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  1. "Queer Theory RegularTrial" by Harold Lohner is an embodiment of artistic audacity and a celebration of diversity within the realm of typography. This font captures the essence of inclusivity and cha...
  2. Heidelbe-Normal is a font that brings to mind the charm of the old world, blended seamlessly with the crispness of the modern age. This font appears as if it has captured the essence of history and p...
  3. The Pseudo (BRK) font, conceived by the creative mind behind AEnigma, stands as a unique and memorable entry in the realm of digital typography. Its design philosophy intertwines the familiar with th...
  4. Hadriatic, a distinctive font designed by Iconian Fonts, stands as a testament to the ingenuity and creativity of contemporary typeface design. This font is characterized by its innovative approach t...
  5. Rosango is a captivating font that emerges from the creative mind of Josep Patau Bellart, a name well recognized in the typography community for crafting fonts that blend artistic innovation with fun...
  6. Librium is a distinctive and versatile font created by Apostrophic Labs, a collective known for their innovative and eclectic approach to typeface design. This particular font showcases the laborator...
  7. As of my last update in 2023, "Twenty Four" may not refer to a widely recognized or standardized font within typographic communities or font libraries. However, the playful and imaginative name sugge...
  8. The Pee Pants Script, designed by Kirk Shelton, carries a whimsical and playful essence that sets it apart in the world of typography. This font teeters on the edge of casual and comedic, making it a...
  9. Serif Medium is a font that gracefully bridges the gap between tradition and modernity, embodying a perfect mix of elegance and readability. Its roots are firmly planted in the serif tradition, which...
  10. "As an imaginary artist with a vivid appreciation for typography, envisioning a font by the name of 'If' can inspire a world of possibilities. This concept of 'If' as a font embodies the essence of w...
  11. Bladeline, a unique font created by Designstation, is a striking example of creativity and innovation in typeface design. It encapsulates a perfect blend of elegance and edge, making it a versatile t...
  12. The MUMIA DEMO VERSION font is a captivating and unique display typeface that immediately captures one's attention with its distinctive characteristics. Its design embodies a compelling blend of mode...
  13. "Presa ANTIPIXEL.COM.AR" by Antipixel is a distinctive font that embodies a unique blend of contemporary aesthetics and functional versatility. Designed with a creative flair, this font showcases the...
  14. The Canadian font, much like the country it's named after, is characterized by its diverse and inclusive design elements, making it a versatile and welcoming choice for a wide range of applications. ...
  15. The MW Talon font, designed by Milkwort, is a distinctive and charismatic typeface that immediately captures attention with its unique characteristics and artistic flair. Designed to blend functional...
  16. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  17. As of my last update in April 2023, "Snag Mag" by The Logo Factory isn't a widely recognized or documented font in the most accessible font libraries or in the common resources graphic designers turn...
  18. The KG Shadow of the Night font, designed by Kimberly Geswein, stands as an emblem of creativity that gracefully bridges the gap between whimsical charm and gothic elegance. Kimberly Geswein, known f...
  19. As of my last update in April 2023, Lindau is not widely recognized as a mainstream or popular font, and it might not exist in prominent font libraries or collections. Given this, let's take a creati...
  20. Utusi Star, designed by the talented Peter Wiegel, is a font that captivates with its unique blend of creativity and functionality. This font, much like its creator, showcases a deep understanding of...
  21. "Lazy Rock - Personal Use" by Alif Ryan Zulfikar is a font that exudes a casual and laid-back charm, perfect for creators looking to inject a personal touch into their projects. The creator, Alif Rya...
  22. As of my last update in April 2023, the font named "Sevil alias Esra Lite" is not widely recognized in mainstream typographic resources or popular font directories. That said, we can still explore an...
  23. Guayaba Sans, a font crafted by Juan Casco, stands as an example of typographic artistry designed for personal use, embodying the creative spirit and skill of its creator. While I cannot directly obs...
  24. As of my last update in April 2023, the A.Lewis font is not a widely recognized or commonly referenced typeface in public font libraries or among popular font resources. However, the crafting of a sp...
  25. ZirkleOne is not a specific font that's widely known or recognized within the realms of typography as of my last update. However, let's create an imaginative description of a font that would suit the...
  26. As of my last update in 2023, there isn't a widely recognized or specific font named "Clearblock Circular." However, it appears you might be referring to a concept that blends characteristics of two ...
  27. The La Jolla ES font, created by ES Typography, embodies a blend of contemporary chic and versatility, appealing to a wide range of design sensibilities. At its core, La Jolla ES offers a harmonious ...
  28. La Rosa Muerta, a font created by the talented Juan Casco, is a testament to the artistry and profound emotion that typography can evoke. This font is not merely a set of characters; it's an explorat...
  29. The A.D. MONO font is a modern take on the classic monospaced typographic style, designed with a keen eye on functionality and aesthetic appeal for the digital era. Monospaced fonts, known for their ...
  30. Legendum, designed by Rogier van Dalen, is a unique and vibrant font that captures the attention of its viewers through its distinctive characteristics and versatile usability. The font embodies a mo...
  31. As of my last update in early 2023, Canuth may not be among the most recognized or widely discussed typefaces within the vast and eclectic world of typography. However, let's embark on a creative jou...
  32. As of my last knowledge update in April 2023, while specific details about a font named "Cherry Blue" by Zain Fahroni might not be extensively documented or widely known, I can still conceptualize an...
  33. LT Saeada by LyonsType is like a smooth-talking sophisticate at a fancy cocktail party. With its sleek lines and balanced proportions, this font exudes an air of elegance and refinement that's sure t...
  34. Scythe, imbued with the sharpness of its namesake, evokes a blend of sleek modernity and impactful edginess in its typography. This font, mirroring the curvature and pointed ends of a scythe, embodie...
  35. The font Zyphyte, created by GemFonts and attributed to the talented designer Graham Meade, is a distinctive typeface that embodies a unique blend of creativity and utility. Its design is a reflectio...
  36. Gadolinium Rounded, designed by Matthew Gadd, represents a distinct blend of aesthetic fluidity and modern sensibility. This typeface exhibits rounded terminals, lending it a soft, approachable feel ...
  37. Chef's Slice Novice, a font designed by Graham Meade under the banner of GemFonts, is a playful yet sophisticated typeface that embodies the whimsical essence of culinary art. Its design intricately ...
  38. ArmWrestler is a distinct and bold font that stands out for its robustness and dynamism, making it an excellent choice for projects that require a strong visual impact. With its clearly defined chara...
  39. The WC Wunderbach Bta font, designed by the illustrious WC Fonts, embodies the raw energy and gritty aesthetic reminiscent of urban culture and street art. This distinctive typeface marries the rebel...
  40. Pinniepoker, crafted by the creative minds at Fontalicious, embodies a playful and whimsical spirit that instantly adds a dash of joy and creativity to any design project. This font stands out for it...
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