As designers, we seek perfection and originality. The more we step back and look at our work, the more changes we tend to find necessary. Drastic modifications are inevitable. The same is true of Grayfel. Grayfel began as an exercise at insigne to explore the crowded space of neutral sans. While the world of sans serifs is admittedly crowded, I still managed to find something new and different. The final Grayfel consists of 42 full-featured OpenType fonts containing three widths: Regular, Condensed, and Extended. Every width consists of 14 fonts--seven weights with matching italics, making it a good companion for setting clear text and headlines for print and screen. OpenType features are also available. There’s figure choices, such as proportional and old style figures. Additionally, Greyfel includes sophisticated typographic attributes: ligatures, fractions, alternate characters, small caps, superscripts and subscripts. Its extended character set supports Central, Western and Eastern European languages. Optical compensations also mean the outcome of this family is a hybrid of humanistic proportions. It’s a well-finished design with optimized kerning gives it a friendly look. If you like sans serifs within the tradition of Futura, Helvetica, Avant Garde and Avenir, then you’ll love Greyfel, too. Grayfel works well in a variety of applications. Subtly neutral yet fun, it’s suitable for headlines of all sizes as well as for text. Put it to the task for marketing, packaging, editorial work, branding and even on-screen projects. Try it out: it’s not just fun and playful; it’s Grayfel.

Every designer has a favorite geometric sans serif. For a century, they've been a staple for text that needs to be clear, strong, architectural, and objective. Mimolette offers a sans serif family that's great for text and display alike—the panache of Neutraface, the readability of Avenir, the sleekness of Avant Garde, the strength of Mark, the architecture of Gotham, and the classic lines of Futura—but she's entirely her own creature, and she's designed to offer maximum versatility and beauty at an affordable price. And she's got some nifty features, too! Her italic is a true italic, not just an oblique. Are the uberpointy diagonals (AMVW) not working in a particular context? Activate Stylistic Set 01, and they become flat-topped! Want more playful cursive alternatives in the italic? Activate Stylistic Set 02, and you've got them in the A, E, K, Q, R, and k. She's got true small caps in all styles! She's got true fractions in all styles, as well as oldstyle (small cap) and lining numerals, in both tabular and proportional widths. Best of all, perhaps, Mimolette was made with love, as always, by yer pals in the Ampersand Forest.

Adantine offers the opportunity to bring Victorian Elegance and Character to modern design work. It is inspired by the hand-lettered captions often seen on old sepia-toned postcards, but also has some of the spirit of 19th century advertising cuts. Adantine is offered in regular and text faces, as well as all and small Capitals forms with purpose made swashed capitals, and in a decorative embossed form. It can be used to set small amounts of text, as well as for headings and display purposes. Bring some steam-age elegance to your next project!

Based on vintage wood type, Nostrand JNL is a tall, condensed serif face - named for an avenue in font designer Jeff Levine's home town of Brooklyn, New York.

A condensed and bold obround sans inspired by 60s condensed inserat faces, with a more pronounced thick/thin stress as seen on the titles of the Avengers TV show.

A revival of one of the popular text fonts of the 19th century, suitable for text or display, short descenders, tall ascenders, the regular text version.

Pesaro is a new text typeface with a strikingly robust but charming appearance. Inspired by early prints from Venice like Jensen and Manutius, it follows its own formal concept of a contemporary design – a stable typeface with strong text qualities and graphic appeal. The Pesaro family comprised 12 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and elegant swash captitals for all italic styles.

Miserichordia evolved from photographs taken on a trip to Venice and instigated a sharp turn left into more idiosyncratic and decorative serif fonts. Something of a new direction for Device.

Introducing Nimid Regular typeface, it looks natural like a handmade which has a fast dry brush style. That is ideally suited for advertising and packaging, logo, branding and creative industries. The Nimid Regular typeface is designed to make your next great project look more natural and stand out.

Introducing Swankie Regular typeface, it looks natural like a handmade which has a fast dry brush style. That is ideally suited for advertising and packaging, logo, branding and creative industries. The Swankie Regular typeface is designed to make your next great project look more natural and stand out.

Garinstae Script Pro, is modern and classic handwritten calligraphy, so soft, perfect for your next designs, such as logos, printed quotes, invitations, cards, product packaging, headers and anything else from your imagination. Garinstae Script Pro allows you to create custom dynamic text. You can access by turning on; Alternative Styles, Swashes and binders in Photoshop, Adobe Illustrator, Adobe InDesign or via the glyph panel like Adobe Illustrator, Photoshop CC, Let's go from regular characters to alternate characters to get the text with the layout of your dreams. Garinstae Script Pro also includes glyphs, punctuation, numbers and multilingual. Thank you for your visit

Derived from the world famous Rennie Mackintosh Font, the Venezia version gives a very modern look to this classic font, especially when filled with a gradient fill in a graphics package such as Photoshop or CorelDraw - although it even looks great "out of the box". The Venezia name comes from the native name of the city of Venice - one of several Italian cities Mackintosh visited on a sketching tour of Italy early in his architectural career. Venice was also one of the venues of an exhibition of Mackintosh's work on a European tour.

ITC Motter Corpus was designed by the Austrian type designer Othmar Motter in 1993 to combine the display advantages of a sans serif extra bold design with the legibility of a roman weight. The Motter Corpus is available in the weights regular and condensed regular. The capitals with their strong strokes display slight irregularities and natural looking outlines. When used in very large point sizes the tiny serifs become noticeable. Distinguishing characteristics of this typeface are the unusual design of the g with its upward reaching ear and that of the capital C, whose curve ends in an angular stroke in its upper third. Almost, but not quite, a sans serif, the typeface has diminutive serifs which, along with its modulated weight contrasts, make ITC Motter Corpus remarkable legible in display applications and will give text a nostalgic feel. A similar typeface is Linotype Bariton.

Mercusuar font FAMILY – an expansion on Mercusuar that includes 16 fonts, regular and italic, from Thin weight to Bold, and still has all the clean lines and trendy minimalist vibes! Mercusuar is a stunningly crisp upper and lowercase typeface that looks incredible in both large settings as a display text. Includes: Mercusuar Thin (Regular & Italic) Mercusuar Extralight (Regular & Italic) Mercusuar Light (Regular & Italic) Mercusuar Regular (Regular & Italic) Mercusuar Medium (Regular & Italic) Mercusuar Semibold (Regular & Italic) Mercusuar Bold (Regular & Italic) Numbers & punctuation Foreign language support Hope you enjoy. Intuisi Creative

Linotype Textra is a clever twist on the sans serif genre, designed by Jochen Schuss and Jörg Herz in 2002. Schuss says this about Linotype Textra: "Two in one! The same Linotype Textra, which is so neutral and practical for long text passages turns into an eye-catching headline type when used in larger point sizes. The trick? It's all in the details. The type's clear, robust forms give it a high degree of legibility when used in smaller point sizes for texts. When used in larger sizes, the angular, slightly irregular forms that give the type its strong character become apparent. Hence the name Linotype Textra: pure text with a little something extra!" With 15 weights, the Linotype Textra family provides graphic designers with a good basis for almost any type of work. The five regular weights have matching true italics and old style figures, and the five small cap weights include tabular figures.

Restaurant and Lounge is a casual, brush-style type face based on hand lettering found on a 1940s matchbook for the Park Avenue Restaurant (a popular dining spot during the golden years of Miami Beach).

Meet Revla Serif, an unashamedly spirited font, with a spring in its step and a lust for life. Loosely based on a few letterforms from a mid century poster, it takes the feel of Madison Avenue print ads and runs with it. OpenType acrobatics ensure letters don't repeat monotonously, using the contextual alternates feature. Also included for your viewing pleasure - automatic fractions, case sensitive forms and one solitary stylistic alternate, an alternative ampersand. And that's it! Put the fun back into your text with Revla Serif.

Rajjah Familia - Blackletter font family Blackletter (sometimes black letter), also known as Gothic script, Gothic minuscule, or Textura, was a script used throughout Western Europe from approximately 1150 until the 17th century. Blackletter is currently widely used in modern creative design trends ranging from tattoo lettering, calligraphy, clothing brands, music, sports, labels and much more. Rajjah Familia looks gothic but easy to read, neat and beautiful. Comes with light, regular, medium and bold version. Rajjah is the right choice for your next projects!

Introducing, Glendale - an extreme expanded sans family! Glendale is a basic sans font with unique lowercase form. With expanded lowercase, this font will standout and make a great choice for your next project! The important things is, you can access the special features with any software. You can use this font for any designs. Cool for logos and powerful for posters! With light, regular, and bold version, you can make your headline text more standout! This font also support Multi Language.

Skriva is the handwriting we'd all like to have: neat and legible, still natural looking. It as a super complete character set with support for over 200 latin languages. It includes advanced OpenType features, such as random alternate characters, to make it look even more natural. Skriva has 4 variants: light, regular, bold & inky. Use Skriva wherever you need a personal touch on your texts.

MONZO is Contemporary Fat Font comes with 2 styles ( Regular & Outline ) with corresponding italics. Perfect for Logotype, Head text, Displayed text, and many more). Support for 75+ Language.

A modern sans serif typeface inspired by the historic geometric’s of the 1920’s, specifically Futura. The design is not a simple pastiche of what went before this is much more than that. It is a close investigation to how Futura inspired other type designs like Avenir and helped push the boundary of what is a modern typeface of its generation. Overlaying perfect geometric shapes careful adjustment is made for each character and each corner to a point of balance between pure mathematics and optical correctness. The result is a distinctively modern geometric font family that is strikingly simple in design yet perfectly pleasing to the readers eye. Details include 550 characters with an alternative lowercase a, g and y, five variations of numerals, manually edited kerning and Opentype features.