Redwinger is a captivating display font designed with a games theme, featuring different proportions of letters and sharp, uneven borders. This font showcases different proportions in its letterforms, adding a sense of variety and excitement to the font. Each uppercase letter has its own distinct width and height, creating a visually engaging composition. This design choice adds a playful and dynamic element to the font, reflecting the diversity and unpredictability of the gaming world. The sharp and uneven borders of Redwinger enhance its edgy and adventurous aesthetic. The jagged edges and irregular shapes give the font a distinctive and daring look, evoking a sense of action and intensity. This unique feature adds a touch of excitement and captures the spirit of gaming. For the best legibility you can use it in the bigger text. Enjoy the available features here. Features: Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Redwinger fits in headlines, logos, posters, titles, branding materials, print media, editorial layouts, website headers, and any other projects that aim to transport players into thrilling virtual worlds. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Introducing Black Bass Display, a captivating and unique sans serif font that combines modern aesthetics with a touch of brush script elegance. With its bold and distinctive letterforms, this font is perfect for making a statement in your designs, whether it's for logos, headlines, posters, or branding projects. The combination of uppercase and lowercase letters in Black Bass Display allows for versatile typography exploration, giving you the freedom to create eye-catching compositions and play with different design elements. Its unique style adds a sense of personality and creativity to your work, making it stand out from the crowd. Black Bass Display doesn't just look great, it also offers functionality. It supports numbers and punctuations, ensuring seamless integration of these elements into your designs. Additionally, its multilingual support enables you to communicate your message in various languages, expanding your reach to a global audience. With PUA encoding, Black Bass Display provides easy access to additional characters and glyphs, allowing you to add flourishes and embellishments to your designs effortlessly. This feature enhances the versatility of the font, giving you endless possibilities for customization. Get ready to elevate your designs with the unique blend of brush script and sans serif aesthetics offered by Black Bass Display. Make a bold impression, express your creativity, and create designs that leave a lasting impact.

Zetwih, is a stunning display font with an alluring Japanese feel. With the beauty and charm of faux Japanese, Zetwih is the perfect solution for projects that require a distinctly Japanese and Southeast Asian touch. With Zetwih, you can create designs that are themed by Japanese and Southeast Asian culture in an authentic and captivating style. Each letter is carefully designed, combining elements of a distinctly Japanese aesthetic with a modern twist. Zetwih’s top features give you flexibility and creativity in your typography designs. With the available ligatures and alternates, you can combine beautiful characters and create interesting variations in letter composition. Zetwih also supports multilingualism, allowing you to express your message in multiple languages and reach an international audience. That way, you can adapt this font to the needs and preferences of your target market. Let Zetwih immerse you in the beauty and elegance of Japanese and Southeast Asian culture. Get this font now and create inspiring and stunning designs with an unforgettable Japanese touch. What’s Included : File font All glyphs Iso Latin 1 Alternate, Ligature Simple installations We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

With its extended sans-serif style, Dienstag boasts a sleek and sophisticated look that's perfect for a wide range of projects. Whether you're designing a website, creating branding materials, or producing print publications, Dienstag's refined elegance is sure to make a lasting impression. Compared to Montag, Dienstag has a slightly more formal feel, thanks to its lack of rounded terminators. But that doesn't mean it's any less versatile – in fact, Dienstag's four original weights have now been expanded to ten, giving you even more flexibility in your designs. With OpenType features that include simplified versions of many characters, you can easily create unique and eye-catching titles that stand out from the crowd. But Dienstag is just one part of the larger Montag superfamily, which also includes Mittwoch, and Donnerstag. Each font in this collection offers its own unique style and flair, giving you a wealth of options to choose from when it comes to your next project. Whether you're looking for a bold and dynamic font or a more refined and understated style, you're sure to find the perfect fit in the Montag family. So why wait? Check out Dienstag and the rest of the Montag superfamily today, and start creating designs that are sure to captivate and inspire! With its elegant style and versatile functionality, Dienstag is the perfect choice for designers who demand the best.

Mister Lindquist is a calligraphic font that blends the artistry of vintage sign painting and the expressive movement found in bold signatures. This font captures the essence of an era of craft while infusing your designs with a cool, contemporary flair that is perfect for branding, advertising, and creative projects that require a professional touch of nostalgia. The Mister Lindquist font family features multiple styles to suit your design needs: Regular and Bold, and their respective Italics. These versatile options allow you to create compositions that remains fresh while retaining the authentic quality. Use underscore _ to make a underline. Example: Scr_ipt Use multiple underscores for longer swashes. Example: Extr___eme Equipped with advanced OpenType functionality, Mister Lindquist ensures top-notch quality and provides you with full control and customizability. The font includes stylistic alternates, ligatures, and other features to make your designs truly unique and captivating. Offering extensive lingual support, Mister Lindquist covers all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia, and includes all the characters and symbols required for your creative projects, such as punctuation and numbers. Mans Greback, a Swedish typeface designer known for crafting high-quality fonts with a focus on versatility and aesthetics, created the Mister Lindquist font to provide designers with a true sign painter's font.

Elegise is a captivating script font that gracefully captures the essence of cursive handwriting with a touch of elegance. This typeface exudes an air of sophistication and refinement, making it perfect for projects that require a stylish and polished look. Each letter in this font is meticulously crafted with high contrast, adding a dynamic and eye-catching quality to the font. The combination of thick and thin strokes creates a sense of fluidity and movement, adding a touch of liveliness to your typography. The long swinging endings in some letters of Elegise bring a sense of graceful flair and drama to the font. These charming details add a touch of elegance and uniqueness, making the script come to life with a sense of poise and grace. For the best legibility you can use this font in the bigger text sizes. Enjoy the available features here. Features: Stylistic Sets Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Elegise fits in headlines, logos, movie posters, flyers, invitations, greeting cards, branding materials, print media, editorial layouts, headers, and many more. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Cutie Sugary is a delightful font that exudes charm and sophistication. With its graceful serifs and refined letterforms, it adds an air of elegance to any design. The carefully crafted swashes on select letters provide a whimsical and playful element, making it perfect for creating eye-catching headlines, invitations, and branding materials. Designed with love and attention to detail, Cutie Sugary captures the essence of timeless beauty. Its classic style, combined with the hand-drawn sketch medium, adds a touch of warmth and authenticity to your projects. Whether you're designing wedding stationery, crafting unique greeting cards, or creating stunning logos, this font will add a delightful and personalized touch. The friendly and simple nature of Cutie Sugary makes it incredibly versatile. It effortlessly blends into a variety of design styles, from modern to vintage, ensuring its adaptability for different projects. Its legibility and balanced letterforms make it equally suitable for both small and large-scale designs, guaranteeing a seamless reading experience for your audience. As you bring your creative ideas to life, Cutie Sugary will be your trusty companion. Its charming aesthetics will help your creations stand out on marketplaces like Etsy, Creative Market, and MyFonts. With Cutie Sugary, you can add a sprinkle of sweetness and elegance to your designs, captivating the hearts of your customers

Somedeals is a captivating script font that beautifully captures the essence of cursive handwriting with a touch of elegance. This typeface exudes a sense of grace and sophistication, making it perfect for projects that require a refined and stylish look. With its smooth and fluid letterforms, this font offers a natural and seamless writing style, evoking the charm of handwritten notes. The high letter contrast in this font adds a dynamic and eye-catching quality, enhancing the overall visual appeal and making each word stand out. The cursive handwriting style of this font ensures that each letter flows gracefully into the next, creating a harmonious and aesthetically pleasing rhythm. This script font exudes a sense of personality and elegance, adding a distinctive flair to your typography. For the best legibility you can use this font in the bigger text sizes. Enjoy the available features here. Features: Stylistic Sets Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Somedeals fits in headlines, logos, movie posters, flyers, invitations, greeting cards, branding materials, print media, editorial layouts, headers, and many more. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Yaksom is a classic serif font that exudes timeless beauty and a captivating modern style. The perfect solution for projects that require an elegant classic modernism theme. With a proportional and elegant serif design, Yaksom conveys timeless elegance in every letter. Every detail is exquisitely detailed, creating a look that embodies the refinement and elegance of an irreplaceable classic era. Yaksom is also equipped with stunning features. Beautiful ligatures add a creative touch and enrich the look of a font, while alternative variations provide unique styling options. Extensive multilingual support also ensures that Yaksom can be used fluently in multiple languages. Are you looking for a font that combines classic elegance with a dazzling modern twist? Yaksom is a perfect choice. With a stunning classic serif style, creative features such as alternate ligatures and variations, and the ability to support multiple languages, this font will quickly grab the attention of your prospects and create a stunning aesthetic impression in the blink of an eye. What’s Included : File font All glyphs Iso Latin 1 Alternate, Ligature Simple installations We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

Introducing the "Brick and Stone Victorian Typeface" – a timeless and elegant font that beautifully captures the essence of the Victorian era. This exquisite typeface is a masterful blend of intricate craftsmanship, vintage charm, and artistic flair, making it the perfect choice for designers, typographers, and creatives seeking to evoke a sense of classic refinement and sophistication in their projects. The Brick and Stone Victorian Typeface boasts a rich repertoire of design elements that truly set it apart. With meticulously crafted ornaments, graceful swashes, captivating ligatures, and versatile alternates, this font provides an extensive toolkit to elevate any typographic endeavor. Whether you're working on invitations, branding, packaging, signage, or any other creative pursuit, this typeface lends an air of prestige and distinction to your work. Each character of this Victorian typeface has been thoughtfully created to reflect the ornate and elegant aesthetics of the 19th century. The font captures the essence of engraved stone and brickwork, giving your text an authentic vintage touch. The ornamental details add an extra layer of opulence, making every word feel like a work of art. Whether you're designing for weddings, formal events, historical projects, or simply seeking to add a touch of classic sophistication to your work, the Brick and Stone Victorian Typeface will exceed your expectations. Embrace the elegance of the past and unlock a world of creative potential with this remarkable font.

Altheria Font is a script font with an exquisite handwriting style. Designed with meticulous attention to detail, Altheria offers various alternate characters that allow you to create unique, captivating, and embellishing letterforms in your designs. With its diverse character collection, Altheria provides numerous options to add a personal touch to your design works. The ability to choose from different letter variations grants unlimited flexibility and creativity, making it perfect for crafting attractive and distinctive visuals. One of Altheria's main features is its abundance of ligatures, which enhance the font's appeal and aesthetic quality. Ligatures are specially designed character combinations that produce a smoother, more harmonious impression in writing. Thus, Altheria offers not only beautiful letter shapes but also provides exceptional visual balance among interconnected characters. Furthermore, Altheria supports multiple languages, allowing you to utilize this font in various multilingual projects. This makes it an incredibly versatile option for design purposes that aspire to exude a luxurious and elegant impression. Altheria is highly suitable for a wide range of design projects, including but not limited to book covers, fashion magazines, business cards, wedding invitations, and much more. The font imparts a unique luxury and elegant appeal to every applied design. With Altheria, you can create attention-grabbing works that elevate the aesthetic value of each design project you undertake.

Say hello to new Modern Luxury Serif Font, Kangoro! Introducing Kangoro, an exquisite modern luxury serif font that embodies timeless elegance and aesthetic appeal. This typeface is designed to elevate your designs with a touch of sophistication, making it the perfect choice for projects that require a blend of contemporary luxury and classic charm. Kangoro features gracefully crafted letterforms with clean lines and delicate serifs, exuding a sense of refinement and opulence. Its sleek design captures the essence of modern luxury, while the carefully designed serifs add a touch of traditional beauty, creating a harmonious and captivating visual experience. Versatility is another hallmark of Kangoro, as it complements a wide range of design applications. Whether you're working on high-end branding, editorial layouts, invitations, or any project that requires an aura of luxury, Kangoro will deliver unparalleled elegance. Here's what you get: Kangoro Regular Kangoro Italic All Multilingual symbol Opentype features ( ligature, alternate ) Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Multilingual character supports : (Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Zulu) Follow my shop for upcoming updates, and for more of my work, Thank you!

Introducing Dominant Youth, a bold and impactful display serif font that exudes confidence and strength. With its commanding presence, Dominant Youth is designed to make a lasting impression on any creative project. The font’s robust and assertive letterforms showcase a unique blend of classic elegance and contemporary style. Its tall and slender structure adds a touch of sophistication, while the sharp serifs give it a distinctive edge. Dominant Youth is carefully crafted to capture attention and evoke a sense of boldness and youthfulness. Whether you’re working on branding, editorial design, headlines, posters, or any other project that demands attention, Dominant Youth is the perfect choice. Its versatile nature allows it to excel in both digital and print mediums, ensuring your message stands out in a captivating manner. The well-defined characters of Dominant Youth provide excellent legibility, even at smaller sizes. The font’s wide range of weights and styles offers flexibility, allowing you to experiment and find the perfect balance for your design needs. From light and elegant variations to bold and impactful options, Dominant Youth empowers you to create visually striking compositions that leave a lasting impression. Don’t settle for ordinary typography when you can make a statement with Dominant Youth. Embrace its commanding presence, embrace its youthful energy, and elevate your designs to a new level of distinction. Features: Dominant Youth Multilingual Support Thank you

A Postmodern vernacular sanserif in 8 fonts Prosaic designed by Aurélien Vret is a Postmodern typographic tribute to the french vernacular signs created by local producers in order to directly market their products visible along the roads. These signs drawn with a brush on artisanal billboards do not respect any typographic rules. The construction of these letterforms is hybrid and does not respect any ductus. Nevertheless the use of certain tools provokes a certain mechanism in the development of letter shapes. It’s after many experiments with a flat brush, that’s these letterforms have been reconstructed and perfected by Aurélien Vret. This is the starting point for the development of an easily reproducible sanserif with different contemporary writing tools. From non-typographical references of Prosaic towards readability innovation The influence of the tool is revealed in the letterforms: angular counterforms contrasting to the smoothed external shapes. This formal contrast gives to Prosaic a good legibility in small sizes. These internal angles indirectly influenced by the tool, open the counterforms. In the past, to deal with phototype limitations in typeface production, some foundries modified the final design by adding ink traps. In our high resolution digital world, these ink traps — now fashionable among some designers — have little or no effect when literally added to any design. Should one see in it a tribute to the previous limitations? Difficult to say. Meanwhile, there are typeface designers such as Ladislas Mandel, Roger Excoffon, and Gerard Unger who have long tried to push the limits of readability by opening the counters of their typefaces. Whatever the technology, such design research for a large counters have a positive impact on visual perception of typefaces in a small body text. The innovative design of counter-forms of the Prosaic appears in this second approach. Itself reinforced by an exaggerated x-height as if attempting to go beyond the formal limits of the Latin typography. It is interesting to note how the analysis of a non-typographical letters process has led to the development of a new typographic concept by improving legibility in small sizes. Disconnected to typical typographic roots in its elaboration, Prosaic is somewhat unclassifiable. The formal result could easily be described as a sturdy Postmodern humanistic sanserif! Humanistic sanserif because of its open endings. Sturdy because of its monumental x-height, featuring a “finish” mixing structured endings details. The visual interplay of angles and roundness produces a design without concessions. Finally, Prosaic is Postmodern in the sense it is a skeptical interpretation of vernacular sign paintings. Starting from a reconstruction of them in order to re-structure new forms with the objective of designing a new typeface. Referring to typographic analogy, the Prosaic Black is comparable to the Antique Olive Nord, while the thinner versions can refer to Frutiger or some versions of the Ladislas Mandel typefaces intended for telephone directories. Prosaic, a Postmodern vernacular sanserif Prosaic is radical, because it comes from a long artistic reflection of its designer, Aurélien Vret, as well a multidisciplinary artist. The Prosaic is also a dual tone typeface because it helps to serve the readability in very small sizes and brings a sturdy typographic power to large sizes. Prosaic, a Postmodern vernacular sanserif

Based on Element by Max Bittrof, Stamm takes the next step in adaptation to modern environment. Using it's own construction logic it makes the design far more consistent and considerably expands the character set, supporting hundreds of languages, including Vietnamese and extended Cyrillic. Generous amount of OpenType features allows various localization options, automatic fractions, super- and subscripts, oldstyle and tabular figures, small caps and ligatures to suit almost every need. There are 15 Stylistic Sets available to customize the font (some of them duplicate locl-features in case they're not supported by applications): ss01 (Traditional glyphs): changes modern shapes used by default to old-style forms; ss02 (Alternate historical glyphs): changes the shape of several characters to a more obscure historical form; ss03 (Catalan middle dot): replaces middle dot between two l's by Catalan variant for better spacing; ss04 (German ligatures): activates historical ch, ck and tz ligatures used in German blackletter typesetting; ss05 (Dutch IJ-acute): replaces j after i-acute with j-acute; ss06 (Marshallese cedilla): replaces commas under certain letters with cedillas; ss07 (Romanian/Moldovan comma): changes cedilla-glyphs to comma-glyphs; ss08 (Turkish i): replaces regular i with dotted Turkish variant; ss09 (Cyrillic alternates): changes several Cyrillic glyphs to alternate variants; ss10 (Bulgarian Cyrillic): activates Bulgarian shapes; ss11 (Serbo-Macedonian Cyrillic): activates Serbo-Macedonian shapes; ss12 (Double-story a): replaces default glyph with it's double-story variant; ss13 (Alternate asterisk): replaces default asterisk with 5-pointed shape; ss14 (Enclosed figures): replaces standard figures with enclosed variants; ss15 (Slashed zero): replaces default zero with slashed variant.

Tall, stately, and refined, with a showy contrast between thick and thin, a certain kind of titling Didone has become synonymous with fashion. Ermin Međedović’s latest type system amplifies the most theatrical aspects of this genre while bringing an uncommon flexibility of style and variation to any type palette — particularly those required for editorial design. Fino is a Rational (or Modern) display serif with sharp details. Its fairly Title proportions produce a regular beat of bold stems at frequent intervals. One can add an unexpected twist to this plot line by introducing the alternate ‘C, D, G, O, and Q’ (found in the uppercase); these replace the standard, Title oval shapes with big, full, show-stopping round ones. Other alternate forms, along with a grand ensemble cast of ligatures, lets the director continually flip the script. This stage is set in three acts: Fino, Fino, and Fino Stencil. Each of these offer six weights and italics, and each actor is comfortable speaking any Latin-based language, from standard Hollywood English to the many accents of Eastern Europe. Finally, every style comes in two optical sizes, with Title having the finest hairlines for the biggest parts. This lets you put Fino to work in a variety of productions, from short texts (24pt–48pt settings) to epic titles. The complete Fino family, along with our entire catalogue, has been optimised for today’s varied screen uses. All these talents let Fino perform a range of roles far broader than your typical Bodoni or Didot.

Presenting the 🗯️💬The Browood Layered Comic Font💬🗯️ by alitdesign. The Browood Layered Comic Font is inspired by the style of letters in comics that have less serious and fun characters. The lettering of the Browood Layered Comic Font is a sans serif with display font characters which gives a fun and design impression for children. The Browood Layered Comic Font has 3 layered font. The Brootahh font is perfect for creating designs with non-serious concepts, designs for children, book headers, and of course for text on comics. The Browood Layered Comic Font also gets a bonus character of 230 Comic-themed illustrations that make creating designs even easier. Simply by downloading The Browood Layered Comic Font creating a Comic and non formal themed design is very quick and easy. The Browood Layered Comic Font is perfect for magazine cover designs, brochures, flyers. Instagram ads, Canva Design and so on with comic, non-serious, pop art, game mobile and fun design. Besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Browood Layered Comic Font contains 544 + 230 bonus glyphs with many unique and interesting alternative options. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Hamerslag is an ultra-condensed serif type family with uncomplicated, regular appearance, large x-height, relatively high contrast and modern glyphs shapes. Available in four styles, contain fraction- and scientific numerals, standard ligatures, currency symbols, proportional and tabular lining figures. Its wide character set support 200 Latin-script languages, 50 Cyrillic-script languages and 190+ romanizations/transliterations, e.g. The United Nations romanizations, Chinese official romanization (Hanyu Pinyin), BGN/PCGN (United States Board on Geographic Names and the Permanent Committee on Geographical Names for British Official Use), American Library Association / Library of Congress romanizations and others. The OpenType PostScript CFF (.otf) and OpenType TrueType TTF (.ttf) support encodings: Windows 1250 Latin 2 (Eastern European), Windows 1251 Cyrillic, Windows 1252 Latin 1 (ANSI), Windows 1254 Turkish, Windows 1257 Baltic, ISO 8859-1 Latin 1 (Western), ISO 8859-2 Latin 2 (Central Europe), ISO 8859-3 Latin 3 (Turkish, Maltese, Esperanto), ISO 8859-4 Latin 4 (Baltic), ISO 8859-5 Cyrillic, ISO 8859-9 Latin 5 (Turkish), ISO 8859-10 Latin 6 (Scandinavian), ISO 8859-13 Latin 7 (Baltic 2), ISO 8859-14 Latin 8 (Celtic), ISO 8859-15 Latin 9, ISO 8859-16 Latin 10, Macintosh Character Set (US Roman). Supported OpenType features: Acces All Alternates, Capital Spacing, Case-Sensitive Forms, Denominators, Fractions, Glyph Composition/Decomposition, Historical Forms, Kerning, Localized Forms, Numerators, Ordinals, Proportional Figures, Scientific Inferiors, Slashed Zero, Standard Ligatures, Stylistic Alternates, Subscript, Superscript, Tabular Figures. Kerning is prepared as single ('flat') table for maximum possible compatibility with older software.

Please note: Acorde webfonts are exclusively available at willerstorfer.com Acorde is a reliable workhorse for large, demanding design projects. It was designed to be perfectly suited to all different sizes, from small continuous text to large headlines and big signage. The typeface’s name is derived from ‘a’ ‘cor’porate ‘de’sign typeface, however Acorde is not only suitable for corporate design programmes but for information design and editorial design purposes as well. Acorde’s inception was in early 2005 as Stefan Willerstorfer’s final project in the Type and Media course at the Royal Academy of Art in The Hague (NL). It is a humanist sans serif with noticeable diagonal contrast and shows clear influences of the broad nib pen, especially in the Italics. Acorde’s characterful details give it a distinctive appearance in large sizes and contribute to its high legibility in small sizes. It comes in 14 styles – seven weights in Roman and Italic each. While the proportions of the Regular style were chosen to guarantee optimal legibility without being too space consuming, the heavier the weight gets the more suitable it is for headline purposes. The heavy weights are relatively narrower than the lighter ones, which gives them a strong appearance. The huge character set contains 925 glyphs per font and covers a vast range of latin-based languages. Various accented letters, small caps, eleven figure-sets, superscript and subscript are all included. OpenType features allow for a comfortable use of the large set. Acorde was honored with the 2010 Joseph Binder Bronze award for type design by DesignAustria.

As designers, we seek perfection and originality. The more we step back and look at our work, the more changes we tend to find necessary. Drastic modifications are inevitable. The same is true of Grayfel. Grayfel began as an exercise at insigne to explore the crowded space of neutral sans. While the world of sans serifs is admittedly crowded, I still managed to find something new and different. The final Grayfel consists of 42 full-featured OpenType fonts containing three widths: Regular, Condensed, and Extended. Every width consists of 14 fonts--seven weights with matching italics, making it a good companion for setting clear text and headlines for print and screen. OpenType features are also available. There’s figure choices, such as proportional and old style figures. Additionally, Greyfel includes sophisticated typographic attributes: ligatures, fractions, alternate characters, small caps, superscripts and subscripts. Its extended character set supports Central, Western and Eastern European languages. Optical compensations also mean the outcome of this family is a hybrid of humanistic proportions. It’s a well-finished design with optimized kerning gives it a friendly look. If you like sans serifs within the tradition of Futura, Helvetica, Avant Garde and Avenir, then you’ll love Greyfel, too. Grayfel works well in a variety of applications. Subtly neutral yet fun, it’s suitable for headlines of all sizes as well as for text. Put it to the task for marketing, packaging, editorial work, branding and even on-screen projects. Try it out: it’s not just fun and playful; it’s Grayfel.

An open-hearted humanist sans-serif. Playful and friendly. Faible is everybody’s darling. You cannot not like this good-natured humanist typeface. Sure, it’s a typeface for serious work—but all serious work is better when you put a smile on your face and a whistle on your lips. The typeface itself isn’t rooted in calligraphy, but there are quite some details in Faible that reference handwriting and add a friendly, humanist facet to its appearance. Take the bowls of B, P, and R: they are merrily bulged, like balloons about to take off. The curved leg of the R adds to this joyful mood. Faible’s italics are rendered playfully, too: they’re not merely sloped Roman styles. Rather, they were designed independently with an internal dynamic that sets them apart on the page. With its trademark glyphs, the swooshin’ K and k, and its friendly details, Faible will radiate optimism in display sizes, titles, and headlines. That makes it a great choice for book covers, posters, editorial design, branding, corporate design, advertising, and packaging. Nontheless, it’s carefully spaced and equipped with plenty OpenType features—a reliable tool for short texts and body copy, too. The font family consists of six weights (ranging from Thin to Black), each with its corresponding italic style. Faible’s glyph set contains more than 600 characters, allowing you to enhance your layouts with ligatures, different sets of figures, case sensitive forms, arrows, and other necessities for the ambitious typographer. Faible is the typeface that puts “fun” back into “functional”.

German graphic designer Ralf Weissmantel created Boogie in 2003. Boogie is an ironic reference to pop art, and to disco lettering from the 1960s and 70s. Its round forms and outlines evoke the flashing, pulsating lights and music of that era. Shipping with five different, width-compatible fonts, the Boogie typeface has four different components: an outlined letterform is the base element, and forms the first font. Three additional fonts may be layered over top of this base, surrounding the first font with up to three bubble-outlines. In graphics applications like Adobe PhotoShop or Illustrator, these elements can each be assigned different colors. There is also a fifth font, which contains the base outlined letterform pre-surrounded by three additional outlines of the same color. Boogie works best in large headline, display and signage applications, where its forms can be clearly seen and enjoyed. When different colored layers are applied, text set in Boogie will gyrate and jive across the page! Weissmantel has worked as an art director for various international advertising agencies, and has led Corporate Design projects for firms such as Grey and MetaDesign. His design work, honored internationally, has been included in the typography collection of the Museum for Art and Trade in Hamburg. He is currently teaching graphic design at the Düsseldorf University of Applied Sciences. Weissmantel has been an associate of the United Designers Network since August 2002. Boogie received an Honorable Mention in the 2003 International Type Design Contest, sponsored by Linotype GmbH.

If you still think that an antiqua is a typeface with a strong historical character that difficult to apply in modern realities, meet the new typeface from TypeType! TT Livret is an elegant, modern and functional antiqua featuring a calm text and an expressive display subfamily. TT Livret useful links: Specimen | Graphic presentation | Customization options This font looks harmonious in books and other periodicals, on posters or on magazine covers. The scope is not limited to the printing industry, because TT Livret looks aesthetically pleasing wherever text is used. The text subfamily has uniwidth proportions and a calm spirit, oval round characters, free spacing and more open apertures. The glossy display subfamily is proportional and has round signs that are as close to a circle as possible, the apertures are closed, and the spacing is dense. The font has an intermediate subfamily - Subhead, which can look more relaxed when used as text font, or be contrasting and used as a display font. In TT Livret, we have embodied the idea of ​​an antiqua that will be comfortable to use in modern realities. This is a functional font, where the text face does not distract from reading, and the display face, on the contrary, attracts attention. The TT Livret font family consists of 32 faces: 15 upright, 15 oblique, and 2 variable fonts. Each face has 1031 glyphs. The font contains 26 OpenType features, as well as a large number of ligatures. There are many alternative characters in italics, which are especially diverse in Cyrillic.

Thrace (/θreɪs/; Greek: Θράκη, Thráki; Bulgarian: Тракия, Trakiya; Turkish: Trakya) is a geographical and historical region in Southeast Europe, now split among Bulgaria, Greece, and Turkey, which is bounded by the Balkan Mountains to the north, the Aegean Sea to the south, and the Black Sea to the east. It comprises southeastern Bulgaria (Northern Thrace), northeastern Greece (Western Thrace), and the European part of Turkey (East Thrace). Trakya Sans is a modern sans serif with a geometric touch. Futura, Avant Garde and the like. It has a modern streak which is the result of a harmonization of width and height especially in the lowercase letters to support legibility. Ideally suited for advertising and packaging, editorial and publishing, logos, branding and creative industries, posters and billboards, small text, way-finding and signage as well as web and screen design. Trakya Sans provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Trakya Sans 500 Regular” forms the central point. The first figure of the number describes the stroke thickness: 100 Thin to 900 Bold. "Trakya Sans" comes in 5 weights with matching italics plus "Trakya Sans Alt", also 5 weights and italics so a total of 20 styles. The family contains a set of 630+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just with one easy touch in all graphic programs. Trakya Sans is the perfect font for web use. You can enjoy using it.

Resist Sans is a free-spirited neo-grotesque that embodies both the innate desire for revolt and a tendency towards uniformity. While Resist Sans preserves the neat, minimalist look which is associated with neo-grotesques, it also accentuates the tentativeness of each letter form. The name, too, hints at the rebellious character of the typeface. Resist Sans comes in 28 styles (14 uprights and matching obliques). Text vs Display Resist Sans comes in two versions: Display and Text, which serve different purposes but remain interchangeable and even complementary in some cases. Resist Text is equipped with deep ink traps and optical compensators, which really come into play at smaller sizes. The Display version is smoother and more consistent, so better for use in larger sizes and headlines. Styles/Weights Each of the two versions of Resist Sans comes in 7 weights (Thin to Black) and is equipped with matching Obliques, which brings the total number of styles to 28. Two trial styles (Text Light and Display Medium Oblique) can be downloaded free of charge. Each style contains 900+ glyphs, awesome OpenType features, and around 1500 kerning pairs. Language Support Resist Sans is truly multilingual. It supports most European and Latin-languages and features Extended Cyrillic, which gives access to such languages as Ukrainian, Bulgarian, Serbian, Russian, Macedonian and many more. Free Styles Two styles of Resist Sans can be downloaded for free on MyFonts. Type Specimen Resist Sans PDF Type Specimen can be downloaded here: Resist Sans PDF Type Specimen

Christmas cookies have already slowly crept onto your local supermarket's shelves -- the Linotype Xmas Fonts just can't wait any longer! Ravishingly friendly and universally applicable: Fuenfwerken -- a design studio from Wiesbaden, Germany -- is proud to present its latest Fun Font Family. Bringing variety to the dry Christmas card genre, these fonts can also be used on posters to spread holiday cheer at home. No limits are placed on your creativity here! The family has three different fonts, each with more than 60 symbols inside: Xmas Story includes the whole figure palette necessary for a classical Christmas story. From a cute little Baby Jesus to the Three Wise Men and woolly Aramaic sheep and everything that one needs to add special flair to a letter to grandma, or to set up a Nativity Scene at home for the kids is included. Customers who aren't searching for a biblical font should check out Xmas Essentials. This font contains typical non-denominational end-of-the-year holiday ornaments, such as snowflakes, decorated Christmas trees, nutcrackers, and stars. Last but not least is the Xmas Modern font. Just as global warming poses severe risks to snowmen, this font will make recipients of your holiday and New Year's cards melt. Glyphs such as Santa Claus riding on a Vespa -- complete with iPod -- speed away from normal, stuffy holiday seriousness, and signal that the Fun Generation has arrived! The best choice, of course, is to treat yourself to all three fonts this Christmas. Then you'll be prepared for every situation. Happy Holidays!