Displayer font family is modern, wide and sans serif family available in 7 weights and Variable type file. It’s strong, stable, compact, futuristic family with some specific letter design and generous ink-trap. With it’s display charm, Displayer fits perfectly into any branding project – use it in posters, package, website, logo, video games, magazines. Contains fractions and standard ligatures with Extended Latin character map.

Grotesk freely inspired by a specimen for Monument.

Vivala Unicase is a modern, rounded linear grotesque that is easy to read even in small font sizes. The composition of uppercase and lowercase letters results in a unique typeface. The new version contains five weights, including a boldface, which greatly expands the design possibilities. With an extensive set of characters and symbols, it is ideal for posters, t-shirt design, promotional products, car design, labeling, trademarks and headlines.

SK Primo is a monumental geometric grotesque created to stand out. An unusual combination of smooth rounded contours and sharp square shapes creates a visual contrast that is noticeable. Carefully adjusted shape and attention to detail make this font a great help in the work of the designer. SK Primo is ideal for headlines, posters, banners, and text highlighting. Two styles, solid and outline, were developed to address all communication needs.

Introducing Fontena - A Font Family ! The Fontena - A Font Family will work perfectly for fashion, e-commerce brands, trend blogs, wedding boutiques or any business that wants to appear upscale and chic. The Fontena - A Font Family also Suitable for Logo, greeting cards, quotes, posters, branding, name card, stationary, design title, blog header, art quote, typography, art, modern envelope lettering or book design, happening style like handdrawn design or watercolor design theme, craft design, any DIY project, book title, or any purpose to make your art/design project look pretty and trendy. Features : Numerals & Punctuations (OpenType Standard) Accents/Multilingual characters (AÀÁÂÃÄÅCÇDÐEÈÉÊËIÌÍÎÏNÑOØÒÓÔÕÖUÙÜÚÛWYÝŸỲŸÆŒßÞ) PUA Encoded No special software is required to use The Fontena - A Font Family Check my other Font here : https://gilarstudio.com/ Give it a try! You will surely love it! Thanks and have a wonderful day, Gilar :)

Charming and friendly, Hiruko Pro is a modern and legible font cleverly combining smooth lines and playful curves. It’s a complete revamp of the original 2008 Hiruko family. With its softened edges, it emits a family friendly, kids welcome vibe and is easily legible in any situation. With a full family of 21 weights, varying from bold and attention-grabbing, to slick and smart outlines, to extra light and delicate, Hiruko Pro has a tonne of applications, and we still come across new ones.

Hello! I'm happy to present you my new ethnic font family. I tried to create Latin letters font in Arabic style. Right now, you can type your text with Latin characters, and it can be read internationally. So, can you read this script? This font family consists of two font styles (regular and rough). Both of them will make an Arabic feel to every text you type using this font. I paid a lot of time for ligatures to provide flowing effect to every lettering. You can easily design Ramadan advertising, Islamic quotes posters, Arabic style greeting cards, Eastern brand logos, and others. You'll get: * Uppercase and lowercase * Mültîlíñgúãl Sùppört * Special Alternates and ligatures * Numbers * Symbols * Punctuation Please feel free to request to add characters you need: kaer.pro@gmail.com Best, Roman.

CTCo Hopps Condensed takes inspiration from vintage beer labels, newspaper headlines, and woodcut type. Hopps is the perfect typeface to make a big statement with a classic impact. Hopps comes in 4 flavours: Regular Soft (slightly rounded) Italic Italic Soft CTCo Hopps is a condensed grotesque designed for headlines, posters and logos.

Claspo ND is a contemporary neo-grotesque display typeface that gets more vigorous as its weight increases. It comes in 6 styles and has a variable typeface — with full Latin Plus language support. Features: Stylistic Sets + Alternates Contextual Alternates Standard & Discretionary Ligatures Case-Sensitive Forms 495 Glyphs/Style Fractions Tabular Figures Icons & Arrows

Introducing clean, minimalistic and actually fonts family. Balanced letter height and width - based on analysis of current design trends. Text typed in this font does not distract attention from design, but organically complements any design. Ideal for short phrases, footnotes and headlines. Font has High readability in large volumes of text. Branding with this font looks trendy and expensive. Minimaly font family is versatile in use and very modern. Features: Clean letters and absolute minimalism 6 fonts in family: - Thin, Thin Italic - Regular, Italic - Bold, Bold Italic Kerning ld.luxfont@gmail.com

Meet Pawl, an affordable 48-font squarish sans family with a little grotesque in him! Oh, you may think you’ve got him pegged at first glance, but he’ll surprise you with his versatility. AND he's just been totally refurbished from top to bottom and boy, did he need it! Pawl lives in the same visual landscape as fantastic modular superfamilies like Eurostile, Agency, Geogrotesque, Barlow, and even the great American Gothics. Unlike those faces, though, he's nimble enough to switch between looks effortlessly. Pawl is energetic, aggressive, strident, and structural. Depending on how you use him, his voice can be retro, futuristic, industrial, or sleek. He can be sober or splashy, techy or oldschool. Use his alternate characters and stylistic sets to create looks ranging from Streamline Moderne to Futurism to Brutalism to Swiss. He works from small paragraphs all the way up to monumental signage. This guy is smart and useful, with a lotta looks! How many times have you needed multiple weights, styles, and widths for your hierarchy, but standard type families were either shockingly expensive or couldn't deliver? Pawl delivers. Give him a shot!

Candy Design is a display font containing 265 glyphs. It was designed during a stay in Tanzania, Zanzibar in 2022. The main idea was to combine a sans-serif modernist, grotesque typeface with the addition of delicate Arabic accents. Its main assumption of use is posters, product design and branding. Unusual, dynamic and unpredictable accents that are found in practically every letter give the character of a very custom font, also completely not intended for typesetting, which, contrary to the features mentioned above, remains legible. Usually all letters are of the same size - however, as we used to when designing, hide small flavors in the whole sequence of numbers / letters and characters.

Montesori is inspired by the economic forms and large x-height with a condensed style and a humanistic-grotesque typeface forms. It is a perfect option for editorial projects, branding, logos and packaging. Montesori comes in a variety of nine weights (Fine, Extra Light, Ultra Light, Light, Regular, Semi Bold, Bold, Ultra Bold and Black) with its two styles (round and italic) classified in two forms, Basic and Alternative. In addition, its case-sensitive shapes, ordinals, scientific inferiors, denominators, superscripts, subscripts, numerators, fractions... make it ideal for posters or infographics.

Introducing a retro narrow grotesque called "Agitaciya" (Agitation). Bring back to the Soviet Era Agitation inspired by Soviet posters, movie titles and book covers. The letterforms are straight and condensed and come in 2 styles: uppercase and small caps alternatives. It has Extended LATIN and Extended CYRILLIC letters. "Agitaciya"created for titles, poster design, web design, branding and packaging works, illustrations, badges and other typography works. *ST Agitaciya supports 15+ languages: English, German, Spanish, Belarusian, Bosnian, Bulgarian, Croatian, Dutch, Norsk, Dannish, Macedonian, Polish, Russian, Serbian, Slovenian, Swedish, Ukrainian, Kazakh, and probably others )

Checker is an all-cap ‘three-D’ font which automatically alternates white letters on black tiles with black letters on white tiles, by means of the Contextual Alternates feature. Checker is an attention grabber suitable for logos, titles and short headings. With its tiled construction, it's a natural for colorful interpretation. The letters are properly italicized and back-slanted, and adjusted for maximum readability within the constraints of the font’s concept. The letter style is bold grotesque, so Checker will mix smoothly with any other fonts in a layout.

Margot font family, has more than 1000 + glyphs in each font. The font includes advanced language support, fractions, table shapes, ligatures, and more. Perfect for graphic design and any display use. It can easily work for websites, signage, corporate, and editorial design. documents and folders, mobile interface.

Inkheart is a handmade font family of 22 fonts designed to play together. Inkheart family covers a wide range of different styles such as script, brush, sans and many other display styles - drawn in the same size so they naturally fit together. Inkheart also has Catchwords, Patterns and Ornaments that play perfectly with the letter-fonts. Inkheart family is a great tool for designing advertising, branding, posters, packaging and anything else with a coherent visual style. Each font goes a long way alone but together they’ll rock! Inkheart family is also packed with OpenType features such as Automatic Ligatures, Swash, Stylistic and Titling Alternates. Go wild with Inkeart!

Brafteng is a new decorative font family. This font has a very beautiful and elegant opentype feature, so it can make users happy and can increase creativity or productivity, you can use this font very easily. Includes: Multiligual Support Special Ligatures Try Brafteng, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily.

Rothek Stencil is a stencil type family based on our bestselling Rothek family. Rothek Stencil is highly legible, versatile and multilingual. • Ideal for graphic design, packaging, branding and signage • Unique stencilled letterforms • 23 Styles (11 Uprights, 11 Italics, 1 Variable Font) • 1000+ Characters per font • Extended Latin, Extended Cyrillic, and Vietnamese support • Versatile OpenType Features • Legible, versatile, and multifunctional

Designed for global branding and supporting 93 languages, the SST® typefaces blend the organic readability and controlled structure of modern sans serif designs. In combining these attributes, the SST family is understated, versatile – and sure to be a timeless design. The SST Japanese Pro family has 6 fonts in total. It spans four weights from ultra light to bold, and has two condensed weights to further expand the family’s vast range of uses. SST’s subtle design traits provide a quietly handsome and consistently friendly typographic presence that can be used for just about any typographic application. Broad range branding applicability, combined with coverage for almost a hundred languages, makes SST one of the most widely accessible and usable typefaces available. Originally designed in partnership with the global consumer brand, Sony, the SST family is one of the most comprehensive type families available. Since extensive multi-lingual support was a critical design goal from the beginning, Akira Kobayashi, Monotype type director and primary designer on the project, turned to a network of local designers around the world for their individual language expertise. As a result, the details – which could be as subtle as stroke curvature and width – are consistent across Latin, Greek, Cyrillic, Arabic and multiple Asian languages. SST performs equally well in print and on-screen and the designs can be used at very small sizes in packaging and catalogs; while massive print headlines – even complicated wayfinding projects — pose no stumbling blocks to the family’s typographic dexterity.

Angesia is a script type family of four fonts. It is inspired by Lovely Fonts and has a soft and welcoming look. Angesia can be used for branding, packaging and wherever you need a script font that is easy to read and smooth. Angesia has many ties, strokes, and alternative characters that will make your designs unique and beautiful. You can also purchase Angesia as a Font Family and adjust the weight of Angesia seamlessly between Italic and Bold weights. Note that you need design software that supports the Font Family. Thank You...

Gampita is a script type family of four fonts. It is inspired by Elegant Fonts and has a soft and friendly look. Gampita can be used for branding, packaging and anywhere else you need a script font that is readable and smooth. Gampita has many ties, strokes and alternate characters that will make your designs unique and beautiful. You can also purchase Gampita as a Family Font and adjust the weight of Gampita smoothly between Italic and Bold weights. Note that you need design software that supports Family Fonts.

Augdia is a script type family of four fonts. It is inspired by Elegant Fonts and has a soft and friendly look. Augdia can be used for branding, packaging and anywhere else you need a script font that is readable and smooth. Augdiahas many ties, strokes and alternate characters that will make your designs unique and beautiful. You can also purchase Augdia as a Family Font and adjust the weight of Augdia smoothly between Italic and Bold weights. Note that you need design software that supports Family Fonts.

Magdesa is a script type family of four fonts. It is inspired by Elegant Fonts and has a soft and friendly look. Magdesa can be used for branding, packaging and anywhere else you need a script font that is readable and smooth. Magdesa has many ties, strokes and alternate characters that will make your designs unique and beautiful. You can also purchase Magdesa as a Family Font and adjust the weight of Magdesa smoothly between Slant and Bold weights. Note that you need design software that supports Family Fonts.

Proudly Introducing, Biomorph! Biomorph is a brand new condensed sans font family released by us. This font is very suitable for your projects especially for brandingm publishing, titles, book, magazine, website, etc. Biomorph is font family that comes from thin, extra light, light, regular, medium, semibold, and bold version, with all of these styles gives yoiu freedom to design as you like!

Parodisme is a high-contrast serif font family that has many alternatives and unique shapes. Create a modern and beautiful logotype using this font family. Supports all aspects of design, especially logo design and branding. Suitable to be paired with various types of fonts. Parodisme also supports multilingual languages. If you have further questions contact me. Free updates Thank you

Audens - Sans Serif Font Family - Multilingual supports - 6 Styles Audens is a modern geometric sans serif font. Consisting of 6 styles designed for strong headlines, this font is suitable for use in different areas, from banners and posters, newspapers and magazines, logos and brand identities, to movie and game titles. If you are looking for a modern - geometric sans serif style that can be effective in branding, you can easily use this font. Whit these features, it will be effective in creating alternatives in your projects Ideal for posters, newspaper, movie title and magazines, magazine covers, editorials, headlines, websites, logos, branding, advertising and more. You can create your unique designs with this font. If you have a question, please contact me. Have a good time.

The Memesique Font is unicase sans-serif typeface with ultra-thick strokes, compressed letterspacing and strong regular rhythm. It is a product of the analysis and the reinvention of the font Impact created by Jeffrey Lee. Each parameter of Impact was increased to the absolute. As a result, we have a modern grotesque with a large collection of glyphs and stylistically referring us to the mid-1960s. A font designed for memes, good for advertising, ideal for headlines. Videos: — Memesique Font Logotype — Memesique Font Presentation

A typeface of grace, power and exceptional versatility, the Slate collection is a truly beautiful design that achieves stellar levels of readability, both in print and on screen. Created by the award winning type designer Rod McDonald, this six-weight sans serif family is a rare example of sublime aesthetics meeting world-class functionality. The typeface’s legible letterforms embody an amalgam of the best traits of both humanistic and grotesque letterforms. “I didn’t want a face with an ‘engineered’ look, or with any noticeable design gimmicks or devices,” admits designer McDonald. “I wanted a pure design. I confess that I was ruthless with any character that wanted to stand out from the rest.” The Slate collection is available in six weights with complementary italics, with slight changes in structure from the light to the black weights. Its light weight is reminiscent of early American sans. Whether for use in display work or in longer-form settings, few typefaces possess the beauty and power of this design, leaving the Slate family an excellent addition to any designer’s typographic quiver.

Tonus Super Family; It is a family of five character styles built on the same skeleton. The entire Tonus Family is built on the skeleton of the "sans" family, it is the only family where five different styles are presented together. All families have an equal number of characters. It has rich opentype features. It inspires designers for different and creative applications such as brand building, periodicals, packaging, and social cultural event designs.

Solanel is a neo-grotesque with flawless curves. This is a low contrasted and smooth sans serif with subtle and effortless details. One of the main particularity is its italic, which is not a rendition of a slanted roman, but a mix of a rotated and slanted version, which give a “rotalic” feel. The large range of style, from UltraThin to Black help to give flexibility to this family. This family contains many OpenType features, such as Alternates, Small Caps, Proportional Figure, Tabular Figures, Numerators, Superscript, Denominators, Scientific Inferiors, Subscript, Ordinals and Fractions, which make that typeface useful in various projects. Larsseit family supports Latin and Cyrillic, all these languages are covered: Latin language support: Afar, Afrikaans, Albanian, Asturian, Azeri, Basque, Bosnian, Breton, Bulgarian, Catalan, Cornish, Corsican, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Filipino, Finnish, Flemish, French, Frisian, Friulian, Gaelic, Galician, German, Greenlandic, Hungarian, Icelandic, Indonesian, Irish, Italian, Kurdish, Latin, Latvian, Lithuanian, Luxembourgish, Malagasy, Malay, Maltese, Maori, Moldavian, Norwegian, Occitan, Polish, Portuguese, Provençal, Romanian, Romansch, Saami, Samoan, Scots, Scottish, Serbian, Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish, Walloon, Welsh, Wolof Cyrillic language support: Adyghe, Avar, Belarusian, Bulgarian, Buryat, Chechen, Erzya, Ingush, Kabardian, Kalmyk, Karachay-Balkar, Karakalpak, Kazakh, Komi, Kyrgyz, Lak, Macedonian, Moldovan, Mongol, Permyak, Russian, Rusyn, Serbian, Tatar, Tofa, Tuvan, Ukrainian, Uzbek

FF Signa is a typically Danish typeface, rooted in architectural lettering rather than book typography. Originally designed for signage—hence the name—FF Signa is now a typographic family with three widths. All weights include italics, small caps, and several styles of figures. Because of the quality of this “vernacular-lettering-into-typeface” conversion, FF Signa received a Danish Design Prize in 2002. FF Signa is radically different from most sans serif text typefaces that were published during the 1990s. It neither belongs in the “humanist sans” category, nor is it on the list of typefaces based on 19th-century grotesques. Its concise letterforms and a minimum of detail produce clear and harmonious word images. Yet its proportions are classical, and the underlying geometry has been subtly adjusted in order to create letterforms which are at once interesting, harmonious, and contemporary. These features make FF Signa pleasant for reading, even at very small sizes. The typeface has developed into a versatile family, with Condensed, Extended, and Correspondence versions. Later on Signa Serif, Stencil variants and a Signa Slab family added even more versatility. The resulting FF Signa type system may be used for corporate identities, brochures, magazines, communication, books, and on-screen publications.

SK Seren is a clean, double weight and semi-serif font family. This font family, which you can use in long texts or headlines, logos and posters you will design without hesitation, manages to stand out even in the most crowded environments. As you can easily use in print and web design, this is the only font you need in every medium. This family consists of 10 different fonts and 5890 glyphs. In this way, it contains all the typographic materials you will need in your design and offers full support to the Latin alphabet. This font family is a new version of the first font I designed while studying college in 2018. This version includes many new glyphs that were not available in the first version, and all bugs found in the first version were fixed and kerning settings were reconfigured.

Founded on a rigid structure of modernist type, Calypso E has a determined tone without an authoritative tang. It is an updated interpretation of a Neo-grotesque model Egyptian with a hint of Humanist lightness in its forms. Seriously big x-height, square basic form and sturdy serifs create firm text regardless of the weight. This makes Calypso E well suited for various media, from sharp plotter images to low-res television screens. Calypso E includes four suitable body copy styles. Book, Regular, Normal and Medium can be applied according to, for example, the size of text and quality of paper. All styles in the family are equipped with an expanded character set, small caps, case sensitive forms, discretionary ligatures and much more to make even the most elaborate typographic detailing possible.

Albiona Inked is a vintage distressed version of Albiona that evokes the urgency of teletext printers, typewriter ribbons and authentic hot-metal type on rougher paper. A contemporary slab-serif, it revisits aspects of Robert Besley’s classic Clarendon, designed around 1842 for Thorowgood and Co. and named after the Clarendon Press in Oxford. Subsequently extended by Stephenson Blake in the 1950s, Albiona adds the inwardly-curved stroke terminals of the same foundry ’s Grotesque series, and includes italics and old-style and tabular numerals. The original Clarendon’s ball serifs and calligraphic eccentricities have been rationalised and streamlined for functional contemporary uses. The family consists of five weights plus italics and a stencil, and its clean readable style is perfect for both extended text as well as headline setting. A rounded “soft” version is also available.

Telemark is a monolinear slab serif influenced by the wide serif typefaces of the 19th century. The name refers to the vintage form of skiing which was introduced in Norway at the same period of time and allowed more fluid turns. After the Telemark style was replaced by newer techniques in the Alpine countries it has experienced a rise in popularity in recent years. The Telemark type family features the three weights in an additional label style which allows an uncomplicated creation of editable pointers, banners and cartouches. Different combinations of end pieces result in a great variety of designs. Telemark is suitable for headlines and logotypes and complements script typefaces as well as any neutral grotesque. Details include 207 characters in three weights, a total of six styles and manually edited kerning.

Tapas is a delicious multi type family with a little something for everyone's tastes and needs. The family consists of four distinct members that share same traits but communicate different aspects. Together they’ll create a bold and effortless mix of various flavors and accents. Naturally, the fonts can be used individually too. Use the Tapas type family in packaging, branding or editorial – wherever some delicious flavors are needed.

Designed for global branding and supporting 93 languages, the SST® typefaces blend the organic readability and controlled structure of modern sans serif designs. In combining these attributes, the SST family is understated, versatile – and sure to be a timeless design. The SST Pan-European family has 17 fonts in total, supporting the W1G character set. It spans six weights from ultra light to heavy, each with an italic complement. In addition, three condensed designs and two monospaced (typewriter) typefaces were drawn to further expand the family’s vast range of uses. SST’s subtle design traits provide a quietly handsome and consistently friendly typographic presence that can be used for just about any typographic application. Broad range branding applicability combined with coverage for almost a hundred languages, makes SST one of the most widely accessible and usable typefaces available. Originally designed in partnership with the global consumer brand, Sony, the SST family is one of the most comprehensive type families available. Since extensive multi-lingual support was a critical design goal from the beginning, Akira Kobayashi, Monotype type director and primary designer on the project, turned to a network of local designers around the world for their individual language expertise. As a result, the details – which could be as subtle as stroke curvature and width – are consistent across Latin, Greek, Cyrillic, Arabic and multiple Asian languages. SST performs equally well in print and on-screen and the designs can be used at very small sizes in packaging and catalogs; while massive print headlines – even complicated wayfinding projects pose no stumbling blocks to the family’s typographic dexterity. While the family is also large enough to manage complicated typographic hierarchy, SST pairs handsomely with typefaces as far reaching as ITC Berkeley Old Style®, Meta®, PMN Caecilia®, Malabar® and Neue Swift®.

It was our initial intention to develop a suitable lowercase for Les Usherwood's Elston typeface, based on a few characters from an old German typeface called Hermes Grotesque (Woellmer, Berlin). The new design became Creighton. Then, for good measure we decided to experiment with a 'crisper version' of this design; the result is 'Megaphone'.

Quirkily is a crooked serif family with natural and organic feels! Contain 6 fonts. Including Light-Regular - Bold with an italic each style. You can use this font for every project. Suitable for branding logo, a classic theme, and also for text. This font family also support multilingual, number and symbol. If you bored with a casual serif, maybe this font is for you!