Brefid is a luxurious yet elegant display font. characters that suit today's styles will be very interesting for you to create any design work with a classy model while still maintaining a calm and impressive style to look at. You're sure to have inspiration to match your creativity! Free updates for more versions in the future. Thank You

Shahrazed 2.0 is an arabic and latin typeface. Shahrazed, Arabic glyphs are based on calligraphic writing inspired by Naskh and Maghrabi. (1366 Glyphs) It has more than 400 ligatures which add an aesthetic advantage in the connections of the glyphs. Also, stylistic set and variations that enrich the aesthetic aspect and the composition and layout needs.

HansHand started out in 2003 as a simple free font, the adaption of my grimy handwriting. For its 10th anniversary it got a complete overhaul and lots of new characters. Now also available in BOLD for the first time, featuring scribbles, strokes, circles and boxes to underline the fast taking-notes-while-on-the-phone look!

Waiting For My Girl comes from a System of a Down song (Hypnotize). I was listening to it when I created this font and I liked the name! Waiting For My Girl is a script font - it’s quite loose and uneven, just like proper hand writing. It comes with double letter ligatures and a lot of character!

Proudly Present, BeautyGreen Font. BeautyGreen is a modern script font, masterfully designed to become a true favorite. It maintains its classy calligraphic influences while feeling contemporary and fresh. Fall in love with it and bring your projects to the highest levels! Fonts featured : Uppercase, Lowercase, Numbers, Symbols, Accents, Stylistic, Swash, and Ligatures. BeautyGreen also multilingual support

While browsing through a Dan Solo type reference book, Jeff Levine fell in love with the multiline stylings of one particular typeface, then sat down and re-drew from scratch his own interpretation of the design. Jeff's version is called Art Lover JNL - offering kudos to art in general, the Art Deco movement and (of course) type design.

While the inspiration for Prospect Heights JNL may have been a piece of vintage sheet music entitled "My Ohio Lullaby", the name is classically New York. To be precise, it's a neighborhood in the Borough of Brooklyn. Prospect Heights JNL is available in both the regular version (with an engraving line) and a solid (plain) version.

Smoothes Inline is a new handwritten script font featuring a playful style and will suit all kinds of design goals. This font would be perfect especially for print design projects or website needs. Smoothes Inline has multiple language support and has more than 50 ligatures that will enhance your writing. thank you very much for looking.

Yourladies is a Modern Handwritten Font. Yourladies is a sweet and delicate handwritten font. Dainty and joyful, this font will be ideal for writing wedding invitations, cards or any other design that may need a romantic, personalized touch! Yourladies also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

While working on a font based on Spencerian Script (a popular late 19th century handwriting style) we did some experimenting with original designs which created the general feel of Spencerian and brought to mind the spidery handwriting of old ladies and Dickensian clerks. The result was Arakne, a spidery script font with a really striking look.

Tattoo scratch is a carefully constructed abstract and artistic font made with over 190 different glyphs for latin and extended latin usage. Useable in English and latin based languages. The font is inspired by ignorant tattoo style art and by the "chicken scratch" style of hand writing. Each letter is individually crafted to make the font overall highly unique.

Night Life JNL follows the classic lettering forms of the Art Deco era of the 1930s and 1940s. On the upper case letters, the A,B,E,F,H,K,P and R have extended horizontals, while the lower case a,b,e,f,h,k,p and r have those extensions removed and are more traditional in design.

The Ladislav font revitalises Sutnar’s legacy, while not explicitly copying any of his original fonts. It however keeps true to their technicist character and initial principles of character creation - a simple modular system of combined geometrical segments. This approach affects all round shapes of capital and lowercase letters, as well as the shapes of the majority of numbers.

Mane is a display font with a slant block shape. thick on the vertical line and thin on the horizontal line. have a firm and solid impression. Suitable for writing titles, posters, games, ad taglines, sports, space, etc. has an alternate start and end on each capital letter and several ligatures in order to add variations to each usage.

Adlery is a brush typeface designed by Cosimo Lorenzo Pancini for display use. It has a handmade feel and it’s optimized for maximum readability at medium sizes. The typeface comes in three styles: Basic, Swash and Blockletter Uppercase and has a double set of lowercase alphabets that alternate in writing, so that no double letters are the same.

Bulgary Reagans is a pair of font that brings the playful looks with casual feel. The handwritten sans serif combined with the natural hand writing script are the perfect match for you who needs a typeface for headline, logotype, apparel, invitation, branding, packaging, advertising etc. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

A typeface named Sorbonne, unearthed by intrepid font-finder Dan X. Solo, provided the pattern for this quaint little charmer. The exaggerated serifs make it stand out in a crowd, while still retaining an understated elegance. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

I think it is one of our most useful fonts in that it doesn't draw much attention to itself while it is quite refreshingly different. Almost all shapes in Vecta are rounded to provide a friendly effect. Proportions are somewhat condensed providing economic space usage. Vecta looks equally at home in headlines as well as body text.

A bubbly, sweet font with a cutoff letterform on detail. Kabul takes another step and brings the bubbly into a casual style. Perfect for use in big sizes on posters or flyers. It's a good combination with sans font. Its imperfections keep it casual while still providing legibility. This is a great combination of casual and retro eras.

On the Ground is a picture font made from drawings of found objects. These object were found on the ground while walking around different cities in the United States. The font uses varying drawing styles (from detailed to pictographic) but they all have a similar irregularity, unifying the characters. Perfect for animations, signs, greeting cards, posters, etc.

A Display Serif, a Monoweight Sans, and an Inline form combining the two, Olpal is a versatile companion for your next adventure. With surprising vitality for a workhorse font, Olpal embraces any job – and whistles while it works. Neutral – with a hint of pizzazz – the font's strong legibility and compressed footprint make it a brilliant fit in any environment.

Hiromina03 is named after the wife of its designer, Hajime Kawakami. The three fonts in the set are based on Hiromi Kawakami's unique hand-lettering style. The distinctly feminine character of Hiromina03 is harmoniously integrated in all three writing systems, Katakana, Hiragana and Latin. The enclosed key charts give instructions for character placement in Katakana and Hiragana.

Who doesn’t like Spaghetti & Cheese? Well, my son doesn’t like it, because he hates cheese, but he seems to be one of the few. Spaghetti & Cheese is also a handmade font: slightly slanted, slightly eroded, yet very legible and clear. It was made with a Japanese ‘Shake & Write’ marker pen. Comes with a generous topping of diacritics.

One waxy black crayon was used up, entirely down to the tiniest nub, by the making of this font. It’s fun! Perfect for creating crayon written text, or to get the look of chalk-board writing, conte, or charcoal. Okay Crayon is extended, containing West European diacritics & ligatures, making it also suitable for multilingual environments & publications.

Introducing, Callonsky, a romantic modern script with a twist of fun! The natural hand writing script is suitable for you who needs a typeface for headline, logotype, apparel, invitation, branding, packaging, advertising etc. This typeface is comes in uppercase, lowercase, punctuations, symbols & numerals, stylistic set alternate, ligatures, etc also support multilingual. It also already PUA Encoded.

Coolvetica is a sans-serif typeface, inspired by logotypes from the 1970s. This was an era where everyone was modifying Helvetica—not only logo designers but even font designers were into outlandish Helvetica mods. Phototype catalogs were loaded with playful variations of the already ubiquitous typeface. Coolvetica recreates that retro custom display lettering style with extra-tight kerning and funky curls. But don’t let the vintage feel fool you—Coolvetica is a true display typeface that’s ready to make a statement. Condensed, compressed, and crammed styles all use a flat-sided approach, an old-school strategy that’s rarely seen today. And with mathematical symbols, OpenType fractions, and numeric ordinals, this typeface is as versatile as it is stylish. So why settle for a dull typeface when you can stand out with Coolvetica? Try it out for your next project and see the difference a little typographical flair can make. Most Latin-based European, Vietnamese, Greek, and most Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Azerbaijani, Bashkir, Bashkir (Latin), Basque, Belarusian, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Buryat, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dungan, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Igbo, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaingang, Khalkha, Kalmyk, Kanuri, Kaqchikel, Karakalpak (Latin), Kashubian, Kazakh, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish, Kurdish (Latin), Kyrgyz, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Nahuatl, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Rusyn, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tajik, Tatar, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek, Uzbek (Latin), Venda, Venetian, Vepsian, Vietnamese, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xavante, Xhosa, Yapese, Zapotec, Zarma, Zazaki, Zulu and Zuni.

In the world of typography, finding the perfect balance between form and function is the ultimate goal. Enter Order, a condensed, technical plotter-style typeface with Univers proportions that effortlessly marries style and substance. With its contemporary technological aesthetic and octagonal design, Order can blend in seamlessly with the reader’s visual vernacular. But don’t be fooled by its unassuming appearance—this typeface is a powerhouse of precision and consistency. Order’s angular shapes and uniform strokes exude a sense of cold reason that is ideal for technical documents and data-driven content. Its condensed form allows for maximum legibility even at small sizes, making it perfect for charts, graphs, and diagrams. Available in three different weights and italics, Order offers versatility and flexibility that can adapt to any design situation. Whether you’re looking to add a touch of modern sophistication to a branding project or need a reliable font for technical reports, Order is the perfect choice. In a world that demands both style and substance, Order is the typeface that delivers. With its sleek, high-tech look and unparalleled precision, Order will elevate your message and bring a touch of uniformity to your designs. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Introducing Gymkhana, a clean and simple sans-serif typeface that brings a touch of architectural elegance to your design. Inspired by twentieth-century American lettering, Gymkhana is the perfect typeface for your next project. Gymkhana’s clarity is immediately evident in its design. The typeface’s large x-height and generous width make it incredibly easy to read, even at small sizes. With its clear lines and easy-to-read characters, Gymkhana adds a feeling of solemn clarity and friendly professionalism to any message. But Gymkhana isn’t just easy to read; it’s also versatile. With old-style numerals, tabular (monospaced) numerals, and old-style tabular numerals in OpenType-capable applications, you can customize the typeface to suit your needs. Gymkhana comes in six weights and italics, so you can choose the perfect style for your project. Whether you’re designing a logo, a website, or a printed document, Gymkhana has you covered. So why wait? Try Gymkhana today and experience the power of clear, clean typography in your design. Most Latin-based European, Vietnamese, Greek, and most Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Azerbaijani, Bashkir, Bashkir (Latin), Basque, Belarusian, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Buryat, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dungan, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Igbo, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaingang, Khalkha, Kalmyk, Kanuri, Kaqchikel, Karakalpak (Latin), Kashubian, Kazakh, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish, Kurdish (Latin), Kyrgyz, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Nahuatl, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Rusyn, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tajik, Tatar, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek, Uzbek (Latin), Venda, Venetian, Vepsian, Vietnamese, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xavante, Xhosa, Yapese, Zapotec, Zarma, Zazaki, Zulu and Zuni.

Today, we’re here to talk about Boopee, a font that’s unique in every way. You may have noticed its flaws, but let us tell you, those imperfections are what make Boopee so charming. Boopee is a personable typeface that’s messy yet easy to read. Its quirky shapes and uneven lines give it a human touch that’s hard to find in other fonts. Despite its playful appearance, Boopee remains legible and functional, making it a versatile choice for various design applications. One of Boopee’s best features is its custom ligatures. With unique letter combinations that add a touch of personalization to your designs, you can truly make Boopee your own. Whether you’re creating logos, posters, or social media graphics, Boopee has got you covered. Plus, Boopee comes in both standard and bold versions, giving you even more flexibility in your designs. Use the standard version for a subtle, playful touch or go bold for a more impactful statement. In summary, Boopee may not be perfect, but its imperfections are what make it stand out. Its personable, messy yet legible style and unique custom ligatures make it a font worth exploring. Give Boopee a try and see how it can bring a touch of charm to your designs. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Rev up your designs with the bold power of Hemi-Head, the square industrial typeface inspired by the classic muscle cars of the 60s and 70s. Its audacious letterforms and stylish gaps will give your message a commanding presence, instantly conveying authority and technologically superior design. With its sleek, constructivist squareness, Hemi-Head is the perfect typeface for any project that demands strength, speed, and raw power. From high-performance automotive advertising to cutting-edge tech branding, Hemi-Head delivers the perfect blend of style and substance. Available in 8 versatile weights and italics, Hemi-Head offers a wide range of options for any project. Choose the style that best suits your needs, from the light and nimble to the heavy and powerful, and add a touch of italicized style for even more visual impact. So whether you’re looking to create a design that demands attention, or simply want to add a touch of muscle car style to your next project, Hemi-Head is the perfect typeface for the job. Embrace the bold, square industrial aesthetic of the 60s and 70s, and let your designs roar with power and precision. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

C.P. Company is a group of types including 4 different forms and it is a complementary sign of communication for the C.P. Company clothes maker. C.P. Company communication makes use of media such as the press and the web and that’s the reason why we have always felt the need for a font that would not show incongruities through the monitor. Therefore we have decided to change the structure of glyphs like a, e, g, s… in the most contrasted versions to prevent the serifs from touching the internal parts of the letters and in this manner we have made a really unusual stylistic choice for a group of types. The difference between the height of caps and smalls is very low (about 20%) so that the smalls are easy to read even when their dimensions are on a very small scale. Moreover this stylistic solution gives the possibility to avoid using the small capitals in case of charts and catalogue codes (i.e. Tricot M5) and provides more vertical compactness between the lines. Even a sentence written in capital letters next to another one written in smalls does not look so much contrasted from a typographical point of view and then it is not unpleasant. The limits due to different constructive principles have been overcome by means of a grid based on the automatic division of EM square of 9-point type and in this manner the letters have a wider face. The font is even more unusual owing to the style chosen that belongs to the classical tradition of hair-lined types for glyphs like e and also thanks to ligatures like ? in the characters set. CP Company is a geometrical font whose alphabet makes use of the style of types that preceded the Helvetica, matched with more experimental and updated solutions. Numbering is monospaced. The bending of number 2, the slight raising of the oblique serif of number 4 and the presence of a hair-line in number 7 are the solutions adopted to make the types match in a more balanced manner.

Highrise is a sans serif typeface inspired by tall industrial structures. Works great as both bodycopy and logotype, as the lowercase is clear and concise, but the statuesque caps letters can grab full attention. Available in Regular, Light and Bold.

This almost-all-caps display font features a variable baseline to give it an unstable look. Also, the upper and lower cases differ slightly and can be used to add some alternates in words with letters next to each other.

Hello Everyone, introduce our new product Font ROXIES is a Modern Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. This font ROXIES is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Design this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, in wedding designs,label ,product packaging, special events or anything that need handwritting taste. That is has charming, authentic and relaxed characteristic more natural look to your text You can activate Alternate OpenType panel.

Hello Everyone, introduce our new product Font Queenssa it is Quick Brush Modern Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. This font Queenssa is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Design this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, invitation,advertisements,product designs, stationery, wedding designs,label ,product packaging, special events or anything that need handwritting taste. You can activate 12 Ligatures glyphs OpenType panel.

New York designers Ed Benguiat, Victor Caruso, and the staff at Photo Lettering, Inc. developed the ITC Korinna typeface family during the 1970s. ITC Korinna is based on an older German design that was originally cast at the beginning of the 20th century. That ITC Korinna was created speaks to the status that Art Nouveau had for designers during the 1960s and 70s. Thanks to their keen reviving of this ever-popular style, computer users can still use this type style today. ITC Korinna is perfect for display and advertising typography, as well as for headlines in newsletters and magazines.

Look the allure of Daisy & Violette, a mesmerizing serif font that blends modernity with classic refinement. With its thin serifs and captivating alternates adorned with graceful flourishes, this font is a true testament to elegance. Whether used for high-end packaging, editorial layouts, or upscale event invitations, Daisy & Violette brings an air of sophistication that will leave a lasting impression. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Hello Everyone, introduce our new product Font Rockseed it is Brush Display Typeface .This is a Textured Natural Style and classy style with a clear style and dramatic movement. This font Rockseed is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Design this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, invitation,advertisements,product designs, stationery, wedding designs,label ,product packaging, special events or anything that need handwritting taste. You can activate 6 Ligatures and 12 Alternate glyphs OpenType panel.

Hello Designers! Are you ready to make your Designs rock the world? If so, we know the right solution. Now comes the Easy Headline font ready to use for your best projects. Easy Headline is equipped with Uppercase Letters, Lowercase Letters made with unique and cool shapes, Numbers, and Multilingual Support. This font is made for any professional branding project, Great for creating titles, Movie titles, Event titles, Social media titles, Book cover titles, Poster titles, branding, posters, Each letter has a unique and beautiful touch. You can see the sample preview above for comparison, stay the center of attention and classy!

Hello Everyone, introduce our new product Font Mental Health is a Rough Display Brush Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. This font Mental Health is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Design this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, invitation,advertisements,product designs, stationery, wedding designs,label ,product packaging, special events or anything that need handwritting taste. You can activate 6 Alternates glyphs OpenType panel.