1,131 search results (0.084 seconds)
  1. Plain Talk JNL by Jeff Levine, $29.00
    Plain Talk JNL is similar to Eckhardt Centerline JNL, but lacks the thin inline lettering and has a different A and G. The hand-lettered look of this font makes it perfect for titling applications.
  2. Display Dots Seven by Gerald Gallo, $20.00
    Display Dots Seven is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. Display Dots Seven has upper and lowercase alphabets, numbers, and punctuation.
  3. Yaroslav by Cool Fonts, $24.00
    My friend in the Czech Republic sent me a card with some hand lettering that was similar to this tall headline font. It has a funky yet elegant appearance. Works nice for Art Deco too.
  4. Short Subject JNL by Jeff Levine, $29.00
    Loosely based on some hand-lettered title cards from various vintage Columbia Pictures two-reel comedies, Short Subject JNL is a pleasant sans serif typeface that is aptly suited for titling and other similar applications.
  5. Display Squares One by Gerald Gallo, $20.00
    Display Squares One is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. Display Squares One has upper and lowercase alphabets, numbers, and punctuation.
  6. Wally by Autographis, $39.50
    Wally is an elegant hand-drawn script that has a very even flow and is readable down to very small sizes. Since it has a similar design it can be mixed with Novita and Novido.
  7. Suomi Slab Serif by Suomi, $19.00
    All typewriter types are rounded and especially American Typewriter has an almost too-slick appearance. Suomi Slab Serif has the glyph shapes similar to typewriting, but the serifs, terminals and connections are crisp and sharp.
  8. FractalCaps by Haiku Monkey, $10.00
    FractalCaps was inspired by the self-similar nature of fractal geometry. It's a strictly decorative font, without accented characters. FractalCaps shines at large point sizes, and would be a good choice for wild and wooly posters.
  9. Rara by Jiaone, $9.00
    Rara is a display font that has a free and energetic expressive character. Rara has a letter shape similar to brushes but solid, this font is suitable for use as a medium that complements passive objects
  10. Gallivant by Jonahfonts, $39.00
    Slightly condensed with a taller lowercase, Gallivant carries itself very well. Similar to classic thick-and-thin san-serif faces with stems slightly facing inward. Note: OpenType variants may only be accessible via OpenType-aware applications.
  11. Browser Serif by AVP, $19.00
    Browser Sans is a companion to Browser Sans, sharing similar forms and metrics. The four styles (Regular, Italic, Bold and Bold Italic) make it simple to use in desktop applications and easy to implement on websites.
  12. AZ Black by Artist of Design, $20.00
    AZ Black was inspired from a need to develop an easily changable Black style font similar to the bold type on US currency. This font was designed for use as a display headline or sub headline.
  13. Browser Sans by AVP, $19.00
    Browser Sans is a companion to Browser Serif, sharing similar forms and metrics. The four styles (Regular, Italic, Bold and Bold Italic) make it simple to use in desktop applications and easy to implement on websites.
  14. Vaquero by Scriptorium, $24.00
    Vaquero is a Wild West style font. It is characteristic of a lot of western era signage, with super-narrow characters and unusual decorative spurs and serifs. There are some similarities in Vaquero to some of our other western fonts. It sort of ties together the historic tradition of western era type and the more fanciful tradition of romantic type derived from the era of the wild west. It has the width, height and general letter shapes of Academy, but the decorative elements are similar to more fanciful fonts like Riudoso. The result is very evocative of the old west.
  15. Ritz Slab Serif JNL by Jeff Levine, $29.00
    Ritz Slab Serif JNL is a bold display face which shares a lot of similar design traits to Stymie and other similar metal type of the 1930s and 1940s, but in actuality was modeled from only four letters. On the sheet music for the 1937 song "Sweet Varsity Sue" [from the 20th Century Fox Film "Life Begins in College"], there is a picture of the Ritz Brothers - a popular comedy team from 1925 through the late 1960s. The hand lettered name "Ritz" became the basis for Ritz Slab Serif JNL, which is available in both regular and oblique versions.
  16. Nikki by Galapagos, $39.00
    This typeface was named for one of George's daughters, at her request, after she discovered that another of George's designs, ITC Kristen, bore an appellation strikingly similar to that of her sister. And then there was peace...
  17. Shipping Carton JNL by Jeff Levine, $29.00
    Shipping Carton JNL was modeled from vintage bands of rubber type used on a special rotary marking stamp (similar to an office date stamp); generally used for identifying cartons and boxes of merchandise for shipment or product identification.
  18. Metalform Gothic JNL by Jeff Levine, $29.00
    Metalform Gothic JNL is based on examples of stamped metal numbers used for house identification and similar purposes. The lettering is square in shape with rounded corners, perfect for text that needs to emit authoritarian messages or instructions.
  19. Display Dots Three Sans by Gerald Gallo, $20.00
    Display Dots Three Sans and Serif are display fonts not intended for text use. They were designed specifically for display, headline, logotype, branding, and similar applications. Display Dots Three Sans and Serif include an uppercase alphabet, numbers, and punctuation.
  20. Display Dots Three Serif by Gerald Gallo, $20.00
    Display Dots Three Sans and Serif are display fonts not intended for text use. They were designed specifically for display, headline, logotype, branding, and similar applications. Display Dots Three Sans and Serif include an uppercase alphabet, numbers, and punctuation.
  21. Display Dots Four Sans by Gerald Gallo, $20.00
    Display Dots Four Sans and Serif are display fonts not intended for text use. They were designed specifically for display, headline, logotype, branding, and similar applications. Display Dots Four Sans and Serif include an uppercase alphabet, numbers, and punctuation.
  22. Display Dots Four Serif by Gerald Gallo, $20.00
    Display Dots Four Sans and Serif are display fonts not intended for text use. They were designed specifically for display, headline, logotype, branding, and similar applications. Display Dots Four Sans and Serif include an uppercase alphabet, numbers, and punctuation.
  23. Lemonstyle by ffeeaarr, $13.00
    lemonstyle, we named as a lemon because near of girly name character. girly font name are much similar, so we added and combine including style in one name without space. it's really good for women including cosmetic products & anothers
  24. Display University by Gerald Gallo, $20.00
    Display University is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. The character set is in outline but the uppercase letters are the same shapes but solid.
  25. Display Dots Two Serif by Gerald Gallo, $20.00
    Display Dots Two Serif is a display font not intended for text use. It, along with its sans counterpart were designed specifically for display, headline, logotype, branding, and similar applications. Display Dots Two Serif has an uppercase alphabet, numbers, and punctuation.
  26. American Writer by Typadelic, $19.00
    American Writer is suitable for many types of designs. It is meant to be used for body text and is very readable at small text sizes. It looks similar to the type you would see on blueprints or an architect's drawings.
  27. Inflex by Monotype, $29.99
    Released by the Monotype Corporation around 1932, Inflex Bold is a Scotch Roman fat face design similar to many others popular in the nineteenth century. A high-contrast bold roman, Inflex Bold is good for informal display work when used sparingly.
  28. Marshall by Solotype, $19.95
    Many similar fonts existed in Europe around 1900 and a bit before. This one was made at the Wollmer Foundry in Germany and, except for adding the requisite modern monetary symbols and other such niceties, we preserved it quite faithfully.
  29. Hedymosia by Wontenart, $12.00
    Hedymosia is a font that has unique glyphs on the curve intended to be shaped like noodles or spaghetti or similar food. font suitable for the food. Noodle food Font or anything about foods, New and Fresh font 2023, Thank You
  30. Impact by Microsoft Corporation, $89.00
    Geoffrey Lee designed Impact font for the Stephenson Blake foundry in 1965. The sans serif display typeface is very heavy and condensed in the grotesque style, similar to Helvetica Inserat. Use Impact font in display situations requiring a strong statement.
  31. Impact by Monotype, $40.99
    Geoffrey Lee designed Impact font for the Stephenson Blake foundry in 1965. The sans serif display typeface is very heavy and condensed in the grotesque style, similar to Helvetica Inserat. Use Impact font in display situations requiring a strong statement.
  32. Display Exquisite by Gerald Gallo, $20.00
    Display Exquisite is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. In place of a lowercase there are small caps. There are also small numbers. Punctuation is limited.
  33. Gummed Alphabet JNL by Jeff Levine, $29.00
    Gummed Alphabet JNL was modeled from a 1960s-era package of foil embossed gummed letters. This type of lettering device was sold through stationery, variety stores and similar merchants, and could be used for personalizing items or making small signs.
  34. Matrijs by Hanoded, $10.00
    Matrijs is the Dutch word for mold. It comes from the Latin word for mother or womb and is somewhat similar to the English word Matrix. Matrijs is a handmade Garamond which can be used for a wide range of projects.
  35. Goudy Heavyface by Bitstream, $29.99
    This face was designed in 1925 as the Monotype answer to the very popular Cooper Black. Goudy is also quite similar in appearance to Ludlow Black and Pabst Extra Bold, both of which were also done in response to Cooper Black.
  36. Display Dots Two Sans by Gerald Gallo, $20.00
    Display Dots Two Sans is a display font not intended for text use. It, along with its serif counterpart were designed specifically for display, headline, logotype, branding, and similar applications. Display Dots Two Sans has an uppercase alphabet, numbers, and punctuation.
  37. MPI No. 507 by mpressInteractive, $5.00
    No. 507 is an elegant headline font with added angled flourishes. Its unique features are angled terminals, small, pointed serifs, and no contrast in stroke weight. It is similar to No. 506, designed by William H. Page & Company around 1890.
  38. Kitra 77 by LightHouse, $49.00
    Kitra 77 was one of the studies to Hamuel Nine Five. Though at first glance we can find several similarities, a closer look will reveal a completely different font in color and proportion. Kitra 77 is an OpenType/TTF Unicode font.
  39. Vapor by The Hiscott Foundry, $35.00
    This font was inspired by the swirling steam drawn on a chalkboard at a coffee shop. Not actually a script font though it has a similar feel. This font dances and twirls the way a wisp of smoke or steam would.
  40. Voluptate by Fontscafe, $39.00
    The "Voluptate Pack" font is a smart sophisticated handwriting pack that includes ‘Voluptate’, ‘Voluptate Classic’ and ‘Voluptate Elements.’ Every single character in our ‘Voluptate’ font distinct and given every letter a unique identity – very much like a person’s handwriting. Of course the characters are similar enough to work hand in hand, but not so similar as to appear as an obviously computer generated type set. The ‘Voluptate Classic’ is very similar in design and ever so slightly informal in its appearance. A thoughtful mix-and-match of both these fonts can give a delightful appearance to your designs. You could use the Voluptate on most areas of the text for example, and the ‘classic’ to emphasize a more personal touch to certain areas, say for example where you may be quoting somebody’s word. When you get the pack you also get a handy ‘Voluptate Elements’ set of designs that can enhance your creations in so many ways. All 3 are available individually, but it's like getting the elements for free when you buy the pack.
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