Here's a refined version of Grange, released by Edinburgh's Miller & Richards foundry just around the turn of the twentieth century. A bit quirky with a lot of warmth. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

This is our name for Antique Tuscan, of which there were many variations. This font came from a large lot purchased around 1970 from an east coast newspaper shop. Subsequently, we acquired several more versions of the face, but this one had lowercase so we used it.

Neumatic compressed has a super compressed character set, increased cap height and tight kerning that combine to give you the ability to create large, beautiful and effective headlines and copy for your artwork. Neumatic Compressed packs punch when it comes to large copy lines and is perfect for posters, display copy, headlines in printed materials like magazines and books . The family comes in 8 weights from extra light to Black so it's versatile. Its extra light weight can give you some great height due to how narrow it is. Play around with the opentype Superscript with an underline or the Opentype stylistic sets which turns the default squared dots on i's, j's and punctuation to round dots.

It is not really a font, the are more icons. Based on a grid op seven squares al 127 possibilities – filled and unfilled. Use it decorative or just for fun. There is also a dotted version.

A chunky stamped font with lots of texture. Best used at large sizes for detail. "This font is heavy to load and may freeze or crash in some programs. Windows Users: You should avoid previewing it before installing it (do not double-click on the font file, but right-click > Install)"​

The inspiration source for MFC Phonograph Monogram is a vintage monogram specimen named “Kent” showing only a CBA sample. It was a style I could find no other reference for, but was desperate to recreate this record like styling of monogram. Finally, it all comes to life in MFC Phonograph Monogram. I even threw in a little dog and phonograph icons hidden in the font as decorative icons reminicent of old Victrola records. Phonograph Monogram supports two and three letter monograms, although the two letter style break from the circular record design and creates a zulu style shield design. MFC Phonograph Monogram uses the Ligatures feature, available in most OpenType savvy applications, such as Adobe Illustrator CS (see Fig. 1). The Ligatures feature is typically enabled automatically, but you may need to confirm this in your program if you are not certain. If any second lowercase letter typed does not automatically switch to form the right side of the rounded form, you do not have Ligatures enabled.

Rasteroids Old is a typographic flashback to computing of the early 1980s, when 7-pin dot-matrix printers were the state of the art, and most home computer displays were TVs hooked up to RF modulators. Rasteroids Old not only captures the dot-matrix printer look, but recreates the rasterized appearance of text on those lower-resolution monitors. Rasteroids Old is a fixed width font lacking any descenders. Furthermore, the character set is limited to the subset of US-ASCII that would be available on a typical machine of 1980. As such, it is not intended for large areas of copy.

This is a font that will fit in the "hard to read section" because it may not be super legible at first sight - that is because of the negative space. But when you combine the two layers (Layer and Box) the letter suddenly appears very legible! Play around with your favourite colour palette while adjusting the transparency in order for the colours to blend, giving a really nice handcrafted look! You have 4 different versions of each letter to play around with and of course there is multilingual support!

Inspired by bold and rounded typefaces on signs from the 1970s, Salsiccia can promote both your hot dog stand and your international toy store enterprise. Its boldness and roundness is combined with classical proportions, with wide letters — like the O — next to little nubby ones — like the T. This not only looks nice, but helps us even out the white spaces across words and sentences.

Punto Poly is the layered type system of Punto for cromatic typesetting. Endless effects can be created by 11 stackable layers and different colors. The dots of Punto Poly are not made up of grid-based dots, they are optical corrected and there is always the same distance between the dots, with the aim to create more harmonic letterforms. The dots also vary gradually in size to reflect the thickening and thinning of strokes, giving the letterforms a sophisticated overall look. Punto Poly comes up with 11 layer system and is perfectly suited for logos, posters, brands and magazines. The language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

The "Ma" in "Ma Braille" is used as a minimalist way to say "Negative Space". "Ma" in japanese arts is an "esthetical usage of emptiness". Thus this font explicits the negative space around visible braille dots in each glyph. A. Font user guide a.1. Lowercase glyphs { A..Z } In these glyphs, dots are represented as "black squares" while the negative space is displayed as 1 or 2 white filled polygons. a.2. Uppercase glyphs { a..z } In these glyphs, dots are represented as "white squares" while the negative space is displayed as 1 or 2 black filled polygons. a.3. Digits: they are just the same than a..j, but the "North US version" is also provided in ascii codes 0xE0..0xE4 (1..5) and 0xE7..0xEB (6..0). a.5. "Dashed Border": a.5.1. "Black dashed" border glyphs; { £, ¥, µ, Â, Ä, Ê, Ë, Î, Ï, Ô } a.5.2. "White dashed" border glyphs; { Ö, Õ, °, ô, ö, î, ï, û, u, õ } B. Posters Poster 1: "Font Logo" version 1, it displays "Ma Braille" text surrounded by the "black dashed border" glyphs. Poster 2: "Font Logo" version 2, it displays "MA" glyphs in big size and smaller "Braille" glyphs within "M" and within "A" as well. Poster 3: the classical pangram to test a font "The Quick Brown Fox jumps over the Lazy dog". Poster 4: Article 1 of the Human Rights: All human beings are born free and equal in dignity and rights. They are endowed with reason and conscience and should act towards one another in a spirit of brotherhood. Poster 5: the "Glyph set" (Border glyphs not included) with A..Z, a..z, digits and special characters.

Have you ever had to read text from a cheap dot-matrix printer which is not aligned quite right, so that the tops of the letters are either darker or lighter than the bottoms? Now with IrritationOne and IrritationTwo you can relive that experience even though you no longer use a dot-matrix printer. IrritationOne has dark tops and fading bottoms, while IrritationTwo has the opposite. Naturally both are monospaced.

Sausage is unapologetically bold and bulbous. Influenced by magnetic fridge letters, hot dogs and 70s phototype fonts, it is retro, but not cloyingly so. It was a deliberate plan to make Sausage only a single style typeface. The freedom that not having to think about how the font should relate to other weights allowed me to push the glyphs to places they might not otherwise have been able to go. There isn't a single corner in the entire font, and you'd be hard pushed to find a straight line. This is as soft and friendly as they come, and still equipped with numerous ligatures, alternates and arrows for sophisticated typography.

A modern blackletter typeface, designed by combining an old english style & modern style. It can be used for textbook, display text, headlines, logotype, and more. Within support by multilingual glyphs (characters), & lot of punctuations to support many people around the world with their unique languange and accent. Thank you very much.

The Adinkra name, by legend, comes from the King who was conquered by the Ashante people of Ghana. The king, Adinkra, wore wonderful patterned fabrics. Adinkra means “goodbye,” and the symbols were reserved for funeral garments. Today the symbols are part of the Ghana popular culture and around the world. You will find the symbols on everything from housing, clothing, to tattoos. These 100 symbols are accompanied by the Ghana name, a loose translation and what the symbol has come to represent. The meanings and symbols are by no means the complete list and some people do not use the exact same translations and meaning as you will find here. These are for casual use and not historical or anthropologically completely accurate.

Signage is not made up of grid-based dots. They are optical corrected and there is always the same distance between the dots, with the aim to create more harmonic letterforms. The dots also vary gradually in size to reflect the thickening and thinning of strokes, giving the letterforms a sophisticated overall look. Signage comes up with 3 weights and 3 italics and is perfectly suited for logos, brands, magazines and special for signage systems and mobile devices. The language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

PostScript fonts are constructed by connecting dots, dots that have special attributes that control the shape of the connecting lines. In designing Minimalist, I wanted to see how few dots could be used to construct each letter. This is the source of the name--it is (or was) a minimum-point alphabet. I did not expect much from it, and was surprised that it turned out as well as it did. Since I originally drew it, I have added some points to some of the letters to get them to generate proper bitmaps, so it no longer has minimum points.

Reyhan is a low contrast typeface that looks legible and clean in small sizes. On large sizes, it wraps the space around. Finely drawn negative spaces, neat and minimal shapes define Reyhan. Simple and clean lines give the typeface a solid and finished look. Reyhan is pure and powerful with well designed proportions. Different alternatives such as square dots, alternate /a /l /y /R /1 /6 /9, coverage of 94 Latin languages, various Opentype features, and 18 styles expand the usage area of ​​Reyhan, making it a versatile workhorse. With high-quality spacing, Reyhan looks good on all sizes, making it not only a valuable tool for graphic designers but also a total typeface solution for every person who communicates with type. Reyhan is a typeface designed to adapt requirements of modern and traditional communication. For more information please visit www.plantype.co

Wieldy crafted character Wieldy is a prime quality typeface rooted in the tradition of good craftsmanship, full of character and reach in details. Extended serifs, connected with dots, are just some design features this artisanal font can offer. Wieldy is based on the ahistoric forms developed by Central European Arts and Crafts movement. It is suitable for visual identities, packaging or book headings. The typeface’s x-height is around 72% of its capitals. The font is endowed with details, ligatures and special characters.

Hey guys, I'm really excited to introduce The Wayfaring Font Duo! A hand-painted set of fonts designed to add a rustic and whimsical charm to your design projects. It's rough around the edges and not without imperfections - but aren't we all? With distinctive bold & playful brush strokes, The Wayfaring Font Duo is ideal for your logo designs, product packaging, wedding designs, book covers, social media posts, merchandise & more. The awesome thing about this typeface duo is that it's so easy to mix up the various font styles and create totally unique, hand-made looking words each time. Not only are there 2 sets of upper & lowercase characters, there is also a unique 'all-caps' version - which not only looks great as a supporting font, but can also be combined with the regular Wayfaring font to give you even more layout options. I'm serious! Just throw a small-caps character in the middle of a word, it's really fun to play around with.

This typeface family is developed with the designer in mind. WBP Nel is a narrow sans serif with lots of options. The Regular consists of UPPERCASE and lowercase glyphs, beautiful kerning and a nice ampersand. All other styles are just uppercase and made to give your designs some extra flair. The Brickbuild is a playful, stencil version and the Dots (freebie) is a dotted typeface. The Light and Heavy version complement the Regular beautifully. These two also come with a display variant, the WBP Nel Stamped and WBP Nel Hypno. So you get lots of options to mix and match while designing awesome prints, posters, logo's, websites or identities.

Liam is a quirky hand-drawn serif font that bounces playfully around the baseline. Named after my young nephew, Liam’s cute cowlick curls and varying slants add childlike charm while retaining legibility, making it ideal for use in storybooks, toys, and other kids stuff. It includes 130 alternates and 52 adorable illustrations. See what’s included! http://bit.ly/2ci2MN0 *NOTE* Basic versions DO NOT include swashes, alternates or ornaments This font has been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

Ornata F is the sixth of a series of old ornaments that I am trying to save from oblivion. I am completely redesigning the ornaments from scratch. These ornaments have been designed around 1910, I could not find out by whom. This set is perfect to design flowery frames. Your digitizing typedesigning savior, Gert Wiescher

Brian Strysko, a graphic design student at California Polytechnic State University, came up with an idea for a typeface crafted from everyday gadgets and tools. After much poking around in do-it-yourself" books and friends' garages, Brian created Toolbox."

Yasuragi means ‘Peace of Mind’ or ‘Tranquility’ in Japanese. It is something I do not have a lot of since the corona lockdown…the ;-) Yasuragi is a handmade script font. It is quite neat, quite elegant and quite useful (in a tranquil, peace-of-mind kinda way). Yasuragi comes with double letter ligatures and all the diacritics you want.

I had a chat recently with a customer who is a big fan of lettering from the psychedelic poster era. The discussion got me thinking about poster lettering we hadn't yet made into fonts, and a particular sample from a Jimi Hendrix poster I had played around with but never finished making into a font. So I went back to the drawing board and the result is the new Hendrix font. Unlike many of our other Psychedelic fonts which are stripped down to their basic character forms, this font includes the outlines characteristic of a lot of poster lettering from that period. It also includes variant versions of a number of the characters

Argyle Rough was originally developed for a packaging campaign in the late 80s in my studio and sat around in various stages of completion until I decided to autotrace my original drawings. I liked the quirky roughness and decided that it did not detract from the charm of the original, in fact it improved it and saved me a whole lot of work. The original campaign called for a few additional alternate characters for use at either end and double in the middle of words, ee, ff, ll, ss etc and a stylized Th, always useful. I hope you enjoy Argyle Rough, named after the world’s largest diamond mine – a rough diamond, get it?

Mind Boggle was made during the renovation of our fixer upper farm house. We had to demolish an old annexe (because it was unsafe) and it caused us some stress, as one wrong movement of the excavator would mean at least a partial collapse of our home… Luckily the driver was a pro and it was mind boggling to see what he could do with a huge machine like that. Mind Boggling? Ah! Check! Mind Boggle is a handmade, all caps, headline font. It is a bit wobbly in places, but it comes with loads of character. The dotty style comes with thousands of hand made dots. They’re not perfect, they’re not even round, but they are unique!

For some reason I had Paul Simon’s song ‘You Can Call Me All’ in my head when I was busy working on this font, so I just had to call it Bonedigger. Bonedigger does not dig bones, but it does have ‘heavy bones’, as it is quite big. Bonedigger is seriously eroded and would look great on book covers and product packaging. It comes in a lovely regular and italic style and a seriously twisted inline style (with, of course, its own italic). As the song goes: With a knick-knack paddywhack, give the dog a bone, this old font came rolling home.

Punto is not made up of grid-based dots. They are optical corrected and there is always the same distance between the dots, with the aim to create more harmonic letterforms. The dots also vary gradually in size to reflect the thickening and thinning of strokes, giving the letterforms a sophisticated overall look. Punto comes up with 3 weights and 3 italics and is perfectly suited for logos, brands, magazines and special for signage systems and mobile devices. The language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages. The little sister of Punto is Punto Poly : A layered type system for cromatic typesetting.

Eunoia is an eye-popping, high-contrast, condensed, geometric, sans serif typeface. The family is not, as is usual, built around variance in weight or skew, but alternate letterforms. Eunoia is a system of six fonts with interchangeable characters. Use the fonts individually (each has a quite distinct personality), or mix and match to create eunique wordmarks.

Tall, thin, grid, legible and handmade! What's not to like?! The font was made using a squared paper as a base for the lines. However, I managed to keep the free spirit of the handmade look, despite the guides. Play around with the 4 different versions of each letter and the swashes to make your text stand out!

Coop Blackletter's core concept was to create a more friendly blackletter typeface by pulling together two very different sources of inspiration. The design is a synthesis of the rounded, affable features and heavier weight of Cooper Black with the underlying composition and calligraphic contrast of a Fraktur. It's kinda chunky, soft around the edges, and not entirely unreadable.

The Gadabuursi alphabet, also known as the Borama alphabet Borama is an alphabetic script for the Somali language. It was devised around 1933 by Sheikh Abdurahman Sheikh Nuur of the Gadabuursi clan. Though not as widely known as Osmanya, the other major orthography for transcribing Somali, Borama has produced a notable body of literature mainly consisting of qasidas.

ArchiType Rounded is not just the rounded version of the ArchiType font. The aim was to get a slightly different balance between the squareness and the roundness of the original font. Now with rounded endings, resulting in a smoother appearance. Every glyph is redesigned, around 70 glyphs have been added and kerning has been vastly improved.

Skorid is a geometric condensed sans serif font family, constructed only out of straight lines. Coming in 7 weights, regular and italic, from thin to black, you have a wide array of possibilities of using Skorid for any purpose you need. Skorid speaks around 70 languages, including Cyrillic. Contains a lot of alternative letters to boost your creativity.