Letuncial is a sans-serif typeface in which the shapes of the letters are derived from uncial, a writing style in the early medieval period. Like uncial, it has no true upper-case letters. Rather it has two sets of letters that are interchangeable. Fonts Letunical Inline Overlay-Middle and Letunical Inline Overlay Inside are designed to be layered with Letunical Inline to produce bicolored or tricolored letters and Letunical Shadow Inside is designed to layered with Letunical Shadow to produce bicolored letters.

Rikon is a modern Sans Serif Family designed by Joël Carrouché and available in six weights, from Thin to Black. With its simple yet original letter shapes, this family displays a strong personality and will really shine in branding or titling applications, while being legible enough to endure longer texts and smaller sizes. The fonts are available in OpenType format, and include diacritics for most European languages and a selection of OpenType features (two stylistic sets, case sensitive forms, tabular figures...).

Marseille is an Art Deco-inspired typeface which is based on Louise Fili’s iconic cover design for the hauntingly beautiful Marguerite Duras novel, The Lover. The font is available in six irresistible weights: thin, light, regular, medium, semibold, and bold. Each weight features both caps and lower case, and supports over 200 languages. Marseille will satisfy all your typographic needs, from book jackets to monograms to packaging, logos, and even wedding invitations—timelessly elegant, with a distinctive flair that exudes La Belle France.

Minute is a handwritten font with 2 glyphs for each upper and lower– case letters as well as 2 glyphs for each digit, for a natural hand-done look. There are yet clever stylistic alternates that can instantly surround the word with lines that look somewhat like a shining or blinking effect: just put the desired word between parenthesis and turn on the Stylistic Alternates feature. Or manually pick the glyphs, if you prefer. Everything will look great in this Minute​!​ You bet!

Mailbox Letters Two JNL is the second typeface from Jeff Levine inspired by metal lettering used on mailboxes and homes. Each cast letter or number sat on a lower "rail" which was then slipped into a slot that held them firmly in place. Jeff's Inventory JNL looked close enough to the original type style to use as a model for this font, and for typographic purposes there are certain punctuation and other glyphs that "float" above the rail. Limited character set.

Dress Quote is obviously a wordplay - and I did my best to be funny, coming up with that name. I also did my best to do a funny font. I'll let you be the judge of my success - but personally I am satisfied with my performance in both cases! :) The Regular version is a set of steady, yet kind of rugged letters, while the Outline version is ... well, the same kind og rugged letters in an outlined version! :) Multilingual support is included!

Changa is a layered font intended for titles or short texts blocks, with its short ascenders and descenders and a set of lowercase letters inscribed within a square. The uppercases case gains slightly more in height and develops its morphology in a single height in order to make it possible to create text composition with minimum line spacing. Its counter-shapes are rectangular, featuring small curvatures in opposite vertexes which accompany and break the shapes, thus evoking a modern style.

Monotype Caslon Titling was made available for hot metal casting in 1932. The capital Monotype Caslon Titling letters were based on types from the Stephenson Blake Foundry, previously the Caslon Foundry. Originally designed by William Caslon in the eighteenth century, Caslon is considered an old face although it has characteristics which were later found in the transitional typefaces. The Monotype Caslon Titling font has a distinctive style, generous width and strong color, ideal for use in advertising, magazines and on book jackets.

Pelagic Bird is a unique ligature font. Clean, delicate, classic. Available in upper and lower cases with numeric, symbol, punctuation, and multilingual support. Pelagic Bird will be perfect for many projects: logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, or whatever project you’re working on. WHAT’S INCLUDED? Uppercase & lowercase letters Numbers, punctuation Ligature & Huge Stylistic alternate Multilingual support. Still got a question? Send me a message and I’ll be happy to answer! qura.yahya@gmail.com

Korey Sister is a beautiful brush font, a contemporary approach to design, this is intentionally made by hand to make it more natural and attractive when used in your design. Suitable for use in title design. Such as clothing, invitations, book titles, stationery designs, quotes, branding, logos, greeting cards, t-shirts, packaging designs, posters, and others. Korey Sister includes a complete set of upper and lower case letters, and multi-language support, numbers, punctuation, and also has Alternatives and ligatures.

Aderyn is a hand drawn, elegant font with a light touch to it. Aderyn is soft and sleek, but also comes in bolder styles to give a little extra oomph to your designs. Aderyn is Welsh for 'bird', a language I meant to master, but never took beyond 'good morning', 'bird' and 'cat'. I know, it's pathetic… Aderyn comes in 12 styles, all of which have kerning, stylistic and contextual alternates for both lower and upper case letters. It even has a smiley!

I have always liked Scandinavian folklore, although I have to admit that I didn’t know about the Fossegrim. Fossegrim is a fiddle or harp playing water sprite - usually friendly, but he has been known to lure children and women in deep water with his music. Fossegrim font is a little bit weird as well: I made it using a broken bamboo satay skewer and Chinese ink. It comes with extensive language support and a set of alternates for the lower case letters.

I really don’t like candy. In fact, I even hate the smell of candy! But… You can wake me up for caramel in any form or shape! When I was a kid, we used to get a tin of wrapped English ‘quality’ toffees for Christmas. My favourites were the big, flat chewy caramels in a bright purple wrapper! Chewy Caramel is a happy handmade font, ideal for book covers, candy wrappers and labels. Comes with double-letter ligatures for the lower case.

Inspired by late 18th century type specimens, Saltpetre is a grounded yet rustic typeface. His letters have been hand-inked with antique dip pens and playfully spaced for a charming, irregular look. In addition to a set of 26 upper case letters, the font includes a variety of period graphics, interlocking decorative borders, numerals, punctuation, currency figures and multi-lingual support. Saltpetre is extremely versatile and excels at display, as well as specialized uses such as cartography and historical reproduction.

I came across a photo of Al Capone and some of his henchmen when searching the internet for something completely unrelated. We don’t have a history of notorious gangsters in Holland, so I was intrigued by Capone all of my life. Packing Heat is 1930’s slang for ‘carrying a gun’, which I thought befitted this handmade font with an early 20th century look. Packing Heat comes with multilingual support and a set of alternates for the lower case glyphs.

The new Clarendon BT Pro typeface family features 450 glyphs in each font with expanded support for Central and Eastern European languages, and enhanced OpenType features including ligatures, diagonal fractions, superscript/subscripts and Case-Sensitive Forms. Clarendon BT is an updated revival of the square serif (also called Ionic or Egyptienne styles) with bracketed serifs, ball terminals and high xheights. These attributes give Clarendon BT a timeless appearance for a wide range of contemporary uses from websites, ads, publications and signage.

Italian type designer Maurizio Osti and American type designer Jane Patterson created this display FontFont in 2003. The family contains 4 weights and is ideally suited for advertising and packaging, music and nightlife as well as poster and billboards. FF Folk provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates.The font was based on the original alphabet created by Ben Shahn in 1940. It comes with proportional lining and tabular lining figures.

British type designer Neville Brody created this display FontFont in 1994. The font is ideally suited for advertising and packaging, music and nightlife as well as poster and billboards. FF Dirty Four provides advanced typographical support with features such as ligatures, alternate characters, and case-sensitive forms. It comes with proportional lining figures. This FontFont is a member of the FF Dirty super family, which also includes FF Dirty One, FF Dirty Seven, FF Dirty Six, and FF Dirty Three.

RF Takt is a condensed geometric grotesque with closed forms of signs. 14 fonts from Ultralight to Black. 878 glyphs and 3738 kerning pairs. 16 opentype features. Multilingual support: Latin, latin extended, cyrillic and cyrillic extended (more than 91+ languages) We have tried to make RF Takt feel as good as possible in the field of graphic design and became a versatile tool for solving a wide range of graphic tasks. The specific feature of the font is that having condensed forms of characters allows you to place a large amount of information in a limited space. RF Takt will be a bright accent in a large size and will keep the readability in a small size. A large amount of opentype features opens up a wide range of options for experiments and original solutions. RF Takt is ideal for poster design, web design, newspaper design, magazine layout and covers, video titles, infographics, logos and branding, packaging, navigation solutions. Opentype features: ligatures, alternative symbols, ordinary and tabular numbers, old-style and old-style tabular numbers, tabular currency signs, fractions and automatic fraction, arrows and alternative arrows, case sensitive forms, upper and lower case numbers, small capitals.

"Hi there, thank you for passing by. Colllab Studio is here. We crafted best collection of typefaces in a variety of styles to keep you covered for any project that comes your way! You want a playful serif font. Something elegant and charming, but still lighthearted , fun and cheerful with a dash of mischief? Introducing The Wickyfest, a playful serif font with a classic tone. If your next project requires a playful touch, you'll love this collection of special characters and features. The Wickyfest style is incredibly well-crafted, resulting in versatile characters that can present a dashing display for your branding designs and ads. For more extravagant projects, try The Wickyfest for children-related graphics, like book covers, movie titles, or posters. Download The Wickyfest Now and make your designs more memorable. String together words that spell out who you are - not just what you do. Sharpen the image of your company or give your online presence a touch of class and charm. Don’t be afraid to let your clients see there’s more to business than just that bottom line. A Million Thanks www.colllabstudio.com

You can download usiful link: Bodrum Sans PDF Type Specimen Bodrum Sans is a sans serif type family. Designed by Bülent Yüksel in 2018/19. The font, influenced by style serifs, popular in the 1920s and 30s, is based on optically corrected geometric forms for better readability. Bodrum Sans is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give Bodrum Sans a harmonious and sensible appearance for both texts and headlines. Bodrum Sans provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Bodrum Sans 14 Regular” forms the central point. "Bodrum Sans" is available in 10 weights (Hair, Thin, Extra-Light, Light, Regular, Meduim, Bold, Extra-Bold, Heavy and Black) and 10 matching italics. The family contains a set of 650+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy in all graphic programs. Bodrum Sans is the perfect font for web use.

"Bodrum Style" is a serif Style family designed by Bülent Yüksel in 20018/19. The font, influenced by serif styles that were popular in the 1920s and 30s, is based on optically corrected geometric forms for a better readability. "Bodrum Style" is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances help the legibility and give "Bodrum Style" an harmonious and sensible appearance for both texts and headlines. Bodrum Style provides advanced typographical support for Latin-based languages. An extended character set - supporting Central, Western and Eastern European language - rounds up the family. “Bodrum Style 14 Regular” forms the central point. "Bodrum Style" is available in 10 weights (Hair, Thin, Extra-Light, Light, Regular, Medium, Bold, Extra-Bold, Heavy and Black) and 10 matching italics. The family contains a set of 650+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs. Bodrum Style is the perfect font for web use. Enjoy using it.

“Bodrum Slab” is a slab serif type family. Designed by Bülent Yüksel in 20018/19. The font, influenced by style serifs, popular in the 1920s and 30s, is based on optically corrected geometric forms for better readability. “Bodrum Slab” is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give “Bodrum Slab” a harmonious and sensible appearance for both texts and headlines. Bodrum Slab provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Bodrum Slab 14 Regular” forms the central point. “Bodrum Slab” is available in 10 weights (Hair, Thin, Extra-Light, Light, Regular, Meduim, Bold, Extra-Bold, Heavy and Black) and 10 matching italics. The family contains a set of 650+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs. Bodrum Slab is the perfect font for web use.

Accia Moderato is a contemporary serif typeface with moderate contrast and large x-height. It will become a great choice for primary body copy. The font family contains 8 weights from Thin to Extra Bold, with matching true italics. It supports extensive language support including Cyrillic, as well as numerous OpenType features such as small caps, ligatures, several sets of figures, case-sensitive punctuation, ordinals. Accia Moderato is a member of Accia Type System. It encompasses five typefaces ranging from sans-serif to expressive serif, giving you the possibility to create sophisticated cohesive designs. Accia Type system consists of Accia Sans, Accia Flare, Accia Piano, Accia Moderato, and Accia Forte.

Introducing Burned Duck, the playful handwritten font. With each character meticulously shaped as if inked by a playful hand, Burned Duck exudes a sense of spontaneity and creativity. The irregular lines and slightly varying sizes contribute to the font's organic and dynamic appearance, making it a perfect choice for those seeking to infuse their designs with a dash of personality and humor. Whether you're designing comic strips, graphic novels, greeting cards, or any other creative endeavor, Burned Duck lends an air of authenticity to your text. Its playful imperfections add character and liveliness, making your words dance across the page as if penned by a skilled cartoonist.

This fine lined display type face was named Allioideae because of the ascenders of the lower cases. They are rising upright with a single stroke and are ending - depending on the font style - into a spherical blossom. The name was chosen concerned to the plant allium, that forms an umbel at the top of a leafless stalk, when it is blooming. Allioideae is the name of a subfamily of monocot flowering plants in the family Amaryllidaceae. The name is derived from the generic name of the type genus, Allium. The wide and round capital letters are showing a nice contrast to the lower cases and giving the font a kind of female feeling. That provides a functional and lovely use in headlines for all beauty and cosmetics issues.The typeface appears in 4 different styles. a plain style – Allioideae, a stencil style - Allioideae Stencil, a (dotted) style for both - Allioideae Dot and Allioideae Stencil Dot. It supports multi language as it covers all the latin diacritics and a cyrillic character set. Lots of numbers as monospaced, lining figuers, old styles, sub- and superscript and many fractions in two different styles are giving a nice finish to that font. Also some matching ornaments are included.

Thertole is a dramatic display font with a strong background. Because of its rock-inspired design, this typeface is dashing and bold for individuals who dare to be distinctive. If you use this font for a variety of outdoor events, you will get an exquisite and unique look. Standard ligatures, character choices, and international language support are also included in this typeface. This font is perfect for games, sporting events, branding, banners, posters, movie titles, book titles, quotes, and more. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a complimentary font family, both for titles and subtitles and sentence text, start using our fonts for your amazing projects.

The Typorium presents a new optimized and enriched version of ITC Ellipse which first appeared in 1996 in the International Typeface Corporation typeface library. ITC Ellipse Neo design has been lightly modified. Three weights have been added (light, Medium, Extra Bold, including Italics) to the original Regular and Bold styles. ITC Ellipse Neo is both modern and classic. Modern in the unusual shape based on the geometric ellipse form. And classic in the structure of some letters like the lower cases c, e, g, o, s. These letters alone could come from a traditional typeface, but they fit perfectly with the atypical rest of the alphabet giving it a present-day and traditional mix. Furthermore, the ellipse shape fits naturally in the italic styles, giving the font an organic and fluid feeling. ITC Ellipse Neo offers OpenType features such as alternate characters for upper and lower case, and an extended accented character set to support many languages. Five weights have been created for each style to offer a wide range of graphic possibilities in a tidy digital footprint. Designer: Jean-Renaud Cuaz Publisher: Typorium MyFonts debut: December 15, 2020 Le Typorium présente une nouvelle version optimisée et enrichie d'ITC Ellipse qui est apparue pour la première fois en 1996 dans la bibliothèque de caractères de l'International Typeface Corporation. Le design de ITC Ellipse Neo a été légèrement modifié. Trois graisses ont été ajoutées (léger, moyen, extra gras, y compris les italiques) aux styles originaux Regular et Bold. ITC Ellipse Neo est à la fois moderne et classique. Moderne dans le dessin inhabituel basé sur la forme géométrique de l’ellipse. Et classique dans la structure de certaines lettres comme les minuscules c, e, g, o, s. Ces lettres pourraient provenir d'une police de caractères traditionnelle, mais elles s'intègrent parfaitement avec le reste de l'alphabet plus insolite en lui donnant un mélange de modernité et de tradition. De plus, la forme de l'ellipse s'intègre naturellement dans les styles italiques, donnant à la police une sensation organique et fluide. ITC Ellipse Neo offre des fonctionnalités OpenType telles que des caractères alternatifs pour les capitales et les bas de casse, et un jeu de caractères accentués étendu pour prendre en charge de nombreuses langues. Cinq graisses ont été créés pour chaque style afin d'offrir un large éventail de possibilités graphiques pour une empreinte numérique rigoureuse.

Kylo Sans is a carefully blended typeface, one-part humanist, one-part grotesque and a small dose of geometric. It takes the essence of three distinct forms to create a unique, readable typeface with an exact and understated personality. Additionally, the design process includes a hand-eye adjustment to three master weights, giving a greater range of usability across text layouts. Kylo Sans remastered to version 2.0 for improved OpenType features and usability. Details include six weights and italics, over 700 characters with alternative lowercase Q, a, g, l and y. Open type features include six variations of numerals, small caps, ligatures, and language support covering Western, South and Central Europe.

Named after Italy’s northernmost region, Alto Adige is a high-contrast display serif typeface. With its condensed width and bold contrast it is excellent for headlines, packaging, magazines, posters and advertising, among any other display use. Alto Adige has large x-height making it a steady choice for sturdy text blocks with tight leading. In large sizes, you can also try tighter tracking for maximum impact. Alto Adige comes with a set of OpenType features: Contextual Alternates and Standard Ligatures are automatically on for certain character pairs. In addition it has over 50 alternates for display capital initials, set in Swash, Stylistic and Titling Alternates.

It occurred to me years ago that the graphic arts community might find useful a digital typeface that mimicked the classic look of nineteenth-century handwriting. Conveniently, my mother then still volunteered at the Center for American History at the University of Texas at Austin, my hometown. She made copies of the letters of a few famous Texans -- Houston, Austin, Travis, Burnet, Rusk. Thomas J. Rusk’s penmanship caught my eye as the most accessible of the bunch. I hadn't realized at the time what a challenge it'd be to render a realistic-looking script face, but the result has, in fact, filled a niche.

A contemporary slab-serif which revisits aspects of Robert Besley’s all-time classic Clarendon, designed around 1842 for Thorowgood and Co. and named after the Clarendon Press in Oxford. The original design was subsequently extended by Sheffield foundry Stephenson Blake in the 1950s into a widely-used, robust workhorse family. Albiona uses the inwardly curved stroke terminals of the same foundry’s Grotesque series, while rationalising or removing entirely Clarendon’s ball serifs, flicked tails and other eccentricities to make it more functional in contemporary settings. The family consists of five weights plus italics and a stencil, and includes oldstyle and tabular numerals. Its clean readable style suits both text and headline setting.

Royal, majestic, elegant. These letters are based on Roman and Greek characters carved on stone. They come in 3 different styles. Normal and Shaded are designed to have serifs with a finer thinning. On the other hand, Metallic is bolder and simulates in the most realistic way three-dimensional metallic lettering. There are some alternate characters placed at lowercase positions as well as a few stylistic alternates which are accessed through the OpenType features. Pay attention to letters like Greek Omega (lowercase position) and Greek Xi (lowercase position) as well as B, R, K (lowercase position). Monumenta Pro was recently upgraded to support Latin, Greek and Cyrillic.

The Golden Age of the Greek Civilization. The world’s history carved on stone. Hellenica Pro was created based on numerous photos from archaeological sites and several other historical references dating back to 1100 B.C. In order to capture the essence of this writing, there are a few alternate forms used at lowercase, uppercase and/or accented positions. These alternates come from different regions in Greece. For instance, uppercase Theta was used by the Cretans and the Korinthians, whereas uppercase Delta by the Ionians. PF Hellenica Pro comes in 3 versions: Light, regular and bold. The new ‘Pro’ version has been expanded to include 3 major scripts: Latin, Greek and Cyrillic.

Enotria is a contemporary neo-grotesk typefaces inspired by the Swiss school but with a Calabrian’s soul (south Italy region). It is composed by 8 weights and 7 widths for 112 styles with also 4 stylistic set for the letters, 2 stylistic set for numbers, 1 more stylistic set for symbols and punctuations, for three languages scripts. Enotria sports elegant 8° italic angle and a lot of adjustment between the letters for a better legibility as well as true fractions, ordinals, tabular and old style figures, numerators and denominators. Enotria typefamily is more then a typeface, it is a huge design and typographic system, flexible and suitable for any occasion.

Slovakian type designer Peter Bil'ak created this script FontFont in 1996. The family contains 2 weights and is ideally suited for festive occasions. FF Masterpiece provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates. It comes with proportional lining and proportional oldstyle figures.

Forged to be as imposing as a Norse horde ready to stampede into battle, Works great in all caps which it was initially designed to. I designed the lowercase characters to match really well with each other and the uppercase, so it works well in title case. Designed by Jon Swinn.

Zennor is the work of British designer Phill Grimshaw, a bold italic brush script with slick, dashing letterforms with an almost globular quality. Its uppercase can be used alone or as initials with a strong, authoritative lowercase. Zennor is an ideal choice for work requiring a casual yet confident look.

Présence is a modern sans serif with a light stroke contrast. The capitals are a bit narrow for a titling use which makes them space-economical without lack of legibility. The lower cases have a normal width for a fluid reading. Its wide range of weights allows it many uses.

In 1957, Helmut Matheis designed Charme for the Ludwig and Mayer type foundry, located in Frankfurt am Main, Germany. This informal script is of medium weight and has some variation of color. The caps are flowing and the lower case letters are close fitting. Their is a bold companion, called Slogan.