Casablanca is a decorative sans serif font family. It was designed and produced in 1997 by Steve Jackaman (International TypeFounders). Jackaman loosely based the designs on the Carlos Winkow typeface ‘Electra’ from the Spanish foundry, Nacional, circa early 1940’s. Casablanca has a clean, Art Deco, jazz, and/or noir film feel. It sets nicely at any size, and brings an air of bold mystery to the projects it is applied in.

Movie Script is the script that was used in German movie-brochures. Those were small four page leaflets with a lot of sepia-colored pictures about the movie one was about to see. Today those things are collectors items. The script was also used on those hand-painted posters above the cinema entrance. I cleaned up the old script and made it just a little bit more readable, but overall I left it as it was. Of course I added the necessary glyphs for today's world, like Euro and so on. When I was a kid, my grandfather gave me 1 German Mark and I could go to the movies matinee, that was around 10:30 in the morning, the entrance cost something like 60 Pfennig and the rest was for peanuts and a drink. Still today I love my grandfather for that, movies introduced the world to me (no TV then). Your grandfather-loving designer Gert Wiescher

Mories is an elegant display serif with unique letter shapes to complete any designs, especially in fashion, branding, and for logos.

Moby is based on a grid of squares and has four different variations – from sharp corners to rounded with two steps in between. The letter is playful despite its grid and has the most common punctuation marks making the moby usable in most western european languages ... and even usable for Icelandic texts. The letter is named after my dog, the cutest Barbet (French water dog) in the world.

Moris™ is a family of modern sans serif typeface with simple and condensed proportions. Moris is recommended for publication, screen and Corporate use. This new font family includes nine weights with true italics, numeric tabular function and Opentype features.

The seven ways of Moki. Moki comes in seven different styles: Base, Cut, Dust, Lean, Mono, Soft and Uni. Moki is a display expert – with a wide range of languages covered, the family offers a style for every purpose. You are a SciFi movie director and are looking for an alternative to the inevitable Eurostile? Now you have!

The Nov. 26, 1921 issue of “The Moving Picture World” carried an ad for the dramatic film “For Your Daughter’s Sake” (originally tilted “The Common Sin” and produced in 1920). Hand lettered in an Art Nouveau sans serif style, the ad copy inspired Movie Drama JNL, which is available in both regular and oblique versions.

An ad in the Oct. 27, 1919 issue of the trade magazine “The Moving Picture World” promoted “Princess Virtue” from Bluebird Pictures starring Mae Murray – The Adorable [as noted by the movie studio in the ad]. The Art Nouveau hand lettering emulated the style usually drawn with a round nib pen, but was given a specialized treatment for the ad. It was re-drawn in a more traditional ‘pen nib’ look for digital revival. The end result is Silent Movies JNL, which is available in both regular and oblique versions.

Decorative, Display, Headline, Serif, 1920s, Hand Lettered, Engraved, Incised, Bold, Extra Bold, Retro, Vintage, Nostalgic An ad in the July 27, 1928 issue of The Film Daily for FBO Pictures was an encouragement to all theaters to accept the emergence of 'talking pictures' and "Don't be Panicked by Sound". The headline text was hand lettered in an extra bold serif type face with engraved [incised] lines. The lettering has been redrawn as the digital type face Movie Usher JNL, and is available in both regular and oblique versions.

A lobby card for the 1929 movie musical “Broadway Melody” features the bulk of the film’s title hand lettered in a playful sans serif style. This design is now available as Movie Musical JNL, which is available in both regular and oblique versions.

The hand lettered title card from the 1935 melodrama “Magnificent Obsession” inspired the digital revival Movie Classic JNL; available in both regular and oblique versions.

Movie Night JNL was modeled from one of a number of ceramic home movie titling kits on the market that were popular during the 1950s and 1960s. The camera buff would set up the letters against a colored background and photograph clever titles to describe their 8mm home movies of vacations, sightseeing or their darling children (or grandchildren).

The hand lettered opening titles from the 1944 Laurel and Hardy comedy “The Big Noise” served as the inspiration for Movie Screen JNL, which is available in both regular and oblique versions.

A 1926 trade ad for the silent comedy “The Nut-Cracker” starring Edward Everett Horton has the film’s title hand lettered in a decorative bold sans serif design complete with highlight lines and accent dots. This festive type face is now available digitally as Movie Matinee JNL in both regular and oblique versions.

In the June 18, 1929 issue of “The Film Daily”, the curvy and casual hand lettering found within the ad for the movie “Such Men are Dangerous” belies that this was actually a pre-code drama. Digitally redrawn as Movie Arts JNL, it is available in both regular and oblique versions.