Visual Arts JNL is a classic Art Deco typeface based on the hand lettering found on a 1930s-era WPA (Works Progress Administration) poster for Women Artists. The exhibit took place in the Federal Art Gallery in Boston, and was part of the arts project underwritten by the WPA to keep many creative people working during the Depression years.

The Uglystick font is best described by its name. A typestyle that is all shaken up, scribbled, and scrawled, it’s a grungy typeface for those experimental and not so pretty occasions. Definitely a typeface beaten one too many times with the old ugly stick. Put some grit in your design, for the price, you can’t lose!

Big, thick and chunky, Bastinado is imposing, but the bat-like, scalloped edges give it a sinister presence. Bastinado is an ancient Asian method of torture in which the bottoms of the victim's feet are beaten until he can no longer walk. This font looks like it wants to catch other fonts in a dark alley.

This little gem is based on a typeface discovered in a Boston Type Foundry catalog from the late 1800s, originally called "Mikado". This font gets its name from one of the more memorable characters in Gilbert and Sullivan’s operetta. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

Unveil the depths of terror and embrace the macabre with our latest font creation, Deadlamp – a hauntingly mesmerizing horror display font that beckons to the shadows. Prepare to embark on a spine-tingling journey into the darkest realms of design, where fear and fascination intertwine. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

A typeface named Times Gothic, which made its first appearance in the 1905 ATF specimen book, inspired this headline sans. Use it to add a bit of quirky visual interest to headlines and subheads. Both versions include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, with localization for Lithuanian, Moldovan and Romanian.

The historical source to Bad Situation comes from "EXAMPLES OF MODERN ALPHABETS, PLAIN and ORNAMENTAL; including German, Old English, Saxon, Italic, Perspective, Greek, Hebrew, Court Hand, Engrossing, Tuscan, Riband, Gothic, Rustic, and Arabesque, etc." Collected and engraved by F. Delamotte, and first published in 1864. The original alphabet was called "Example Alphabet" (plate 48), by Delamotte.

Rhapsody is clearly showing Unger's love with Blackletters and Gothics. Other than many of the existing Blackletters, Rhapsody is really easy to read. The calligraphic forms of the upper case in connexion with its lower case appear very special, very unique. Rhapsody, having its origins in the 50ies, was redesigned, completed and expanded by Unger for the URW++ FontForum.

Is a blackletter typeface font that is inspired by gothic and horror style because it's shape is very unique and is perfect for any project that you will use with this theme. Features : Symbol Number Multilingual support Uppercase & Lowercase Support in Mac and Windows OS Support in design application (photoshop, illustrator, and more) I really hope you enjoy it.

This typeface appeared in the William H. Page Woodtype specimen book as Gothic Tuscan Condensed Reversed—quite a mouthful. Banner elements appear in the brace and bracket positions, and reversed spaces can be found in the underscore and bar positions. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Hi, presenting a blackletter font named Old Skull. This vintage gothic look typeface was originally made using a flat calligraphic pen what makes it more organic and natural. Old Skull typeface suits the best for original t-shirt prints and tattoo designs. This font supports most of the European languages, please check out the screenshot with all available characters.

Samosata NF is based on Lucian Bernhard’s eponymous Gothic, but it employs all of the alternate characters seldom seen today. The result is an elegant, classical typeface with subtle Art Deco shadings. Available in two weights, all versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

Startup is a nine style type famaly. It combines the aesthetics of gothic sans and Neo-grotesques. Created specifically for the creation of startup identity. When you need something that doesn't scream, but has personality. This type family can be used in the design of the logo, as well as apply it to headlines and secondary texts.

Coen Hofmann has rediscovered Blackletter font design and enriches URW’s FontForum with two new and very beautiful fonts: Caxtonian Black and Holland Gothic. Caxtonian Black is a remarkable classical Fraktur inspriced inspired from the fonts used by the famous first English printer William Caxton. Coen Hofmann digitally re-mastered and completed the font for usage with modern technology.

The font is done with a minimalist touch of gothic and blackletter, inspired by several music and bands that I was currently enjoying and often listened to throughout the day, where the music depicts a little visually in the form of font characters like this Mordova font, feels loud, vibrant , dark but simple and easy to read.

HU Mymyoh KR is contains KOREAN words and Latin alphabets. HU Mymyoh KR adds a gothic feel to the Gulim-based typeface. The grapheme 'ㅎ' and 'ㅊ' are shaped into an acorn shape, and the shape of the grapheme is made in a large trapezoidal shape, so it is a typeface that feels both individuality and readability.

Dragons, pirates, magic, and all that is gothic was the inspiration for this design. Blackstone was one of ten winners in The 1988 Chartpak Typeface Design Competition and is now available in two styles with additional characters, alternates and dingbats. Several alternate caps can be found using alt keystrokes, so try using different combinations of all caps.

Skie is a simple gothic sans serif with normal, condensed, and wide widths. Its distinguishing characteristics are the small x-height with tall ascenders and a minimal amount of contrast, while the apertures are semi-open to help in readability. The simple design keeps the appearance fairly neutral and presents a blend of modern and vintage qualities.

The new classic Arabic typeface “Bassun” is brought to you by our expert designers. The letters have a beautiful aspect thanks to using a digital flat pen and a gothic font approach. This typeface can be used in a wide range of Middle Eastern-themed projects, including advertising, packaging, posters, invitations, and any other graphic design.

Schoonheid is based on the thick and thin Gothic typeface that was popular in the US during the first half of the 20th century. Schoonheid Contextual Capitals has more than 100 ligatures, alternatives, and special characters consisting of uppercase letters. Implementing alternative Contextual features makes it easier for all people to use. Hope you enjoy. Intuisi Creative

Demonic Rhapsody is a unique typeface inspired by Codex Gigas, featuring Gothic, handwritten glyphs. Perfect for adding mystique to projects such as book covers, album artwork, or unique branding. It's part of the Demonic Rhapsody NFT project, symbolizing marginalized voices. A narrative tool, it pairs well with minimalist typefaces for contrast or textured fonts for an immersive experience.

A 1905 poster for the Austrian National Highway by artist Gustav Jahn inspired the letterforms for this typeface. In the spirit of comity, Barnhart Brothers & Spindler's Publicity Gothic Initial Caps inspired the uppercase treatment. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

In an 1896 specimen catalog for American Type Founders there is a design called Geometric Gothic. The lettering style looks as if it’s ahead of its time; foreseeing the 1980s. With its squared characters, some pointed overhangs and modified character shapes, this type design is now available as Squared Off JNL, in both regular and oblique versions.

Ability is a family of stylish and contemporary handwriting fonts that combine the vigor of hand-drawn fonts such as Affable with the elegance of fonts such as Blythe. What is unusual about Ability is that it enables a word to be formed from a group of letters in a variety of ways: not only the conventional linking of letters as in a cursive script or the placing of letters close to each other on a common baseline, but it uses the overlapping of the swashes and swirls that contribute to the individuality of the characters to integrate the letters into a single word. Ability comes in a number of styles: Legacy - Regular (medium weighted and the basic type of the other styles); - Black (a vigorous and dramatic version of Regular); - Condensed Medium - Condensed Light - Linear 45 (medium-weight font made from a mono-width line) - Linear 25 (light-weight font made from a mono-width line) Suggestions for use: - wedding stationery - greeting cards - valentines day media - beauty products media - lingerie tags - women’s magazine pages - classical music media - award certificates - magazine pages The font is fully professional: carefully letterspaced and kerned. It contains over 235 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). It has all the accented characters used in the major European languages.

The German designer Emil Rudolf Weiss originally created Weiss Rundgotisch for the Bauer typefoundry in 1937. In their catalog for the typeface, Bauer began with this quote from Leonhard Wagner: The round gothic (rundgotisch) script is the most beautiful kind of script; she is called the mother and the queen of all the rest." While designing Weiss Rundgotisch, Weiss was inspired by Renaissance types cut by the Augsberg printer Erhard Ratdolt. Ratdolt had spent some time in Venice, which is most likely where he became familiar with round gothic letters. This sort of letterform was never as popular in Germany as Fraktur or Gotisch may have been, but round gothic types were used there for centuries to represent arts and craft feelings, as well as old-fashioned handwork. For a blackletter typeface, Weiss Rundgotisch is very similar to normal serif and sans serif designs, especially its uppercase letters, which seem to have some uncial influence in them as well. Therefore, Weiss Rundgotisch is more legible for contemporary readers, making this an excellent choice for anyone looking to set text, logos, or headlines with in blackletter. Weiss Rundgotisch was apparently quite a difficult typeface to design, even for a master designer like Weiss. He began work on the face in 1915; Weiss Rundgotisch's development took over 20 years to complete."

This steam era typeface, created by Gustav Schroeder in 1884, found popular use on soap box labels and tobacco tins during its initial release. Then, later, a successful and stout revival of Gustav's face, named Othello, was carried out by Morris Fuller Benton in 1934, and the typeface's appeal widened to include items such as broadside posters featuring Boris Karloff's Frankenstein. After metal gave way to film type, Gustav's creation experienced a brief fashion moment in the 1960's, but then disappeared entirely, never re-surfacing as a full digital typeface. With the release of Bathysphere, the typeface comes full circle, having been completely redrawn from scratch using Gustav's original specimens. The new extended language support establishes the typeface firmly in the modern era, while Bathysphere's refinement of subtle blunt corners restores a deep-sea grace to this iron giant.

Originally designed by Morris Fuller Benton in 1925, FontHaus's 1995 revival is based on a design named "Novelty Broadway". Characters were referenced from "Commercial Art of Show Card Lettering" by James Eisenberg, published by D. Van Nostrand Company in 1945. This Broadway is classic Broadway but with some charming differences such as a slanted lower case "f" a remarkable lower case "g" and a high-waisted upper case case "R", as only a few examples. It was named "Novelty" because the alphabet incorporated a concave design feature in the tops and bottoms of each letter. These differences allow this version to possess much more personality than that of all other Broadway designs on the market. It looks almost hand brushed, has soft edges and is no where near as sterile looking as all the other digital versions. It feels very 1925!

At this pivotal juncture, where every choice casts long shadows, the imperative of pinpointing the archetype of typefaces is of paramount importance. One mere oversight, and the soul of your endeavor risks being lost in the mists of time. Yet, amidst these crossroads, "Winsel" emerges as the North Star in your typographical odyssey. Birthed in the revered sanctums of insigne design, this typeface is a magnum opus, echoing the artistic brilliance of British poster craft from epochs of golden jazz to times of renaissance. Winsel, in its sheer magnificence, stands as a testament to artistry, each stroke demanding undivided reverence. Be it the valiant weights reminiscent of a guardian sentinel or the graceful finesse mirroring a maestro's touch, Winsel is an unparalleled behemoth. Imbued with the finesse of OpenType, it's poised to embrace the multifaceted European Latin tapestry, while its Small Caps and Titling Caps take pride of place across its grand suite of nine weights. Sculpted with precision, Winsel is the beacon that challenges the ordinary and pledges to be an immortal testament. Seldom has the cosmos aligned to present such an illustrious moment. Fortified with Winsel, you stand on the precipice of legend. Carve your tales into the annals of perpetuity, voice your ethos with unyielding conviction, and let each letter be a symphony of undying commitment. In this epoch, in this narrative, Winsel beckons you to etch history.

Story Fresh is a family script font, with 5 styles: brush, bold, medium, normal and light. Story Fresh a work that is purely handmade, has its own characteristics with the style of monoline. this is perfect for invitations, signatures, blogs, social media, business cards, product brands. FILE INCLUDE - Story Fresh Brush (OpenType,PUA) - Story Fresh Bold (OpenType,PUA) - Story Fresh Medium ( OpenType,PUA) - Story Fresh Normal ( OpenType,PUA) - Story Fresh Light ( OpenType,PUA) OpenType features can be accessed by using OpenType smart programs such as Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. special greetings for all, all of us all smoothly in running the routin