Argos, a type face with a strong personality. A rounded serif type family which uses exclusively modern design elements. While it possesses decorative qualities, thanks to its hearty serif weights it can be successfully used as a text type. Argos comes in 6 weights and with its extended character set it permits a wide range of applications. Each font is equipped with ligatures, small caps, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals. Argos supports Western European as well as Central and Eastern European languages.

Merendina has a geometric construction with an handwritten touch. This family contains regular and slanted and 6 weights. Do not miss all the alternates and swashes.

Eurostile Next is Linotype's redrawn and expanded version of Aldo Novarese's 1962 design. This new version refers back to the original metal types and to its mid-century modern aesthetic of squarish characters and subtle curves. Eurostile Next brings back the gentle curves, which were lost in other digital versions, therefore regaining the spirit of the original design and its somewhat softer demeanor. The family has been greatly expanded, now consisting of five different weights: ultra light, light, regular, semibold, and bold. Along with the regular width, all weights also have extended and condensed versions. Stylistically, Eurostile Next is well suited for designs in the fashion of the 50's and 60's, yet it still has a remarkably new and contemporary feeling. Its numerous variations and typographic features are invaluable for projects ranging from extensive corporate branding to one-off posters and from large signage to small print text.

Ryo Gothic is a new Japanese sans serif (or gothic) kana typeface design. Created by Adobe type designer Ryoko Nishizuka , the typeface has a bright and speedy calligraphic touch and can be used to compose readable body text, as it gives a calm and well-controlled color to the typeset page. Supplied in OpenType format, each Ryo Gothic font includes hiragana, katakana and some punctuation marks and should be combined with the kanji and other glyphs in existing Japanese gothic typefaces that contain full character sets. This typeface family is available in seven weights--extra light, light, regular, medium, bold, heavy, and ultra heavy--which allow end users to select the best-matching weight for their favorite full-set Japanese gothic typeface. Creative professionals using the Japanese version of Adobe InDesign may use that program's Composite Font tool to easily combine Ryo Gothic with other typefaces.

Eurostile Next is Linotype's redrawn and expanded version of Aldo Novarese's 1962 design. This new version refers back to the original metal types and to its mid-century modern aesthetic of squarish characters and subtle curves. Eurostile Next brings back the gentle curves, which were lost in other digital versions, therefore regaining the spirit of the original design and its somewhat softer demeanor. The family has been greatly expanded, now consisting of five different weights: ultra light, light, regular, semibold, and bold. Along with the regular width, all weights also have extended and condensed versions. Stylistically, Eurostile Next is well suited for designs in the fashion of the 50's and 60's, yet it still has a remarkably new and contemporary feeling. Its numerous variations and typographic features are invaluable for projects ranging from extensive corporate branding to one-off posters and from large signage to small print text.

I hope you are very happy today. we want to introduce our newest font, which we named `` Original Taste font ''. This font is a very bold bold cript font and has cool alternets and swashes. original taste font. This font has a taste, old, modern and unique.

EPOXY - A font that exudes the playful and iconic vibes of the y2k era, inspired by the beloved Barbie cartoon style, where all hues are dipped in pretty pink. With 6 captivating styles for each type - Regular, Italic, Outline, Extrude, Outline Italic, and Extrude Italic Features: Epoxy Main File Has 6 Variable: Regular, Italic, Outline, Extrude, Outline Italic, and Extrude Italic Instructions (Access special characters, even in Cricut Design) Simple Installations PUA Encoded Characters Dharmas Studio

Transcend has been designed specifically for titling and branding purposes. This 8-font, all caps typeface is packed with OpenType features including discretionary ligatures and alternates that – when used subtly – help you to create distinctive headline typography. Transcend aims to be “The Ultimate Titling Typeface”. This typeface is an exploration of my own “Carrig” from 2014. I have evolved its core personality and embellished it by means of crisp, sharp lines and serifs, adding stylised ink traps/notches, as well as carefully considered swashes, flourishes, and ligatures that add a touch of class and refinement to every word you type. Key features: • 8 weights – Thin to Ultra • Alternates, Discretionary Ligatures, and Old Style Figures • European Character Set – Latin Only • 600+ glyphs per font.

Akwe Pro™ is a professional, ultra versatile sans serif typeface characterized by excellent legibility and modern design perfect for all design purposes. It is designed for use in long and short paragraphs of text, headlines and user interfaces. Its distinctive character and carefully crafted proportions make it a great option for brand identification and logo design. Akwe Pro™ mega family consists of 164 fonts - each weight in uprights, italics and small caps versions. It has extended language support and true italics, as well as broad number of OpenType features, such as small caps, case sensitive forms, standard and discretionary ligatures, stylistic sets, contextual alternates, lining, old style, tabular and small cap figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

The distressed letterforms hark back to early printing process using hand carved wood cut letters. The typeface is available in 6 weight with both Rough & Solid variations.

Paihuen Beta A Typography that plays with the Rupestre concept, contains 6 variants that can be combined with each other to make more powerful and entertaining titles.

Amio is fun geometrical connected script font family. Consist of 6 styles from light to extrabold. Perfect for branding and suitable for a variety of fun projects.

Inspired by an old retail stencil lettering guide, Stenciled Message JNL is a bold Roman serif typeface available in both regular and oblique versions.

Subytro! Use this font for sweet bold titles. It adds personality and an handmade feeling. Old Style font based on posters of the fifties.

This font family is inspired by printed work made by the Elzevir family back in the XVIIth century at Leiden (NL). They worked with material from several type designers, but further investigations sends us to the tracks of one in particular: Robert Granjon. Granjon italics were way ahead of his time, making some really beautiful signs like swashy ampersands and minuscule v letters. This font also contains old style figures in the same fashion as they were printed, like the flipped number 8 and open forms in 6 and 9. This is as much a revival as an original design, because of their weights bold and heavy (both with italics) that were inspired on some titles. In this font you can also find a lot of ligatures, small caps, diacritics and even a fleuron for each weight and variation. Leidener came up from two books: Constantini Imperiatoris (1611) and Exercitationum Mathematicarum (1657), printed by Louis and John Elzevir on their Leiden Workshop, back in the day.

Supertuba is a :) geometric sans vernacular humanist :) display type family with 6 weights. There's literally dozens of ligatures in this font so It works very well for flyers, package, stickers and posters, also you can use it as a text font if you're looking for something slightly bold. Supertuba has multilingual support and useful open type features. Letter boards that used to be seen in churches, dive bars and butcher shops are the main inspiration for this typeface. The name Supertuba came from an old supermarket that no longer exists in the city of Indaiatuba , I just believe this name is super fun (at least in Portuguese) and wanted to keep it alive. I was in Indaiatuba when I get started designing this typeface so this is fair enough. Supertuba the third piece of a particular trilogy of fonts that Stubby and Stubby Rough take part, from the lazy vernacular drawing to an unusual geometry. Enjoy!

We have grown a new flower in our Garden, but this time, in a more emotional way, capturing its vibrations and using them to create a fresh handmade typeface: ‘Bach’, a display type system inspired by the new lifestyle trends that look to go back to basics and increase the value of old natural healing methods. Bach comes in two styles: a 6-weight Serif font in regular and italic versions, and a 2-weight Script in regular and bold versions. Ornaments are also included! Bach Script is based on the calligraphic catchwords set (handcrafted with brush pen) and the Serif version of the Garden typeface. This font is the perfect choice for labelling, packaging, illustrated books and posters. Go back to nature and feel the vibration again, this time with Bach! Bach is a Mendoza Vergara Studio design with the collaboration of Cecilia Mendoza in digital editing, under the supervision of Luciano Vergara and Coto Mendoza.

Hold the line, True Believer! Stand together. Stick up for the vulnerable. Challenge bullies. Don't let the forces of evil reign supreme. Expelliarmus! A worthy companion to our Balloon Lettering family FACE FRONT, TRUE BELIEVER is a scripty serif handwriting font for wizards everywhere. Features Four fonts (Regular, Italic, Bold & Bold Italic) with upper and lowercase characters.

Nice wave font - a fluffy fun display typeface with a wavy form. This decorative font works perfectly for bold titles, festival posters, as a graphic element for bright T-shirts or hoodies, or even backgrounds! This weird and ugly typeface likes an experiment with spacing and additional graphic elements. Please, don't hold back on your bold modern ideas!