including multiple language support. With OpenType features with an alternative style and elegant binding. The OpenType feature does not work automatically, but you can access it manually and for the best results required for your creativity in combining these variations of the Glyph.

Introducing the OpenType font ‘Athena’, the beautiful calligraphy script. It’s inspired by Athena, goddess of wisdom, courage, inspiration, mathematics, strength, strategy, the arts, crafts, and skill. Athena font is a font that comes with very beautiful changing characters, a kind of classic decorative copper script with a modern touch, designed with high detail to bring stylish elegance, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many letter connections. This is the representative of two styles; you can use it for modern minimalism and also classic expert penmanship styles. Both of these style can be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, letterhead, labels or any type of advertising purpose. ‘Athena' has a lot of alternate characters, including various language support and numerals & punctuation. Please contact me if you need any help by drop a messages. So… Enjoy Athena and best regards. - 38.lineart studio

Beauty Night Script is a calligraphic script font that comes with exquisite character changes, a kind of classic decorative copper script with a modern twist, designed with high detail for an elegant style. Beauty Night is interesting because it is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy letter joints. I also offer a number of decent stylistic alternatives for multiple letters. Classic styles are very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or all kinds of advertising purposes. . To activate the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or newer versions. There are additional ways to access alternatives / swash, using Character Map (Windows), Nexus Fonts (Windows), Font Books (Mac) or software programs such as PopChar (for Windows and Mac). Thanks You.

Koodgeta Script is a calligraphy script font that comes with exquisite character changes, a kind of classic decorative copper script with a modern twist, designed with high detail for an elegant style. Koodgeta Script is attractive because it is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many luxurious letter connections. I also offer a decent number of stylistic alternatives for some of the letters. Classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting/wedding cards, packaging, labels or all kinds of advertising purposes. . . . Koodgeta Script has alternative Glyph characters, including multiple language support. With OpenType features with alternate styles and elegant binding. The OpenType features work automatically, but you can access them manually and for best results your creativity will be required in combining variations of these Glyphs.

Because you demanded it, the Aviano series is back with a variable version of the futuristic sans serif Aviano Future. Aviano Future’s strong letterforms will make you look like a rock star. Aviano Future Variable is a medium-contrast sans serif titling face that has a bold and futuristic look. It has a bowed square shape which gives it an interesting appearance that is both unique and eye-catching. Given that it has a variable axis any weight can be selected with no loss of clarity or legibility. Aviano Future's expanded forms give the letterforms heft and intensity. Aviano Future is a powerful yet adaptable title face that builds on the award-winning traits of Aviano and elevates them. Aviano Future Variable contains a ton of OpenType capabilities and comes in ten different defined weight instances with "fast" italic forms for emphasis. Want to use more traditional rounded forms? Need swash forms? Art Deco alternates? Aviano Future includes 400 alternate characters. Twelve style sets are available, two sets of art deco inspired alternates, small forms, tough swash, constructivist titling and traditional stylistic alternates. Aviano Future also includes 40 discretionary ligatures for artistic typographic compositions. Additionally, there are glyphs in this family to accommodate a variety of languages, and Cyrillic support was added in 2022. An extensive selection of sans serif typographic systems can be found in the Aviano family. The typefaces can be used alone or in combination to suit the needs of any project. The family's fonts have all been meticulously designed to assist ensure maximum impact and usability at any size. Aviano, Aviano Serif, Aviano Sans, Aviano Didone, Aviano Flare, Aviano Copper, and Aviano Slab are presently part of the Aviano collection. A skilled designer who wishes to create a technological, futuristic, or epic design should consider Aviano Future. Aviano Future Variable will make your design stand out from the competition, regardless of whether you are designing a logo, poster, flyer, website header, or banner ad. Why wait? With the exciting and versatile Aviano Future Variable at your disposal, reach new heights and create a brand that stands out from the rest.

Ginsburg it's a modern display all-caps font-family based on geometric forms and abstract wavy lines with an old school constructivism look. Inspired by Moses Ginsburg architecture projects. Playful, modern, suitable for many typography projects as headers, logos, block texts, etc. You may be more strict in your typography or you may be more groovy or playful with alternates characters. Use this family in vintage spirit for TV series, Podcasts titles, exhibition posters or design a modern extreme sport brochure, . Flexible, Catchy and Brazen — it's all about Ginsburg! Six widths: Thin / Light / Normal / Medium / Semi Bold / Bold. Opentype Features as Stylistic alternates, Oldstyle figures / Fractions. Multilingual

Marista is a bit of an unusual design, a cursive monospaced font inspired by the classic cursive typewriter fonts used in the 1960s-70s. It is designed to feel 'real', and captures some of the light irregularities in line weight which characterise real typewritten text rather than their computer equivalents. Marista is distinctive but easily readable, even in block text where some monospaced fonts suffer. Marista is best used at small to medium sizes, and at a uniform size throughout a document or design to capture the typewritten feel. The italic is more similar to authentic typewriter cursive fonts. Try it for your next letter or invitation!

Named after Italy’s northernmost region, Alto Adige is a high-contrast display serif typeface. With its condensed width and bold contrast it is excellent for headlines, packaging, magazines, posters and advertising, among any other display use. Alto Adige has large x-height making it a steady choice for sturdy text blocks with tight leading. In large sizes, you can also try tighter tracking for maximum impact. Alto Adige comes with a set of OpenType features: Contextual Alternates and Standard Ligatures are automatically on for certain character pairs. In addition it has over 50 alternates for display capital initials, set in Swash, Stylistic and Titling Alternates.

Indoo is a modular geometric design that owes much to the typeface designs of Theo van Doesburg (1883-1931) and the De Stijl principles of abstraction, simplicity, clarity and harmony. That inspiration, combined with the lettering of signage often found in the Indian quarter of Paris, led to the connecting block letter motif of Indoo. The text fonts are joined by a common horizontal stroke positioned at the baseline. There is an accompanying Ornament font for building borders that includes various stylized fleurons and the like. Each font has a drop shadow companion that allows you to build three-dimensional and multi-colored lettering.

Garuspik is an original ulra condensed, narrow, tall font with 3 styles: display, round and square. It is particularly well suited to create text blocks, advertising slogans, headlines, and other original and interesting text compositions. For convenience and variation the Uppercase are very tall, lowercase are moderately tall. Garuspik looks especially good when set in all uppercase. So, for convenience and simplicity, the smcp feature changes all characters to uppercase only. In addition, another OpenType feature changes the form of some uppercase, if they stand before to lowercase. And of course, there are all the necessary and popular features such as frac, ordn, locl and others.

MetroBots is a fun loving, non-traditional but very functional family of 6 fonts made of big city skies, the long tropical morning shadows of ancient ziggurats and entire pueblo villages, nestled into the steep cliff-sides of sage-topped mesas in south western deserts. This is a good solid, but kind of whacky looking display type family borrowing from the heft of good old-fashioned children�s wooden building blocks and the look and feel of both modern and ancient pueblo architecture. With a bit of the not-so-subtle expressiveness of a comical robot on a WD-40 high on the side.

The new Solomon type family includes 12 very unique design styles. These twelve designs are divided into two main style groups—text family and display (or decorative) family. The Solomon text pack is characterized by excellent legibility, well-finished geometric designs, optimized kerning etc. Solomon is most suitable for headlines of all sizes, as well as for text blocks that come in both maximum and minimum variations. The Solomon deco pack is created using ornamental work with organic forms at the heart of the design base. The use and combination of both groups - deco and text family, is highly recommended in order to attain maximum desired effects.

New Millennium Sans is one of three font families that share a common name, a common design philosophy, a common x-height, and basic character shapes. (The others are New Millennium and New Millennium Linear; all three work well together.) New Millennium Sans is a "humanist sans" in the Optima vein -- but without certain quirks (e.g., the "waisted" strokes) of the latter. It has proportional lining numerals whose height comes midway between the lower- and uppercases. (The bold styles are identical to those of New Millennium.) New Millennium Sans might be used in books, periodicals, or any large text blocks where a legible sans is desired.

Introducing “Moshi Moshi” – Inspired by Japanese street posters, this all-caps block typeface delivers modernness with some brushy imperfections. Taking inspiration from Japanese hand-painted street art, "Moshi Moshi" has rough letterforms, but at the same time communicates a modern and minimalistic style. "Moshi Moshi" includes full multilingual capabilities and a coverage of several languages based on the Latin alphabet. Ideal to add an eye-catching appeal to your logo designs, branding, quotes, product packaging, merchandise and social media posts. Specifications: - Files included: Moshi Moshi - Formats: .otf - Multi-language support (Central, Eastern, Western European languages) - OpenType features (Small-Caps, Alternate & Ligature) Thanks for viewing/downloading, Unio.

Old Labels JNL was inspired by the red and white gummed labels that were used for shipping parcels long before self-adhesive materials and desktop publishing rendered the older labels obsolete. The fifty-two glyphs include a generous supply of phrases such as ‘Air Mail’, ‘Do Not Bend’, ‘Rush’, etc. along with a number of blank label backgrounds and decorative frames. NOTE: Commercial replication of the images within this font for any resale purposes (including, but not limited to labels, t-shirts, stock designs, et al) requires a separate license which may be obtained by contacting the designer via the email address found within the End User License Agreement.

HeyPumkin is a letterbat font designed for use in the late autumn, when the leaves are falling and the harvest is underway. October 31 is an especially good time to use it. The upper- and lower-case letters are almost identical. If you want a version of this face without the pumpkins, try Ingone. Buried in the font is another set of letters on pumpkins. They are on unicode characters in the 2400 block, circled digits and letters. These characters can also be accessed using the OpenType stylistic sets feature. (The alternative characters are further developed in a separate typeface, part of the InsideLetters family.)

Severe is a clean, contemporary, condensed, geometric font family. There are 2 fonts in the Severe family, Severe Lower Case and Severe Small Caps. The small caps versions has small caps in place of the lower case alphabet. The lower case and small caps versions have the same uppercase alphabet, numbers, punctuation, symbols and miscellaneous characters. In addition to the cap height numbers there are small cap height numbers in each. The Severe fonts are ideal for headlines, titles, branding, small blocks of text or wherever a fresh, contemporary, condensed font is desirable. Severe Lower Case and Severe Small Caps are sold only as a set priced at $20.

Immi 505 is another of Tim Donaldson�s prolific works. Inventive and fun-loving as always, Tim used a pen nib called a ?Brause 505? to create the letterforms for this design. The Brause 505 was an invention of Karlgeorg Hoefer. Hoefer created his typefaces Salto" and Saltino" with this nib. The other part of the name, Immi, is the nickname of Donaldson�s five-year-old daughter Imogen. The resulting unusual curves and open character of Immi 505 create a distinctive rhythm and color appropriate for short blocks of ad copy, titles, music CD covers, and Web page headlines where a bit of extra width is needed."

If you're feeling a chill in your bones and the grass is a little crunchy under your feet after looking at this font, you might like to put your feet in warm water when you get home if to stave off a little Frostbite. This remastered font family is a chip off the old block, and will help you thaw out before your skin starts to freeze and flake. We recommend you melt Frostbite cubes in the warm water too to ensure you don't stick to the ice. We also recommend you don't lick the letterforms, as we know our customers are wont to do.

A set of slab serif framed capitals is displayed in the 1906 edition of the Keystone Type Foundry specimen book as “John Alden Initials”. Digitally redrawn as Keyden Drop Caps JNL, regular and reverse versions are available in one font file. Upper case keys contain the regular version, lower case keys have the reverse version. Blanks frames for each are on the parenthesis keys. The font’s name is a hybrid of both ‘Keystone’ and ‘Alden’. These vintage letters can easily be used as drop caps, monogram initials or for short novelty titles or headlines. Choose from either regular or oblique for your next print project.

I've had an interest in typography ever since my college days, even submitting my NDD thesis on the subject. The basic concept for this typeface stems from that early creative period, hence the obvious 60’s retro feel. It’s only recently that I've have had the chance to carry through fully some of my dormant typographic ideas, but ‘better late than never’ as they say! The font’s characteristic style is based on repeating or rotating templates of a half and a quarter circle, the geometric, modular building blocks used here. The name was simply influenced by the letter ‘u’, which visually describes a stylized ‘tulip’ flower.

This is my new, completely worked over and fine-tuned Bodoni Classic for Europe (no Greek and Cyrillic). I have added a set of elegant Swashes (B) and 2 alternating uppercase swirly Initials (C) as well as two lowercase end-letters (D). The fonts A and B have extensive kerning, which the initials (C) don't need, they are aligned to replace the standard capital letter. The lowercase end-letters (D) are aligned to replace the standard lowercase letters, so you might need to add a blank after the swirl. For good measure I throw in an extra set of swings for 1 Dollar (E). Your Bodoni maniac, Gert Wiescher

Risbeg – Elegant Serif Font: A Font for Impactful Titles Timeless Elegance Meets Modern Design Risbeg Elegant Serif Font blends classic serif features with a modern twist, creating a stylish and engaging visual experience. Its well-crafted curves and distinct serifs make it perfect for titles that demand attention. Each character in Risbeg is designed with precision, ensuring a harmonious balance in your designs. Versatile and Readable Risbeg stands out for its versatility, adapting seamlessly to various design needs. Whether it’s for branding, editorial layouts, or digital media, this font maintains readability across different mediums. Its clear, crisp lines make reading effortless, even in dense text blocks.

This font was created with inspiration from the wood blocks carved for chapbooks, posters, calendars or newspaper in the late 1500’s and early 1600’s. We have tried to keep their innocence and rough style. It has been conceived as an homage to the “Pilgrim fathers” landing in Plymouth Bay in 1620 and celebrating the first Thanksgiving with Native Indians in autumn, 1621. The font, consisting of two English capital alphabets (so, without any accented characters): Initials and caps, and a lot of separate figures added, is especially improved by strong enlargments, 72 pts and more, and has very good results when printed.

Introducing Magnetic Script, a bold stylized font family that is not only eye-catching and assertive, but highly legible at both display and text sizes. The heart of this font's usefulness is the three-layer setup that allows you to quickly copy a text block twice, then reassign the main layer, the extruded shadow underlayer, and the top highlight layer to three different colors. Magnetic Script is massively versatile, and appropriate for many uses including university / collegiate logos, sports team logos, graphics for motorcycle clubs, automotive rallies, microbrewery labels, and vintage & retro styles of all kinds. It's the ultimate branding and logo design font suite.

The Glober font family includes 18 weights - nine uprights with nine italics. It is characterized by excellent legibility in both - web & print design areas, well-finished geometric designs, optimized kerning, excellent web-font performance and legibility etc. Inspired by the classic grotesque typefaces - Glober has his own unique style in expressed perfect softened geometric forms. The font family is most suitable for headlines of all sizes, as well as for text blocks that come in both maximum and minimum variations. Glober font styles are applicable for any type of graphic design in web, print, motion graphics etc and perfect for t-shirts and other items like posters, logos.

Work on Scene began some time after designer Sebastian Lester joined Monotype Imaging in 2000. Clean, calm, and highly legible — thus the design brief Lester set for himself. With Scene, he wanted to provide graphic designers and creative directors with a suite of fonts that would serve as a strong foundation for identity projects, incorporating what he had learned about on-screen and print legibility. Scene was developed during two years of after-hours and weekend work. The family comes in six weights with matching italics, there is a set of “semi-sans” characters to introduce more expressive word rhythms into headlines and blocks of copy.

A stylish retro script where I have completely redone the spacing to make the text look more even. All of the diacritics have been redone, too - and the character set expanded in our usual fashion. So now this little gem from Nick Curtis is ready for the big time! Nick Curtis says: “This font is basically a design exercise, influenced by a number of contemporary fonts, but unique in its own way. The gentle, fluid motion reminded me of diner lettering from the 30s and 40s, hence the name.” ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual “western” glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

I noticed this font for its versatile techno look - it makes wonderful logotype word images. Every letter combination is perfectly kerned so that the letters fit together nicely... Also includes some alternate letterforms, but only in their basic forms (not made in combinations with diacritics). These alternates are available via your programs' glyph palette or using the OpenType functions "Stylistic Alternates"/"ss02" and "Swash"/"ss01". Technique BRK Pro is the perfect companion for Technique Outline BRK Pro (it exactly fills the "holes") but also a nice techno font in its own right. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

I have improved and added diacritics to this elegant alphabet, and generally cleaned it up to a professional standard. It is well suited to logos, menus, invitations and other things wanting a touch of elegance. Nick Curtis says: "I came across this particular treatment for swash caps in an old book on letterhead design. The original had been handlettered, but I though it might be convenient to have a ready-made font to accomplish the same effect, and here it is. As an extra added feature, the “§” sign is an ampersand with a long tail." ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual “western” glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Dynamic by name, and dynamic by nature - this sleek font is perfect for logos and hightech quotes. The original lowercase f had a big overhang - I redesigned it so it fits better with accented letters, but also kept the original shape as a contextual alternate: the font automatically uses the "large" f before any low letters... Also the lowercase j would crash into any preceding letters with a righthand descender - so I also designed an automatic alternate j. Result: no colliding letters! The Slanted version adds a touch of speed. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

This pearl by Kevin King was the best faux chinese font I've ever come over, and now it can be used for setting themed text and menus in many more languages! :) Kevin King says: "I have said before you know - I can if I want to (Stamp! Scowl!). Cod Chinese of the worst kind, I wanted a "Chinese" font for a project and couldn't find what I wanted. I painted this font with a Chinese brush and imported the resultant mess - it's been a while since I did any Chinese calligraphy - add that to the fact that I don't read or speak Chinese..." ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

A faux script font typical of classic american branding. I have totally reworked all the letterforms: they started with a “notch” and ended flat - I have removed the “notch” and rounded off the ending stroke, so now you can actually start words with the lowercase letters. I have also improved the spacing (especially after the capitals), and of course added all the “foreign” glyphs. A classic is reborn! Nick Curtis says: "Just another “somewhere from the thirties to the fifties” kinda script, named kinda after a sixties rock festival." ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual “western” glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

A collection of DIN Mittelschrift variants with a slightly sinister and scary appearance - perfect for that Halloween ad, brochure or article. The Plain font is included if you buy the family pack, and can be mixed in. The DINfun Pro fonts are special versions of the classic DIN 1451 Mittelschrift, far removed from the original typeface's serious and no-nonsense roots. I have made them as companions to the classic, with some some very different expressions, complete with a large multilingual character set. Time to spice up that DIN profile! :) ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Elaina Family Elaina Script is a tidy, precisely penned script face — perhaps closest of all of Laura’s faces to her own handwriting. In its standard form, with its sober x-height and restrained ascenders and descenders, it’s a pleasure to read at smaller display sizes and in short blocks of text. It is accompanied by an unconnected version of the lowercase characters, its stylistic alternates, and a companion font, Elaina Semi Serif, useful for body text and complementary contexts. Of course, like most of Laura’s typefaces, it includes hundreds of swashes, alternates, and ligatures, for attention-getting effects at large sizes and in brand identities. Elaina Script Elaina Script is a tidy, precisely penned script face — perhaps closest of all of Laura’s faces to her own handwriting. In its standard form, with its sober x-height and restrained ascenders and descenders, it’s a pleasure to read at smaller display sizes and in short blocks of text. It is accompanied by an unconnected version of the lowercase characters. Of course, like most of Laura’s typefaces, it includes hundreds of swashes, alternates, and ligatures, for attention-getting effects at large sizes and in brand identities. Elaina Semi-Serif Elaina Semi Serif was designed to complement Elaina Script. Both faces share calligraphic roots and typographic and allow them to mix harmoniously. Its modulated strokes and subtly flared terminals give it a humanist feel that adds warmth and positivity to any setting.

A squarish uppercase font perfect for logos and short eye-catching headings. The lowercase contains some alternate letterforms - more specifically: uppercase have closed forms (I made a new A D and R), and lowercase have some open alternatives (new B E F P and T in addition to the A D and R). I noticed the two width version of the H and made similar normal and wide versions of J and L. Then I added lots of missing glyphs and all the diacritic letters, of course - and finally the family has been expanded to 7 weights AND corresponding Italics! Enjoy! ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.