Kaneda Gothic is a whole new basic gothic. Philosophically, Kaneda Gothic is the one of the niche answers in the interspace between these antinomies. Image of near-future and giant metropolis in 80s, 90s vs our real life in the 2010s,20s. What we acquired by Industrial, scientific developments vs our emotional demands, imagination in our brain. Design transition in short period of time vs the consistency of real function which laid along the human history. Technically, Kaneda Gothic has a geometric letterform which called “gaspipe” or “Gothic” in woodtype era. But Kaneda has very sharp curves and lines for contemporary demands, that is to say, impact and clearness. Geometric and clear letterform is perfect for eye-catching part such like company logo, movie title and picture’s captions. Consists of seven weights and their matching italics. Supporting almost all latin languages.

Morelinia is a modern, handwritten, modern calligraphy font. The shape is modern and unique and the writing style is very natural. Morelinia features a varied baseline, smooth lines, gorgeous glyphs, and stunning alternatives. Hand-drawn design elements allow you to create many beautiful typographic designs in an instant like branding, web design and editorial, prints, crafts, quotes, It's great for logotypes, wedding invitations, romantic cards, labels, packaging, spelling of names and others. Add to your most creative ideas and watch how they bring them to life! Morelinia is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favorite text editor/app. Morelinia includes OpenType stylistic alternates, ligatures and International support for most Western Languages. To enable the OpenType Stylistic alternates, you need a program that supports as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions.

STROKIN is an inky, messy, Omnicase display font. It’s part charcoal part paint strokes, reversed in lighter tones it looks like chalk, add a splash a red and it starts to look like blood. It has over 250 glyphs including all those extra pesky foreign features. OpenType coded, It has various letter pairings that interlock automatically to create a more randomized, bespoke feel to your copy. Hope you like it.

Faktum is an exploration into the geometric sans genre, inspired by Mid-century modern architecture and interior design. Especially the combination of clear lines, organic curves and geometric shapes, highly popular among designers and architects of the second third of the 20th century, gave the impetus for a design with clear modernist roots and a strong contemporary finish. The family comes in 8 weights plus matching italics, featuring a wide range of alternate characters and opentype features like discretionary ligatures, case sensitive shapes, different number sets and many more. Due to its clean lines and slightly organic structure, Faktum functions great in many sizes and surroundings, working either as a restrained supporting font in long paragraphs, or as a main actor in powerful headlines.

Our chef Martin Lorenz likes to mix cool and fresh cocktails - shaken, not stirred! You have to taste his awesome Martini or mix it yourself! To make matters more easy, cocktail master Martin reveals his special recipe: “The TpMartini refers esthetically to typefaces drawn with a pointed nib as the Bodoni or Didot, but with the clear distinction that it is obviously constructed by modules. The visual system for the TpMartin is based on a square 5x9-unit grid and three different basic forms with which the font and other elements are designed. The basic forms consist of a straight line and circles of two different sizes. The line can be extended, but the circles retain their related proportions.” One piece of advice: Don’t drink and type!

Now everyone can create simple pieces of graffiti in an easy way. With all our experiences in the real graffiti scene combined with our skill in creating fonts, we create these "Street Pieces." This is a simple version of a wildstyle graffiti piece; you can clearly read the font; unlike heavy wildstyle, which not everyone can read clearly, your message is still clear with this font. It's very easy to use, but for a better result, you should adjust the kerning and lead manually because the real graffiti is like that, and use your own graffiti style because there are no rules in graffiti. In this package, you’ll get two fonts. "Street Pieces Line" for the line, and "Street Pieces Fill" for the fill. Don’t forget to combine with "alternate" fonts; see the preview fonts for the sample; and also add a drop shadow or extrude effect to make it more realistic.

Biargabara is a Script font that has various basic lines, fine lines, classic, elegant, modern touches. Can be used for various purposes. if you want to use it for your work, this font can be used easily and simply because there are many features in it to load a lower complete set of letters and include initial letters and terminals, alternatives, binding and support for many languages. Files include: * Biargabara OTF * Biargabara TTF To activate the alternative OpenType Stylistic, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or newer versions And this font has provided PUA Unicode (code-specific fonts). There are additional ways to access alternatives / swash, using Character Map (Windows), Nexus Fonts (Windows), Font Books (Mac) or software programs like PopChar (for Windows and Mac). If you need help or advice, please contact me via email "ikhsanm240@gmail.com" Thank you!

Linotype Salamander is a part of the Take Type Library, selected from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. Designed by German artist Michael Struller, the font seems to be composed of strokes and curves jointed together to form characters. Yet Salamander also looks like a handwriting font, in part because of its slight lean to the right. The font contains four basic weights, from regular to demibold, and two particularly heavy double-weights. Linotype Salamander is a light and lively font, particularly good for short texts of point size 10 and up or, in its heavier weights, for headlines and displays.

Antu is a handwriting font, it looks like a real lettering with great visual impact. Take advantage of being able to choose an organic, flexible font with its connection alternatives that makes your text flow natural and better. Antu font includes Open Type features, containing 452 glyphs, a full complement of international characters, standard and contextual alternatives, stylistic sets, and ligatures. All of this makes the text lively and animated, without the monotony of obviously repeating letterforms. Antu font is the perfect choice for titles, logos, posters, packaging, invitations, greeting cards, magazine and book covers, children's items, fashion, and wherever you want! I hope you enjoy it!

Martin Wilke designed the dynamic calligraphic typeface New Berolina in 1965. The light line of the strokes and the strong stroke contrast lets New Berolina dance across the page. Broad, generous capitals complement beautifully the narrower lower case characters with their low x-height. The capitals can also be used as initials. Used carefully and with generous line spacing, New Berolina will lend any text a fresh, lively look.

“Hand Stamp Gothic Rough” is based on real vintage rubber stamp letters from Germany. A classic american gothic face mixed with a modern condensed sans serif type. Rough & dirty with a authen­tic hand stamped look for a warm analogue vintage charm. It star­ted ana­lo­gous with only a few rubber stamps and finally it was digi­tal 776 gly­phs. With 4 × A–Z, 4 × 0–9, 4 × a–z and many other alternative glyphs like @. Plus modern OpenType Features like contextual alternates (automatic generated loop for letter variation). The different variations from the dynamic pressure by hand inten­ded to show the hand-made nature and crea­tes a live­li­ness in the display font. The font has 80 decorative extras in the form of symbols & dingbats like arrows, hearts, smileys, stars, further numbers, lines & shapes. A range of figure set options like oldstyle figures, lining figures, superiors & inferiors. Additionally stan­dard liga­tures, deco­ra­tive liga­tures (type the word “show” for ☛ and “love” for ❤ … ), Ver­sal Eszett (German Capital Sharp S) and many emojis & symbols. Example of use It’s your turn … for example everywhere where it makes sense. The hand stamped font would look good at head­lines. Advertising (big headlines), Corporate Design (type for logos & branding), Edi­to­rial Design (maga­zine or fan­zine headlines), Product Design (typographical packaging) or Web­de­sign (head­line web­font for your web­site), flyer, pos­ter, music covers or web banner … How To Use – awesome magic OpenType-Features in your layout application: ■ In Adobe Photoshop and Adobe InDesign, font feature controls are within the Character panel sub-menu → OpenType → Discretionary Ligatures … Checked features are applied/on. Unchecked features are off. ■ In Adobe Illustrator, font feature controls are within the OpenType panel. Icons at the bottom of the panel are button controls. Darker ‘pressed’ buttons are applied/on. ■ Additionally in Adobe InDesign and Adobe Illustrator, alternate glyphs can manually be inserted into a text frame by using the Glyph panel. The panel can be opened by selecting Window from the menu bar → Type → Glyphs. Or use sign-overview of your operating system. For a overview of OpenType-Feature compatibility for common applications, follow the myfonts-help http://www.myfonts.com/help/#looks-different ■ It may process a little bit slowly in some applications, because the font has a lot of lovely rough details (anchor points). Tech­ni­cal Spe­ci­fi­ca­ti­ons ■ Font Name Hand Stamp Gothic Rough ■ Font Weights Regu­lar & Dirty (Bold) ■ Font Cate­gory Dis­play for head­line size ■ Font For­mat.otf (Open­Type Font for Mac + Win) ■ Glyph Set 776 glyphs ■ Lan­guage Sup­port Basic Latin/English let­ters, Cen­tral Europe, West European diacritics, Turkish, Bal­tic, Roma­nian, OpenType Features, Dingbats & Symbols ■ Spe­cials Alter­na­tive let­ters, sty­listic sets, automatic con­text­ual alter­nates via Open­Type Fea­ture (4× different versions of A–Z & 0–9 + a–z), Euro, kerning pairs, stan­dard & deco­ra­tive liga­tures, Ver­sal Eszett (German Capital Sharp S), 80 extras like Dingbats & Symbols, arrows, hearts, emojis/smileys, stars, further numbers, lines & shapes. ■ Design Date 2016 ■ Type Desi­gner Manuel Vier­gutz ■ License Desktop license, Web license, App license, eBook license, Ser­ver license

Beardstown is solid, hardworking & no-nonsense. It may be a little gritty & rough around the edges, but it can also be open, warm and welcoming. Beardstown is a little Midwestern town on a river with a town square where you can buy comic books from a spinner rack at the front of the drugstore and read 'em with a root beer float from the soda counter in the back. The Beardstown font is perfect for t-shirts, sports graphics, beer cans, trading cards, carnival posters and record albums. But that’s it. I mean, you could use it on foofy hipster stuff like organic produce, vegan meat substitutes, electric car accessories or mountain bike parts, but you risk Beardstown coming over there to kick your butt. Features: three versions of each letter and two versions of each number automatically rotate for authentic print texture thirteen catchwords (like "and" "of" "for" & "the") accessible in Discretionary Ligatures support for 223 languages including Western & Central Europe, Vietnamese & Cyrillic

Chorus is a collective effort to sing in harmony. Similarly, each letter is designed to reflect harmony when used together to form a letter, sentence or paragraph. Letters like B, D, P and R have curved stroke (instead of straight line) while joining vertical stem. Letter K, k, and R have similar disjoint point in middle and unique plus stylish curve at foot. Letter C and G has distinct horizontal cut at top as compared to other letters in typeface e.g. S. Letter like b, h, m, n, and p have consistent stroke joint style with vertical stem. Ink traps in various letters are designed such that they blend with the letter form at certain degree instead, getting emphasised. The family comes in various styles in weight and width.

FG Caroline is a thin handwriting font. It's charming and looks like real notebook scrawls.

Alchemila "UNIQUE serif modern font" likely refers to a typeface that combines elements of traditional serif design with contemporary and distinctive features. Serif fonts have small lines or strokes attached to the ends of characters, which can contribute to a more formal or traditional appearance. The term "modern" in this context typically implies a contemporary or updated style. Here's an explanation of the characteristics and significance of a UNIQUE serif modern font: -Serif Elements: Serifs are the small lines or strokes at the ends of characters, and they are a hallmark of traditional typography. In a UNIQUE serif modern font, these serif elements are likely to be present but may have a distinctive shape or style that sets them apart from more conventional serif fonts. -Contemporary Design: The "modern" aspect of the font suggests a contemporary or updated design. This may involve a departure from the more classical serif styles seen in traditional typefaces, incorporating modern design principles, cleaner lines, and a more minimalist aesthetic. -Distinctive Characters: A UNIQUE serif modern font is likely to feature characters with unique and individual design elements. This could include unconventional serifs, letter shapes, or other stylistic details that make the font stand out and contribute to its uniqueness. -Versatility: While serif fonts are often associated with formality and readability, a UNIQUE serif modern font may offer versatility suitable for a range of design applications. It could be used in both traditional and modern contexts, providing flexibility for various design projects. -Applicability to Branding: Fonts play a crucial role in branding, and a UNIQUE serif modern font could be an excellent choice for businesses or projects that want to convey a sense of tradition and reliability while maintaining a contemporary and innovative image. -Digital and Print Design: Modern serif fonts are often designed with both digital and print applications in mind. The clarity of the typeface, even at smaller sizes, and its aesthetic appeal make it suitable for a variety of design projects, from websites and apps to print materials like brochures and posters. -Attention to Detail: The uniqueness of the font may be reflected in the careful attention to detail in each character. This could include refined curves, balanced proportions, and other design elements that contribute to the overall visual appeal and readability of the font. -Available Features: Unique serif modern fonts may come with additional features, such as alternative characters, ligatures, or stylistic sets, allowing designers to customize the appearance of the text for specific design needs. When selecting or working with a UNIQUE serif modern font, designers should consider the overall design goals, the intended audience, and the context in which the font will be used

Patheos is a striking modern display serif typeface with high contrast lines and amazing ligature options that will make your life easy. Impress your clients with the 78 included ligatures to achieve a custom look in seconds. Patheos also includes multilingual support.

This is decorative typeface for large scale designs (like headers or so), inspired by french forged balcony decorations. This font has 2 dimensions in it (thin letters like a, o, e and ‘wide’ m, b etc.), to make it more vibrant and add volume.

Building a modular digital typeface is like playing with the pieces of a Lego. Possible combinations are induced by the shapes of the pieces. All designers must have tried something like this once. Bitmap is a simple unpretentious font. It is the first pixel font made by the Brazilian typeface designer Buggy in 2001.

Vandal Linerous sounds like a cool graffiti typeface. Graffiti fonts often have a unique and artistic style that can add an edgy and urban feel to various design projects. If you have any specific questions or if there's anything specific you'd like to know or discuss about graffiti fonts or design, feel free to ask!

Hello, friends. I keep experimenting with handwritten fonts, shapes and lines. I want the font to set the tone, the atmosphere, and look like an inscription made in a hurry, but it is well read. Blushed combines all these qualities. Simple and clear, looks at ease. It is perfect for signatures or design, where you do not need a strict style. Test it out below to see how it could look for your next project! Includes: Uppercase and lowercase Numbers and punctuation Foreign language support Ligatures Check out my blog: https://www.instagram.com/zloillev pinterest.com/dmitriychirkov7 Enjoy

Clumsy is a two weight all caps handcrafted awkward font with alternates for all characters and digits. The font was inspired by a few lines of text from an old soviet book about vine. Clumsy is a good choice for small amounts of text. When Clumsy is used in OpenType applications, its Contextual Alternates feature produce a striking random-like effect on glyphs distribution, achieved by cycling through alternates. When not using the Contextual Alternates feature, you can still pick the alternates in the Glyphs palette or use the alternates available from the keyboard upper and lower case.

A condensed font using constructivism history to convey the cold hearted steel of machinery and progress. Gridlock tries it's best to fit as much info as possible in a small space neatly in line and with the subtle curves and smoothness of bent steel. The inspiration for Gridlock actually came accidentally after designing some lettering for a self-promo project and it needed something that just was condensed with visual appear. So imagining about how condensed fonts feel, I imagined them being squished together just like cars in traffic are forced to work together to make it to their end destination.

Introducing Cadina, an elegant new font! This font is especially created for those of you who need a touch of elegance to design your projects next with perfect results and amazing. Cadina is a very beautiful and interesting script and comes with a perfect line for use for various purposes. Like titles, signatures, logos, correspondence, wedding invitations, letterheads, nameplate, labels, bulletins, posters, badges, Branding, Greeting Cards, etc. Cadina is built with OpenType features and includes start and end. It comes with OpenType Stylistic set, Initial, swashes, ligatures and everything to add a touch to your design and also supports other languages :)

Hexatype is part of a series of typographic experiments from the young Swiss designer Michael Parson. In this font, Parson has created an intriguing system of lines that form into letters, all based off of a hexagonal grid. Text set in Hexatype takes on an interesting honeycomb-like appearance. For a different effect, try overlapping individual letters, or use a few of Hexatype's letters together as elements in a logo. A good companion to Hexatype is Linotype's Ned Std. These two fonts, as well as eight more experimental designs by Parson, are included in the Take Type 5 collection."

I like orange juice. Come on, who doesn't? Orange juice is the drink of heroes; it's the elixir of life; it's the gods' own ambrosia. Suco De Laranja means orange juice in Portuguese and I named this font thus, just because I love the stuff! Suco De Laranja is a very narrow, very gentle typeface with a rough edge. It comes in a variety of languages and guess what? I have added Cyrillic as well. Just to be complete. So there you have it: a font named after a juice. Take a sip and enjoy! На здоровье!

HandsOn font was developed in the late 90s. Font shape looks like manual drawing. Suitable for decoration of children's books.

Introducing, Strong Girls - a layered font based on serif style! Strong Girls is a layered serif font that have 4 total font including regular, outline, extrude and long extrude. Like other layered font, you can stack all the style in the text so the design will looks 3D. You can use this font for any purpose like poster, sticker, vintage design, or anything. This font also support multi language.

Basic Commercial is a font based on historical designs from the hot metal typeface era. It first appeared around 1900, and was created by type designers whose names have not been recorded but whose skills cannot be overlooked. This typeface's design has been popular among groups and movements as diverse as the Bauhaus, Dadaism, and the masters of Swiss/International-Style typography. It influenced for a variety of later grotesque fonts, such as Helvetica and Univers. Basic Commercial was distributed for many years in the United States under the name Standard Series. The typeface worked its way into many aspects of daily life and culture; for instance, it became the face chosen for use in the New York City subway system's signage. The Basic Commercial's font family members have a clear and objective design. Their forms exhibit almost nothing unusual, but remain both lively and legible nonetheless. Perhaps for this reason, Basic Commercial's design has been popular with graphic designers for decades. To read more about the history of typefaces like Basic Commercial, visit our font feature, The Sans Serif Typefaces. In addition several weights of this typefamily are available as soft rounded versions."

Fer is a sans-serif font for body text, not lacking in its own distinctive voice. The aftertaste of reading the text set in Fer is like reading the letters on old rusty plates somewhere in Southern Europe, hence the name (Fer means iron in French). Being a modern system that includes a variable font with weight and optical size axes, Fer combines the features of geometriс sans serifs and old sans serifs with closed apertures. The typeface contains three sets of styles: for captions, text and headings, — with the weight ranging from regular to black. Fer was created with the idea to unite nations. The Latin character set supports all European languages, most African languages and Vietnamese. Cyrillic has support for all living Cyrillic languages and some obsolete characters too. The font also supports the Greek language. Additionally, the character set includes currency signs of all supported languages’ countries, old style, lining, tabular and proportional figures as well as numbers in squares and circles. Lastly, the font has lots of localized letterforms and stylistic sets. Fer was designed by Dmitry Goloub for Paratype in 2020–2023.

Burobu, in case you’d like to know, means ‘blob’ in Japanese. I thought it was quite an appropriate name for this blob-like font! Burobu is a messy font and comes with a generous helping of jittery, jumping glyphs, exaggerated strokes and over-the-top arms, ties, bars and counters. Comes with an ultra-cute blob dingbat font and copious amounts of diacritics.

Klaud is our new slab serif family with 14 styles. It is compact, stable typeface that's carefully designed to suit in every possible situation where an working horse typeface could be used. Klaud is good balanced, visually equalized family that looks and feels smooth in longer texts and paragraphs, but works well in headlines also cause it's gentle decorative letter parts. Strong look is achieved by more squared then rounded characters design. As mentioned, Klaud is perfect to fit into any designer's project – from editorial use as the main typeface to situations where you are looking for a couple of words only like posters or packages. It is fully legible and versatile as web font also. Klaud is offered with OpenType features like Numerator, Denominator, Fractions, Small Caps, Oldstyle Figures, Lining Figures, Standard Ligatures, Case Sensitive Forms, Arrows, Alternate Annotation Forms.

An elegant and charismatic look is a very suitable nickname given to this font. Thunder Kingdom is a character All-caps font, that comes with variations on Uppercase making this font perfect, comes with ligatures and Multilingual support for use in multiple languages. This font is perfect for fantasy, action, and adventure genre film titles like the picture above. I hope you like this one work.

Neon Bugler is a font based on the third logo created by Harry Warren in early 1975 for his sixth grade class newsletter, The Broadwater Bugler, at Broadwater Academy in Exmore, Virginia, on Virginia’s Eastern Shore. This font design has these principles as its parameters: The letters generally follow what would be natural stroke directions; no sharp corners, all gentle turns; no lines back up over each other, cross each other, or run into each other. All of this civility between the lines produces an unintentional but welcome neon quality about it. This font can have a variety of vibes depending on its context--it has a certain nostalgia to it, yet it also has a slick, clean, futuristic look. It can even be used in a semi-grunge setting. This is a very versatile font! And if you like this font, check out the new boxy version of it, Neon Bugler Squared! Digitized by John Bomparte.

This set of initial decorated letters is an entirely original creation, drawn inspired by Italian renaissance engraver Vespasiano Amphiareo's paterns published in Venice circa 1568. It contains two roman alphabets : the first of large Initials, the second of small caps. Both containing thorn, eth, L & l slash, O & o slash. It can be used as variously as web-site titles, posters and flyers design, publishing texts looking like ancient ones, or greeting cards, all various sorts of presentations, as a very decorative, elegant and luxurious additional font... This font is conceived for enlargements remaining very smart and fine. The original height of the initials is at least about one inch equivalent to about four lines of characters, small caps may have the same height than the caps of the font used with, but cover two lines is better. This font may be used with all GLC blackletter fonts, but preferably with "1543 Humane Jenson", "1557 Italic", "1742 Civilite", "1776 Independence" without any fear for doing anachronism.

A decorative display font great for large header-like usage. Available design only with versals caps.

Created from real hand-painted letters, this font is designed to look like a painted sign.

The XStellaStern group consists of five fonts of stars, star-like pictures, and derivatives of them.

Scorno is a geometric sans serif that offers a high legibility also in the lighter weights. Scorno is ideal for sports and technology. The shape of its letters makes it different from most geometric fonts, making it suitable for branding, magazines, catalogues and much more. Scorno is available in nine weights, from thin to heavy plus matching italics and it comes with open type features like old style and lining figures, ligatures, numerator, denominator, scientific figures, and fractions. What’s more, it also features the bitcoin symbol in the currencies set.

DSType proudly introduces BRAGA, an exuberant baroque typeface, named after a portuguese city, also known as the baroque capital of Portugal. Our latest typographic extravaganza comes with a multitude of fonts designed to work like layers, allowing to insert color, lines, gradients, patterns, baroque, floral swashes, and many other graphic elements. Starting with Braga Base, you can add any of the twenty-three available styles, to create colorful typographic designs. Be sure you check our detailed specimen, showing all the features and how to use this type system.