This font packs some punch Remember the TV Batman Blurbs POW, BANG, WOW, and of course SHAZAM!

HK Blocker™ is a display typeface inspired by the paste-up typography back in the 50s.

Easy Game is my laid back, easy to read, fun to watch comic and all-purpose font!

This font is created specifically for the purpose of creating logos for Progressive Rock bands. Such bands oftentimes have their logos designed by Fantasy artists such as Roger Dean and Rodney Matthews. The capitals and lower case are distinct enough from each other to be completely separate fonts. I decided, however, to combined them as one font. http://homepage.mac.com/baronvoncruzer/cyberiankhatru/byrningbridgez.htm

Proudly Presenting, Xwisth a Gothic Handwritten Font that will bring an a classical type. Xwisth is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Xwisth also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

What would a typeface look like that used a gothic arch, a feature of medieval architecture, as its motif? I decided to find out and the result was not beautiful but frightful. GothicHorror uses a pointed arch almost everywhere that it can be used and is unlike anything else. It is ugly, but for some uses that ugliness is a virtue.

An offering from Barnhart Brothers & Spindler’s Catalog No. 9 from 1907, with the rather prosaic name of "Lining Gothic No. 71", inspired this non-nonsense and surprisingly ageless face. As versatile as it is simple, this typeface is a stylish choice for heads and subheads. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

This is a blackletter display font with additional ornaments inspired by gothic and horror metal styles because its shape is very unique and very suitable for any project you will use with this theme. Features : Uppercase & Lowercase Multilingual support Number Symbol Ornament Punctuation Support in Mac and Windows OS Support in design application (photoshop, illustrator, and more) I really hope you enjoy it.

Atrocious - Display Typeface exudes a Gothic aura that's both eerie and distinctive. Its captivating design adds an unparalleled artistic charm, evoking a strong air of mystery. This font is perfect for creating impressive visuals, with OpenType features and multilingual support for limitless self-expression. Ideal for captivating book titles, enhancing cinematic experiences, or infusing graphic designs with a unique touch.

Queen Mestalla is a sherif font in gothic style with a good thickness making this font look bold and eye catching. This font is perfect for designing t-shirts, posters, music albums, magazines, billboards, and graffiti. This font is available in 2 style options, regular and italic, also comes with many alternative style options making it easy to create more awesome designs.

Stitch Warrior is a a gothic style stitch font. It's made of cross stitches ("x") even the kerning - the distance between the letter pairs varies between 1, 2 or 3 stitches distance. I was trying to be as accurate and close to reality as possible. It can be pefectly used for stitch lettering or text pattern to create visual effects.

A new layered font family called The Hipton. Inspired from single strokes of gothic letters from signed paintings and made it layered. This is a collection of styles with a layered type system and many possible combinations and options. As a display typeface, The Hipton is suitable for headlines, logotypes, signs, posters, greeting cards, letterhead, t-shirts, and many more applications.

Clairvaux is a part of the 1990 program Type before Gutenberg, which included the work of twelve contemporary font designers and represented styles from across the ages. Linotype offers a package including all these fonts on its web page, www.fonts.de. Herbert Maring developed his Clairvaux based on early Gothic typefaces. Its clever design resulted in highly stylized yet legible characters.

This is a blackletter display font with additional ornaments inspired by gothic and horror metal styles because its shape is very unique and very suitable for any project you will use with this theme. Features : * Symbol * Number * Alternate * Punctuation * Multilingual support * Support in Mac and Windows OS * Support in design application (photoshop, illustrator, and more) I really hope you enjoy it.

Blackout is the first and signature font to the Blackout Foundry. Inspired by gothic structures, but maintaining a constructive form. Everything in balance, simple, and straightforward. The font has hard corners on one end, and subtle curves on the other. It is intended for anyone wanting to have a moody appeal to their work, but still maintains a legible format.

XIKAS is the newest font in our gothic series, featuring a classic and elegantly designed typeface. With a classic design, this font uses striking details to exude a confident elegance that appeals to all genders, ages, and tastes. It can be used in a variety of projects to create an attractive vintage and elegant style that evokes elegance, luxury, and a strong personality.

This hefty little number is an amalgam of two typefaces from the Flower Power era, Dave West’s Elephant Gothic and Wayne Stettler’s Neil Bold. It’s an extrabold, sassy headline face that will get your message across, loud and clear. Both versions include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, as well as localization for Moldovan and Romanian.

This no-nonsense titling face is based on a Morris Fuller Benton 1934 offering for American Type Founders called, simply, Poster Gothic. Its crisp, clean lines and subtle Art Deco modeling make for attractive and attention-getting headlines. Available in plain and prismatic styles. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

The first in a series of typefaces based on the work of legendary lettering artist Alf Becker, whose works appeared in Signs of the Times magazine for almost thirty years. Originally titled "Extreme Thin Gothic", this was Becker’s 185th design for the magazine. Both versions of the font include the 1252 Latin and 1250 CE character sets (with localization for Romanian and Moldovan).

With a large variety of stencil fonts contained within the Jeff Levine Fonts library, Another Stencil JNL is simply another stencil design added to this growing collection. Modeled from a lettering guide manufactured in the 1970s, the style is influenced by Franklin Gothic, but has enough differences in the shapes of the stencil characters to be considered a cousin to that classic design.

Circle Sans is one of the most unique wood type font designs we"™ve found. It was made in Europe and our cut measures just 3 picas. Letters are a basic, rounded gothic with a medium amount of stroke contrast. This font is easy to read and packs a special punch dropped out from the negative space of a circle.

Noted British type designer David Quay designed Blackmoor in 1983. Based on an old English letter style, this textura-style Blackletter evokes a mediaeval character, expertly mixing a gothic lowercase together with Lombardic capitals. Blackmoor's rough, distressed features make it ideal for a variety of applications, from serious historical publications to horror movies, and comics. Featured in: Best Fonts for Tattoos

Hellebore is a font inspired by the logo and the game Mortal Shell itself. The font conveys the medieval era, the spirit of cutting weapons and dark fantasy. It is sinister, dark, dark, Gothic, rough and sharp. Perfect for logos, headlines, posters, banners. The font is named after the plant of the same name. The name conveys the font's mood.

Goat is a font display with extremely fine and sharp serifs, inspired by Gothic architecture, which brings a vertical elongation in extent and an allusion to the typical ogival vaults of the style. A font that not only carries a texture of writing with magnitude and elegance, but also causes some kind of strangeness for the subversion of some typographic laws.

Coronard is another of Greater Albion's explorations of 'Evolutionary' type. In this case we imagine a transition from Blackletter to Roman forms. Coronard shows that posited transition in all its simple calligraphic splendor, providing a beautifully legible face for invitations and certificates, as well as for lettering and signage that needs to be readable but to have a gothic flair.

Rosso is a condensed geometric Sans with a retro style, inspired by various typographic styles. It features the Roslyn Gothic structure, which was popularly used for the covers of Philip K. Dick's books in the 1970s. Rosso has 10 variants from Ultra Light to Black with their respective Italics. In addition, it is divided into two Subfamilies, Normal and Alt. The normal one remains faithful to the proportions of Roslyn Gothic and classic geometric fonts, while the Alternative version expands its round shapes, generating a striking and unique rhythm and contrast, classic of Art Deco fonts. In addition, it has alternative glyphs and discretionary ligatures inspired by the work of Herb Lubalin, which add greater possibilities to face any design project. All this makes Rosso a font full of personality, striking and recognizable. Ideal for the construction of logos, eye-catching headlines, movie posters, volumetric posters, etc.

This font was inspired by music from the band Silverstein. The main characteristics are the incredibly thin, orgainic lines.

Online auctions continue to be a surprising wealth of font design inspiration. In this instance, a number of silk embroidered Art Deco initials inside inverted triangles inspired Deco Pennant Initials JNL. The uppercase version is white lettering on a black background – similar to the originals. On the lowercase keys is a set of initials that are black on white with a black border. Since the inverted triangles resemble pennants, there’s a solid black blank on the left parenthesis key and a outlined blank one on the right parenthesis key. In this way, the initials could be used for monograms or interspersed with the blanks to form short banner messages.

This elegant typeface came out of a quick, back-of-the-napkin, sketch I did for a different typeface. After toiling on that typeface I looked back at the sketch and realized that I had lost some of the elegance and playful character of my original sketch. So, it was back to the drawing board and Lilette was born. Lilette is fun but also serious. Playful but elegant. Personal yet also industrial. That’s the power of a slab serif. Perfect for magazine headlines, wedding invitations, signs, posters, slides, promotions, product design, branding, logos, and so much more. Make this versatile typeface with 10 styles yours.

Medicine Drops is a font with a death metal theme. Be an alternative to make logos, merch, or anything with the nuances of death metal music. This font perfect for logotype death metal band, logotype death metal brand, product, merchandise death metal band, death metal band covers, rock events, rock posters, rock magazine covers, branding, product design, labels and other creative project. What’s Included : Standard glyphs Works on PC / Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word PUA Encoded Characters, Fully accessible without additional design software. Multilingual support Thank you for your purchase! Hope you enjoy with our font!

Murder Brack is a font with a death metal theme. Be an alternative to make logos, merch, or anything with the nuances of death metal music. This font perfect for logotype death metal band, logotype death metal brand, product, merchandise death metal band, death metal band covers, rock events, rock posters, rock magazine covers, branding, product design, labels and other creative project. What’s Included : Standard glyphs Works on PC / Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word PUA Encoded Characters, Fully accessible without additional design software. Multilingual support Thank you for your purchase! Hope you enjoy with our font!

Comicbook letters with a laid back slightly wobbly look! 4 different lowercase letters, which automatically cycle as you type! Wow!

Put some style in your layouts—with LD Chaplin. Guaranteed to take you back to a simpler place and time!

Brookshire was inspired by the lettering seen on the Almanac ephemera paper when I visited the flea market in France. The result is a lovely piece of neo-Victorian fun that brings back the joy of 19th-century shop signs and flamboyant design ethos. Brookshire is ideal for poster work and signage, or anywhere that you want to bring back the joy of high Victorian design ethos.

In 1995, when indie rock hipness was just reaching its pique, Chank was really into Jawbox, a post-punk band from DC. It was their music he was listening to when he made this font for the Space Ghost web site. The band broke up in 1997, but the font named in their honor lives on. This font family includes Jawbox, Jawbox Chanky, and Jawbreaker.

Fitzgerald was inspired by the carved and gilded lettering seen over the entrance of a bar in Dublin. The result is a lovely piece of neo-Victorian fun that brings back the joy of 19th century shop-signs and flamboyant design ethos. Fitzgerald is ideal for poster work and signage, or anywhere that you want to bring back the joy of high Victorian design ethos.

a, g, k and y It was a forensic examination by Jason Smith of his existing designs that laid the groundwork for FS Jack. Jason made a list of unique characteristics that would give the sans serif font its typographic thumbprint, which included an unusually large x-height and slightly off-the-wall letters like the lower-case “a”, “g”, “k” and “y”. “I wanted to make something that was slightly uncomfortable,” says Jason, “and in doing so simplify the quirkiness down to a few letters.” Fernando Mello did “the rest of the cooking”, filling the design out and making the additional weights. Tipos Latinos Upon its release in 2010, FS Jack was submitted by Fernando, who is Brazilian, for the esteemed type design biennial, Tipos Latinos, where it was selected as a winner in the Families category. It went on to be selected for type exhibitions throughout Latin America and around the world. “FS Jack is a workhorse,” says Fernando, “but also very ownable and distinctive, and available in a good range of weights, crafted by Jason and I.” Corporate “FS Jack took a couple of years to get noticed and is still fairly underused,” says Jason, “which is good in a way, for our Brandfont clients that have adopted it.” FS Jack was chosen as the signature font for The Shard in London, from its signage down to business cards. Fontsmith also worked with Lloyds Bank to customise FS Jack into a bespoke font for the bank’s updated brand identity – part of Fontsmith’s Brandfont service, which you can read about here. Fat Jack Included in the FS Jack family – just – is FS Jack Poster, the super-heavy weight of the range. “That was a last minute addition,” says Fernando, “after Jason and I started talking about how much we liked Gill KO, a typeface that is almost comically fat.”

The birth of the monospaced types dates back to the past. There was a need for the creation of typesets for typewriters. The difficulty was to align the different glyphs in the same width. This led to particular problems with letters like “M” and “l”; the former seemed to be squeezed into the same width of all letters and the second one appeared way too streched. Despite – or perhaps because of – the impression of the typewriter is still popular with Graphic Designers. Nowadays there are even monospaced versions of primarily proportional types; for example the the Sans Mono designed by Lucas de Groot or the DIN Mono. Then again, why not the other way round?! In the first half of the Nineties, Erik Spiekermann developed a proportional type named ITC Officina based on the Letter Gothic. According to a survey on the 100 best fonts of all time conducted by FontShop, ITC Officina is in an eighth place, far ahead of its forerunner. This was the reason for me to create a wider design with a Serif and a Sans Serif based on the queen of all monospaced types – the Courier.