Introducing ligature serif font called CASTLE ROCKS duo fonts, these fonts have more than 50 ligatures include full set in uppercase and lowercase. This package consists of CASTLE ROCKS is the ligature font and CASTLE ROCKS DUO is the regular font so you can combine it to mix and match with switch on ligature font (CASTLE ROCKS) or regular font (Castle Rock). CASTLE ROCKS duo fonts are pretty and elegant fonts that perfect for title, headline, logotype, personal branding, branding invitations, quote, magazine, text font, etc. The package including CASTLE ROCKS (Ligature Font), this full set ligature font in uppercase and lowercase and have 4 weight style regular, italic, bold, and bold italic. CASTLE ROCKS DUO (Regular Font), this regular font without ligature feature so you can mix and match with CASTLE ROCKS or use to text font, this has 4 weight style regular, italic, bold, and bold italic. Multilingual, support more than 30 languages PUA Encoded If you have any questions, please let me know. Thanks and have a wonderful day.

Aish font is an authentic handwritten font. This font combines simple style with authenticity of the font in its creation. suitable for use in simple themed graphic designs.

Old Thunder is a revival of an 1800’s Tuscan style font called Lavinia, we've expanded the original font to include a lowercase, an Open faced version, a very attractive Black face and last this set just wouldn't be complete without a Fill font. When you see the word Fill in a fonts name this describes its purpose which means the font is intended to be used for filling in the open space of its parent font or the Open faced shadowed version from that font family or group. Some Fill fonts look as if they may be used as stand alone fonts but others simply do not look good used as a plain font. The Fill font for Old Thunder was designed to work as both a fill and a regular font, although when used as a regular font the letter spacing will appear a little wide. If needed the spacing can be adjusted in some applications font settings, check the help file in your application for further information on spacing. You will need an application that allows layering of your fonts in order to take advantage of FontMesa Fill fonts.

"Runegrim" Font is Base in Anchient Viking Rune Script . This font is best as Clothing , apharel and any handicraft. This font is Very useful for the the people that not familiar with Unicode format of anchient font. Thank You for use this font.

Nicolette is a handwritten script font that is given a modern touch and front and back swashes. Can be used for various purposes. Suitable for Branding, Happy New Year, Logos, Greeting Cards, Stationery, Weddings and Offers. Such as titles, signatures, wedding invitations, t-shirts, letterhead, signboards, labels, music titles, news, posters, badges etc. if you want to use it for your work, this font can be used easily and simply because there are many features in it to load a lower complete set of letters and include initial letters and terminals, alternatives, binding and support for many languages. File included: Nicolette. otf To activate the OpenType Stylistic alternative, you need a program that supports the OpenType feature such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a newer version And this Font has provided a PUA key code (special letters coded). There are additional ways to access alternatives / swash, using Character Map (Windows), Nexus Fonts (Windows), Font Books (Mac) or software programs like PopChar (for Windows and Mac). If you need help or advice, please contact me via email "cooldesignlab@gmail.com"

This set of initial decorated letters was inspired by a font in use in the beginning of 1500s in Paris. Exactly, we have used the set that Barthélémy Verand employed for the printing of Triumphus translatez de langage Tuscan en François, (from “Triumph” of Petrarque) in the year 1514. Some letters, lacked, have been reconstructed to propose a complete alphabet. It appears that the printer used some letters to replace others, as V, turned over to make a A, or D to make a Q. The original font’s letters were drawn in white on a black background only, but it was tempting to propose a negative version in black on white. It is used as variously as web-site titles, posters and flyers design, publishing texts looking like ancient ones, or greeting cards, all various sorts of presentations, as a very decorative, elegant and luxurious additional font. This font supports strong enlargements remaining very smart and fine. It’s original medieval hight is about one inch equivalent to about four lines of characters. This font may be used with all blackletter fonts, but works particularly well with 1543 Humane Jenson, 1557 Italic and 1742 Civilite, without any anachronism.

Introducing Billowy, a captivating handwriting script font that brings an elegant and artistic touch to your creative endeavors. With its natural flow and versatility, this font is the perfect choice for various craft projects. Billowy's unique handwriting script style adds a sense of authenticity and charm to your designs. Whether you're working on shirt designs, websites, SVG creations, home decor, branding materials, blogs, logos, or invitations, this font will elevate your projects with its graceful appeal. With both uppercase and lowercase letters, Billowy offers flexibility in crafting captivating compositions. The font also includes numbers and punctuations, ensuring seamless integration within your text. Its multilingual support enables effective communication in different languages, broadening your reach to diverse audiences. Billowy features ligatures that enhance the smoothness and aesthetics of your typography, allowing for seamless and visually appealing designs. The font's PUA Encoding provides easy access to special characters and glyphs, enabling you to unleash your creativity without limitations. Embrace the elegance of Billowy in your craft projects and witness the beauty it brings to your creations. From handmade crafts to digital designs, this font adds a touch of sophistication and style.

Habita Scenic is the heavy and beautiful serif font that adds a touch of femininity and class to any project. Designed by Mans Greback in 2023, this font features high contrast and retro style, making it the perfect choice for designers looking to add a touch of cool to their work. With its beautiful swash letters, Habita Scenic is perfect for logos, headlines, and other creative projects. This font's classic and elegant design makes it an ideal choice for high-end brands and premium products. If you're looking for a font that exudes sophistication and timeless style, look no further than Habita Scenic. Use underscore _ anywhere to make a swash. Example: Love_Passion The Habita Scenic family consists of four high-quality fonts: Regular, Italic, Bold and Bold Italic The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.

Sticky Melody is a charming display font that combines cuteness with a bold and prominent style. With its thick weight, rounded shapes, and distinct contrast, this typeface is designed to capture attention and infuse your designs with a playful and lively energy. The thick weight of Sticky Melody gives each letter a robust and substantial presence, making it stand out effortlessly. The rounded shapes add a touch of softness and friendliness, creating an endearing and approachable feel. The font's unique feature lies in its prominent contrast, which accentuates the curves and contours of each character, elevating the overall visual impact. Let the thick weight, rounded shapes, and prominent contrast of this font bring your creative visions to life, ensuring that your message stands out in the most charming and captivating way possible. You can use it in big text sizes to be greatly legible and enjoy the available features here. Features: Stylistic Sets Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Sticky Melody fits in children's books, toy packaging, posters, headlines, logos, social media designs, and any design project that require a touch of delightful playfulness. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Proudly Present, BODYNOTE Font. BODYNOTE is a Fun Handbrushed Font. Bodynote is a fun and playful display font. This font is perfect for children themed designs, especially when combined with bright colors. This font includes TTF and OTF, BODYNOTE also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Deserta script is font that curl in your design project. Deserta script is handmade font from Chzalira Co. With this font, you will receive unique script font with round edges. This make your project more sweet and minimalism. Deserta script comes with monoline structure. Have fun for this font! like we create this font with love. :3

New Eurostile! A redesigned Eurostile font, Astor font, was created inspired of one of most used fonts in the world. Idea was to make new, contemporary design of old Eurostile font which was created 1962. by designer Aldo Novarese. Main characteristics and features of Astor font are: beautiful design and contemporary font. May be used like display font, cargo font, OCR font. Most of glyphs have same thickness and high modularity in combining 2 or more glyphs. Good for architect’s projects, labeling, making environmental typography installations, for use of some interior or exterior designs, furniture designs etc.

Scarf Bandana is a Brush Display Font. These fonts can be categorized into brush and display fonts. With a unique character, this font will make your project stand out. Suitable for logos, branding, crafting, svg, book covers, posters, headlines, labels, t-shirts and more. This font also has 92 ligatures, so it will make this font more interesting and unique. This font is also support multi language. This font can be used and supported in various programs and OS, such as procreate, cricut, windows, macOS and others.

Introducing, Black Point - Modern Font Duo | Stencil Serif & Signature Script Black Point is perfect combo fonts with modern stencil serif and signature script font. Contain two fonts, the delicate and stylish stencil serif and a free hand writing script. This font duo also support multilingual, number and symbol, with many ligatures in the signature script. You can use this font for any purpose and of course without trying to find the font pairing. This font perfect for branding, logo, fashionable design, magazine, and more.

The Lutontown font is a font with a unique style inspired by triangles, there are several triangle shapes in the letters. This font has a opentype simple but elegant. This font is also equipped with Multilingual. This font is perfect for branding, logos, etc

Safirah moon font is a straightforward handwritten font, this font is very beautiful, and is perfect for your design needs, this font is very neat, and uses little nodes Safirah moon font, suitable for branding, logos, signatures, t-shirts, magazines, book covers, and many more,

The typeface Face Type is designed from 2021 for the font foundry Typo Graphic Design by Manuel Viergutz. A mix from the TGD font collection with 1 font-style (Icons) incl. decorative extras like icons, dingbats, emojis and stylistic alternates (4 stylistic sets). For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE! ■ Font Name: Face Type ■ Font Styles: 1 font-style (Icons) + DEMO (with reduced glyph-set) ■ Font Cate­gory: Dis­play for head­line size ■ Glyph Set: 357 glyphs incl. decorative extras like icons ■ Design Date: 2021 ■ Type Desi­gner: Manuel Viergutz

Airborne is the font pack. The Normal font combines with the alternate character font to make each word unique. Then add the Splatters font as your tagline and — the ideal logo!

North Queen is a Variable font and Font Family with 8 weights, starting from thin to extra bold, this font belongs to the classic serif nuanced font, very suitable for making label designs, posters, headlines, and many more, you might be able to add this font in your font collection VARIABLE We hope you enjoy this font! please feel free to comment if you have any thoughts or feedback. Thanks for purchasing and happy creating!

Jungle Monogram Font is a perfect circle shaped monogram font consisting of 78 letters. With just a single font file you will be able to create beautiful monograms in just a matter of minutes after the purchase! Jungle Monogram Font comes with font file in OTF format. It features all the modern advanced font features such as Contextual Alternates, effectively eliminating the need to use multiple separate font files for left, center and right letters.