1,746 search results (0.031 seconds)
  1. Alien League - Unknown license
  2. Black Point by Sarid Ezra, $15.00
    Introducing, Black Point - Modern Font Duo | Stencil Serif & Signature Script Black Point is perfect combo fonts with modern stencil serif and signature script font. Contain two fonts, the delicate and stylish stencil serif and a free hand writing script. This font duo also support multilingual, number and symbol, with many ligatures in the signature script. You can use this font for any purpose and of course without trying to find the font pairing. This font perfect for branding, logo, fashionable design, magazine, and more.
  3. Berkut by Larin Type Co, $15.00
    Berkut This is a military font family inspired by the military and aviation style, including Six styles: regular, rough, printed, stencil, stencil rough, stencil printed. This font is a wide specialization, it will be an excellent option for creating projects in the military style in both modern and vintage versions. It is great for creating logos, labels, branding projects, magazines, mugs, flyers, posters and much more, and it is also perfectly readable in the text. This font is easy to use has OpenType features.
  4. Cygnus by JVB Fonts, $24.95
    A font face with cyber, spacial, and aerial connotations that offers a decisive futuristic and techno spirit. Available in two stylish versions, clear and rusty. With one alternate for lowercase /a/ and more diacritics and ligatures and extended range glyphs and more new stylish alternates, Cygnus can be used in titles and display text that require a futuristic and dynamic style. Recommended for games, presentations, or any graphic design pieces that reveal and need futuristic, techno, spacial, aerial and/or Sci-fi style.
  5. Canby JNL by Jeff Levine, $29.00
    Canby JNL is the "solid" version of Jeff Levine's stencil font Shipped JNL.
  6. Breach by Device, $39.00
    Beach is a geometric stencil font in two variants. Powerful, futuristic and unique.
  7. Educator JNL by Jeff Levine, $29.00
    Educator JNL joins the large library of Jeff Levine's stencil fonts and was re-drawn from a set of individual letter stencils with the distinctive look of Franklin Gothic. All of the irregularities of the original die-cut letter forms were left intact, giving a "real world" look to the font.
  8. Crème de la Rue by Benedict Herr, $39.00
    Crème de la Rue is an urban-art-influenced stencil font. Cut outs and spraying or painting in huge sizes are possible as well as display use for headlines or short paragraphs in mid and large scale. The Stencil cut is available with 246 glyphs, numbers, accents, arrows and ligatures.
  9. Futura Black by Bitstream, $39.99
    Josef Albers drew a stencil sanserif form at the Bauhaus in 1923 (published in 1926); Paul Renner and the Bauer design office made a similar design into a typeface in 1929, and rather confusingly included it in the Futura series. Many websites erroneously attribute the stencil design to Josef Albers, but there is no evidence that the two met or collaborated on Futura Black. In 1929 Josef Albers and Jan Tschichold corresponded on the “Transito” typeface (another very similar stencil typeface, while Paul Renner was working with Jan Tschichold.
  10. Boot Camp JNL by Jeff Levine, $29.00
    Boot Camp JNL has the same roots as Jeff Levine's Condensed Stencil JNL, as they were both modeled from a set of vintage brass interlocking stencils made by the Stafford Manufacturing Company. The previous font was drawn from limited examples of the stencils seen in an online photograph, so a number of the basic characters had to be improvised. Since then, a nearly complete set was obtained and the alphabet and numerals are truer to the original design. Additionally, both Regular and Oblique versions of Boot Camp JNL are available.
  11. HAZMAT by Little Fonts, $15.00
    Inspired by a love of geometry, combined with an obsession with all things stencil type! HAZMAT is a distinctive stencil, using angular characters to give the font an energetic look and feel. Created with the intention to be different from other stencils, the cut of the font has been designed to create eye catching and intriguing displays. HAZMAT works very well at small sizes for legible and detailed typesetting and is equally successful when used at bigger sizes for creating large format, powerful graphics. The font is available in two styles - Regular & Oblique.
  12. This Corrosion by K-Type, $20.00
    Distressed stencil font that looks wildly windswept, eaten away, or coarsely misprinted on fabric.
  13. Lynda by Sudtipos, $39.00
    Lynda is a post-modern, monoline rounded sans ideal for club flyers, music covers and fashion publications. The fonts were designed by Ariel Di Lisio and digitized by Alejandro Paul.
  14. High Cut by Palmer Type Company, $30.00
    High Cut came about by this found object I stumbled upon, while exploring an abandoned building, which had this word "High" cut out of it in a similar stencil design. I thought it would be a fun challenge to create an entire typeface inspired by this found object. Enjoy this new stencil typeface!
  15. Templit JNL by Jeff Levine, $29.00
    Templit JNL is one of a number of fonts modeled from actual lettering stencils by Jeff Levine. This one takes its style from a set of individual letters and numbers used for marking and identifying objects. Some of the letters and numbers have solid shapes rather than traditional stencil breaks in the characters.
  16. Stanzer by FaceType, $35.00
    Stanzer is an interpretation of wood type combined with the idea of modern stencils. Instead of cutting every letter, we are presenting an example of how a modern stencil typeface could look like, as we have come to the conclusion that almost every letter works without cutting it. Stanzer is a Unicase typeface, available in three OpenType weights: Black, Shadow and Block. Stanzer first started as part of our diploma 2010 (it was called Stanley at that time). The basic idea behind this typeface is that it is fully stencil usable, and, unlike other stencil fonts, does not require any bridges (except for the O and Q). Almost every letter can be sprayed without inserting planks. However, Stanzer also offers the display weight Block, which is only suitable for print or online usage.
  17. Marzo by Sudtipos, $39.00
    Marzo is a monoline, minimalist, modern typeface, that tries to take its forms to a state of natural purity, definitively elegant. Designed by Ariel Di Lisio and digitized by Alejandro Paul.
  18. Riot AF by Alien, $40.00
    Riot AF is a stencil display font made for a book about zombies and undeads.
  19. FP Palina by Fontpartners, $29.00
    FP Palina is a very simple and geometric, stencil typeface with a strong graphic design.
  20. BD Schablone by Typedifferent, $25.00
    BD Schablone is a bold, human stencil with an anticipation of the digital lcd display.
  21. Rural Route JNL by Jeff Levine, $29.00
    Rural Route JNL is a solid letter treatment of Jeff Levine's stencil font Templit JNL.
  22. Justine Handwriting by SoftMaker, $15.99
    Digitized handwriting fonts are a perfect way to give documents the “very special touch”. Invitations look simply better when handwritten than when printed in bland Arial or Times New Roman. Short handwritten notes look authentic and appealing. There are numerous occasions where handwritten text makes a better impression. “Justine Handwriting” is a beautiful typeface that mimics true handwriting closely. UseJustine Handwriting to create stunningly beautiful designs easily.
  23. Shoqwave by Alphabet Agency, $12.00
    Alphabet Agency proudly presents Shoqwave, a distressed stencil font. The font has been designed in a unique military stencil style with an awesome distressed effect. Shoqwave is great for use in war, crime, urban, and combat sports related themes. The font contains capital and alternative capital letters, numbers, punctuation and basic Latin international characters.
  24. Trencher JNL by Jeff Levine, $29.00
    Trencher JNL is based on hand-cut stencils spray-painted onto a vintage 1947 Cleveland Trencher acquired by the Marine Corps Mechanized Museum at Camp Pendleton, California. Restoration volunteer Brian Platzer supplied to Jeff Levine the images of the stencil markings - and they were quickly re-drawn and turned into a digital type face.
  25. Sulphur Springs NF by Nick's Fonts, $10.00
    In his compilation of stencil alphabets, Dan X. Solo called this one simply "Concave Stencil". Excellent for marking cases of whiskey or gunpowder, or for setting strikingly up-to-date headlines. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.
  26. CHE LIVES! - Unknown license
  27. SKULL TS 2 - Personal use only
  28. Commando - Unknown license
  29. BPpong - Unknown license
  30. BOODAS DREIECKE - Unknown license
  31. Adva Open MF by Masterfont, $59.00
    Highly legible single stroked stencil font family in 3 weights. Use for titles, signage, captions etc.
  32. AndrewAndyStencil by Ingrimayne Type, $12.95
    AndrewAndyStencil is a sans-serif, stencil font in two weights derived from the Ingrimayne font AndrewAndreas.
  33. Dex Gothic by Linotype, $29.99
    Dex Gothic is another sort of stencil type. Instead of the "normal" routine of blocked-out horizontal or vertical areas, Dex Gothic creates its stencil appearance through the unique placement of diagonals. The result is a technical-like appearance, which bears some resemblance to 1980s technology products. Dex Gothic should be used large in headlines or logos.
  34. Folsom JNL by Jeff Levine, $29.00
    Folsom JNL is one of the many stencil fonts Jeff Levine has recreated from original sources. This particular design was modeled from a kit made by the Meyercord Company of Chicago. In the original, some of the letters were solid rather than stencil forms, but Jeff gave all of the letters the traditional treatment for continuity.
  35. Attention Seeker by Hanoded, $15.00
    Attention Seeker does seek attention: it looks like a stencil font, and it sort of is, but it wasn’t made with stencils. It was made with a brush and ink on paper - just like that! Use Attention Seeker for your revolutionary posters, your books, your products or your posters, I am sure the end result will make heads turn.
  36. Raker by Wordshape, $20.00
    Raker is a science fiction-inspired geometric sans serif text typeface family with a humanist influence and solid spacing/kerning. Regular, Display, stencil, and display stencils versions are included. Think NASA. Think the Space Race. Think Geometric. Think “works with text, too.” Detailed spacing, Western and Eastern European language support, and automated ligatures. Think hidden glyphs.
  37. Diversa by DSType, $40.00
    Diversa is a typeface that takes a very different path from the most fonts, both in terms of appearance and usability. Diversa is a single typeface with 9 fonts within, containing 2760 glyphs*, divide in 9 stylistic sets, but the main difference is that all the glyphs are kerned with each other, which means you can swap glyphs between stylistic sets and keep them properly kerned - unbracketed serifs, bracketed serifs, engraved, stencil, sans, slab, baroque, stencil sans, stencil slab and a stylistic set that mixes them all in a rotative feature. Diversa: Because uniformity sucks! *requires applications which have Open Type access/features.
  38. Floorwalker JNL by Jeff Levine, $29.00
    On February 15, 1926, the Display Material Company of St. Paul Minnesota patented a sign making outfit consisting of a series of stencils in various sizes and styles, paints, brushes, instructions for use and all stored inside a convenient wooden case. Sold to any business in need of making many signs at low cost, this versatile stencil set enabled many a merchant to produce posters, show cards and price tags for pennies over what a commercial sign shop would charge. Floorwalker JNL is the digital version of one of these stencil fonts, solidified into a pre-Art Deco-era typeface.
  39. AnoStencil by Alias, $60.00
    Stencil typefaces are popular because they are striking and decorative, and their associations - whether Utility, Travel, Vernacular, etc - are evocative. Anostencil is developed from, but not exactly like, our Ano typeface. Ano’s geometric skeleton, tweaked a bit, allows for a level of abstraction while retaining legibility. Some of Ano’s characters, such as the a, e, f and r, have been amended to make clearer, more graphic shapes when the stencil design has been applied. Different application of the stencil gaps in the letters make functional but decorative and expressive linear forms. This is particularly evident in Anostencil’s extended character set which features codified, semi abstract shapes. So the stencil design in Anostencil has been applied in not necessarily the most logical or immediate way, but in a way that makes each letter a striking and graphic shape.
  40. Lettering Guide JNL by Jeff Levine, $29.00
    Lettering Guide JNL from Jeff Levine further continues his series of stencil fonts made from original sources.
Looking for more fonts? Check out our New, Sans, Script, Handwriting fonts or Categories
abstract fontscontact usprivacy policyweb font generator
Processing