MAVERICKS ORIGINAL – A smooth and sturdy, handcrafted font, inspired by California surf culture and all things midcentury modern. Designed by Lauren Kilbane (on the other coast!) in sunny South Florida, USA. Use this font for: ads, album covers, apparel, cards, flyers, invitations, logos, menus, merchandise, packaging, signage, web, and more. 257 Glyphs Total: Uppercase, Lowercase, Numbers, Symbols, Punctuation, & Language Support. Language Support: Danish, English, French, German, Irish, Italian, Portuguese, Spanish, Swedish, & Swiss German.

The Fast Hand set was inspired by casual, neat hand lettering. They are casual and informal and ideal for use in conveying these qualities. They are excellent for casual text and at large sizes an effective casual display font. Both fonts have the same uppercase alphabet, numbers, punctuation, accented characters, symbols, and miscellaneous characters. As their names imply Fast Hand Lower Case has a lowercase alphabet while Fast Hand Small Caps has small caps in place of the lowercase alphabet. Fast Hand Lower Case and Fast Hand Small Caps are sold as a set priced at $20.

Fragrance was inspired by script styles of the twentieth century, and brought into the early 21st century with extravagant, sweeping, upper-case letters and smaller "x" height. Fragrance Antique is a new style for the delicate, feminine Fragrance font. Fragrance Antique retains its elegance, but has a deconstructed, grunged appearance, making it perfect for "ancient" manuscripts, medieval wedding stationery, greeting cards and graffiti style advertising material. The font has a delicate, feminine style reminiscent of elusive perfumes, its elegance emphasized by the contrast between upper and lower case characters. Upper case swashes extend outwards, slashing across or underlining more demure lower case letters. Fragrance is perfect for wedding stationery, greeting cards, lingerie, flowers, perfume and cosmetic advertising, book covers and magazine pages. The font contains over 272 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). It also includes "open-type"characters to enhance the flow of the text. It has all the accented characters used in the major European languages.

LECO 1983 is a headline display OpenType typeface with its three styles: LECO 1983: regular LECO 1983 Blind: without interiors of signs LECO 1983 Negative: in its inverse form. The inspiration for creating this font came from the label on a 1983 bottle of Lečo. The characteristic feature of this font is an embedded diacritic. The monolinear character of drawings is dominant. This font is drawn as capital letter type for both: upper case and lower case letters. It contains alternatives of some signs (e, f, g, m, n, y) and (& and a glyph No) but it consists several interesting alternatives (ligatures) of pairs as (in, on, of, by) as well. This font is best used on strong posters or as a headline display typeface.

Introducing a stunning geometric Art Deco style typeface, inspired by the retro aesthetics of 1930s Shanghai posters. This font design boasts clean, crisp lines and a modern look while still honoring the classic design elements of the past. Its carefully crafted curves and angles create a perfect balance between simplicity and sophistication, making it an excellent choice for a wide range of design projects. This typeface is sure to captivate and engage your audience, adding a touch of timeless elegance to any design.

Cruickshank is a decorative typeface from the late Victorian period. The upper case includes several letters with swash strokes, extending well below the baseline, as found in the original design. Alternatives to the swash caps are provided. The lower case contains small caps of simpler design. The face was designed by William W. Jackson and released by MacKellar, Smiths and Jordan Type Foundry of Samson Street, Philadelphia, Pennsylvania in 1886. MS&J was founded originally as Binny & Ronaldson in 1796 and later known as The Johnson Type Foundry. Cruickshank has a strong late Victorian flavor without the extravagance of so many fonts of the period. In its simplicity and clarity, it may be seen as a precursor to the Art Nouveau style that would develop a decade later.

The lettering style of Location JNL is based on sets of "vintage" metal house identification letters and numbers seen for sale online. As these sets are available from overseas sources, it's not clear whether those metal characters are cast from original vintage dies that have been used for years or just designed to look like a vintage style of lettering. Nonetheless, they make for a great digital interpretation and the design is available in both regular and oblique versions.

Pleinair - all caps serif font with alternatives on lower case. Besides Pleinair have two Stylistic sets for two-tier typesetting. Also Pleinair have some decoratives and swashes characters.

This is a digital reinterpretation of Walter Huxley's 1935 evergreen "Huxley Vertical", which was originally cast for American Type Founders. A timeless classic which has been in use since the Art Deco era, this version is known as Hotel Suite JNL. As in the original metal type, alternates for A,K,M,R,W and Y are available and can be found on their respective lower case keys. Hotel Suite JNL is available in both regular and oblique versions.

A neat handwritten font in an upright, feminine style. The bar key | contains a cute slice of cake.

Refresh was inspired and partly based on handwritten text from advertisements for a popular cola-based soft drink from the 1950s. I designed the missing characters in the handwriting style of the original. The Refresh family comes in three styles: - Lite- possibly the most elegant of the three styles -- use at larger sizes for greater legibility; - Med -of intermediate weight - more legible than Lite; - Blak - for bolder statements and best readabilty. Refresh, with its three styles, is ideal for any display work needing a feminine, handwritten effect. Use it for product branding, book covers, invitations, greeting cards where you're looking for charm and movement. Refresh has not been designed to be used with capital letters placed next to one another: it is not advisable to use text in "ALL CAPS". The best effects for headings and subheads are obtained with an initial upper case letter followed by lower case characters. If you are using upper and lower case then it is not necessary to use kerning. Refresh contains over 250 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). It has all the accented characters used in the major European languages.

Flame rider. It is a layered font in a vintage biker style. Suitable for illustrations for T-shirts, alcohol labels, logos and corporate identity. The font has 8 font styles: upper and lower case letters, numbers, punctuation marks and multilingual characters for each style.

Alesand A new contemporary font family designed with balance and versatility. The addition with outline and extrude font styles, makes it very simple to coat these fonts together perfectly. Simply duplicate the "Extra Bold" layer and change the setting to "Outline, Extrude", and the type will be automatically offset for you! And supports international communication extending to Western languages. Perfect for displays, headers, invitations, save the dates, weddings, brand creation, graphic design and so much more, Alesand will become a playful staple in your font library!

Temporal is one in a series of fonts designed for use in creating replica vintage newspapers. It is inspired by the nameplates of major metropolitan newspapers from the 1920s. Its rough character is apparent at headline sizes, and it remains nicely legible at small sizes. In addition to a complete international character set, it contains east and west coast variations for some letters, along with extra ligatures traditional for blackletter typesetting.

NORTH SHORE – The ultimate Hawaiian surf spot typeface, both groovy and mid century inspired. Designed by Lauren Kilbane (on the other coast!) in sunny South Florida, USA. USE THIS FONT FOR: ads, album covers, apparel, cards, flyers, invitations, logos, menus, merchandise, packaging, signage, web, and more. 204 Glyphs Total: Uppercase ONLY, Numbers, Symbols, Punctuation, Emojis, & Language Support. Language Support: Danish, English, French, German, Irish, Italian, Portuguese, Spanish, Swedish, & Swiss German.

Named after and inspired by an area in central Stockholm, this typeface also draws on design characteristics from faces such as Bodoni, Didot, Centennial and Walbaum as well as Mrs Eaves. The currently available Regular version of the typeface includes small caps, default and old style figures, standard ligatures as well as an extensive set of discretionary ligatures. Also included is a set of alternative lower case characters. These styles can be accessed as Opentype Features.

The inspiration source for Viper Monogram is the 1934 Book of American Types by American Type Founders. Found in that specimen book, was a sophisticated two-color monogram design called Hollywood Combination Initials, which was available in limited size metal castings. This wonderful monogram style is now digitally recreated, revived, and updated for modern use! Viper Monogram supports one and two letter monograms, but due to its super condensed style works best for three letter monograms. The default typing style for Viper Monogram is an all horizontal all caps setup which can be used for headlines and titling. Type in Capitals for an outline effect, lowercase for a solid effect. By enabling OpenType Contextual Alternates, you can type diagonal top-aligned monograms up to three letters. By typing in all lowercase, and layer a copy of the lowercase with Stylistic Alternates enabled, you can create a two-color effect. Viper Monogram is available in Pro format Opentype fonts only due its unique setup. Download and view the MFC Viper Monogram Guidebook if you would like to learn a little more.

A special category of typefaces, combining together principles of both serif and sans-serif, is sometimes described as Linear-Antiqua by German typographers. This concept catches the eye wherever it appears and this is also the case of Tabac Glam — a highly contrasting display typeface, expanding the wide expressive spectrum of our Tabac super-family through a new characteristic hue. Tabac Glam is naturally a great complement to the serif Tabac. It’s however only in conjunction with other styles of the superfamily — Sans, Slab and Mono, that you’ll be able to unleash the enormous potential of the wide range of combinations, and the family’s 112 styles will certainly satisfy all needs of both elegant and technical typesetting. Tabac Glam will best stand out in huge grades, on the covers of thick magazines under glossy layers of UV coating, or on snow-white surfaces of displays.

Alio™ Text is the workhorse of the Alio family . It works beautifully as display type, body copy and anything in between. We redesigned Alio Text with taller x-height, more pronounced accents, and wider letter spacing than its siblings, Alio Pro. We also cut down from 6 weights/12 styles to 4 weights/8 styles. All of these is to ensure the legibility and readability and to maximize the weight contrast at small sizes. Whether your designs call for all caps, title case, sentence case or all lowercase, Alio Text has got you covered with the case-sensitive punctuations. No more baseline shift all your punctuations. Alio Text supports most Latin-based languages and even the Chinese Pin-Yin. This typeface also packs with Open-Type features similar to Alio Pro. For examples, both recognize fractions vs. dates; Both features several alternate positions for the legal symbols (3 in Alio Text; 5 in Alio Pro). If you’re looking for a go-to, versatile typeface for most occasions, Alio Text is for you. (4 weights/8 font styles, 500+ glyphs each).

An all-caps title font in a whimsical style. This font comes in 2 styles- a rough edged marker version and a smooth-edged clean version.

A headline font family, with old style numerals, ligatures and small caps.

Dufour was named in honor of an art deco font called "Independent" designed in the 1930s by Collette and Dufour. "Dufour" is influenced by the original font, however, there are substantial differences: instead of small caps, a true lower case was created, the upper case character proportions and shapes have been greatly modified, and all missing characters have been created to make a truly modern font which nevertheless has all of the panache of the original. A related font is Collette, designed by Anton Scholtz, however, Dufour has a softer feel that is more true to the original art deco period. Dufour comes in four styles: Dufour Regular, Dufour Regular Outline, Dufour Condensed, and Dufour Condensed Outline. The font has been carefully kerned and best results are obtained if kerning is switched on. (All-caps passages work well.) It is best used to create a retro feel and in headings, subheads and in short passages of text. Very effective in marketing for products for children.

Hangman's Delight is a scratchy, all caps font. The upper case letters come with swirls and curls, but the lower case letters are unadorned. A bit of an unusual font, I admit, but it would look nice on book covers and posters. Comes with some ligatures and stylistic alternates and a whole bunch of diacritics.

Ancient Rome boasted some of the most gifted Philosophers and Roman Philosophy puts those ideas to words in this fun and very wise DoodleBat!

Museo... it all started with my love for the letter ‘U’. This uppercase letter just came to me as an image in a daydream. The top of both stems bent into semi-slab serifs. From this principle I worked out the rest of the uppercase letters. My first intention was to make it an all-caps display font, but after a while, I changed my mind. I wanted it to be a bit more versatile, so I decided to add lowercase and adjust spacing and kerning to increase legibility. This OpenType font family comes in five weights, and each weight comes with support for CE languages, even Esperanto. Besides ligatures, contextual alternatives, stylistic alternates, fractions and proportional/tabular figures, Museo has a ‘case’ feature for case-sensitive forms.

Pony Tale Pro is a handwritten unconnected script face in eight styles: Light, Regular, Bold and Outline with Italics and Small-Caps. Very suitable for Packaging, Greeting cards, Magazines, Posters and Advertising Ads. A space after any lower-case glyph will produce the word terminal, invoking the OpenType/CONTEXTUAL ALTERNATIVE variant. (Opentype variants may only be accessible via Opentype-Aware applications.)

Zura’s font family design draws its inspiration from nature and a tribal style. The use of geometrical expression emotes a technological undertone. Opentype features include: Old style numerals Case sensitive forms

Quidic is an unusual display typeface. The upper-case letters are strongly vertical, condensed, and bold. Used by themselves, they make headlines and titles that stand out. The lower case letters do not have serifs similar to those on the upper-case letters, but rather have the serif shapes one expects from an italic style. The lower-case is also quite short compared to the upper-case letters. The italic styles of the family are unusual because the lower-case letters keep their shapes and the upper-case letters and numbers change. The family has three styles that differ more by width rather than by weight. Although some Bauhaus fonts have several letter shapes that are similar, there is no other typeface quite like Quidic. The family can be used for many things, but not for text. For a "normalized" version of this typeface, see Qwatick.

Coverack was inspired by some hand lettering spotted by Dave Nalle on a pub menu blackboard during a recent trip to England. It's in the tradition of Celtic uncial lettering, but is extra bold and has some fantastical embellishments. The name comes from a lovely little town on the Cornish coast where the designer stayed during the trip.

It's nice when a font provides old style figures, small caps and alternate letters. But what if my typesetting program doesn't support Open Type features? The solution may be old-fashioned, but it's effective: the variants are placed in separate font families: Standard, Old Style Figures (OSF), and Small Caps (SC). Any word processor can handle it. HGB Info SC adds real Small Caps to HGB Info.