A remixed variation, available in three weights, of the popular Talbot Type geometric sans Kaleko 105 Round . The addition of occasional flourishes at the intersections of strokes, in both upper and lower case, adds character charm, making the font a perfect titling font to accompany Kaleko 105 and/or Kaleko 105 Round , or a display font in its own right. Kaleko 105 Round Remix features a comprehensive glyph set including accented characters for central European languages.

A short font for short people* La Jefa is very, very loosely based on a Christmas card I received years ago from my boss at the time. Designed to capture that personalized touch, it's a hand lettered font with a short x-height and ample spacing. Although all of the letters are lowercase, the uppercase provides a unique set of characters that can be mixed in for a more natural handwritten feel. *also people of tall or average height

Jason Uncial, a unicase font, was created by Dutch designer Coen Hofmann. Uncial hand writing began to spread in Europe at the time of the late Roman Empire (200 A.D.). It influenced both the Carolingian Minuscule as well as our present lower case letter forms. Uncial fonts are still very much in use. It is used for headlines, display, titles, certificates, and not surprisingly, very much in Ireland or for anything with a Gaelic/Irish or Celtic touch.

Foundry Form Serif was drawn concurrently as a sans and a serif, with matching capital and x-height proportions for harmonious use. The Foundry Form Serif design has a strong horizontal emphasis, slightly condensed proportions for economic use of space, and open counters ensuring legibility at small sizes. Both families function independently. Foundry Form Serif includes a true italic; the angularity and sharp serifs help to retain maximum clarity, with the contrasting stroke widths adding refinement.

The typeface was designed after seeing a photocopy of some News Gothic text where the ink had faded on the bottom of each character. As character recognition is generally based on the top half of a character, readability was never compromised. Rather like Antique Olive the characters have a top heavy look when viewed straight on, however, as most type is read at an angle with the top further away than the bottom this top heavy look is diminished.

Prushkov is the first typeface that I made. Its name comes from the town I lived in at the time. The design was inspired by both geometric typefaces like Futura, and didone fonts like Bodoni. Its aim (perhaps quite bold) is to blend high contrast with mathematical excellence. Prushkov will work well as a display font, both in uppercase and lowercase. It has a wide array of stylistic alternates for all of the capitals and some lowercase glyphs too.

Midon font type is a thick serif with an elegant appearance. Having a personality that dares to create feelings and expressions that are firm but gentle so that they can be used as work tools so that the communication conveyed will easily feel beautiful. Midon Uppercase 75+ Language Alternate & Ligature So what are you waiting for? immediately purchase this font, feel free to comment, or send me my PM or email at khoirtypework@gmail.com Thank you for seeing

Penicillin is a psuedo thematic/destructive typestyle, looking more like a grunge/deteriorated or stencil typestyle, but actually a typestyle made to look as if formed of bacteria cells. From the fungus that breeds the bacteria that heals, comes a highly readable typestyle to add a little offbeat degeneration look to any design. The end result, a little funky fungus of a font, easy to read and fun to look at...let Penicillin cure your design ailments!

Galdana font family is a Roman serifs typeface, whose most relevant characteristic is the slanted angle of its true italic, at seventeen degrees. Its design was inspired by one of the most prominent American calligraphers of the last century, the book designer Oscar Ogg. Galdana contains 18 styles: starting from thin to ending in a fat typeface. This family is completed with multilingual support and a set of OpenType features such as stylistic alternates, swashes, and ligatures.

Coliseum Pro is a five-weight compressed spur serif font family. ITF’s original Coliseum family, released in 1992, was designed by Julie Hopwood and Pat Hickson. Steve Jackaman completely redesigned, redrew, and improved the Coliseum family over a two-year period, and two additional lighter weights have emerged: Light and Book. Coliseum Pro is inspired by Roman display typefaces, and is powerful and eye-catching at any size. Two sister typefaces, Clydesdale and Torpedo, were born from Coliseum’s redesign.

The Pommes font originates from my mid seventies potato punchcuttings at artschool. Since I’m living in a potato republic (NE of the province of Groningen) I got inspired to continue. I prepared this culinary alphabet as a tribute to this wonderful allround vegetable. Belgian and French recipies helped me in selecting and cutting/cooking the 6 styles. The Pommes-Dauphine Ultra Heavy (too much eggs added) can be used as a layer behind the Pommes-Dauphine.

PT Quadrat Grotesk™ was designed for ParaType in 2001 by Vladimir Pavlikov. An expanded sans serif with square letterforms due to what the face was named. Based on the shapes of one of old Russian wooden types. Wooden types were used for placard display composition at large sizes. Their printouts retained wooden texture and traces of handling. These features are reflected in the shapes of Quadrat Grotesk. It is a good typeface for display and advertising typography.

Besthia Display is a stylish vintage font vibe with a touch of modernity. It looks amazing at display sizes and is easily readable in text size. Besthia Display comes with access to your OpenType features, large selection of stylistic alternate glyphs and ligatures. To use stylistic alternates and ligatures, there is no need to use software that supports OpenType, because we have made them separately so it is very easy to use. Features: Multilingual, Ligatures, Stylistic Alternates & PUA encoded

Mariné is a geometric sans but with the softness of humanistic strokes. It’s mild contrast and multiple different styles allow Mariné to work well as both a text and display font. It also includes an Up version and calligraphic features that add a touch of informality. Mariné is available in an extended family and is the close cousin of Amelia (available at MyFonts.com). All differences between Mariné and Amelia appear in the italic and Up versions.

Introducing, Celestine! Celestine is a modern signature style handwritten font. Celestine comes with ending swashes to add charming feel. Just type "-" at the end of the letters to access swashes. Or you can access it via alternates option. Celestine is perfect for many design needs such as merch, T-shirts, logo, titles, wedding, book covers, social media posts, websites, events, and many more. What's you get : - Ending Swashes - Numeral & Punctuation. - Ligature. - Multilingual Support. Enjoy Designing! Thanks! Lunas Type

Today has been a busy day. I managed to take the dog for a walk, go for a run, empty the dishwasher, clean the car, vacuum the entire apartment AND make this font! :) The Busy Day font is all about fun and games: it’s playful, whimsical and legible at the same time. I’ve added an Outline version, Inside and the Regular version. They all work well together or as individual fonts - and they all have multilingual support!

At first glance, Else may seem to be similar to many of the Century typefaces, with its prominent figures and sturdy alphabet. But when Robert Norton, of Norton Photosetting Ltd., designed Else in 1982, he added a bit of flair to that basic model. Note the bowl of the g, the splayed legs of the M, the sharply curved G and J, as well as the leading strokes of v and w and both of the graceful ampersands.

Boena Serif. Boena Serif.is a Serif Display Font with a modern, classy, fun, unique and versatile style. It looks amazing at display size and is easy to read in text size. This font also has lots of unique alternatives and binders that will make for stunning design projects. Marselid Serif. works well for branding projects, logos, wedding designs, social media posts, advertisements, product packaging, product designs, labels, photography, watermarks, invitations, or any project you are working on.

Prumo is a new type system, based on a unique skeleton that flows, like a pendulum, from high contrast to low contrast. It’s a sort of typographic journey, from the 18th century typefaces to the 19th century slab serif typefaces, gathering information from the Scotch Roman fonts on its journey. Prumo is a type family with classic proportions that takes advantage of the recent type production technology while looking carefully at the most important historical references.

Gothic 13 is a bold condensed sans serif typeface. Originally designed in small sizes, Gothic 13 is very similar to Modern Gothic Condensed, which was a turn-of-the-20th-century modernization of a popular nineteenth century style. Until Linotype integrated it into their technology, it did not exist in sizes larger than 24 point. The design used for digitization was the 18-point. Gothic 13 is ideal for display work, especially where space is at a premium.

Chift is a quite narrow serif font for both body text and headlines in periodicals, where economy of space is needed. The type family consists of ten faces: five styles of low contrast for body text sizes and five styles of high contrast, including Hairline and Black, for display purposes. One of the main features of the typeface is its professionally-designed Cyrillic, which won one of the special prizes at Modern Cyrillic 2009 competition in Text category.

These four typefaces, Berlinette NB, Lyonette NB, Marseillette NB and Parisette NB, were designed from the same basic shape, a geometric form that avoids strict horizontals and uses more offbeat triangular shapes. Parisette is a fanciful type that is both bouncy and biting. The frivolity and quirk of the narrow width is offset by the razor-sharp, hatchet horizontals, which require protective gloves when type setting. This is a good typeface for enigmatic signs at postmodern student demonstrations.

Tacit is the first typeface to be the creative outcome of a PhD thesis in graphic design. The work's main study had the aim of documenting design processes in an effort to externalise the tacit (experiential) knowledge of graphic designers. Initially the task was only to design several glyphs but the work resulted in a full typeface. Tacit is an elegant sans serif with a distinctive character and is legible at small and large point sizes.

This brush script is what you call real. Designed using a pentel brush pen on paper, it captures all the nuances of real lettering. Texturized streaks are inconsistent, just as you would expect in real life. This font has tons of personality but it doesn't yell at you like many brush scripts can. Emily Lime Brush is an easy choice that can cover many design projects. Designed to be straight-forward & easy to use. Multilingual support.

Sultan-Mabsut, designed by Sultan Maqtari in 2018, is an Arabic typeface in the style of Maghribi (Moroccan Mabsut). This style, which originated in western North Africa, is characterized by a strong baseline and long, fluid, and curvaceous curves. It can be used in headlines or in text and gives a very fresh and calligraphic look. The font combines two methods of writing at one time (writing oriental and writing Moroccan). It also includes lots of Stylistic Alternates.

Patterned after cheap neon signage, this face has class, all of it low. Uppercase only, the lowercase positions are filled with an assortment of cheesy neon graphics, intended to be used at twice the point size of the caps. Named after a 70s TV show about a hotel with a defective neon sign. Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

Kilo is not only almost exactly equal to the mass of one liter of water. It also flows like one. This font has edgy caps that certainly know how to keep it together at high velocities, and vowels that grin and salute you while speeding by. Sometimes you want it connected and sometimes, well, freestyle. Kilo abides. It has plenty of alternates to fulfill your three wishes and mix a hell of a cocktail for you.

Vintage Wedding is a collection of 432 icons, divided into 4 categories. These symbols were selected and created in order to bring to mind the past times, yet at the same time, to retain the modern design. You can find here such rare and beautiful objects as phonograph or cult eyeglasses. The font includes many diverse elements, which will help you create compositions out of flowers, to choose commemorative vases, and even to dress the bride and groom!

Sometimes is a fancy signature font with 2 styles: regular and slant. It is inspired by luxury and branded items. It is perfect for logos, branding, photography, invitations, watermarks, advertisements, product designs, stationery, wedding designs, labels, product packaging, special events or anything that need hand-writting taste. Thanks for checking it out, and feel free to drop me a message if you had any queries! Oh, and come and say hello over at email : almarkhatype@gmail.com ~ Almarkha Type

This font was inspired by the bricks of my wall, I stared at them all the time thinking, wouldnt be great if fonts live in cooperation with bricks, and then, it came to my mind…A font family that shows naked bricks, like it is RIGHT on the middle of design process. The main features are the informal and wired look that make it worthwhile for bands and informal invitations, flyers, for concerts or infantile designs.

Once upon a time (a.ka. 1984), there was a Goth band who called themselves "Hemingway's Shotgun." As a symbol of his commitment to this band, the bass player acquired a tattoo of a shotgun on his forearm. Unfortunately, this tattoo wasn't very well drawn: the barrel was much too short, and was much thinner at one end than the other. The tattoo rather resembled a small, cordless, rechargeable hand-held vacuum cleaner. Thus, the band "Hemingway's Dustbuster" was born.

The other day, a couple of kids at work (I work as a kindergarten teacher!) played this game where they were detectives. Not the usual detective, but someone who worked for cookies and biscuits! They called themselves The Biscuit Kids, and I knew instantly that I had to make a font with that name! My Biscuit Kids font is a playful comic book font, but also suitable for anything that needs a fresh extra spicy attention!

Introducing Almarena® Neue Variable, the evolution of Almarena® Typeface, which we created in 2020. Almarena® Neue is a modern sans serif typeface that combines legibility, impact and contrast. This new version of Almarena is variable with 3 axes: Weight - Display - Slant. It is also available as a static version in 9 weights (+ italics) for each style (Classic & Display) with several alternatives. Almarena Neue® supports 94 languages and contains 565 glyphs for each weight.

Introducing Victory History is a Modern Sans, use this font for any branding, product packaging, invitation, quotes, t-shirt, label, poster, logo etc. Feature otf. and ttf. file Uppercase & Lowercase Number & Symbol International Glyphs Multilingual support Alternative Ligature Feel free to drop us a message any time and follow my shop for upcoming updates Shoot me on email at: dedukvic@gmail.com and find more previews on my Instagram here : https://www.instagram.com/acekelgondolayu/?hl=en Hope you enjoy it.

Machete is the hulky, overfed distant cousin of Bayoneta. Enthusiastically in your face and full of humour, Machete is exactly the kind of big alphabet that takes a skinny actress camping at the top of a really tall building downtown. If you don't think this sort of date is interesting enough, try cramming these letters on your next tub of comfort food, road trip comedy, or assault rifle packaging and see. Machete don't text. Machete roars!

Some words from the designer... West coast artist Teri Kahan developed a "design font" of 68 pictographs capturing the sentiments of relationship, connection and synchronicity. Many of the characters were created with phrases in mind like, "handing you the world on a platter", "howling at the moon", and "message in a bottle". Others represent life experiences. The clean, simple illustration style originates from the look of hand-carved rubber stamps, and lends itself beautifully to logos and graphics.

Eggnog is a slightly heavy typeface that renders very well at even very small typesizes and looks sharp in large headlines. This typeface is egg-ish in shape and we've included a half-dozen eggs in case you're inspired to have some eggnog for breakfast! Eggnog includes a large assortment of extended characters to support many of Europe's languages, including Czech, Danish, Dutch, Esperanto, Finnish, French, German, Italian, Hungarian, Polish, Portuguese, Romanian, Spanish, Swedish, Turkish & Welsh.

I'm Andrea, creator at Nirmalagraphics and I want to present my latest font called "Kidszania". I took the name from a children's playground filled with writings posted on the wall. I found a child's writing style that is funny, looks clean and natural. I tried a rough sketch of a font that resembled the writing of the child, then I modified it to become the "Kidszania" font. This font can be used for any needs, especially children-themed designs.

The inspiration source for Diamas Monogram is a vintage publication called “Bibliotheque D.M.C: Alphabets et Monogrammes 2nd Series”. This wonderful design is representative of the diamond shape monograms that dominated monogramming at the time. This monogram style is now digitally recreated and revived for modern use in Diamas Monogram, with two letter monograms and a selection of additional frame styles for a final classy touch! A PDF guidebook for MFC Diamas Monogram is included in the font package.

Prumo is a new type system, based on a unique skeleton that flows, like a pendulum, from high contrast to low contrast fonts, is a sort of typographic journey, from the eighteen century typefaces to the nineteen century slab serif typefaces, gathering information from the scotch roman fonts on it's journey. Prumo is a type family with classic proportions, that takes advantage of the recent type production technology while looking carefully at the most important historical references.