Fun blocky typewriter-esque lettering.

The hand lettered title and credits for the 1937 film “Easy Living” (starring Jean Arthur and Edward Arnold) featured playful, casual Art Deco sans serif lettering. This became the working model for Nice and Easy JNL, which is available in both regular and oblique versions.

The font evokes a blocky and sketchy feel.

The font evokes a blocky and sketchy feel.

A neat blocky solid font for headlines. In two weights.

Newland is a blocky typeface inspired by Rudolf Koch’s calligraphic Neuland.

A rough blocky text of uneven thickness for use in general purposes.

A set of blocky shadowed outline capitals designed by Tom Carnase for ITC.

Ralph M. Unger, (Arno Drescher), 2006, (1936) Originally, Arabella Pro was designed by Arnold Drescher around 1936/1939. Drescher created this wonderful script for former Germany type foundry Joh. Wagner. The typeface has been redesigned, digitized, completed and expanded as OpenType Pro in the profonts studio.Arabella Pro comes in two versions, light and medium, each with a large selection of manually designed ligatures and alternates, i.e. swashed upper case to make this naturally flowing script design a perfect font for OTF-savvy applications like e.g. InDesign or Quark Xpress 7.Arabella Pro light and medium are perfect partners for any sans serif, especially for Futura. It is perfectly suited for anything in the area of headlines, posters, invitations etc. However, since it is very well legible, it can also be used individually for small text blocks.

A Blocky face with a slight hint of angularity. The Omnilots are a free addition to the set.

This adorable, blocky font features monster elements and fur on each letter. Great for Halloween or just fun projects for kids.

A geometric display font contains upper & lowercase characters, all punctuation and numerals. Fun and blocky, it has a contemporary but playful feel.

The ideal typeface for cartography The Swiss designer/typographer Felix Arnold designed Cisalpin during the late 1990s, after he had challenged himself to create a contemporary typeface that could be used for cartographic uses. Arnold came to the subject of cartographic typefaces after analyzing many maps and atlases, and discovering that there was no standard typeface for these types of documents. Like any good cartographic type, Cisalpin is very legible at small sizes. While he was drawing this typeface on his computer, Arnold used a reduction glass to refine his design, making it work in these situations. Cisalpin is a linear sans serif face, with slight resemblance to renaissance serif types. The various weights are all clearly differentiated from one another. And because space is often a premium on maps, Cisalpin runs narrow. Words close in around themselves to help them become more identifiable. The letterforms in Cisalpin are durable, and can maintain their readability when placed over complex backgrounds. They have open interior forms, flattened curves, tall x-heights, and a capital height that almost reaches the tops of the ascenders. Cisalpin also has pronounced Italics, with a very clear angle of inclination. Each letterform in the family has been optimized so that they cannot be easily mistaken for another. This again helps minimize the misunderstandings that often occur because of illegibility. Although Cisalpin was developed for use in cartography, it may be used for countless other purposes; any font that can work well in small sizes on a map could be used almost anywhere else!

Cardboard Cutouts JNL is a blocky sans serif font re-drawn from some old "kiddie" stencils from the 1950s or 1960s acquired by Jeff Levine.

Based on the popular VGC typeface designed by Ronald Arnholm in 1972.

Ugaritica is an uppercase typeface. Blocky, sharp, and aggressive. Nice for headlines to catch the attention. Ugaritica is available in two styles - regular and bold. Enjoy!

A blocky and bold geometric sans with inner angles and outer curves. No ascenders; lower case characters are as big as the upper case. Mix cases for variety.

Sarten is a modern all caps font with blocky shapes for display purpose. This font perfect for display purpose such as title. book cover, advertisement purposes, craft etc.

A revival of one of the popular wooden type fonts of the 19th century, suitable for display. It has curved sides, very short descenders, and curved, blocky serifs.

Rounded Block Display is a blocky san serif font perfect for headlines. Its clean facade and easy readability make this a great font to get your message across.