Before the original sketches, I had imagined and dreamed this font was used for side characters of retro robot animations such as Gundam and Ideon. But the sketches were put in a PENDING folder. It was a few years ago. In the begining of 2011, I restarted working with the sketches to complete as a font file. Detail and some shape were improved retaining the original concept and they were completed, then named ‘Space Colony’. Just as the name implies, this wide and geometric font family consisting of six weights was designed targeting at use for futuristic product of game, movie, logo and so on. Not only that but the rounded shape makes a lovely, cute and soft impressions so this font is also suited for cartoons, animations and character merchandise too. We released 4 big Sci-Fi families in 2013. Check it out! Clonoid Controller Geom Graphic Space Colony

Introducing Bogani Gottan This Font can be used for any variety of purposes, such as: Photography, Wedding Invitation, Packaging Product, Logo Type, Brand, and also can be used for personal purpose. This Font Template contains Modern, Elegant, creative, Professional and Unique Concept. FEATURES - Uppercase & Lowercase letters - Numbering and Punctuations - Ligatures - Multilingual Support - Works on PC or Mac - Simple Installation - Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word. All images on the demo is just for preview purpose only and not actually included on the files Hope you Like it. Thanks.

The Bacony Script family is a bold script family of fonts. This rustic font is expressive, and is constructed of fat brush strokes and heavy letterforms. Use it for a comical logotype or headline to give your work that genuine handpainted look. The Bacony Script family consists of four high-quality fonts: Regular, Italic, Bold and Bold Italic The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive language support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you’ll ever need, including all punctuation and numbers.

The Bousni family's six faces display links unexpected by most readers of western alphabets. Inspired by both by Arabic calligraphy, and contemporary bitmap design, Bachir Soussi Chiadmi created this playful series of faces. Letters in each of the six typefaces link together, but not in the ways normally expected from script fonts. Suited for a wide array of fun functions, Bousni Carre and Bousni Ronde (each available in Light, Medium, and Bold weights) bring new a style and flavor to your collection. All six fonts in the Bousni family are included in the Take Type 5 collection from Linotype GmbH. The Bousni family espouses similar construction traits with other fonts from Linotype. Specifically, the straight lines and joints in the three Bousni Carre fonts are based off of a grid system similar to Anlinear, another member of the Take Type 5 collection from Linotype GmbH. The letter connections throughout the Bousni family are similar to Arabic kashidas, a typographic feature found recently in many non-Arabic typefaces, such as Linotype Atomatic."

Colonial Press is a font based on serif typefaces designed by William Caslon I (1692-1766) and various revivals thereof. Caslon is cited to be the first original typeface of English origin, but some type historians point out the close similarity of Caslon's design to the Dutch Fell types, presumed to be the work of Dutch punchcutter Dirck Voskens. Colonial Press harkens to the look and feel of newspapers in Colonial North America around the mid 1700s without the rough edges commonly associated with colonial printing and many reconstructions. The rough quality of the American typeface is believed to be the result of oxidation from the exposure to seawater during the long voyage from England to the Americas. Colonial Press is a heavy font that retains some of the handcut quality of these fonts while smoothing out the irregularities that make many of these fonts so visually distracting at larger point sizes. For the italic version of this font, I chose to emulate the more ornate letterforms that I have encountered, giving the italic characters a more ornamental feel. Colonial Press comes with full punctuation and a 362 glyph character set for most Western European-based Latin alphabet languages. It is a font that is designed both for normal typing and for larger, decorative display.

BOXDON is an extra heavy expanded typeface which was especially designed for VERTICAL layout. Each shape looks like a box and has minimum graphical treatment to distinguish each character. It means that the counter space is not enough to use this typeface for small font sizes, however, for titles this typeface should give incredible effects. I highly recommend using it with software that is compatible with vertical layout. (e.g. Adobe illustrator)

Proudly present "Perfect Colony // Bold Serif Font" Perfect colony is bold and classic serif with elegant curves. This font is perfect for branding, logo design, header text, poster and many other. What inside and what will you get: Uppercase and lowercase letter Number and punctuation Multilingual Support PUA Encoded I really hope you enjoy it – please do let me know what you think, comments & likes are always hugely welcomed and appreciated. More importantly, please don’t hesitate to drop me a message if you have any issues or queries. Thank you

The Bousni family's six faces display links unexpected by most readers of western alphabets. Inspired by both by Arabic calligraphy, and contemporary bitmap design, Bachir Soussi Chiadmi created this playful series of faces. Letters in each of the six typefaces link together, but not in the ways normally expected from script fonts. Suited for a wide array of fun functions, Bousni Carre and Bousni Ronde (each available in Light, Medium, and Bold weights) bring new a style and flavor to your collection. All six fonts in the Bousni family are included in the Take Type 5 collection from Linotype GmbH. The Bousni family espouses similar construction traits with other fonts from Linotype. Specifically, the straight lines and joints in the three Bousni Carre fonts are based off of a grid system similar to Anlinear, another member of the Take Type 5 collection from Linotype GmbH. The letter connections throughout the Bousni family are similar to Arabic kashidas, a typographic feature found recently in many non-Arabic typefaces, such as Linotype Atomatic."

Faithful Colony is a modern, elegant, classic typeface with a timeless look. It comes with seven weights ranging from thin to black, matching italics, and a variable format. Faithful Colony is perfect for fashion-related concepts, Luxury and Elegant design, Classy or high-end branding, logo, and many more. Try to combine the regular and italic styles for a modern and elegant look.

Body graphic project at Behance Body is a type family designed for Zetafonts by Cosimo Lorenzo Pancini with Andrea Tartarelli. Conceived as a contemporary alternative to modernist superfamilies like Univers or Helvetica, Body tries to maximize text readability while providing a wide range of options for the designer. It comes in two variants (Body Text and Body Grotesque), each in four widths and four weights: regular and bold for basic typesetting, light and extrabold for display use. Body Grotesque applies to the sans serif modernist skeleton little imperfections and quirks inspired by our research in early 20th century type specimens. Curves are slightly more calligraphic and a light inverse contrast is applied to bold weights, giving the typeface a slight vintage appearance in display use. Body Text, on the contrary, challenges the modernist aesthetics maximizing horizontal lines and using open terminals for letters like “s” and “a” that appear normally dark in modernist grotesques. For both variants, the normal width family is slightly condensed in an effort to maximize space usage; the Slim width is provided for extremely dense texts or side notes while the Fit width is optimized for display usage as in logos, headings or titles. The Large width manages to look elegant in its light weight while becoming a valid heading or subtitle font in its extrabold weights. All the 64 fonts in the Body superfamily include a complete latin extended character set with small caps for over 70 languages, Russian cyrillic, open type positional numbers, stylist sets and alternate forms.

This is a modern, ultra-thick Bodoni font with a lot of swashes.

Toony Sans stands as a modern interpretation of classic typography. A nod to beloved animations, its crisp, sans-serif form captures an essence of professionalism with just a touch of nostalgic charm. Toony Sans presents a clean, streamlined look, perfect for projects requiring clarity and elegance. Its sharp edges and precise design give it a contemporary feel, yet there's an undeniable warmth that resonates with every character.

Oboni, how are you. I am fine, thank you! This little song is what you will hear in Ghana and Togo. The white people are called Oboni and the black people are the Amebo. We'll bring both cultures together!

My Bonny is a handcrafted font that has several interrelated characters. My Bonny has an opentype feature that will automatically convert each character into a ligature. so that it becomes a unique character. My Bonny has a bold yet playful style that is easy to read and apply to all design projects such as poster designs, apparel, logos, quotes, album covers, books, business cards, product designs and many more. more design projects. We made this font look cute, memorable and easy to use.

Adonis New is a considerate update of the Adonis serif. This dense serif with smooth lines has new, bolder styles, and it supports Greek now. In addition, Natalia Vasilyeva reworked the main styles and made them fresher and more accurate. Adonis New works well in bookset, particularly in fiction and humanities. New version was released by ParaType in 2021.

Introduce my New Product "Bonny" The new fresh handmade script font. Very suitable for greeting cards, branding materials, business cards, quotes, posters, and more! These fonts are perfect for all brand :) Features : - UpperCase & Lowercase Numerals & Punctuations - Ligatures Multilingual characters (AÀÁÂÃÄÅCÇDÐEÈÉÊËIÌÍÎÏNÑOØÒÓÔÕÖUÙÜÚÛWYÝŸŸÆŒßÞàáâãäåæçèéêëìíîïðñòóôõöøùúûüýÿ) PUA ENCODEDZIP INCLUDED Thanks for visited and Please contact me if you have any questions. My Best, Haksen

Modon is a bold condensed display Arabic and Latin typeface that has a very particular appearance. It combines the characteristics of different genres, While its design is influenced by Kufic and the Naskh style. It’s a perfect choice for bold headlines, oversize typography, fashion logos, branding, identity, website design, album art, covers, posters, advertising, etc.

Proudly present Moonie Eyes - Graffiti Type, created by ikiiko. Moonie Eyes is a handwritten font with spontaneous curves inspired by street art markings. The letters bubble and pile up on each other to become strong characters in this graffiti letters. You can play with separate characters or overlapping each other. This type is very suitable for making a streetwear brand, poster or magazine layout, fashion design, quotes, or simply as a stylish text overlay to any background image. What's Included? Uppercase & Lowercase Numbers & Punctuation Multilingual Support Works on PC & Mac Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

Toony Line is a comic font that feels like a delightful throwback to the golden age of cartoons. Funny and loony, the font channels playful tunes while its sharp, sans-serif characters dance on the page with a joy reminiscent of our favorite animated classics. There's a hint of Mickey's magic, a dash of Disney dreaminess, and the unapologetic boldness of comic strips and street art. But what sets Toony Line apart is its intricate overlapping effect, made possible by sophisticated OpenType.

Get your feet on the dance floor, and make those funky moves that you do so well! Or, you could just use this handmade all-caps font and make your designs look like it is dancing! :) Yes, it's a handmade font - and I've added 6 different versions of each letter + multilingual support!

This two-font set is a fun, bouncy style with a latin flair. Great for scrapbooking, tubes, and other fun stuff.

Anne Bonny is a modern face with a candy touch. She is noble and confident, bloomy and playful. If you want to give your texts a warm and fabulous note, Anne Bonny is the right one. You can choose between a range of Open Type Features, for example the Swashes Feature for decorating the Upright styles letters as well as the Italics. Share your vision!

Artist Colony JNL is the third type design inspired by some online examples from an early 20th Century French book of decorative hand lettering. While Arte Critique JNL and French Art Initials JNL embrace the Art Noveau style, Artist Colony JNL leans more toward the emerging Art Deco Movement of the late 1920s and early 1930s.

Orbital Colony is a modern futuristic scifi font. This typeface design is perfect for a clean and minimalist design theme. perfect usage includes logo, poster, display, headline, t-shirt design and many more.

The Face2Face (F2F) series was inspired by the sound of 1990s music, personal computers, and new font creation software. For years, Alexander Branczyk and his friends formed a unique type design collective, which churned out a substantial amount of fresh, new fonts, none of which complied with the traditional rules of typography. Many of these typefaces were used to create layouts for the leading German techno magazine of the 1990s, Frontpage. The typeface F2F OCRAlexczyk is one of the Face2Face fonts in Linotype's Take Type Library. It is based on the popular computer font OCR A, which was developed by the American National Standards Institute in 1966 as a system of letters that both humans and machines could easily read. Alexander Branczyk made a more 1990s/techno version, which later became this font.

Birds Flying contains 139 bird silhouette designs.

The Techno sound of the 1990s, a personal computer, a font creation software and some inspiration had been the sources to the F2F (Face2Face) font series. Thomas Nagel and his friends had the demand to create new unusual faces that should be used in the leading german techno magazine Frontpage". Even typeset in 6 point to nearly unreadability it was a pleasure for the kids to read and decrypt the messages."

No telling how old this font is, because it came from Hamilton, a firm that was late in the wood type business, but was the repository of many older patterns from earlier wood type makers. Great circus look to it. Some missing characters drawn at Solotype.