Ico Weather is a set of 115 symbols depicting weather, temperature, weather forecast and astronomy. To name a few, there are sun, clouds, rain, snow, thermometers, wind socks, tornados, volcanoes, weather warnings as well as symbol for raining fish. The style of Ico is inspired by the look of symbols used on the classic monochrome LCD displays. The symbols are monolinear with rounded corners, composed of a smallest possible number of elements. In addition, the rounded style is accompanied by a second style with sharp corners and more detailed drawing. All symbols of Ico share the same width, making the font compatible with the LCD typeface ION. Together, they are the perfect sollution for LCD style typography. Ico Weather is a part of a larger set. Have a look at the other available Ico fonts and don't forget to check back soon for even more additions.

Ico Time is a set of 115 symbols depicting time, clocks, watches and rhythm. To name a few, there are alarm clocks, binary watch, moon phases, calendars, 7-segments digits, hourglasses, sun dial as well as infinity symbol. The style of Ico is inspired by the look of symbols used on the classic monochrome LCD displays. The symbols are monolinear with rounded corners, composed of a smallest possible number of elements. In addition, the rounded style is accompanied by a second style with sharp corners and more detailed drawing. All symbols of Ico share the same width, making the font compatible with the LCD typeface ION. Together, they are the perfect solution for LCD style typography. Ico Time is a part of a larger set. Have a look at the other available Ico fonts and don't forget to check back soon for even more additions.

Sporty and brawly, Magnesit creates impact everywhere it lands. Impressive headlines are its specialty, but it feels right at home used in packaging, branding and poster design. With a very tall x-height, wide language support and minimalistic yet playful appearance, it can take on any serious typographic job. Three distinct styles expand the possibilites even further: the straight to the point Regular, the friendly Soft and the determined Hard styles share metrics across related Magnesit Stencil and Magnesit Dark families, so you can mix and match to achieve exactly the effect you need. Magnesit works great with illustrations, the generous shapes can be easily filled with strong imagery to great effect. Based on the best-selling Grim, Magnesit is a vast improvement of the concept with long awaited addition of lowercase, reworked proportions, spacing and kerning, expanded language support and useful icons to satisfy even the most demanding typographers’ needs.

Styling is a simple, light, sans-serif typeface inspired on old cars and planes with an aerodynamic shape. The font comes in 5 weights plus italics. Styling and Styling Alt families offer professionals a wide range of creative options. Styling was created in 2014, while its designer was 30,000 feet in the air and the plane was flying over some Latin America cities. A flight full of flavours and shapes. This typeface is the result of anxiety and speed. Keep on rollin’ and fly high with Styling!

Kia ora is a M?ori-language greeting which is used as an informal greeting, equivalent to "hi" or "hello", or an expression of thanks. The koru (M?ori for loop or coil) is a spiral shape based on the appearance of a new unfurling frond. It is an integral symbol in M?ori art, carving and tattooing, where it symbolises new life, growth, strength and peace. Its shape conveys the idea of perpetual movement, while the inner coil suggests returning to the point of origin.

It all began with an ellipse. Like an artist who goes from a pictorical logic to a more abstract one, in Elipses geometry is stripped of any distractive or ornamental detail. The font is naked and it shows that it does not need complex shapes or decisions in order to be very attractive. The font is a compendium of ellipses and stems, with a didone 'pensiero'. It also gets some inspiration from the art-deco letters and architecture, due to obvious reasons. Geometry at its best. Elipses will be useful for magazines, books, ads, or any piece of design that needs elegant letters. Note about the styles The styles named "Alt" (from Alternative) have their swashes with less loops. Use them if you are more into naked geometry. Apart from many alternates and ligatures, I've included some different sized glyphs in all the styles so you can also play on the rhythm! Have fun!

Named for a Manhattan neighborhood, Morningside Heights JNL is based on lettering found on a 1920s-era piece of sheet music. Part of the charm of hand lettering from the Art Nouveau era is found in the non-standard line thicknesses, experimental character shapes and varying character widths.

Ornate Deco JNL is a thick-and-thin Art Deco serif typeface with diamond shapes inside the thicker parts of the characters. It is based on an alphabet example found in the 1949 French lettering book “Album de Lettres Arti”, and is available in both regular and oblique versions.

A simple and cool retro, pop art, stylish font for your design. Popstick has a modern, clean and fresh look with nice perfect rounded shapes. This font is best suited for commercial and editorial uses like advertising, apps, sports brand, packaging, logos, headers, corporate identity and much more.

Bolgate is a beautiful caligraphy font. This font works really well for Logos & Apparel Design. It's also great for creating Prints or Merchandise, as you can use the illustrative qualities of the shapes to create an art piece. Product includes: • Stylistic Alternates of Uppercase and Lowercase • Ligatures • Swash

An example of Art Nouveau lettering (complete with its unusual characters and varying shape widths) was found in a sample from the vintage publication "Modeles de Lettres Artistiques" ("Models of Artistic Letters"). This classic design is now available digitally as Handmade Nouveau JNL, in both regular and oblique versions.

Another personal revival of the Oldstyle, sharing the style of Trooper.

This set of typefaces was produced in conjunction with the Guggenheim Museum and the Josef Albers Foundation. Josef Albers was one of the most important artists and educators of the twentieth century. He was a member of the Bauhaus first as a student and then as a teacher from 1920 until its closing in 1933. He then moved to America, where he continued making art and teaching at numerous institutions until his death. Known principally as an abstract painter, he was also an accomplished designer, draftsman, typographer, and photographer. His works explore permutations of form, color, and perception using a restricted visual vocabulary. Created when he was at the Bauhaus, his Kombinationschrift alphabets exemplify the school's ethos. Using 10 basic shapes based on the circle and the rectangle, he created a system of lettering that was meant to be efficient, easy to learn, and inexpensive to produce. These 10 shapes in combination could form any letter or number. The letterforms of this computer version were taken directly from Albers' drawings and notes.

Movida™ is a 101-font mega family - modern, spurless, with geometric flat-sided nature. Its versatile character and huge choice of styles let it serve as a charismatic display typeface as well as clean contemporary tool for setting paragraph text. Its dynamic personality fits perfectly to such industries as sports, gaming, technology, streetwear, automotive. Movida works great for logo design & branding, magazine editorial use, web design, user interfaces and mobile applications. Movida features a super-flexible 3-axis variable font allowing fluent adjustments to width, weight and italic angle. This single font contains all the styles and features of the whole mega family. Main features: 5 widths (Narrow, Condensed, Normal, Expanded, Wide) 10 weights for each width (from Hairline to Black) + 10 corresponding italic styles 1 variable font (3 axes: weight, width, italic angle) modern, slick & sharp spurless design large x-height improving legibility in small sizes flattened oval shapes, adding vertical rhythm and elegance to narrow styles extended latin language support OpenType features (case sensitive forms, standard and discretionary ligatures, stylistic sets, contextual alternates, lining, oldstyle and tabular figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols)

Quieta is a humanist serif typeface inspired by the aesthetics of Italian Renaissance and by the empowering history of the painter Artemisa Gentileschi, first woman to be admitted to an Academy of Fine Arts in Italy. The designer, Maria Chiara Fantini, has used sharp flat-nib calligraphic strokes to add a vibrant contemporary vibe to the traditional humanist proportions. Classical details (such as the beak of the “e” and the angled stress of the “o”), are balanced by a modern and readable low-contrast design, developed in a range of six weights with a matching set of true italics. A Display weight, with lighter shapes and stronger contrast has been developed excel in logos, headlines and captions. The wide array of alternate, decorative and swash glyphs and the full coverage of over 200 extended latin languages make Quieta a solid, highly readable and elegant typeface perfect for body text both on the screen and on the printed page. Graceful and powerful at the same time, this typeface family is ready to help you when in need of the timeless appeal of a self-conscious feminine elegance.

Jantar Flow is a humanist sanserif type family tailored for continuous reading for both printing and screen. With its large x-height and low contrast it also performs very well in captions, side notes, and short paragraphs set in small sizes. Jantar Flow Italic is distinct and readable. Following a proper italic construction, it shows the fun side of the family yet keeps the features of the upright. Jantar Flow – as well as its teammate Jantar Sharp – comes in seven weights from ExtraLight to Heavy, each with accompanying italics. It has a tabular and proportional set of figures in both old style and lining options, and also a special set of hybrid figures sitting between x-height and capitals. Superscripts and subscripts are provided together with a vast collection of diacritics covering all European languages as well as a set of case-sensitive characters. Jantar, the pairing superfamily. ‘Jantar’ is an old Polish name for ‘amber’, a fossilised resin – a substance that is robust and organic at the same time. These qualities somehow reflect the feeling behind the Jantar families, ‘Flow’ and ‘Sharp’. Jantar Flow was designed along with Jantar Sharp. As part of the Jantar superfamily these two faces are perfectly paired: though not based on the same skeleton, they share the same design parameters and the same character set, but each one works independently with its peculiar features. Designed for publishing for print and web, as well as for branding, the Jantar superfamily was inspired by common font pairings of the digital age like Helvetica/Times or Verdana/Georgia. Jantar Flow and Jantar Sharp communicate with individual yet complementing voices, just like two trained acrobats can perform alone but also know well how to perform together.

Markout is a chunky marker pen font. With a casual style and loose baseline, it's a great display font for titles, headings and logos. The Markout family has regular and alt versions, where some of the characters are different. Most notable is the 'k' in the Alt version this has a more normal size and shape when compared to the regular. Also includes five marker pen emoji ligatures and double letter ligatures.

The 1914 sign lettering instruction book “Art Alphabets and Lettering” by J. M. Bergling showcased many hand lettered alphabets as an inspiration to both up-and-coming and established sign painters. One page in particular featured a classic free-form Art Nouveau style with rounded shapes. This style of lettering was emulated in the 1960s by designers of rock concert posters, so the style is reminiscent of the Art Nouveau period as well as the 1960s. Old Time Nouveau JNL is available in both regular and oblique versions.

Gatsby SF portrays the formal elegance of Art Deco, using the rounded shapes typical of the Art Deco movement. The upper case characters are decorated with a classical Art Deco motif, while lower case characters have been left unadorned for increased readability. Gatsby SF functions well as a display font and creates attention-attracting headers and subheaders. Fully professional, Gatsby SF contains a full character set - Upper and Lower case, all numerals, punctuation, symbols and accented characters. It is suitable for layout work in all major European languages.

Elanor is a serif typeface inspired by Retro ’70s fonts mixed with Experimental touches. Its main features are a diagonal stress and soft curved teardrop shape terminals. It has ligatures that make it more elegant and grotesque elements that give it a modern look and make it more versatile.This typeface both impressive at display sizes and easily readable in text size, while the sharp shapes of the triangular serifs and the distinctive letter shapes show their strength in logo design and impressive editorial use. Elanor come with elegant style, Retro and contrasts, with features an extended latin character set of 555 glyphs covering over 94 languages, Latin & Cyrillic. Elanor is ready to making your projects looking classic but contemporary, finely tuned but assertive, and elegant as the best retro design. 94 languages : Afrikaans, Albanian, Asu, Basque, Belarusian, Bemba, Bena, Bosnian, Bulgarian, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Embu, English, Esperanto, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Russian, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkmen, Upper Sorbian, Vunjo, Walser, Zulu

A three-dimensional all-cap font for title use, Thorowgood Sans Shaded was released by the Fann Street Foundry of W. Thorowgood & Co. in 1839. Interestingly, it more closely resembles Figgins' Four-Line Emerald Sans-Serif Shaded of 1833 than Fann Street’s own Grotesque Shaded of 1834 (with light and shadow reversed). The idea of a shaded font is of an outline font whose letters have each been extruded through a die and then viewed from the lower right to reveal the third dimension. That third dimension has also been referred to as a shadow. Vincent Figgins' 1815-release of a shaded serif typeface was the first known of many shaded faces, as the other foundries rushed to bring out their own versions. Thorowgood Sans Shaded may be gainfully used today as a eye-catching headline font, just as it was so popularly used in the early nineteenth century. To assist with the usual all-cap letter-spacing problem, the following pre-kerned pairs are included: AT, AV, AW and AY. Be sure to download the Type Specimen showing the full character set, as well as a sample text. Live large - use it boldly.

This innovative styled swash font was created to suit various design applications within the typeface market and is aimed at people looking for a sharp styled brush script typeface that doesn't fit in with the regular trends of hand written fonts. Designed and produced by Paul O'Connell of POCT, it is a strong pointed styled typeface with sharp edges and curves, but still manages to retain a subtle hand drawn feel.

Crimstone is a bold and strong geometric typeface. Rectangular shape with rigid and sharp edges is the first impression that makes this font look powerful and hit. Its continued development created other variations including rounded styles, inline and handmade styles. Not only the clean version, Crimstone is also available in a printed version with a rough and textured appearance. Each has an upright and slanted version. Available in 16 fonts, the Crimstone family is perfect for poster designs, movie titles, logotypes, packaging etc.

Electrónica font family has been designed for Graviton Font Foundry by Pablo Balcells in 2019. It is a rounded, geometric sans serif typeface with display details and sharp, playful shapes for a fun and laid back usage. Electrónica has been conceived to be most suitable for logos, headlines and display design pieces as well as short length text blocks. Electrónica consists of 12 styles, 8 of which containing small caps and glyph coverage for several language and 4 of which are free.

This font is inspired by a horror film title or opening, taking inspiration from underground bands, made from watercolor brushes and so you get sharp textured results, with its defiant shape, rough edges and unadulterated imperfections. and give a spooky, firm, horror impression. There are several unique ligatures that can make sentences more unique. Regular Stylistic alternates SS01-SS03 Ligatures os, St, fl, ff, ffi, ffl, ae, si, ss, ha Multilanguge Support Latin Pro Uppercase & Lowercase Numerals & Punctuation 443 glyphs

Warzone is a minimalist techno font. Based on sans serif design, developed to techno style with the minimalist stencil concept and sharp edges. Quipped with extra alternate characters that give you more variations on your design. This font has geometric shapes that are perfect for a futuristic theme, techno, digital, sci-fi, and hipster style. Warzone is an all-caps font that has a solid version in the lowercase. A great choice to apply for many purposes. Thank you and happy designing!

Rosiana is a modern decorative serif font. Inspired by the classic typography which visualizes a bright shade that feels good to apply to your design, such as magazines, cards, invitations, labels, logo, logotypes, books, packaging, and more! Designed with high contrast and soft-sharp serif that looks strong and confident as a display. Equipped with 200+ special characters and ligatures to beautify your typographic design. Font featured: Uppercase Lowercase Numbers Symbol Accented characters ÞþßÀÁÂÃÄÅÆÇÐĐÈÉÊËÌÍÎÏŁÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçđèéêëìíîïłñòóôõöøœšùúûüýÿž ĀāĆćĈĉČčĎďĒēĚěĜĝĤĥĨĩĪīĴĵŃńŇňŌōŔŕŘřŚśŜŝŞşŢţŤťŨũŪūŮůŴŵŶŷŹźẀẁẂẃẄẅĹ徼 Stylistic alternates Stylistic set 01-11 Ligatures

Sincerity Stencil is the new extension of the typeface Sincerity. It's a fierce and elegant typeface identified by its high contrast, sharp shapes and triangular. The stencil component of this new version will add originality to your designs. Its large variety of glyphs, including accents, old-style numbers and ligatures will give uniqueness to your designs. It's a great fit for branding, magazines, newspapers, and so on. Sincerity Stencil is available in 16 styles, from thin to black in roman and italic.

Deco is a minimal, easy-to-read gothic without fuss. Geometry is sharp, strokes are uniform throughout, and characters are slightly condensed. This version is based on wood type of unknown origin, but the design was likely based on lettering from the Art Deco period of the 1920s and '30s.

This font is artistic. The shape of the letters was taken from the dot art that I worked on consistently. Letters are read by habit and feeling. Sometimes I also think for a moment about what this letter is. But, you soon find out. A brief pause and continuation is refreshing.

Erratic JNL earns its name from the varying widths and shapes of the hand lettering found on some old Art-Deco era sheet music. Following this unusual pattern throughout the complete typeface, the user finds a mix of traditional Deco type design and an overly wide M, N, W and 8.

In HU Ketchup KR, the consonant and vowel strokes are naturally connected to add writing power to the thick headline, and the vowels are shaped like 'ㅅ', adding personality and cuteness at the same time.

With a rounded shape and a burlap texture, what else could we call this font? Circus Peanut is oblique and comes equipped with its own drop shadow. It's meant to be used at large sizes.

Lunarmod is an attempt at creating a full font from a single basic shape, a box with oval ends. It ended up being very modular and looks slightly alien or spacey, hence the name Lunarmod.

Symbolum Croatian heritage awakened. Symbolum is the first ever contemporary interpretation of Glagolitic script. This rediscovered Croatian gemstone gleams again with its unique and glorious letter shapes that give this typeface an exceptional value and meaning. The letters of this contemporary slab serif are inspired with Glagolitic script, but it is not the revival. Some letters originally don’t exist, but are invented, so the font can cover the central European character set. It is suitable for branding, game design, art and conceptual projects, but also for longer texts and more complex designs. The italics are designed at an 10° angle.

Future Bugler Upright is a non-slanted version of Future Bugler, a font based on the second logo created by Harry Warren in early 1975 for his sixth grade class newsletter, The Broadwater Bugler, at Broadwater Academy in Exmore, Virginia, on Virginia’s Eastern Shore. This font can convey several perspectives or moods. It can suggest a space-age vision of the future, or an art-deco perspective of the future as in the movie Sky Captain and the World of Tomorrow. It also communicates the idea of high performance, or extreme sports, without the grunge. Digitized by John Bomparte.