Fixture is our massive 72-font take on plentiful offerings of the late 19th century’s typefaces, posters and wood letterpress sundry done in the Grotesk genre. Four widths ranging from Ultra Compressed to Expanded each come in nine weights and accompanying italics. Some common sans-serif alternates, such as the a and g, are included in all the fonts. The idea with this design was to put together a workhorse font family with enough functional flexibility to work in multiple environments, from the subtlety of magazine layout or film credits to the visual drama of billboards or packaging. Aesthetically speaking, it is quite interesting — though in retrospect quite unintentional — that each different width and/or weight of this face ended up pulling a different dominant trait from the melting-pot origins of the entire family. It’s almost like a tribute album to some famous band’s covers of older songs. It may also be a good conversation piece on our tools shaping the very things for which they’re used. Can’t really get any more post-Grotesk than this. In the 21st century, this is the one genre to rule them all.

The Core Sans E family is part of the Core Sans series, such as Core Sans N, Core Sans M, Core Sans A, Core Sans G and Core Sans D. This is a modernized, grotesque font family with horizontal terminals, low-stroke contrast, enclosed apertures and little-line-width variation. Its tall x-height makes the text legible; and the spaces between individual letter forms are precisely adjusted to create the perfect typesetting. The Core Sans E family consists of 9 weights, from Thin to Black with italics. It supports WGL4, which provides a wide range of character sets—Greek, Cyrillic, and Central and Eastern European characters. Each font includes support for tabular numbers, arrows, mathematical operators, and OpenType features (such as proportional figures, numerators, denominators, subscript, superscript, scientific inferiors, fractions, case features, and standard ligatures). We highly recommend it for use in books, web pages, screen displays, and so on.

Lil Rhino is the more reserved but still slightly offbeat sister to the quirky comic Fat Rhino typeface. You can see the resemblance, they work well together, but they also each hold their own.

Marcione is the real deal, a contemporary and dynamic condensed display font family that blends the classic Deco and Grotesk styles in a playful and modern way. This font family got personality, you can see it right away in the lowercase letters, with a diagonal stem in characters like “a”, “h”, “m”, and “n” that gives it that extra kick. You can use Marcione to create some killer designs in editorial, branding, or advertising. This font family packs a punch with six distinct styles, ranging from Light to ExtraBold, and it’s got you covered with broad Latin language support. That means no matter where you’re from, Marcione can help you make a statement. This font is highly versatile and visually engaging, a true boss. With its condensed design, it takes up minimal space while still commanding attention and conveying a sense of sophistication. Trust me, you won’t regret having Marcione in your font library, it’s the real deal.

Authentic copy of the original, with a couple of minor changes to the caps, making them fit better. Although made for the American market by an American typefounder, we found this font in a York, England printshop when we went on a second visit to the famous DeLittle Wood Type factory.

Swiss Interlock represents the extraordinary meeting of two disparate cultural phenomena of the mid-twentieth century. Its compact frame combines the International Style of the late 50s, which championed the clarity of sans serif, with the interlocking lettering characteristic of 60s counterculture aesthetics. The remarkable result is a tightly woven face with unexpected letter pairs that warm an otherwise cold industrial appearance. Swiss Interlock’s unusual origins make it comfortable on everything from album cover artwork and snack food packaging, to home improvement applications and automotive-themed advertsing. Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

For this Byzantine Empire calligraphy font, I had to work for 2 weeks and 3-4 hours a day and search the internet. It made me very tired, but I finally finished it, and it was good. This font can use both latin keyboard and greek keyboard. I also added Greek unicode characters. I will adapt this font to the latin alphabet, I will make the full character set font, this will take less time. I wish you good work.

A set of vintage wood type printing blocks yielded the alphabet which was to become Chamfer Serif JNL. With its heavy vertical serifs and interesting character shapes, the design is unique when compared to the more familiar wood type offerings of the past.

Jazzy serif based on swing jazz record album covers in the first half of the 20th century. This is very good for children’s picture book, package too.

In the late 1990s Gerard Unger won the assignment to design the signage system for the Holy Year celebrations to be held in Rome in 2000. The system he developed in cooperation with the design agency n|p|k used a classically inspired serif typeface, but the earlier proposals included a sans-serif, which became Vesta (2001). Vesta is a versatile family that can be used as a display face alongside Unger's serif faces Gulliver, Capitolium or Coranto; it can also be used on its own, even in longer texts. Vesta is narrower and therefore more economical than some commonly used sans serifs such as Arial and Helvetica; there is also a noticeable contrast between thick and thin parts, which makes it more lively. Vesta is to be extended with narrow versions, small capitals and old style numerals, along with some special versions for headlines.

Although wood types were at their peak of use during the letterpress era of the late 19th and early 20th centuries, there is a growing revival movement of "boutique" print shops who have embraced the look and texture of this form of printing. More modern in design that many of its counterparts, Pleasantwood JNL is still a nice addition to the wood type library re-drawn digitally by Jeff Levine Fonts.

Lenga is a kind of beech originally from South America. The explorers who discovered this beech in Tierra del Fuego, thought it looked like a tree from their home country and named it 'Lenga'. Like many of southern hemisphere beeches, the Lenga beech is fast growing and hardy, making it an ideal timber tree. It regenerates easily after fires. The wood has good quality, moderate durable, and easy to work. The Lenga fonts were inspired in the nobility, robustness and flexibility of those trees. They have a distinctive personality within contemporary atmosphere. These fonts are quite appropriate for headlines, subheadings and with its text flow works very well for long texts. Their legibility is suitable for editorial purposes mainly in newspapers and magazines. Lenga comes in 16 styles carefully done in OpenType format. All styles contain standard and discretional ligatures, proportional lining figures, lining old style figures, scientific superior/inferior figures. The complete set supports Western European, Central and Eastern European languages.

Worthe Numerals come out of a time-tested development cycle where House Industries employees ask “What if this could be just a little more…”. After pushing traditional didot forms to the limit, these digits were originally applied to a set of wood blocks. But, who says replenishable Michigan-grown basswood should have all the fun? So we added everything one needs to stylishly set their current currency and credit default swap hedges, while also being able to set the appropriate fractional take from their blog’s micropayment structure. Made to be large, attract attention, and —when needed— drop a shadow, Worthe Numerals brighten the daily drumbeat of numerical gloom. Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

Mr Orange is a typeface based on our handwritten letters which we used in some of our books H.O.U.S.E, D.E.S.I.G.N and Who Eats Whom. It has up to three alternate glyphs for each character, even for every diacritic letter. We do use our fonts in our books so we know that switching alternate glyphs can be a pain in the ass. Thats why we’ve created a very cool Contextual Alternates feature. It automatically sets alternate glyphs depending on frequency of appearance of the same character. The script doesn’t throw random glyphs. It’s checks if lets say letter “A” appears more then once in a sequence of characters. For example in the word “ANAKONDA”, the third “A” and the second “N” would be changed to glyphs from first stylistic set, the second “A” would also be changed but to glyph from second stylistic set. We’ve designed different rules for basic characters and different for diacritics and punctation. It really works great but of course you can always fine tune it by hand. This option has one obvious advantage for web fonts. Browsers that support OpenType calt feature will be able to display alternate characters. And since you can’t put by hand alternate glyphs on your website this is the only way to use them.

According to my own knowledge, and the info found around the internet, lemons are good for your health. Not only do I care about my health, I also care for a good dessert! :) And this is where the lemon enters the the arena! I love the sweet and sour taste of the lemon - I love it in drinks (hot or cold) in ice creams, cakes, sweets ... you name it! I just had to name this font something with the word "lemon" in it, because I find it mouth watering! :)

“Scratch That” is a decorative font available in 16 different styles. All subfamilies are consistent in width, position and spacing, so multiple fonts can be layered to create even more variety - have a look at our Family Pack offers! We designed “Scratch That” with layered design in mind and for both good legibility at smaller sizes and perfect look at large dimensions. This allows widespread use: for fashion, headlines, flyers, food, packaging, posters, souvenirs, web design, invitations and many more...

Back in 1800 - 1900, the Serif fonts or known as Roman styles were very popular. Used in so many media, came from calligraphic technique and refined till it became a solid style even so many sign painters use this letter style back in that era. And today, these kinda style still got their fans who love the elegant yet clean solid style. That's what this came for. Please welcome, Sicero Duo Fonts. Its a dynamic duo fonts that came in Serif and Sans-Serif style which is perfectly fit to each other. Bring the old vibes instantly to your project with them :) Sicero Roman A Serif style font with implementations of old-era style, clean and done in click-by-click to fulfil your perfectionist personal. And it comes in Old Style Numbering too, to make the vibes stronger in the whole vintage design when using it. Sicero Sans A Sans-Serif font to make a good pair with Sicero Roman still holding those old vibes but a little bit modern touch in here to reach wider range of trends. Use it all alone is still good to go if you want something different with not pairing it with Sicero Roman as well. Available in OTF, TTF, and Webfonts. Enjoy it more. Have some fun with it, Oldsport :) Cheers, Konstantine Studio

Introducing Beach Sound, created by ikiiko. A vintage stylish font It has both modern and retro look. The perfect one to create layout design in 60s or 70s design projects. This font have unique stylist and swashes that to give to your brand logo, poster food & beverages brand, cookies and another project to a have unique or vintage look. What's included? Uppercase & Lowercase Number & Punctuation Complete Stylist & Swashes Multilingual Support Format File : TTF & OTF Works on PC & Mac Get also a good offer & FREEBIE at our site : www.ikiiko.com Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

Conceived as a slab serif companion to the Absentia Sans family, this typeface complements its sibling with charisma and style. Built on the same geometric framework, they combine and harmonize gracefully. Yet Absentia Slab stands on its own as a novel alternative to conventional options. Anchored by blocky serifs, it presents an appearance of stability and steadiness. Its audacious design integrates unique features such as vertical terminals in glyphs ‘a’, ‘e’ and ‘6’. To make optimal use of available space, one-sided serifs (and in some cases, simple strokes without any serifs) help maintain an airy, uncluttered footprint as seen in letters ‘m’, ‘E’ and ‘N’. This forward-looking typeface is well suited for a variety of projects: understated yet spirited, technical yet welcoming. It has a modernist appeal, while reminiscent of XIXth Century woodblock lettering. Designed by Daniel Robichaud, Absentia Slab is available in ten weights with matching italics and two variable fonts.

EUROPEAN SOFT PRO ABOUT FAMILY: What makes "European Soft Pro" elegant, friendly and contemporary is its very rounded curves with very open terminals. "European Soft Pro" has been designed with a higher "x-height" than other fonts in its class to make tiny readability more obvious in any use situation. It will be ideal for use in small sizes such as business cards or mobile applications. This typeface is also equipped with powerful OpenType features to satisfy the most demanding professionals. It has solid features like case sensitivity, small, true capitals, full ligatures, tabular figures for tables, old style figures to elegantly insert numbers into your sentences and more alternative characters to give personality to your projects. The extended, "European Soft Pro" supports around 85 languages in the Latin, Cyrillic and Greek scripts, and its non-Latin components were developed with native consultants. With over 1200+ glyphs per style, "European Soft Pro" cares about localised letterforms and has the OpenType features to match. FEATURE SUMMARY: - 9 weights: Thin, ExtraLight, Light, Book, Regular, Medium, Bold, ExtraBold, and Black. - 4 widths: Normal, Narrow, Condensed, and Extra Condensed. - Matching italics (12º) for all weights and widths . - Matching small caps for all weights and widths. - Lining and old style figures (proportional and tabular). - Alternate characters (A, G, M, N, R, U, a, g, l, m, n, u, y). - Unlimited fractions. - Automatic ordinals (1st, 2nd, 3rd, etc.). - 24 Dingbats + 19 Social Media and Block Chain icons. - Extended language support: Most Latin-based scripts (including Vietnamese), Cyrillic, and Greek. - Extended currency support. You can contact me at buyuksel@hotmail.com, pre-purchase and post-purchase with questions and for technical support. You can enjoy using it.

EUROPEAN SANS PRO ABOUT FAMILY: What makes "European Sans Pro" elegant, friendly and contemporary is its very rounded curves with very open terminals. "European Sans Pro" has been designed with a higher "x-height" than other fonts in its class to make tiny readability more obvious in any use situation. It will be ideal for use in small sizes such as business cards or mobile applications. This typeface is also equipped with powerful OpenType features to satisfy the most demanding professionals. It has solid features like case sensitivity, small, true capitals, full ligatures, tabular figures for tables, old style figures to elegantly insert numbers into your sentences and more alternative characters to give personality to your projects. The extended, "European Sans Pro" supports around 85 languages in the Latin, Cyrillic and Greek scripts, and its non-Latin components were developed with native consultants. With over 1200+ glyphs per style, "European Sans Pro" cares about localised letterforms and has the OpenType features to match. FEATURE SUMMARY: - 9 weights: Thin, ExtraLight, Light, Book, Regular, Medium, Bold, ExtraBold, and Black. - 4 widths: Normal, Narrow, Condensed, and Extra Condensed. - Matching italics (12º) for all weights and widths . - Matching small caps for all weights and widths. - Lining and old style figures (proportional and tabular). - Alternate characters (A, G, M, N, R, U, a, g, l, m, n, u, y). - Unlimeted fractions. - Automatic ordinals (1st, 2nd, 3rd, etc.). - 24 Dingbats + 19 Social Media and Block Chain icons. - Extended language support: Most Latin-based scripts (including Vietnamese), Cyrillic, and Greek. - Extended currency support. You can contact me at buyuksel@hotmail.com, pre-purchase and post-purchase with questions and for technical support. You can enjoy using it.

French Clarendon was an extremely popular wood type font. Characters are heavy and condensed with bracketed serifs, which measure approximately 1/4 to 1/3 the height of the letter. Dozens of decorative wood type designs have been created based on French Clarendon. It was marketed as a wood letter by William H. Page & Company in 1865.

Hello, Introducing the new font "Anything Skribble" the font was very cute. Match for your doodling, Scribble motion and Etc. Good readability, good contour. What's Included ? Uppercase Lowercase Numerals Symbols Multilingual Supports. Thank you, Regards!

The design approach from this humanist sans-serif is much more simple and neutral than Lisboa Tamil (lacks the hook-head terminals). Latin transliteration characters were also included.

Gatara is serif font family with elements of Didone available in 6 weights and matching Italics. It is high contrasted typeface with some distinctive details such as stemmed shape of “h”, “n”, “m” and “a” letters, unique “f” and “k” in same style. Comes with Standard Ligatures and Fractions with Extended Latin character map. As Gatara contains dose of decoratively design, beside editorial use, branding or web font usage, it can be used effectively for titles as well.

Express your imagination with Wonder Night! a fancy fantasy font inspired by magical storybook and horror-fantasy movies. This font created with a very bouncy of letterforms, and carefully kerned into a readable typeface. Wonder Night is an all-caps font that easy to play with. You can combine the uppercase and small caps to get a more playful design. Also completed with alternates and doodles as the decoration to get a more beautiful design. Wonder Night is suitable for children's merchandise, books, logotype, T-shirt, poster, title, quotes, and more! Fonts featured : - Uppercase - Small-caps - Numbers - Punctuation & symbols - Accented characters - Stylistic alternates - Stylistic set 02-03 - Doodles (simply type 'underscore' and 'A-N'; eg: _A, _B, _C etc) Thank you for visiting and supports. Have a nice dream! ramz

Chorus is a collective effort to sing in harmony. Similarly, each letter is designed to reflect harmony when used together to form a letter, sentence or paragraph. Letters like B, D, P and R have curved stroke (instead of straight line) while joining vertical stem. Letter K, k, and R have similar disjoint point in middle and unique plus stylish curve at foot. Letter C and G has distinct horizontal cut at top as compared to other letters in typeface e.g. S. Letter like b, h, m, n, and p have consistent stroke joint style with vertical stem. Ink traps in various letters are designed such that they blend with the letter form at certain degree instead, getting emphasised. The family comes in various styles in weight and width.

In the beginning, this font had been designed for an affiche work as wood pattern which includes one font and medium weight. The stylish design of this font had been inclined us to create more weights and more styles. Daphne Font Family comes in three weights; normal and italic. Plus two additional styles which are wood pattern and shadow. You can get great wood pattern results with Daphne Font Family; also with colored shadows, you can get gorgeous results in poster works and t-shirt prints. Even in very small type sizes, it can be legible.

Introduce Sigmatone Inspired by old skool graffiti tagging, and street art, we created this Typeface, drawn in Procreate app, then vectorized and crafted carefully. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

A personalized cursive written with the pointed brush The strange name of this font means nothing other than ”brush,“ but only the Dutch understand it. The typeface is spirited, amusing and flashy. I made the handwritten original of DeBorstel Brush quickly and without interruption with a pointed brush. In the capitals, DeBorstel Brush appears to be almost too balanced for handwriting. In contrast, the lower case letters are intentionally very individual and uneven. A bit more life is added to the typeface with ligatures activated which are constructed with alternative letter forms — and as a result, a number of problematic letter-combinations are improved. And if this typeface is still not lively enough for you, the additional alternative character forms a e g i j l n o s t u z are available with the Open Type-Function ”Discretional Ligatures“. DeBorstel Brush is suitable for all European languages. It includes ”Unicode Latin Extended-A,“ for Central and Eastern Europe incl. Turkish, and even Cyrillic and Greek, too.

This unusual font was designed by Alessio Leonardi, who plays with the difference between content and impression. At first glance the font looks almost like a row of pictograms or Asiatic characters. The forms become Arabic letters when the characters are set together to form words. HaManga Irregular is a good font to use when the reader is supposed to contemplate not only the text but the form of what he or she sees.

It is a modern grotesque family that can feel strong power. Hairline Styles are designed to be thinner than the average Thin Styles and have a lower x-height than Black Styles. So when you design your typography using the entire font family, you get a great sense of balance and harmony. And with creative Alternates, you can make your logo and product branding design work unique. Cropped glyphs provide meaningful metaphors for logo design. Be sure to try the Stylistic Alternates and Ligatures this family has to offer. OpenType Features Stylistic Alternates - C, G, K, N, R, S, a, e, g, i, o, s, u, y Standard Ligatures - ff, ffi, fi Discretionary Ligatures - tt, rr Fractions Oldstyle Figures Tabular Figures Circled Numbers Multilingual Support Western Europe, Central/Eastern Europe, Baltic, Turkish, Romanian Basic Cyrillic Ukraine

Hagia Pro's unique sans serif font family is the perfect tool for creators to create impactful things with a different touch. Hagia Pro contains several weights to give the user an interesting experience when using it. This unique sans serif font family is very good for branding, logo projects, headings, advertising, packaging, web design, print goods and other creative projects.

Joy Redick designed Blackoak, a big and heavy Egyptienne-sytle titling slab serif face, in 1990. The extremely robust style of the characters in this typeface was consciously distorted; creating letterforms that appear flattened and stretched, like a rubber band. Blackoak is drawn in the style of old wood tpes, just like those that one envisions when one thinks of the large, decorative posters that once filled Wild West America. The wood type collection of the Smithsonian Institute in Washington, DC acted as a primary source of inspiration for this design. True to its rooks, Blackoak is meant for use exclusively in headlines in very large point sizes, or for logos and other corporate advertising purposes.

Ligatures FS Rufus is an outgoing, likable sort of font with an eccentric streak. Wide letterforms and curious ink-traps make for an engaging personality, and a set of discretionary ligatures make FS Rufus irresistible to designers wanting to play. Not a small set, either: there are some 80 different options available. Wide The decision was made early on to make the letterforms of FS Rufus luxuriously wide. This generates a distinctive visual texture when the font is used for text. With other weights available for headlines, FS Rufus brings a curiously engaging look to editorial, magazine covers and advertising. Just look at my ink traps Ink traps are normally the preserve of fonts intended for printing at small sizes, in newspapers or directories – extra notches necessary to prevent ink from pooling. FS Rufus turns the ink trap into a beautiful eccentricity, flaunting it in both its lowercase and capitals. Take a look at the “h”, “a” and “k”, and the “B” and “N”. Attention-seeking? Moi?

Willow is an Adobe Originals typeface designed in 1990 by Joy Redick for the Adobe Wood Type series. Willow is a condensed typeface modeled on nineteenth-century wood types known as Clarendons (wood type Clarendons do not resemble the English metal types of that name). Clarendon condensed faces were originally so well-designed that words or a line of display type have an even color that is remarkable for wood types. Taken from proofs of type in the Rob Roy Kelly Collection housed at the University of Texas at Austin, Willow can be used for display work such packaging, advertising, and posters.

From the standpoint of calligraphy, a font family of capitals and uncials makes perfect sense. The Roman square capitals, the quadrata, are matched by round capitals of older Greek origin; the word "uncus" means hook-shaped like a beak or talon. Interrelated and often interchangeable, these capital letters served as book hands for both the Latin West and the Greek-speaking East before they evolved into minuscule alphabets. The Testament family is based on the few formal capital manuscripts of the Bible, Virgil and Homer that have survived from the ancient world. Throughout the Middle Ages both uncials and square capitals were used, often together, for headings and initial characters. By their nature the Roman capitals are the voice of Caesar and hold the place of authority, while the uncials speak for the Church in a balanced relationship. In ancient times church and state were not as separate as they are now, and the alphabets were not as different as typographic tradition has made them. In this calligraphic rendering it is clear that they are of the same substance and can be written in the same style, conveying even to the modern eye the eternal and classical quality of epic and scripture. Testament comes in all popular font formats, and includes support for a vaster-than-usual range of Latin-based languages.

Please welcome a new contemporary font family: an adventurous pair of ultra condensed sans serif and a monoline signature script. Both fonts are charged with ligatures and swashes and will make your design journey even more enjoyable! The ultra condensed sans serif comes in three weights while the script font - in two. You can mix-n-match all five to enhance your design and to invigorate your ideas. The font family is perfect for all kind of designs: quotes, t-shirt, branding, social media, magazines, cards, packaging etc. All fonts are fully unicode mapped and can be used in any software - either using OpenType panel of the application in use or your OS default Font management software - Character Map or FontBook - by copy-pasting the glyphs you need. Enjoy!

It starts slowly, gently drawing you in... you're introduced to a number of strangely interesting and compelling characters. The plot seems at first to be satisfyingly predictable, then -- suddenly -- the narrative takes a completely unexpected turn! The protagonist is thrown into a series of devastating and alarming twists and turns! The antagonist triumphs -- evil trounces good, mass hysteria seizes the city streets! Our Hero is separated from his One True Love, and it seems that she has fallen for The Villain of the Piece! Will Good Prevail? Will Evil Perish? Will Love Conquer All?!? I don't know yet -- that's as far as I've got. Don't worry, it has a Great Ending.

These two extra bold fonts are classic slab serif wood type styles with one detail of difference. Columbian is an extra bold Clarendon wood type that was manufactured by many of the wood type manufacturers in the late 19th century. "Clarendons" feature bracketed or rounded serif joins whereas "Antique" was a class of typefaces that features squared off slab serifs. Some type designs have only minor differences from others. The Columbian design is essentially identical to Wm. Page & Co.'s "Antique no. 4", with the difference being the bracketed serifs. In researching material for the digitization of Columbian, we started with a 15 line font identified as "Columbian" shown in the Angelica Press wood type portfolio (printed in 1976). This font is in fact "Page Antique no. 4". Comparing Antique #4 to Columbian specimens from Hamilton and other manufacturers confirms the only real difference is the serif treatments. Therefore, both fonts are presented as a pair. Each font features a full Western & Central European character set.