Future Bugler Upright is a non-slanted version of Future Bugler, a font based on the second logo created by Harry Warren in early 1975 for his sixth grade class newsletter, The Broadwater Bugler, at Broadwater Academy in Exmore, Virginia, on Virginia’s Eastern Shore. This font can convey several perspectives or moods. It can suggest a space-age vision of the future, or an art-deco perspective of the future as in the movie Sky Captain and the World of Tomorrow. It also communicates the idea of high performance, or extreme sports, without the grunge. Digitized by John Bomparte.

A Lost Art Deco Style Reborn and Multiplied Rhumba began as a digitization of a film typeface from LetterGraphics in the early 70's known as "Barrio Lined". Originally only a single typeface, represented by our Rhumba Lined style, it was fun and offered more diversity to expand out the styles of this gem. Playing off the stylings of fonts like Prisma, Rhumba fills in gaps between the various lines of the original to offer 3 alternate looks. The Rhumba family contains 382 characters per font. A comprehensive character map preview is at the end of the poster graphics collection.

Jugendstil Flowers are a collection of dingbats fonts with ornaments, leitmotivs and fleurons, free inspired in the visual style from the golden age of the Art-Nouveau graphic movement. A beautiful work with and organic forms and sensibility with the taste of the vegetal world, by Chyrllene K, who brings you a extra gift : Buying the three fonts (family pack) you get a special free bonus: the Victorian Advertising EPS PACK with ten amazing artworks (in eps) inspired in the Victorian ages magazine advertisings (see the banners). See all the glyphs from Jugendstil Flowers in the pdf brochure at the gallery section.

a naive interpretation of the F. H. Ernst Schneidler's art deco font...

Orlando is a quirky display face inspired by Art Nouveau metal types.

Another Art Nouveau font revived from the treasure drove of the past.

Pavane is based on the calligraphy of Art Nouveau designer Rudolph Koch.

Rudolfo is based on the calligraphy of Art Nouveau designer Rudolph Koch.

Diode is a sleek and simple font with mild art deco tendencies.

Decayed and stamped highly textured frames and decorations. Perfect for chalkboard art.

Mistook - Street Art Graffiti Font is a free style font that has the characteristics of street art that shows freedom and is filled with unique characters Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature • Alternate There it is! I really hope you enjoy it !

Olde Nouveau JNL is an interesting Art Nouveau typeface based on lettering found on some vintage sheet music. It's name is a contradictory pun, since "Nouveau" means new in French, and Olde (spelled in the archaic form) is the total opposite of what the Art Nouveau movement embodied.

Evening Initials JNL are based on a few random examples of some unusual Art Deco initials found within the pages of an old Dover clip art book. A complete set of letters was redrawn from scratch and are offered for your creative endeavors as a digital type font.

This great Victorian display font of the late 19th century was revived for today’s use. You also find two frame elements. To start setting a frame, type [shift] + [alt] + p for the corner, and continue with typing [alt] + p. Duplicate and mirror the lines to get a fantastic frame.

Showpiece JNL was redrawn from the hand lettering for the name and address of a music publisher found on some 1930s-era sheet music. The lettering style has features influenced a bit by both the end of the Art Nouveau period and the beginning of the Art Deco movement.

Armoire is a contrast sans-serif typeface that blends the elegant rationalism of Art Deco with the ornamental craftsmanship of Art Nouveau. Designed for both display and text usage, Armoire features a subtle range of weights with accompanying italics, and a special set of case-sensitive uppercase letters.

The Vienna Workshop (Wiener Werkstätte) produced a tremendous variety of art from the turn of the century until the beginning of World War II. This set, which includes three typefaces and a collection of graphic extras, draws on both the Art Nouveau and Expressionist traditions of the Workshop.

Morton Taggity" is described as an impressive graffiti font. Fonts within this category often exhibit bold, dynamic, and expressive letterforms typical of graffiti art. Such fonts are commonly used in urban-themed designs, street art, posters, and various creative projects aiming for a bold and eye-catching typographic style. With "Morton Taggity," you can create designs that convey urban aesthetics and the energetic spirit associated with graffiti art. Its bold and expressive nature makes it suitable for projects where a vibrant and impactful typographic style is desired.

The hand lettered title on the cover for the (ca. 1917) sheet music for “After the War is Over” provided the design inspiration for National Nouveau JNL, which is available in both regular and oblique versions. A precursor to the Art Deco movement which would arrive within the next decade, this bold thick-and-thin design embraces the elements of both Art Nouveau and Art Deco in one type design and gets its name from the patriotic spirit of America during “The Great War”.

Morton Taggity” is described as an impressive graffiti font. Fonts within this category often exhibit bold, dynamic, and expressive letterforms typical of graffiti art. Such fonts are commonly used in urban-themed designs, street art, posters, and various creative projects aiming for a bold and eye-catching typographic style. With “Morton Taggity,” you can create designs that convey urban aesthetics and the energetic spirit associated with graffiti art. Its bold and expressive nature makes it suitable for projects where a vibrant and impactful typographic style is desired.

Milton Glaser on designing Babyfat: “This is the first alphabet I ever designed. For some inexplicable reason I called it Babyfat. Because I’m not a type designer, most of my alphabets are actually novelties or graphic ideas expressed typographically. Here the idea was to take a gothic letter and view it simultaneously from two sides. It started out as a rather esoteric letterform; it ended up being used in supermarkets for ‘Sale’ signs.” This forced perspective 3-D font has appeared on many LP covers and posters from the mid 1960s onward. This revival includes the original lowercase for the first time in digital form. Besides the three original styles (Outline, Shaded, and Black) made for photo typesetting, the new P22 Glaser Babyfat introduces six additional variations to allow the user to easily colorize the type as Glaser envisioned. The Keyline, Fill, Glyph, Left, Right, and Down font styles give the user nearly infinite options to create dynamic chromatic effects. P22 Glaser Babyfat was based on original drawings and phototype proofs from the Milton Glaser Studios archives. Typographic punctuation and sorts were imagined by James Grieshaber to work with Glaser’s design, as well as diacritics to accommodate most European languages. Over the years there have been many typefaces that borrowed heavily from the Glaser designs, but these are the only official fonts approved by Milton Glaser Studio and the Estate of Milton Glaser.

Passage is freshly looking decorative Art Deco font family, inspired with modern influences.

Nouveau Never Dies is a compreensive family of ornaments from Art Nouveau era.

an art deco font based on brazilian Rio's lettering old publish lettering style

a naive interpretation of Samuel Wello art deco sans serif style of typefaces

Here is another design by jewelry designer Max Joseph Gradl. Zier is a verb, meaning to decorate, adorn or ornament; zierlich means decorative, elegant, fine, neat. Schrift means type. Zierschrift, therefore, means decorative type. Gradl Zierschriften is a decorative type in the Art Nouveau style, rather than the more ornate Victorian style. Very modern, very young, with an elegant simplicity of form. Maria Makela, in her book The Munich Secession (Princeton 1990) suggests that the frequent use of simple, flowing, organic forms that was so characteristic of Art Nouveau was a reaction against the growing complexity and rapid urbanization that resulted from 19th century industrialization. In keeping with that reaction is the hand-drawn quality that intentionally rejects a mechanistic mathematic precision of line rendering. Gradl Zierschriften preserves that hand-drawn quality. Designed with upper case only, this face was obviously intended for short headlines only and is best set at 18 points or larger. However, I don't think you really get to experience the grace of this design until you get to 36 points or more. In the larger sizes, it is simply stunning. Please note that while most of the uppercase letterforms are repeated in the lower case for convenience, the ‘F’,‘L’ and ‘T’ are rendered a little narrower than in the uppercase to provide for visual variety. The font also includes a generous supply of ligatures for just the right fit ... and just for the fun of using them. Three common ways of inserting a ligature, accented letter or other special character are: 1) Key in “ALT”+“0”+[ascii #]; for example ALT+0233 for the e-acute, 2) From within your application program, go to the INSERT menu and look for something like “Insert Symbol,” (this function is NOT available in all application programs) & 3) Cut & Paste from the CHARACTER MAP display that has been supplied by every generation of Windows Operating System that I can recall (All Programs>Accessories>System Tools). Isn't it amazing what you can do? Don't be afraid to experiment. If you back up your work, you have very little to lose and a lot to gain. Not only do you acquire a new tool, but by the very process you have learned how to continually expand your knowledge and skill base.

Conthey™ is a highly customisable unicase sans serif family designed for headlines and display use. Its modern, sharp and friendly character will add a fresh, positive vibe to your projects. Conthey customization options include weight variants from hairline to extra bold, width variants from narrow to normal, as well as style variants - possibility to change the mood of the font - from normal unicase, which is already a little cheerful in character, to even more playful, neo-deco proportioned unicase. Conthey feels at home when used for modern branding, magazine layout, headlines and posters. Variable fonts, broad choice of styles and additional alternative stylistic set give the family a great versatility and uniqueness. Conthey consists of 126 fonts in 3 width variants and 3 style variants - 63 uprights and their corresponding italics. Conthey family contains also 2 variable 3-axis fonts, with axes: weight, width and style (that changes internal proportions of some letters, like A H a e g and more). The family has extended language support as well as broad number of OpenType features, such as alternative stylistic set, discretionary ligatures, titling alternates, contextual alternates, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

Inspired by classic art, the cocomate font is the epitome of beauty and strong authenticity that is embodied in the art of typography. made with the characteristic variations of italic contrast and bold size in the letters. suitable for use in graphic designs such as logos, labels, packaging and others.

Night Fashion - Street Art Graffiti Font is a free style font that has the characteristics of street art that shows freedom and is filled with unique characters. Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature • Alternate There it is. I really hope you enjoy it.

A bit of experimentation with the Art Deco-flavored Sign Card JNL brings forth a hybrid alphabet where Art Deco meets Western. The result is Kalvesta JNL. This font's unusual character shapes defy and yet redefine the notion of the classic Western alphabet. The name is from a town in Kansas.

Unitext Variable Regular is a single font file that features one axis: Weight. TFor your convenience, the Weight axis has preset instances from Hairline to Black. This Roman (upright) font is provided as an option to customers who do not need Italics, and want to keep file sizes to a minimum.

Funky Hype - Street Art Graffiti Font is a free style font that has the characteristics of street art that shows freedom and is filled with unique characters. Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature • Alternate There it is. I really hope you enjoy it.

Deco is an Art Deco inspired chunky font. It has the irregular charm of a hand drawn font but the elegance of a classic Art Deco style font. It has enough humor and grace to be used in a wide range of applications. Its ideal use is as a display font.

Performer JNL, is a typeface re-drawn from condensed hand lettering found on a piece of vintage sheet music. Fairly basic in style, there are still some hints of the Art Deco influence that permeated the 1930s and 1940s art, design and typography. Available in both regular and oblique versions.

November Script is a continuously flowing and spinning font family. It was originally designed for an award winning art calendar published by TAIK (University of Industrial Art & Design) In 2007. Afterwards the font has been waiting for its second coming. November Script is well suitable for headlines, posters, flyers and schoolbooks.

In today's typographic landscape, few would still consider Bodoni to have a "modern" feel, but there was once a time when it's vertical axis and thinned horizontal strokes were considered radical. Volterra—inspired by the forms of Bodoni—finishes what Bodoni started and eliminates the horizontal stroke altogether, breathing an elegant new energy into a 200-year-old classic. Named for the artist hired to paint loincloths over Michelangelo's "Last Judgement" when nudity in religious art was condemned, Volterra acknowledges that it is no easy feat picking up where a master left off. Volterra takes what has grown to feel traditional and transforms it into a delicate mixture of classic and modern, with razor-edged serifs and ultra-sharp strokes. Strictly a display face, the larger Volterra is used, the better it looks.