Montage has played a weighty role in some of the most influential and enduring typography of the past few decades, from book jackets and album covers, to posters and logos…you name it. Exhibiting an uncommon ability to wield immense power while demonstrating extraordinary finesse, Montage’s commanding profile packs a hefty punch which is softened only by its lithe yet durable serifs. Originally designed for Photo-Lettering in the mid-1960s by type legend, Ed Benguiat, the fonts were given a jump start by Jess Collins before ultimately being shaped into five compatible widths by longtime House co-conspirator, Mitja Miklavčič. Under the guidance of Ben Kiel, along with some additional chin-stroking by Ken Barber, Montage has been fully developed into a robust family ready to tackle any challenge you can throw at it. FEATURES LIGATURES: In order to ensure that Montage maintains its bold presence in tricky text settings, we’ve added a handy set of pre-drawn letter combinations. When enabled, the Ligature feature identifies problem pairs like—fl, fi, ff, ffl, and of course, fyi—and substitutes them with glyphs optimized to enhance font performance. ALTERNATES: For fickle typographers, we’ve also added a handful of alternate characters to allow Montage to suit any number of mood Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

Pageu is a handmade font written with a real brush pen. Written with quick movements using a brush pen. It's Handwritten with quick dry strokes. Suitable for those who need a font with real textures

This was a favorite of job printers in late Victorian times. They used it on cards and stationery, as well as small handbills. It was made in a range of sizes from 10 point to 36 point. Good for places where you really don't want to shout.

EGOSTA is a complete sans serif family. The letterform and sharp variations characterize a bold and playful typeface in a graphic layout, making it perfect for modern and futuristic visual needs, EGOSTA complete family contains 10 styles with two axes; Weight and Width, from Thin to Bold.

Sabat Brush is a handmade font written with a real brush pen. Written with quick movements using a brush pen. It's Handwritten with quick dry strokes. Suitable for those who need a font with real textures.

This font is inspired by the compact, high-impact design aesthetic of the 1990s in Chile, which was defined by the use of very heavy fonts to create eye-catching graphic pieces. With this idea in mind, Zennat Pro was born, a “semi-slab serif” that takes advantage of OpenType features which rotate in alternate characters to best fit the design. Zennat pro comes in 10 weights, and is ideal for magazine design, motion graphics, trademarks, logos, posters, etc. ...

Font 'myoungwon' is a 'colorfont' that contains a color(Gradient) other than the existing one of a single color font. You can use it on Photoshop(since CC 2017), illustrator(since CC 2018), InDesign(since cc 2019), QuarkXpress(since 2018), Pixelmator(since macOS 10.14 Mojave), Sketch(since macOS 10.14 Mojave), Affinity Designer(since macOS 10.14 Mojave), Paint.NET(windows only), Microsoft edge(since 38 on windows 10), Safari(since 12, macOS 10.14 & iOS 12), Firefox(since 26), and so on.

Inspired by classic calligraphy, Armstead is an elegant and sophisticated handwritten font with a classic charm. All lowercase have 8 - 9 variants, total of 203 alternates, 7 ligatures, 20 swash of which 10 are final, and there are old roman numerals from 0 to 12. This font is perfect for your wedding invitation, greeting card, certificate, branding, magazine, book cover and much more and the alternates will help you to make your design unique. Thank you!

Salin is a modern sans serif font family with a geometric and humanist touch. Salin has totally 20 fonts with 10 weights and their appropriate italics. It contains rich opentype features. Includes extended language support, fractions, table figures, arrows, ligatures and more for each weight. Ideal for corporate identity, poster, brochure, orientation signs, and all kinds of graphic design works. “Salin News" and "Salin News Italic” are specially made for long paragraph texts which are written with small sizes.

Vincent Pacella was a true giant of hand-lettering and typeface design. Of the dozens of styles he designed for Photo-Lettering and International Typeface Corporation, his dominant Goliath towers above the rest. The font is perhaps best known from Herb Lubalin’s American flag that the design legend created for Print magazine’s 40th anniversary cover. Pacella takes “slab” serif to heart with this colossally-proportioned font, using brawny stroke endings and minimal curves to create a powerful figure for maximum visual impact. Take advantage of Goliath’s superior stature to make viewers take notice in industrial settings, sports branding, and oversized outdoor media applications. For comparatively modest musings in accompanying running text, consider partnering it with a comparatively spartan slab serif like Municipal. Or, team up Goliath with a faceted fellow heavyweight like United Sans. Originally drawn in 1970, Goliath was digitized by Ben Kiel with Adam Cruz in 2011. GOLIATH CREDITS: Typeface Design: Vincent Pacella Typeface Digitization: Ben Kiel, Adam Cruz Typeface Production: Ben Kiel Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

Marlyn Malson is a beautiful and light handwritten font with a romantic twist. Use it to add an authentic spark to any design project. It includes 1-10 amazing alternates, which gives you the opportunity to create multiple unique designs with just this one download. It is suitable for logos, web, stationary kits, banners, greeting cards, quotes and every other design which needs an elegant touch. Have a great day! Thanks :)

Oh Manoghara is a beautiful and light handwritten font with a romantic twist. Use it to add an authentic spark to any design project. It includes 1-10 amazing alternates, which gives you the opportunity to create multiple unique designs with just this one download. It is suitable for logos, web, stationary kits, banners, greeting cards, quotes and every other design which needs an elegant touch. Have a great day! Thanks :)

An informal sans serif typeface carefully cut from the template of Regan and Regan Slab. Smooth curves are combined with simple angles to form a modern, legible font with a charming personality. Regan Alt is ideally suited to wide range of applications including advertising, fashion, retail and the web. Details include 10 weights with italics, 540 characters, 5 variations of numerals, small caps, stylistic alternatives, manually edited kerning and Opentype features.

LOGX-20 is a geometric, all-caps display typeface. This is the brother of the LOGX-10 font. It obviously refers to the previous one, but considering the construction it is a different typeface. LOGX-20 is designed to create elements of visual identification, various creative projects and outstanding graphics. It looks great in arrangements with different text sizes, headers, sentences and longer texts. Both on websites, print or applications.

Based on a letterpress typeface using the same name, FDI Mainzer Initialen is a carefully crafted set of German blackletter initials using three colors per style. 10 palettes are available as individual styles and can be used in design applications such as Photoshop, Illustrator, InDesign and Affinity Designer. Make sure your operating system and apps already support OpenType SVG fonts before buying a license for FDI Mainzer Initialen.

Scriptys is a beautiful and light handwritten font with a romantic twist. Use it to add an authentic spark to any design project. It includes 1-10 amazing alternates, which gives you the opportunity to create multiple unique designs with just this one download. It is suitable for logos, web, stationary kits, banners, greeting cards, quotes and every other design which needs an elegant touch. Have a great day! Thanks :)

Dear diary, what a day it's been. Dear diary, it's been just like a dream. Woke up late. Wasn't where I should have been. For goodness sake what's happening to me? Write lightly, yours truly, dear diary. At last, a font to help you overcome those moody blues… Features: Four fonts (Regular, Underline, Strikethrough & Small caps) with upper and lower case alphabets.

Scratch up started out by testing a brush pen I bought. I penned down two alphabets: one by pressing hard on the pen and one without pressure. The result is Scratch Up: a pair of roughish tall & thin fonts. Scratch up comes with all the diacritics you need.

The motivation behind the Botanika family was the desire to create a text version of the Magion font. Although the glyphs were originally drawn using the same proportions, they were subsequently adjusted in order to improve legibility. The font retains certain characteristics of the original, such as the top serif on the “i” and the similar bottom serif on the “l”. Lowering the x-height lent the family a new and original character. The italics are slightly more condensed than the regular weight, without losing the austere grace of the regular weight. They are distinct enough to stand out in the text. Alternative characters can be selected to spice up the setting, or conversely to subdue headlines by using more traditional letter shapes. Small caps are available as well. The monospace version is a 10 pitch font: at 10 pt type size 10 characters fit exactly into the width of one inch, meaning that individual letters Take up 60 % of an em in width. The family is provided with matching italics. The modifications made during the OpenType transition included the addition of missing glyphs to cover the Suitcase Standard set and adding relevant kerning pairs, plus redrawing the bold weight and the accents. Despite its lower x-height, the font is often used for setting medium to long texts. Its slightly archaic feel lends text set in Botanika an air of novelty, which may be the reason why it is so popular in extensive corporate identity systems. If you are looking for an alternative to the cold, neutral sans serifs which are so popular these days, Botanika is the perfect choice.

Samantha is a bright and cheerful font based on pointed-pen lettering and featuring slightly condensed characters and a measured rhythm. Samantha is available in upright or italic variants, each with regular and bold weights and features over 1,100 alternates and swash characters that vary in size and complexity. Samantha includes 60 ornaments and 45 catchwords, lining numerals and oldstyle and swash numerals. See what’s included! Upright, Upright Bold • Italic, Italic Bold *NOTE* Basic versions DO NOT include swashes, alternates or ornaments These fonts have been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

Recline comes in a modern style featuring 10 weights, 5 straight & angled, making it easy to adapt to your design. An elegant typeface, Recline is perfect for corporate identities, websites, publishing, titles, books, magazines, business cards, logos, product labels, packaging, or any kind of advertising purpose. Thanks for watching

Siren Song is a textured marker font with rough edges and dozens of ligatures that give it a true handwritten feel. It includes both regular and slanted versions of the font, with bonus swashes that complement it nicely to achieve eye-catching designs. This handwritten font includes: A-Z, a-z, 0-9, accents, punctuation and symbols Tons of ligatures, for a more natural handwritten feel Contextual Alternates (for b, f, k and s) An extra set of 26 swashes (a-z) and 10 symbols (0-9)

This is a new and improved version of an old freeware font named Materhorn, hased on a design originally called Fanfare, designed by Louis Oppenheim in 1927 for H Berthold AG. The outlines have been completely redrawn, the entire font has been thoughtfully hand-kerned, and OpenType features have been added. Additionally, the font contains not only the complete Latin language character set (Unicode 1252) plus also support for Central European (Unicode 1250) languages

Rivea is two-font, hand-lettered script family designed to mimic real calligraphy. Each font dances along a natural, variable baseline and has a distinctive slant. Long, thin upstrokes contrast with rich downstrokes in a style reminiscent of "wet noodle" pen writing. Each Opentype font includes eight different ampersands, a swash feature that automatically substitutes beginning & end of word letters, a set of alternate letters, old style numerals, arbitrary fractions, six common "word-art" prepositions and six common honorifics. All Opentype features have been duplicated in Stylistic Sets for Microsoft Word users. To enable alternate ampersands, simply turn on the contextual alternates feature and type &1, &2, &3, etc. Opentype coding automatically substitutes the new "and".

Groovy style font becomes one of the most popular fonts these days, many designers use it to create a fun and happy themes design projects. Popstone is one of a unique groovy font from our collection, it contains 10 weights from thin to black including variable format. It also has alternatives and a lot of fun ligatures to play with. Popstone is a fun, funky, and versatile font family, you can use it for poster, logo, retro or vintage theme, DIY projects, baby, kids, 70s, 80s style, and much more.

Jean Evans' interest in type design dates back to her third-grade fascination with fancy script writing. Years later, work at a sign-painting school she found in the Yellow Pages® cemented her relationship with letterforms. Evans went on to study with master calligraphers and type designers, including the likes of Donald Jackson, Hermann Zapf and Matthew Carter. Evans' designs have been exhibited and collected around the globe, and her distinctive calligraphic style has been lauded by leading trade organizations, annuals and publications. Hatmaker, one of Evans' more popular typefaces, was originally developed for the Boston-based broadcast design firm of the same name. Inspiration for the design came from Ben Shahn's famous hand-constructed alphabet. Shahn's alphabet, however, was limited to capital letters. Daunted by the idea of designing a lowercase that would measure up to Shahn's capitals, I developed a second set of caps-simple, quirky, yet almost classic-to work as 'lowercase' with the Shahn-like caps," explains Evans. Mixing the two in Hatmaker, creates a lively interplay of light and dark."

ITC Belter was designed by Andreu Balius in 1996. Out of a purposely limited form repertoire Balius created a constructed typeface with a cool and technical character. A distinguishing characteristic of this font is the cross at the ends of many strokes. The figures seem to be products of mass production, which heightens the mechanical feel of the font. Belter is meant for point sizes of 10 and larger in headlines and shorter texts and must be set with generous spacing.

Make no mistake, Maritime Champion is not simply seaworthy. This peacoat-grubbing, all-hands-on-decking, accordion-serenading font is not for the faint of heart. He’s all caps all the time. Even the lightest of his six weights is enough to anchor a man-o-war in any Caribbean maelstrom. This 10-font family includes six weights and a Shoreline style that comes in four weights. It’s an all-caps family that includes lots of language options and OpenType fractions.

Belfort is a modern sans serif family font with a neo-Grotesk touch, it is a sans serif typeface that tends to be easily accepted by readers, has wide usage possibilities, and shows a simple, bold, and strong personality. The Belfort font contains 2 basic shapes: upright and round. Each has 10 different weights (Thin, Extra Light, Light, Regular, Medium, Semibold, Thick, Extrabold, Black, and Heavy). with ligatures and alternating in several letters. and is equipped with a multilingual accent.

Happy Fingers are a truly mad font! The font contains 10 different versions of each letter - and no two letters are the same - it's a lovely mix of upper- and lowercase, serfifs and sans, grunge, comic, sci-fi, fantasy, computer ... everything you can imagine. And they are all handmade! Of course there is multilingual support and I have even added a black version, for you to use as massive fill, or perhaps a cool shadow! Go crazy, go Happy Fingers!

Clarize is an elegant high contrast serif fonts family, with the best features of the Didone style. Designed with consideration for more functionality with smooth details and a touch of modern and luxury, this font is perfect for designers who are developing in the field of books, fashion, magazine, blog, advertising, packaging, branding, etc. The family includes 10 styles: five weights from Light to Black Multilingual Languages. Clarize includes Ligature and discretionary "ct" and "st" that can be accessed via an access feature.

Urbine is a modern sans serif with a geometric touch that support for 87 languages. It comes in 10 weights, 20 uprights and its matching obliques, so you can use them to your heart’s content, in each of which there are more than 874+ glyphs. Urbine comprises 20 fonts, consisting of three distinct optical sizes: Display. Each one has been carefully tailored to the demands of its size. The larger Display versions are drawn to show off the subtlety of Urbine and spaced with headlines in mind, while the Text sizes focus on legibility, using robust strokes and comfortably loose spaces. In the typeface, each weight includes extended language support, icons, fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for branding, web, signage, corporate as well as for editorial design. documents and folders, mobile interface. Support for 87 languages. Afrikaans Albanian Asu Basque Bemba Bena Breton Catalan Chiga Colognian Cornish Croatian Czech Danish Dutch English Estonian Faroese Filipino Finnish French Friulian Galician Ganda German Gusii Hungarian Inari Sami Indonesian Irish Italian Jola-Fonyi Kabuverdianu Kalenjin Kinyarwanda Latvian Lithuanian Lower Sorbian Luo Luxembourgish Luyia Machame Makhuwa-Meetto Makonde Malagasy Maltese Manx Morisyen Northern Sami North Ndebele Norwegian Bokmål Norwegian Nynorsk Nyankole Oromo Polish Portuguese Quechua Romanian Romansh Rombo Rundi Rwa Samburu Sango Sangu Scottish Gaelic Sena Serbian Shambala Shona Slovak Soga Somali Spanish Swahili Swedish Swiss German Taita Teso Turkish Upper Sorbian Uzbek (Latin) Volapük Vunjo Welsh Western Frisian Zulu