Corporate design and branding across global markets requires a universal typographic identity. The timeless, world-famous classic Neue Helvetica® typeface is now available as World fonts in the six most important styles. With support for a total of 181 languages, Monotype’s Neue Helvetica® World typeface family is suitable to meet the typographic and linguistic demands of large international brands, corporations, publishing houses, and software and hardware developers. Neue Helvetica World’s language support covers the pan-European area (extended Latin alphabet, Cyrillic and Greek) as well as Arabic, Hebrew, Armenian, Georgian, Thai and Vietnamese. The Cyrillic alphabet contains not only the standard options, but also the complete Unicode block u+0400. In addition, a large number of new global currency symbols have been included such as the Russian ruble, Turkish lira, Indian rupee and Azerbaijani manat. Neue Helvetica World is offered as OpenType font with TrueType (.ttf) or PostScript CFF (.otf) outlines. The files size are reasonably small, ranging from 140 to 270 KB depending on format and style. The uprights each include 1708 glyphs and the italics have 1285 glyphs (some scripts, such as Arabic, do not have an italic design). Typeface pairings for further global support Should the language support of Neue Helvetica World still not be sufficient for your markets, there are numerous other typefaces available which perfectly complement Neue Helvetica World. These are our recommendations for South and East Asia languages: - Devanagari: Saral Devanagari - Japanese: Tazugane Gothic or Yu Gothic - Korean: YD Gothic 100 or YD Gothic 700 - Simplified Chinese: M Ying Hei PRC or M Hei PRC - Traditional Chinese: M Ying Hei HK or M Hei HK Please contact a Monotype representative for other pairing recommendations or typographic consultations.

JulianaJoy is a condensed elegant sharp serif typeface for headline display and text use. Several alternate characters are included with this original font design.

Display Roman JNL is derived from examples of some vintage sign letters, and features a condensed style with somewhat square letterforms and slab serifs.

Auxilia is a geometric sans serif font with a bit of humanist feeling, comes with various weights and condensed width for all purpose design.

Framingham JNL is a widened version of Nostrand JNL that takes on a new look quite different from the original condensed wood type design.

Introducing Blonden: A condensed sans-serif font that fuses modernity with streamlined efficiency. Blending style and compactness, Blonden brings a dynamic edge to any design. Experience the sleek versatility of Blonden's condensed form, perfect for making bold statements in tight spaces. This typeface is ideal for greeting card, packaging, brand identity, poster, or any purpose to make your design project look eye catching and trendy. Feel free to play with this typeface!

Sorren is a definitive bold condensed sans influenced by neo-grotesque designs. A relatively low stroke contrast complimented with sharp, horizontal stroke ends lend an unyielding appearance, while it’s rounded forms and refined curves juxtapose its inherent strength with grace. Stylistically, Sorren has a classic, timeless feel with a contemporary finish and attention to detail. It is characteristically more elegant and considerably sturdier than the typical condensed sans, lending to its singular disposition.

A contemporary interpretation of the famous DIN typeface. Regular style suits for long texts, while Light and Bold variations work well in large sizes. The typeface includes 24 styles: 6 upright and 6 normal-width italics, as well as 6 Narrow and 6 Condensed styles. The typeface was designed by Vasily Biryukov and released by Paratype in 2015. The set of Condensed styles was added by Alexander Lubovenko and Isabella Chaeva in 2022.

Nevoa is a typeface inspired by the vernacular calligraphy from the streets of Brazil. While walking in the streets of some small towns, I felt so inspired by those rounded letters painted on the walls. That is what inspired Nevoa. Nevoa is a soft and smooth serif typeface, with dynamic curves. It is available in Condensed, Semi Condensed, Regular, Semi Extended and Extended to adapt to various uses, such as visual identity, magazine, branding, ...

Thin, Ultra Condensed, Burned. Bonewire is distressed, shaky, rough, hand drawn. Title with it. Create graphics with it. Create patterns with it. Backgrounds. Frontgrounds. Double page spreadgrounds with it. Design with it. Headline with it. Text copy with it… no. Let it disappear like a signal at small sizes with Bonewire Burned (some call that Thin, or Ultra Condensed?) Bonewire Regular is the heavy version and Burned is the vampire thin version.

Geogrotesque Expanded Series comes in three widths: Wide, Extended and Expanded, that go between 120% and 200% of the normal width. Since the original Geogrotesque is slightly condensed, the Wide family becomes a good option for texts. Whereas the Extended and Expanded are ideal for display sizes. With the inclusion of the Expanded Series and the preceding Condensed ones, the Geogrotesque super family is now a complete widths system. For more details see the PDF.

Anguita Sans is a condensed sans serif font family of 8 weights with matching italics- 16 styles in all. The font is characterized by rounded terminals, a large x-height and a condensed structure, which allows you to create a good vertical rhythm. Anguita Sans is a stylish and versatile typeface perfectly suitable for a wide range of applications- especially titles and short lines of text, in both print and digital media.

Hello friends! The 'Wolfie' font family is coming; a dynamic and new vintage feel. It's perfect for branding, logo, packaging, header, title, etc. Wolfie is great if you pair it with an 80s illustration, it will make the design even more dope. Wolfie are available in 3 Widths (Condensed - Ultra Condensed - Normal) with matches 5 weights (Light - Semi Light - Regular - SemiBold - Bold) total 30 fonts and support for 75+ language. Happy creating :)

Hyugos is a condensed type of font that has a different character from the previous condensed font, Hyugos has a strong but soft character, with a cheerful and fresh theme, supported by 24 choices of font types. Hyugos is able to answer your current needs who are designing something great. Its weight is superior in posters, social media, headlines, magazine titles, clothing, large print formats - and wherever you want to see it.

Core Label is a condensed sans serif font. You will be able to manage a lot of information into limited spaces with Core Label. Its highly legible even in condensed forms and also clear at small sizes. Supported codepages are MS Windows 1252 Latin1 and MS Windows 949 Korean consisting of 11,172 Korean letters and Symbols, except Chinese. This Type-face is good for narrow spaces such as Labels, Books and so on.

Gambler is a characteristic display type collection of 7 font styles with both clean and textured -making it total 14 fonts designed to play together. Gambler strikes with witty and elegant appeal combining vintage and modern elements. Gambler is an effective set for creating identities for branding, posters, book covers, headlines, logotypes, prints on garments, restaurant menus, beer labels and so on, both offline and online. Gambler Script is a smooth contrasted script that comes in two weights and it is packed with plenty of OpenType features: Standard Ligatures and Contextual Alternates are automatically on and they help to keep the flow and connections smooth. From Stylistic Alternates you’ll find characters with pointed endings and some other small variations. For extra flair try Swash or Titling Alternates. Gambler Script is PUA encoded so you can access the extra characters in most graphic design softwares. Gambler Brush is a soft brush script with low contrast and large x-height. Gambler Brush comes with following OpenType features: Standard Ligatures and Contextual Alternates that are automatically on and that keep the connections smooth. For less uneven word picture try Stylistic or Swash Alternates. Gambler Brush is PUA encoded so you can access the extra characters in most graphic design softwares. Gambler Flare is a flared serif with sharp edges and wide characters Gambler Flare comes in two weights. Gambler Gothic is a rigid condensed sans serif that comes in two styles: Regular and Shadow. Gambler Gothic Shadow has a narrow lining giving a three dimensional expression to the font. Gambler fonts are designed to play together, in pairs, or all together but they also work great as themselves or combined with other Fenotype Fonts.

This font was inspired by the lettering on a shop sign along a very classy shopping street in Bordeaux, France. There were similar styles among mid-nineteenth century types.

Bonita is a bold handlettering style based on movie poster lettering from the early 20th century. It's similar to the typeface Broadway, but much bolder and far less formal.

For many centuries, Chinese cut paper designs have been in common use. Floral Ornaments was inspired by these floral cut paper designs and contains a selection of 114 ornaments.

This font was inspired by Claude Garamond antique. The original set of letters from 16th century is enlarged by several characters that were not in use in that time.

A style example found within the pages of a vintage type foundry catalog inspired Case Lot JNL. The design is a classic early 20th Century sans with chamfered corners.

Dreamland is a bold, top-heavy style inspired by mid-20th century poster lettering. It has a lower case and is quite informal. Featured in: Best Fonts for Logos

Happy-Go-Lucky is my interpretation of an antique typeface of the nineteenth century. The font includes upper and lowercase alphabets, numbers, punctuation, accented characters, symbols, and miscellaneous characters.

The typeface family TV Nord is based on the corporate typeface NDR Sans which was developed by Elsner+Flake for the Norddeutsche Rundfunk (www.ndr.de) between 1999 and 2001. This new design came into being as part of a complete overhaul of the visual image of the NDR. This became necessary because the NDR, founded in 1954, incorporated the stations of the East German states Mecklenburg-Vorpommern (1992) and Brandenburg (1997) after the re-unification of Germany. The Hamburg advertising agency DMCGroup developed a new and unified image for the NDR which is in existence to this day. The typeface TV Nord relates to the design of the Trade Gothic and similar American sans serif typefaces of the early part of the last century. Its development concerns itself as much with good legibility for print, as it does for the reproduction on TV screens, which among others, is achieved through its high x-height. The logotype for the NDR as well was developed from the capitals of the NDR Sans. In 2014, the TV Nord was revised stylistically and expanded to incorporate all European-Latin languages. As part of this effort, further complementary cuts were added.

Created by Swedish designer Bo Berndal in 1999, Linotype Dala Text can best be described as a softer, friendlier blackletter. Blackletter refers to typefaces that evolve out of Northern Europe's medieval manuscript tradition. Often called gothic, or Old English, these letters are identified by the traces of the wide-nibbed pen stroke within their forms. Linotype Dala Text most resembles the fraktur type of blackletter. Fraktur types were popular text faces in Northern Europe until the 20th century. Inspired by Swedish folklore, this fraktur is much softer and rounder than most examples. Its connection to the Scandinavian folkloric tradition makes Linotype Dala perfectly suited for such texts as fairy tales, medieval stories, and other things that might appeal to a child's sense of adventure. To strengthen the medieval fairy tale look, use Linotype Dala Text together with other elements of the Linotype Dala family: Library's Linotype Dala Pict and Linotype Dala Border. The characters in these two supplementary fonts were inspired by medieval and renaissance folk art, and were also drawn by Bo Berndal, making them a perfect match. All three styles of the Linotype Dala Family are part of the Take Type 4 collection from Linotype GmbH."

Speakeasy is a 5-font combo thematically built as a toolset for designing menus and liquor labels as well as coffees, restaurants and signs when the desire is to communicate with style. Originally put together to be used by the most famous speakeasy in Buenos Aires, this set contains a script, a minor (almost flat) wedge serif, a flare serif, a sans serif, and a bold Didone. The seed for the script was found in a German lettering book, and the other fonts reflect the familiar advertising and announcement styles of the early 20th century. The Speakeasy script comes with two different ways to connect the letterforms. Also included are many alternates, swashes, endings and flourishes — all accessible via OpenType features or glyph palettes. Speakeasy Modern and Speakeasy Flare are small cap fonts, and come with a few alternates. Speakeasy Sans and Speakeasy Gothic come with full sets of majuscules and minuscules, but contain small caps and a few alternates as well. A few rules and ornaments are also sprinkled throughout the set. This combination of fonts worked wonderfully for the project that called for it. Hopefully it will work just as well for your project.

Varial typefaces are extra-condensed Opentype™ sans-serifs with small caps, extended character set (european languages support) and extra features (fractions, ligatures and alternatives).

Handmade Roman JNL is a simple and clean serif design. Perfect for headlines or titles, this condensed serif font gets attention without being overly formal.

Cattleman JNL is a reinterpretation of a classic ultra-condensed wood type in the French Clarendon style often associated with Western-themed fliers and posters.

Kumachi is an ultra condensed font with a stamp style, and is perfect for logos, name cards, magazines layouts, headers or oven large scale artwork.

Varial typefaces are extra-condensed Opentype™ sans-serifs with small caps, extended character set (european languages support) and extra features (fractions, ligatures and alternatives).

Loftie is an all caps, condensed sans serif font with beveled corner characters. The font is ideal for headlines, titles, branding, small blocks of text.

Dynatron is a bold condensed retro-style font inspired by the old sci-fi comic covers, an example of which I have mocked up here.

Modeled after an image of an almost complete set of Latin Condensed wood type, Cattle Trail JNL is available in both regular and oblique versions.

A semi-heavy face slightly condensed, inspired by the Germanic & European type fonts. Applications include captions, packaging, invitations, cards, posters, ads, book jackets, and manuals.

Cohoba is a chunky condensed sans serif. Cohoba is loud and proud. It comes with a handful of discretionary ligatures. Cohoba is fun and versatile.

Boheld comes with 6 different style variations such as Sans, Serif, Bold, Condensed, and Inline. It is inspired by classic labels, tickets, posters, and more.

Pleasant Hand is designed as a condensed hand-lettered font. The family is casual and informal and is ideal for use in conveying these qualities.

The PL Fiorello Condensed font has a Latin influence and has been used to set headings on novels and posters relating to suspense and crime.

This Dingbat font is designed to work well with the Van Condensed family. The dingbats in it have the same round treatment like the typeface.