This whimsical wonder is based on the lettering of Laurence Schall, as presented in Lewis F. Day's 1910 classic, Alphabets Old and New. The typeface radiates a charm reminiscent of the works of many talented artists (including Howard Pyle and Arthur Rackham) who illustrated children's books around the turn of the twentieth century. The Opentype version of this font supports Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.

Amecane is a mecane. (Mecanes are slab Fonts) inspired by old style typography introduced in the early nineteenth century. Amecane is a slab serif font - designed by Loïc Choquet. The Amecane font family consists of 16 fonts, 2 widths and 8 weights, with italics. Well-suited for editorial projects, logotypes, posters, packaging, etc. The font contains 348 glyphs with a wide range of flexibility for Latin language support for every typographical needs.

Rodfat is a gorgeous, old-timey display font with a modern feel! Inspired by the industrial revolution, It will bring back the early days of the 20th century. This collection comes in two styles: One and Two. It is possible to be paired perfectly when used together. Perfectly suited for any display use. It could easily work for design product names, posters, signage, packages, logos, labels, and eye-pleasing typographic designs and more.

From the mid -17th century, new commercial writing styles emerged which clear showed the influence of pen-crafted calligraphy. A traditional pen-formed flowing script as the “Citix” font, may be suitable for commemorative letters, invitations cards and the most elegant visual communications projects. This font comes with three different kinds of capitals, regular and swashes to choose from, a full set of stylistic alternates, standard and discretional ligatures. Old style numerals, ornaments and tails.

Ornata B is the second of a series of old ornaments that I am trying to save from oblivion. I am not just scanning these, I am completely redesigning the ornaments from scratch, thereby eliminating imperfections. These ornaments have been first designed by the Elzevier printer family from the Netherlands. The designs date back til the 17th century and I think they just had to be saved. Your digitizing type-designing savior, Gert Wiescher

"Draughtsman Label Hand" was inspired by the beautifully executed hand-lettering one set of 19th century engineering drawings. The result is a typeface that combines great legibility with a wealth of decorative flourishes and lively touches of fun. The typeface includes a range of stylistic alternated, ligatures, small and petite capitals, old-style and lining numerals. Draughtsman Label Hand is designed to take full advantage of the capabilities of the opentype format.

Based on Roman lapidary writing from 2nd century BC.

Schotis Text is a workhorse typeface designed for perfect reading on running texts. Its design is based in Scotch Roman 19th-century style but designed from scratch, with a more contemporary and not nostalgic look. It has seven weights plus matching italics, with 1100 glyphs per font, with a very extended character set for Latin based languages as well as Vietnamese, and shows all its potential with OpenType-savvy applications. Every font includes small caps, ligatures, old-style, lining, proportional and tabular figures, superscript, subscript, numerators, denominators, and fractions. The Scotch Romans were one of the most used letters during the 19th and early 20th century, but they don’t have their own place in the main typographical classifications. They appeared at the beginning of the 19th century with Pica No. 2 in the catalog of William Miller (1813) and assumed the British route towards high contrast and vertical axis modern Romans. In fact, they were called just Modern. In opposition to the continental route of Fournier, Didot, and Bodoni, the English way opted for a wider, more legible letter also resistant to bad printing conditions. The name Schotis comes from the misspelling of Scottish that gave the name to a popular dance in Madrid in the 19th-century. It first was called Schotis and today is knows as Chotis.

Wallington Pro is a decorative-serif font embodying vintage and elegant curves with functional structure. Style is adopted from Old English cultures with their descendants around mid-12th century and Art nouveau in 19th century, it was inspired by natural forms and structures and the curved lines. Crafted with love and easy-to-read letter design. Wallington Pro consists of 721 glyphs including 268 unique ligatures, 30+ catchwords and 10 stylistic sets. All glyphs are divided into several OpenType features such as Ligatures, Contextual alternates, Old Style Numeric and some astonishing special characters that allows you to mix and match pairs of letters to fit your design. This variety encourages unusual and extroverted creation in lettering design. The typeface offers numerous combination possibilities between the basic glyph set and stylistic sets.The stylistic sets are alternate alphabets that you can access by using OpenType savvy programs such as Adobe Illustrator, Adobe Photoshop CC, Affinity Designer, CorelDraw or Adobe InDesign. Wallington is an experimental and versatile font. Suitable for digital lettering, prints, logo, poster, t-shirt, packaging and applicable for some type of graphic design.

Duct tape is one of the most versatile adhesive materials known today. From fixing the bumper of your car that keeps falling off, to creating a sturdy wallet. From alternative wrapping to sticking a friend to the wall, Duct tape is there. And it will stay there. It will stick to anything and hold for a very darn long time too! The cloth-backed tape was invented some time during World War II, and also proved itself useful as a base material for lettering. VLNL Duct was originally designed by DBXL as a logo for temporary Amsterdam restaurant BAUT. DBXL imagined an owner taping the name on the window of his shop using Duct tape. The font was used for all communication of the restaurant. Duct is a sturdy, rough all-caps typeface that will stick to anything.

Refita, is a wedge serif font that is sure to stand out! A little bit retro and a bit modern, Refita. is great for logos, editorial or web design. The unique sharp serifs mixed with thin strokes give off a bold mid century architectural vibe. This modern serif typeface features serifs. Perfect for gorgeous logos & titles, The Refita will pair beautifully with many fonts and work well with whatever project you're working on. Uppercase Lowercase Numbers & Punctuation That's it! If you have any questions at all , feel free to pop me a private message , I'm always more than happy to help you along :) Happy creating! Hanief Studio

Brovile, is a wedge serif font that is sure to stand out! A little bit retro and a bit modern, Brovile. is great for logos, editorial or web design. The unique sharp serifs mixed with thin strokes give off a bold mid century architectural vibe. This modern serif typeface features serifs. Perfect for gorgeous logos & titles, The Brovile. will pair beautifully with many fonts and work well with whatever project you're working on. Web font Uppercase Lowercase Numbers & Punctuation That's it! If you have any questions at all , feel free to pop me a private message , I'm always more than happy to help you along :) Happy creating! Hanzel Studio

Gemini Cows is the perfect funky, retro, bubbly font family! It includes every style you'll need to create a comprehensive website, clothing brand, poster, label, sticker, art cover, or any other graphic! This typeface is great for any project that needs both boldness and femininity. It comes with seven fonts, including Great for any projects needing a retro or throwback feel, restaurant menus, along with book, movie, and album covers. It has a feminine and juvenile feel simultaneously and can be layered for cool effects. It also has swash alternates to give your words some flare :) It has 460 glyphs, supporting a variety of languages!

"Sambia" is a geometric sans-serif, straight, extra condensed, monoweight font, accidental with sharp corners and closed aperture. The font family consists of regular and bold fonts. Typeface is great for headlines, logos and posters. The typeface is inspired by the Bauhaus style and tributes to the first half of the 20th century era. It has concise rounded forms, geometricity and a small letter-spacing. - Uppercase and lowercase letters - Numbers, punctuation and symbols - Multilingual support (Latin, Latin Extended, Cyrillic) - Support for more than 20 languages: Albanian, Belarusian, Bulgarian, Croatian, Danish (Norwegian), Estonian, Finnish, German, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Moldovan, Portuguese, Russian, Slovak, Slovenian, Spanish, Swedish, Turkish, Ukrainian and others

Massive moon is headline font with a retro feel transports readers to a bygone era, invoking nostalgia and charm. Its bold strokes and quirky serifs harken back to the golden age of design, reminiscent of vintage posters and classic advertisements. The typeface exudes a timeless appeal, seamlessly merging the flair of yesteryear with modern readability. Each character carries a sense of character, mirroring the craftsmanship of mid-century typography. The warm color palette and slightly distressed texture further amplify the retro vibe, adding a touch of authenticity. This font doesn't just convey information; it tells a story, bridging the gap between the past and present.

Waddle is inspired by the playfulness of mid-century jazz albums, opening title sequences and movie posters. Friendly, rounded, slightly roughed, with a bouncy baseline, this unique typestyle boasts a generous number of glyphs and ligatures across all three weights. Waddle Thin is perfect for body copy and is both fun and elegant. Waddle Plump has been designed for bold headlines and titles. Waddle Regular is an ideal all-rounder. Combine the Waddle Family for maximum affect the next time you need to get a playful and positive message across to an audience of any age. Not too kiddy, not too serious ... just right.

Frank-Rühl (or Ruehl) is the ubiquitous Hebrew text font style. There are many fonts that belong to this style, and all are based on an early 20th-century design by Raphael Frank. Some of the fonts are actually called Frank-Rühl (or Ruehl) and some are not. It was originally designed in a single weight. Bitstream developed Frank Ruehl for the Microsoft Windows operating system. The font is encoded with a Microsoft defined Hebrew character set, Hebrew Code Page 1255. Within the TrueType fonts, the characters are assigned Unicode character IDs. The font includes Hebrew characters, and Latin glyphs from Dutch 801 bold.

Rahere Informal is a slab semi-serif typeface that has a seriously charming personality and a little spring in its step. Serifs bend and flick, giving the characters a spirited, almost calligraphic feel. It's lively and friendly without being whimsical, great for messages that need a casual but credible tone with a bit of zing in the mix. Rahere Informal is suitable for a wide range of applications such as information signage, packaging, advertising, brochures, catalogues, screen text, visual identities and opera festivals. Want an annual report that pleases the board, shareholders and investors? Set it in Rahere Informal - that’ll put a smile on everyone’s face. The family comes in six weights from light to extra bold with corresponding italics. The lighter weights are more delicate, an evenly-spaced flamboyance of flamingos basking in the sun. As the weights get heavier, characters transform into a tight-knit group of line dancing rhinos. All styles contain a set of swash caps, a few ligatures and alternatives. Nice. The character set covers most European languages plus Vietnamese. Each weight contains lining & non-aligning numerals in both proportional & tabular spacing. The tabular numerals share the same width across all weights and styles (matching Rahere Sans and Rahere Slab). If a companion sans serif is needed, Rahere Sans is the ideal partner. They are both part of the extended Rahere typeface family and have been designed to complement each other. Seriously charming, charmingly serious. Seriously, what more do you want from a typeface? Rahere, founder of St Barts in London The typeface is named after Rahere, a 12th-century Anglo-Norman priest, who founded the Priory of the Hospital of St Bartholomew, London in 1123. In 2007 I was successfully treated at Barts for relapsed testicular cancer so I’m indebted to all the doctors, nurses and support staff who work there. A special shout out to Orchid Cancer – a UK charity that helps men affected by cancer – who funded the research for my treatment.

Yxlofon is a 21st century display typeface with a flavor of 20th century modernism. It should be used in large sizes on posters, leaflets, book covers, disk covers, etc. It suits anything modern, experimental or futuristic in art, architecture, literature or music.

Volta is a robust typeface from the 1950s. A revisit to styles that were en vogue at the turn of the century, Bauer type foundry designers Walter Baum and Konrad Bauer designed this type family in1955. The form of Volta's letters are similar to those in New Transitional Serif typefaces, like Cheltenham and Century. Developed after the Didone (i.e., Bodoni) style types, New Transitional Serifs speak more to the zeitgeist of the late 19th Cntury, and were typographic adaptations to it's newer technologies. Already in the period of mass production, typographers and printers at the dawn of the 20th Century had to cope with larger print runs on cheaper materials. The robust letterforms of New Transitional Serifs were designed to compensate for this, but they were also ingenious little inventions in their own right. Form the beginning, the new, peculiar forms of New Transitional Serif letters were adopted for use by advertisers. Their robustness also allowed them to be used in virtually all sizes. Volta was designed especially with advertising display usage in mind. The x-height of Volta's letters is higher than average for serif faces. It is recommended that Volta be used exclusively for shorter tracks of text, above 12 point. Headlines look dashing set in Volta. Four different font styles are available for the Volta typeface: Regular, Medium, Medium Italic, and Bold."

Yardbird, insinuating prison numerals, was lifted from a wooden block print poster press, that would have indeed besides providing dates for the local carnival would have just as easily ink-chucked them over the backs of those denim blues. Part of Market LTD, a collection of limited faces, mostly alpha-numeric and some just plain numeric, used primarily in retail and display situations and titling.

Lumierre Bear is playful font family which puts a smile on your projects and will inspire you to create something fun and memorable. It is perfect for headings, flyer, greeting cards, product packaging, book cover, printed quotes, logotype, apparel design, album covers, etc. . Includes: – Lumierre Bear OTF – Lumierre Bear Doodles OTF Features: – Multilingual Support – PUA Encoded – Numerals and Punctuation Thank you for downloading from Ocean Stud.

This pale face -- a Byronic offering from the disaffected youth section of our library -- will provide that slightly sad, sunken eyed feeling most closely associated with Doc Martins, heavy crosses and clothes as black as the blaquest heart... so if you're looking for tragic tramp stamp typography, we think our tattoo parlor maid to wear font will provide just the right amount of Goth Chic.

Great ultra bold sans serif font and demi bold wonderful for display.

Blackletter typefaces, also known as Gothic, Fraktur, or Old English, have been used in the headings and initial chapters of books. This style of typeface is recognizable by its dramatic thin and thick strokes, and in some fonts, the elaborate swirls on the serifs. Blackletter typefaces are based on early manuscript lettering and evolved in Western Europe from the mid twelfth century. They are best used for headings, logos, posters, and signs, as they are not easy to read in body texts. Blackletter was type that emulated the most common handwritten scripts of the era and was used for books of hours and initial chapters of books Brazilian type designer Paulo W created this font ideally suited for advertising and packaging, festive occasions, editorial and publishing, logo, branding and creative industries as well as poster and billboards. An elegant and clean typeface, with two harmonic blackletters styles, the bold lowercases with beaufitul ornamented initials. A classic decorative design around an antique theme: The headings of gothic texts, this font works great in display purposes. ENJOY